The Alan Ford Mystery MEGAPACK®
Page 37
“I didn’t alter that will! This is man to man, now, Mr. Ford. I’m telling you the truth. I didn’t change that will, and Miss Vernon didn’t, either. I don’t know who did.”
“We’ll find that out. It won’t be a great surprise to learn the truth about that.”
“How do you know it won’t? Do you know who did the forgery?”
“I think so. Or perhaps there wasn’t any forgery. But go on, my dear boy, with your story. I told you, you know, I’ve not much time to give you.”
“All right. We talked about getting married, and I got awful mad and I said if Father didn’t stop his nonsense with her, I’d kidnap her and run away. And Natalie knew that if we did that, Dad would cut us both out of his will,—and she isn’t a bit mercenary, it wasn’t that.”
“What was it, then?”
“Why, only that we’re—why, hang it all, decent people don’t do those things.”
“Decent people don’t commit murder, either,” said Ford, very gravely.
“No, I know that. Well, Natalie begged me not to quarrel with father,—said she could manage him herself. And I thought she meant by being sweet to him, and all that, and I got mad at her, and—I walked off and left her there.”
“Without a word?”
“No. I told her I was going to give the dogs a run. I was going to, too, but as I walked away, I fell a-thinking, and I just strolled round the place alone.”
“Whom did you see?”
“Nobody at all. Maybe Courtenay or Mr. Wadsworth or some of those people passed me, I don’t know. I was just thinking about Natalie, and then Halpin came running out and told me to come in the house, my father was ill.”
“And you went right in?”
“Yes, and when I saw what had happened, I felt afraid Natalie had killed him—and I ran out and tried to make the window frame look as if a burglar had broken in. I suppose it was foolish.”
“It certainly was. But I don’t blame you. It was natural to try to shield the girl you loved from possible suspicion.”
“Possible suspicion! If you had seen the situation! There were the two women, both shivering with fear and terror, and there was the dead or dying man between them! Why, Mr. Ford, it wasn’t suspicion, it was certainty that one or the other had stabbed him!”
“And why have you changed your mind since?”
“Partly because of that clairvoyant person. I don’t believe in those things, but—well—do you?”
“I do not. But I can see how she would turn suspicion away from the two women in question. Who sent for the clairvoyant?”
“Mrs. Stannard did, but, first, the Priestess, as she likes to be called, wrote and asked for a séance.”
“She did! How did she know she was wanted?”
“She didn’t know. Said she read about the case, and got interested.”
“Ah, a professional medium.”
“She said not. Said she only offers to help in cases that appeal especially to her.”
“H’m. Well, then she turned all your thoughts toward Mr. Courtenay, I am told.”
“But she didn’t intend to. I mean, she described a man who entered the room, and who stabbed my father, but it was Bobsy Roberts’ questions that made anybody think of Eugene Courtenay.”
“How?”
“Oh, he kept saying, Bobsy did, ‘Has he a pointed beard?’ and ‘is he tall and dark?’ and such leading hints. The woman said ‘Yes’ every time, but I don’t believe she knew what she was talking about.”
“And her mysterious reading of those sealed papers? You see, I know all the main facts, I just want your opinions.”
“Well, you’ve got me there! That woman had to read those by supernatural power, because there’s no other explanation. I know a bit about legerdemain and parlour magic and there was no opportunity whatever for any trickery. We wrote the things, sealed them, Bobsy Roberts collected them and handed them to her. Then in the same instant he switched off the light, and it wasn’t half a minute before she was reading them aloud to us.”
“In the dark?”
“Absolutely dark. And she hadn’t moved from her chair, for her voice came from the place she was sitting.”
“Ventriloquism?”
“Oh, no. Not a chance. Anyway, where could she go to have a light? The studio doors were all closed, and—why, of course, she didn’t leave her chair, for when Bobsy switched on the light, suddenly, there she sat, eyes closed, hands quiet, composed and unruffled. No, sir, there’s no explanation for that reading business but honest-to-goodness second sight! And, she gave us back our envelopes intact, seals unbroken.”
