Collected Works of Eugène Sue

by Eugène Sue

  “It is growing less, I think,” said the marshal, in order not to agitate his father.

  “Pierre,” said the old man, in a weak and broken voice, “I have not long to live.”

  “Father—”

  “Let me speak, child; if I can but tell you all.”

  “Sir,” said Baleinier piously to the old workman, “heaven may perhaps work a miracle in your favor; show yourself grateful, and allow a priest—”

  “A priest! Thank you, sir — I have my son,” said the old man; “in his arms, I will render up my soul — which has always been true and honest.”

  “You die?” exclaimed the marshal; “no! no!”

  “Pierre,” said the old man, in a voice which, firm at first, gradually grew fainter, “just now — you ask my advice in a very serious matter. I think, that the wish to tell you of your duty — has recalled me — for a moment — to life — for I should die miserable — if I thought you in a road unworthy of yourself and me. Listen to me, my son — my noble son — at this last hour, a father cannot deceive himself. You have a great duty to perform — under pain — of not acting like a man of honor — under pain of neglecting my last will. You ought, without hesitation—”

  Here the voice failed the old man. When he had pronounced the last sentence, he became quite unintelligible. The only words that Marshal Simon could distinguish, were these: “Napoleon II. — oath — dishonor — my son!”

  Then the old workman again moved his lips mechanically — and all was over. At the moment he expired, the night was quite come, and terrible shouts were heard from without, of “Fire! Fire!” The conflagration had broken out in one of the workshops, filled with inflammable stuff, into which had glided the little man with the ferret’s face. At the same time, the roll of drums was heard in the distance, announcing the arrival of a detachment of troops from town.

  During an hour, in spite of every effort, the fire had been spreading through the factory. The night is clear, cold, starlight; the wind blows keenly from the north, with a moaning sound. A man, walking across the fields, where the rising ground conceals the fire from him, advances with slow and unsteady steps. It is M. Hardy. He had chosen to return home on foot, across the country, hoping that a walk would calm the fever in his blood — an icy fever, more like the chill of death. He had not been deceived. His adored mistress — the noble woman, with whom he might have found refuge from the consequences of the fearful deception which had just been revealed to him — had quitted France. He could have no doubt of it. Margaret was gone to America. Her mother had exacted from her, in expiation of her fault, that she should not even write to him one word of farewell — to him, for whom she had sacrificed her duty as a wife. Margaret had obeyed.

  Besides, she had often said to him: “Between my mother and you, I should not hesitate.”

  She had not hesitated. There was therefore no hope, not the slightest; even if an ocean had not separated him from Margaret, he knew enough of her blind submission to her mother, to be certain that all relations between them were broken off forever. It is well. He will no longer reckon upon this heart — his last refuge. The two roots of his life have been torn up and broken, with the same blow, the same day, almost at the same moment. What then remains for thee, poor sensitive plant, as thy tender mother used to call thee? What remains to console thee for the loss of this last love — this last friendship, so infamously crushed? Oh! there remains for thee that one corner of the earth, created after the image of thy mind that little colony, so peaceful and flourishing, where, thanks to thee, labor brings with it joy and recompense. These worthy artisans, whom thou hast made happy, good, and grateful, will not fail thee. That also is a great and holy affection; let it be thy shelter in the midst of this frightful wreck of all thy most sacred convictions! The calm of that cheerful and pleasant retreat, the sight of the unequalled happiness of thy dependents, will soothe thy poor, suffering soul, which now seems to live only for suffering. Come! you will soon reach the top of the hill, from which you can see afar, in the plain below, that paradise of workmen, of which you are the presiding divinity.

  M. Hardy had reached the summit of the hill. At that moment the conflagration, repressed for a short time, burst forth with redoubled fury from the Common Dwelling-house, which it had now reached. A bright streak, at first white, then red, then copper-colored, illuminated the distant horizon. M. Hardy looked at it with a sort of incredulous, almost idiotic stupor. Suddenly, an immense column of flame shot up in the thick of a cloud of smoke, accompanied by a shower of sparks, and streamed towards the sky, casting a bright reflection over all the country, even to M. Hardy’s feet. The violence of the north wind, driving the flames in waves before it, soon brought to the ears of M. Hardy the hurried clanging of the alarm-bell of the burning factory.