“Well, but, Mr. Stannard, if she had power to do all that, and I don’t doubt your word in the least particular, isn’t it strange that she couldn’t see exactly who that murderer was?”
“Suppose it was some one she didn’t know?”
“But oughtn’t her powers of second sight, if she has such, reveal to her the identity of the man? She didn’t know what was in your envelopes, but she told you. Why didn’t her supernatural powers inform her the man’s name?”
“I don’t know, Mr. Ford. I’m only telling you what I saw and heard.”
“That’s all I want.” And after a short further conversation, Alan Ford dismissed Barry and asked Mrs. Stannard to come to him next.
“It will be hard for you, I know,” he said gently, as he placed a chair for her, “but I want you to tell me just what occurred at the time of Mr. Stannard’s death. Tell only your own part, only what you, yourself, did or saw.”
“You suspect I killed my husband?” said Joyce, in a choking whisper.
“It will depend on your story, what I suspect. Do not be afraid and do not distrust me, Mrs. Stannard. I want to help you, in any case. Whatever the truth, I can help you, and I want to assure you of that.”
The infinite gentleness of his tone, the kind light in his eyes and the utter sympathy evident in his whole manner reassured Joyce, and in a low voice she began.
“I have told it so many times, I know it by heart. I was in the Billiard Room with Mr. Courtenay. I will not explain or defend the fact that I was there alone with him, but merely state that I was. He left me, and as I was heartsick over my own private and personal affairs, I buried my head in a sofa-cushion and cried. Not a real crying spell of sobs and tears, but an emotion which I endeavoured to restrain or control that I might meet others without causing comment. As I bowed my head there, I am positive I heard my husband talking to some woman.”
“Miss Vernon?”
“I thought so at first, now I am not sure it was she.”
“Mrs. Faulkner?”
“Oh, no. She was in the Drawing Room at the other end of the house. No, it must have been either my imagination or some woman who had somehow entered and who afterward disappeared.”
“Go on.”
“I heard him say, or I thought I did, that she could have the emeralds, but he refused to marry her.”
“Yes,” a little impatiently. “I know about that. Tell me what happened.”
“Then I heard a strange, gasping sound, and I rushed in——”
“Was the room light then?”
“No, dark. The light went out that instant or a moment before. I pushed in, and I heard a sound opposite—on the other side of the room. At first, I thought it was my husband, but it was a quick, frightened breathing, and then the light flashed on and I saw it was Miss Vernon, huddled against the wall—no, against a small table, and looking scared to death. Do you wonder that I thought she had done something wrong? For just then I caught sight of my husband, stabbed, dying—oh, I knew in that first glance that he had been murdered. Then, I saw Blake and Mrs. Faulkner at the other end of the room. They were shocked and frightened, too, but I paid no attention to them, I looked right back to Eric. And he—well, the footman did ask him who did it—and he raised his hand and said ‘Neither Natalie nor Joyce.’”
“Are you sure that’s what he said?”
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“I am sure now. At the time he said it, he spoke so thickly I could scarcely understand him, and I thought he said ‘Natalie, not Joyce.’ But we had a clairvoyant here, and she said he said ‘nor’ and then I realized at once that that was what he did say!”
“Meaning, of course, that you two women were innocent, and that some other hand had struck the blow?”
“Yes, that was what he meant.”
“And, do you not think, Mrs. Stannard, that he would have said that to shield you both, even if one had been guilty?”
Joyce Stannard turned white. “I—I never thought of that,” she stammered. “Perhaps he would.”
“But you feel sure, at this moment, that it was not Miss Vernon who killed your husband?”
Joyce looked utterly miserable. Her eyes were frightened like those of a hunted animal. But she said, bravely, “I feel sure of that, Mr. Ford. Miss Vernon is not one who could do such a thing.”
“She doesn’t seem to be. Will you go now, Mrs. Stannard, and please send Miss Vernon in here?”
Joyce went slowly out of the studio, and in a moment Natalie Vernon came in.
“Am I afraid of you?” she asked, as she sat facing Alan Ford. “Need I be?”
Her questions were not prompted by coquetry, that was evident. Her tone was serious, and she looked at the detective wistfully.
“No, Miss Vernon,” he answered, seriously, “you have no reason to be afraid of me, but I will tell you frankly, you have great reason to fear the consequences if you tell me anything but the exact truth. Pardon me, if that seems a rude speech, but great issues are at stake and prevarication on your part to the slightest degree would baffle all my plans and hopes.”
“I will tell the truth,” Natalie sighed, “so far as I know it. But sometimes it’s very hard to be sure of what is true.”
“Yes, I know it. Now, Miss Vernon, just one word about the time and scene of the crime. When you came into the studio, because you heard—what did you hear?”
Alan Ford’s manner was calculated to set the nervous girl at her ease, and his kindliness made her calm and un-self-conscious.
“I heard Eric moan.”
“Did you know at once it was Mr. Stannard?”
“Oh, yes. It sounded like him, and I suppose he was in there.”
“What did you think ailed him?”
“I don’t believe I thought of that. I just heard the curious gasping sound, as of somebody choking, and I ran in. I didn’t think,—I only wondered what was the trouble.”
“And when you entered the room was it light or dark?”
“Honestly, I don’t know, Mr. Ford. I’ve been so quizzed and questioned about it, that I can’t seem to remember clearly.”
“But the lights went out?”
“Yes, just as I entered, or a minute before.”
“Well, then, what was the first thing you saw?”
“Must I tell that?”
“Yes, and truly.”
“Then, the first thing I saw, as the light flashed on,—and it rather blinded me at first, you know. You see, I had been sitting on the Terrace, which was almost dark, then I entered the dark room, and so when the light came suddenly, it dazzled me, and I naturally looked straight ahead of me. I saw Mrs. Stannard, behind her husband, and near the Billiard Room door.”
“As if she had just come in from that room?”
“I think so,—now. I didn’t think so then. I thought she had killed him, and had sort of stepped back, you know——”
“Why did you change your mind?”
“Oh, because of Madame Orienta. Haven’t you heard about her? She cleared up the mystery as far as Joyce,—Mrs. Stannard and I are concerned.”
“Yes, I’ve heard all about her. You believe in her supernatural powers?”
“Oh, yes. Only I don’t use that word. I call them psychic powers.”
“But it was supernatural to read the sealed messages as she did?”
“Well, I suppose it was. I suppose clairvoyance is supernatural, but we psychics prefer other terms. You know I’m a psychic.”
“Ah, is that so? And you can read sealed messages in the dark?”
“No, indeed, I can’t. I wish I could. But perhaps I shall be able to some day. I can—Mr. Ford, you believe me, don’t you?”
Natalie looked at him, and a slight flush came to her pale cheek as she saw his slightly quizzical expression.
“Miss Vernon, I believe all you’ve said, so far. I want to continue my confidence in your statements, so please be very careful not to exaggerate or over-colour the least mite. Now, just to what extent do you know you’re a psychic? Not imagine or hope or think, but know.”
“Well, I only know that I’ve heard the voice of Mr. Stannard’s spirit since his death, as clearly as I heard his mortal voice that night he died.”
“You are sure of this?”
“I am sure, Mr. Ford.”
“Tell me the exact circumstances.”
CHAPTER XIX
Ford’s Day
“Mrs. Stannard and I were alone, here in the studio——”
“Where was Mr. Stannard?”
“I don’t know. He wasn’t in the house.”
“Was Mrs. Faulkner?”
“Yes, but she wouldn’t stay here with us. She doesn’t approve of any of these psychic investigations, but she doesn’t say much against them, out of respect to Mrs. Stannard’s and my wishes.”
“Go on.”
Natalie told the story of hearing faint groans, as of a dying man, and of the sudden extinguishing of the lights.
“One moment, Miss Vernon. When the lights went out, the room was quite still, was it not?”
“Deathly silent, Mr. Ford. Joyce and I were breathless, listening for further sounds of any sort.”