  (35) We wish it to be understood, that the necessities of our story alone have made the Wolves the assailants. While endeavoring to paint the evils arising the abuse of the spirit of association, we do not wish to ascribe a character of savage hostility to one sect rather than to the other to the Wolves more than to the Devourers. The Wolves, a club of united stone-cutters, are generally industrious, intelligent workmen, whose situation is the more worthy of interest, as not only their labors, conducted with mathematical precision, are of the rudest and most wearisome kind, but they are likewise out of work during three or four months of the year, their profession being, unfortunately, one of those which winter condemns to a forced cessation. A number of Wolves, in order to perfect themselves in their trade, attend every evening a course of linear geometry, applied to the cutting of stone, analogous to that given by M. Agricole Perdignier, for the benefit of carpenters. Several working stone-cutters sent an architectural model in plaster to the last exhibition.

  CHAPTER VI. THE GO-BETWEEN.

  A FEW DAYS have elapsed since the conflagration of M. Hardy’s factory. The following scene takes place in the Rue Clovis, in the house where Rodin had lodged, and which was still inhabited by Rose-Pompon, who, without the least scruple, availed herself of the household arrangements of her friend Philemon. It was about noon, and Rose-Pompon, alone in the chamber of the student, who was still absent, was breakfasting very gayly by the fireside; but how singular a breakfast! what a queer fire! how strange an apartment!

  Imagine a large room, lighted by two windows without curtains — for as they looked on empty space, the lodger had fear of being overlooked. One side of this apartment served as a wardrobe, for there was suspended Rose-Pompon’s flashy costume of debardeur, not far from the boat-man’s jacket of Philemon, with his large trousers of coarse, gray stuff, covered with pitch (shiver my timbers!), just as if this intrepid mariner had bunked in the forecastle of a frigate, during a voyage round the globe. A gown of Rose Pompon’s hung gracefully over a pair of pantaloons, the legs of which seemed to come from beneath the petticoat. On the lowest of several book-shelves, very dusty and neglected, by the side of three old boots (wherefore three boots?) and a number of empty bottles, stood a skull, a scientific and friendly souvenir, left to Philemon by one of his comrades, a medical student. With a species of pleasantry, very much to the taste of the student-world, a clay pipe with a very black bowl was placed between the magnificently white teeth of this skull; moreover, its shining top was half hidden beneath an old hat, set knowingly on one side, and adorned with faded flowers and ribbons. When Philemon was drunk, he used to contemplate this bony emblem of mortality, and break out into the most poetical monologues, with regard to this philosophical contrast between death and the mad pleasures of life. Two or three plaster casts, with their noses and chins more or less injured, were fastened to the wall, and bore witness to the temporary curiosity which Philemon had felt with regard to phrenological science, from the patient and serious study of which he had drawn the following logical conclusion: — That, having to an alarming extent the bump of getting into debt, he ought to resign himself to the fatality of this organization, and accept the inconvenience of
creditors as a vital necessity. On the chimney-piece, stood uninjured, in all its majesty, the magnificent rowing-club drinking-glass, a china teapot without a spout, and an inkstand of black wood, the glass mouth of which was covered by a coat of greenish and mossy mould. From time to time, the silence of this retreat was interrupted by the cooing of pigeons, which Rose-Pompon had established with cordial hospitality in the little study. Chilly as a quail, Rose-Pompon crept close to the fire, and at the same time seemed to enjoy the warmth of a bright ray of sunshine, which enveloped her in its golden light. This droll little creature was dressed in the oddest costume, which, however, displayed to advantage the freshness of her piquant and pretty countenance, crowned with its fine, fair hair, always neatly combed and arranged the first thing in the morning. By way of dressing-gown, Rose-Pompon had ingeniously drawn over her linen, the ample scarlet flannel shirt which belonged to Philemon’s official garb in the rowing-club; the collar, open and turned down, displayed the whiteness of the young girl’s under garment, as also of her neck and shoulders, on whose firm and polished surface the scarlet shirt seemed to cast a rosy light. The grisette’s fresh and dimpled arms half protruded from the large, turned-up sleeves; and her charming legs were also half visible, crossed one over the other, and clothed in neat white stockings, and boots. A black silk cravat formed the girdle which fastened the shirt round the wasp-like waist of Rose-Pompon, just above those hips, worthy of the enthusiasm of a modern Phidias, and which gave to this style of dress a grace very original.

  We have said, that the breakfast of Rose-Pompon was singular. You shall judge. On a little table placed before her, was a wash-hand-basin, into which she had recently plunged her fresh face, bathing it in pure water. From the bottom of this basin, now transformed into a salad-bowl, Rose Pompon took with the tips of her fingers large green leaves, dripping with vinegar, and crunched them between her tiny white teeth, whose enamel was too hard to allow them to be set on edge. Her drink was a glass of water and syrup of gooseberries, which she stirred with a wooden mustard-spoon. Finally, as an extra dish, she had a dozen olives in one of those blue glass trinket-dishes sold for twenty-five sous. Her dessert was composed of nuts, which she prepared to roast on a red-hot shovel. That Rose-Pompon, with such an unaccountable savage choice of food, should retain a freshness of complexion worthy of her name, is one of those miracles, which reveal the mighty power of youth and health. When she had eaten her salad, Rose-Pompon was about to begin upon her olives, when a low knock was heard at the door, which was modestly bolted on the inside.

  “Who is there?” said Rose-Pompon.

  “A friend — the oldest of the old,” replied a sonorous, jovial voice. “Why do you lock yourself in?”

  “What! is it you, Ninny Moulin?”

  “Yes, my beloved pupil. Open quickly. Time presses.”

  “Open to you? Oh, I dare say! — that would be pretty, the figure I am!”

  “I believe you! what does it matter what figure you are? It would be very pretty, thou rosiest of all the roses with which Cupid ever adorned his quiver!”

  “Go and preach fasting and morality in your journal, fat apostle!” said Rose — Pompon, as she restored the scarlet shirt to its place, with Philemon’s other garments.

  “I say! are we to talk much longer through the door, for the greater edification of our neighbors?” cried Ninny Moulin. “I have something of importance to tell you — something that will astonish you—”

  “Give me time to put on my gown, great plague that you are!”

  “If it is because of my modesty, do not think of it. I am not over nice. I should like you very well as you are!”

  “Only to think that such a monster is the favorite of all the churchgoers!” said Rose-Pompon, opening the door as she finished fastening her dress.

  “So! you have at last returned to the dovecot, you stray girl!” said Ninny Moulin, folding his arms, and looking at Rose-Pompon with comic seriousness. “And where may you have been, I pray? For three days the naughty little bird has left its nest.”

  “True; I only returned home last night. You must have called during my absence?”

  “I came, every day, and even twice a day, young lady, for I have very serious matters to communicate.”

  “Very serious matters? Then we shall have a good laugh at them.”

  “Not at all — they are really serious,” said Ninny Moulin, seating himself. “But, first of all, what did you do during the three days that you left your conjugal and Philemonic home? I must know all about it, before I tell you more.”

  “Will you have some olives?” said Rose-Pompon, as she nibbled one of them herself.

  “Is that your answer? — I understand! — Unfortunate Philemon!”

  “There is no unfortunate Philemon in the case, slanderer. Clara had a death in her house, and, for the first few days after the funeral she was afraid to sleep alone.”

  “I thought Clara sufficiently provided against such fears.”

  “There you are deceived, you great viper! I was obliged to go and keep the poor girl company.”

  At this assertion, the religious pamphleteer hummed a tune, with an incredulous and mocking air.

  “You think I have played Philemon tricks?” cried Rose-Pompon, cracking a nut with the indignation of injured innocence.

  “I do not say tricks; but one little rose-colored trick.”

  “I tell you, that it was not for my pleasure I went out. On the contrary — for, during my absence, poor Cephyse disappeared.”