“And, tell me, did you hear the click of the switch as the light went out?”
“Yes, I did. I heard it distinctly.”
“And did that mean nothing to you?”
“Why, what could it mean?”
“It meant, Miss Vernon, that the light was switched off by a mortal,—flesh and blood hand. Had it been supernaturally extinguished there would have been no sound.”
“I heard it,—I’m sure I heard it. But I think the spirit of Mr. Stannard haunts the whole room, and it was he who turned the light off.”
“By means of a material switch?”
Natalie looked a little uncertain. Varying expressions passed over her face as she thought it out. Then she said, “Don’t spirits ever use material means?”
“Not to my individual knowledge,” returned Alan Ford gravely. “I fear, Miss Vernon, your belief in the spiritual influences at work in this affair is about to be rudely shattered. Now, did you hear any other sound,—a click or thud,—after the light went out?”
“No. You see, Joyce,—Mrs. Stannard jumped right up and ran across the room and turned on the light.”
“Turned it on? It had been really turned off, then?”
“Oh, yes. And she turned it on. Then she opened the door and Blake was in the hall, where he belonged. He had seen no one and had heard nothing.”
“I must have a chat with Blake. And Mrs. Faulkner, she knew nothing of it all?”
“Not till Mrs. Stannard told her. She ran at once to Mrs. Faulkner’s room——”
“Where is that room?”
“At the other end of the house, on the third floor. And there she found Mrs. Faulkner writing letters. And Mrs. Stannard told her and they came down stairs together. Well, and after Mrs. Stannard left the room, of course, I looked around, and there was the case of jewels on the table.”
“Where did they come from? How did they get there?”
“The spirit of Mr. Stannard placed them there,” said Natalie, solemnly. “You may scoff, Mr. Ford, you may suspect Blake of being mixed up in it, but you’re all wrong. The studio doors were locked——”
“While you and Mrs. Stannard were in there?”
 
; “Yes, I locked them myself. All three. There are but three, you know. See, the one to the front hall, the outside one to the Terrace and the one to the Billiard Room. I locked them, and the windows were fastened too. Nobody mortal could have come into that room.”
“So it would seem. Now, who else has these leanings toward spirit forces beside you? Who sent for the clairvoyant lady?”
“Nobody. That is, she wrote herself to Mrs. Stannard, asking if she might come.”
“You liked her? You believed in her?”
“In Orienta? Oh, yes. She is not an ordinary person,—I mean she is refined, educated, cultured,—as correct in every way as we are ourselves. She’s not a professional medium, you know.”
“I know. And did Mr. Barry Stannard want her to come?”
“No; he strongly opposed it.”
“And Mrs. Faulkner?”
“She deferred to Mrs. Stannard’s wishes. But she had no faith in her. Of course, after Orienta read the sealed letters, Mrs. Faulkner had to believe in that, she couldn’t well help it.”
“No. Now, Miss Vernon, when you heard the groan or sigh as if the spirit of Mr. Stannard were expressing itself, where did the sound come from?”
“It seemed to come from that chair,—the chair he died in. Joyce and I sat facing it——”
“Your backs to the hall door, then?”
“Yes, but nobody could open that door, it was locked. Mrs. Stannard unlocked it when she ran out of the room.”
“You’re sure of this?”
“Positive. We’ve gone over the scene a dozen times or more.”
“That seems to let Blake out, doesn’t it? Well, that’s all for the present, Miss Vernon, and thank you for your courteous attention. Now, there’s no one to interview but the servants.”
“Mrs. Faulkner? She expects you to talk to her, I think.”
“What could she tell me? She wasn’t in this part of the house at the spiritual séance, and as to the moment of the crime, she tells no more than Blake. However, I’ll see her for a brief interview. It’s always well to get all the accounts possible.”
Natalie left the studio, and in a few moments Beatrice Faulkner came in.
“Just a question or two, Mrs. Faulkner,” said Ford, “I know you people are all nearly distraught with these strange and sudden developments. But, tell me, what do you think of Miss Vernon’s story of the spirit manifestations in this room?”