  “Yes, Mother Arsene told me that the Bacchanal-Queen was gone on a journey. But when I talk of Philemon, you talk of Cephyse; we don’t progress.”

  “May I be eaten by the black panther that they are showing at the Porte Saint-Martin if I do not tell you the truth. And, talking of that, you must get tickets to take me to see those animals, my little Ninny Moulin! They tell me there never were such darling wild beasts.”

  “Now really, are you mad?”

  “Why so?”

  “That I should guide your youth, like a venerable patriarch, through the dangers of the Storm-blown Tulip, all well and good — I ran no risk of meeting my pastors and masters; but were I to take you to a Lent Spectacle (since there are only beasts to be seen), I might just run against my sacristans — and how pretty I should look with you on my arm!”

  “You can put on a false nose, and straps to your trousers, my big Ninny; they will never know you.”

  “We must not think of false noses, but of what I have to tell you, since you assure me that you have no intrigue in hand.”

  “I swear it!” said Rose-Pompon, solemnly, extending her left hand horizontally, whilst with her right she put a nut into her mouth. Then she added, with surprise, as she looked at the outside coat of Ninny Moulin, “Goodness gracious! what full pockets you have got! What is there in them?”

  “Something that concerns you, Rose-Pompon,” said Dumoulin, gravely.

  “Me?”

  “Rose-Pompon!” said Ninny Moulin, suddenly, with a majestic air; “will you have a carriage? Will you inhabit a charming apartment, instead of living in this dreadful hole? Will you be dressed like a duchess?”

  “Now for some more nonsense! Come, will you eat the olives? If not, I shall eat them all up. There is only one left.”

  Without answering this gastronomic offer, Ninny Moulin felt in one of his pockets, and drew from it a case containing a very pretty bracelet, which he held up sparkling before the eyes of the young girl.

  “Oh! what a sumptuous bracelet!” cried she, clapping her hands. “A green-eyed serpent biting his tail — the emblem of my love for Philemon.”

  “Do not talk of Philemon; it annoys me,” said Ninny Moulin, as he clasped the bracelet round the wrist of Rose-Pompon, who allowed him to do it, laughing all the while like mad, and saying to him, “So you’ve been employed to make a purchase, big apostle, and wish to see the effect of it. Well! it is charming!”

  “Rose-Pompon
,” resumed Ninny Moulin, “would you like to have a servant, a box at the Opera, and a thousand francs a month for your pin-money?”

  “Always the same nonsense. Get along!” said the young girl, as she held up the bracelet to the light, still continuing to eat her nuts. “Why always the same farce, and no change of bills?”

  Ninny Moulin again plunged his hand into his pocket, and this time drew forth an elegant chain, which he hung round Rose-Pompon’s neck.

  “Oh! what a beautiful chain!” cried the young girl, as she looked by turns at the sparkling ornament and the religious writer. “If you chose that also, you have a very good taste. But am I not a good natured girl to be your dummy, just to show off your jewels?”

  “Rose-Pompon,” returned Ninny Moulin, with a still more majestic air, “these trifles are nothing to what you may obtain, if you will but follow the advice of your old friend.”

  Rose began to look at Dumoulin with surprise, and said to him, “What does all this mean, Ninny Moulin? Explain yourself; what advice have you to give?”

  Dumoulin did not answer, but replunging his hand into his inexhaustible pocket, he fished up a parcel, which he carefully unfolded, and in which was a magnificent mantilla of black lace. Rose-Pompon started up, full of new admiration, and Dumoulin threw the rich mantilla over the young girl’s shoulders.

  “It is superb! I have never seen anything like it! What patterns! what work!” said Rose-Pompon, as she examined all with simple and perfectly disinterested curiosity. Then she added, “Your pocket is like a shop; where did you get all these pretty things?” Then, bursting into a fit of laughter, which brought the blood to her cheeks, she exclaimed, “Oh, I have it! These are the wedding-presents for Madame de la Sainte-Colombe. I congratulate you; they are very choice.”

  “And where do you suppose I should find money to buy these wonders?” said Ninny Moulin. “I repeat to you, all this is yours if you will but listen to me!”