Enter a Murderer

by Ngaio Marsh

  "Was it something to do with your sense of smell?"

  "My God!" whispered Gardener.

  "Thank you," said Alleyn.

  Gardener and Nigel stared at him. Gardener began to laugh hysterically.

  "Proper detective stuff. 'This man is clever.' Actor-proof part."

  "Be quiet," said Alleyn. "I don't want any more histrionics. I'm sick of scenes, Mr. Gardener."

  "Sorry."

  "So I should hope. Now this revolver. I understand it belonged to your brother. How long have you had it, please?"

  "Ever since he died."

  "Had you any ammunition?"

  "I gave Props the cartridges he turned into dummies."

  "Any more at home?"

  "No, couldn't find any more. Just the six that were in it. Oh, I supplied everything."

  "What did you do after you ran into the man in the dark offstage?"

  "Swore and rubbed my foot. It was still hurting when the lights went up."

  "Did you go anywhere near the desk that was standing on the stage—almost in the wings?"

  "I've no idea. I suppose I must have done so. You mean the desk that—the cartridges were in. It must have been close by."

  "About that scene we all witnessed in Miss Vaughan's dressing-room. Why did Surbonadier make that very unpleasant to-do?"

  "He was tight."

  "Nothing else behind it?"

  "He disliked me. I told you that."

  "So you did," agreed Alleyn. "But it seemed to me that he disliked you for more reason than that of professional jealousy."

  "Yes. You must have seen how it was."

  "Miss Vaughan?"

  "At least, let us keep Stephanie out of this."

  "She is in it. She must take her place in the jigsaw puzzle. I'm sorry. The nicer delicacies do not enter into murder cases. I take it you are engaged to Miss Vaughan and that Surbonadier was the unsuccessful suitor."

  "We are not publicly engaged. We're not. I've no doubt killed my chances along with my only serious rival. The engagement was to be announced at our supper-party."

  "Yes, I see. Mr. Gardener, have you a pair of gloves here in your dressing-room?"

  Gardener turned very white.

  "Yes," he said, "I have."

  "Where?"

  "I don't know. Probably in my overcoat pocket. I don't wear any in the piece."

  Alleyn felt in the pockets of an overcoat that hung under the sheet. He found a pair of white wash-leather gloves which he examined very carefully. He smelt them, held them under the light, looked at each finger, and then threw them to Gardener.

  "A perfectly innocent pair of gloves," he said. "Thank you, Mr. Gardener, I appreciate your frankness. Now, if you agree, I'm going to search you, as I have searched all the others."

  Nigel watched this proceeding with the liveliest anxiety. He did not know what Alleyn expected to find, or, indeed, if he expected to find anything. He found nothing.

  "That's all, Mr. Gardener," he said. "I'll keep you no longer."

  "I'll wait if I may," said Gardener, "for Stephanie. She wanted me to see you first."

  "Certainly. Wait on the stage, will you?"

  "Shall I come?" asked Nigel diffidently.

  "No thanks, old thing. If you don't mind I'd rather be alone."

  He went out.

  "Well?" asked Nigel anxiously.

  "Well, Bathgate, we don't progress very fast. What's happened to your shorthand notes?"

  "I—I couldn't report old Felix for you."

  "I'm not quite a machine," said Alleyn gently. He raised his voice. "Got everything, Fox?"

  "Everything O.K.," answered Inspector Fox from the next room. In a moment he appeared.

  "He's been taking it down outside the door," said Alleyn. "I really can't trust my filthy memory."

  "Oh, Lord."

  "Like to go home?" asked Alleyn.

  "Not unless you want to get rid of me," said Nigel.

  "Stay put then. Fox, you saw the dressers, Mr. and Miss Beadle?"

  "Yes. The girl howled, and said she never done no harm to anybody, and that Mr. Surbonadier was always trying on his funny business, and that Props was her boy. Old Beadle said much the same. He'd warned the girl to look out for Mr. Surbonadier. They were both in the wardrobe-room during the black-out. Alone there together, they said. They met in the elbow of the passage, and went along together. She's a flighty bit of goods, I should say. Deceased was evidently"—Inspector Fox stopped and grimaced—"a nasty kind of chap. You might like to see the girl yourself, some time. The old father's a decent old bird and seems very fond of her."

  "All right, I'll remember them. And now I'll have to see Miss Vaughan. I should have done so earlier and let her go home."

  "She wanted the others to go first," said Fox. "I—took her clothes into the wardrobe-room and she said she'd change. She's not quite ready."

  It was obvious from Inspector Fox's manner that he put Miss Vaughan in a superior catalogue to the rest of the cast. Alleyn looked at him and grinned.

  "What's the joke?" inquired Fox suspiciously.

  "No offence in the world. Have you carried on with routine work?"

  "Mr. Melville helped Bailey re-set the scene in which the revolver was loaded. Haven't found the gloves."

  "I'll just take a look at it while she's changing." They returned to the stage. Felix Gardener was walking up and down the passage to the outside exit, and paid little attention to them. Nigel went and spoke to Gardener, but he answered at random and looked at him as though they were strangers.

  "It'll be all right, Felix," ventured Nigel lamely.

  "What'll be all right?"

  "Alleyn will find out who did it. Innocent people are never accused nowadays."

  "Do you think I'm worrying about that?" asked Gardener, and fell to walking up and down again. Nigel left him alone.

  On the stage Alleyn looked critically at the reconstruction of the penultimate scene. The desk was in position. Miss Max's arm-chair was on the O.P. side, and the window-seat in position, near which Janet Emerald had had her last conversation with Arthur Surbonadier.

  "We've had all the chair-seats out, and so on," said Bailey, who was in shirt sleeves. The two constables, who had been helping him, stared solemnly at the furniture. Melville had gone.

  "There's something missing," said Alleyn.

  "Mr. Melville said not, sir," said Bailey.

  "Yes, there is. A spot of colour. What is it?" He turned to Nigel. "There was a spot of colour somewhere in that scene. Something red."

  "I know," said Nigel suddenly. "Miss Max's bag for her knitting. It hung on that chair arm."

  "Good man," exclaimed Alleyn. "Let's find it." They hunted about. One of the constables disappeared in the direction of the property room.

  "Damn the thing, where is it?" murmured Alleyn. "It hung on the chair throughout the scene, and at the end she stuffed her knitting into it and left it there." He hunted round offstage and muttered to himself.

  "Does it matter much?" Nigel asked wearily.

  "What?"

  "Does it matter much?"

  "No. I just want to make the stage look pretty."

  Nigel was silent.

  "Is this the affair, sir?" said the constable, reappearing. In his paw he held a large red bag. Alleyn strode over and took it.

  "That's it."

  He drew out a long and loud strip of knitting, and then thrust his hand deeper into the bag. A singularly blank look stole over his face, and the others, who knew him, pricked up their ears.

  "Has any gentleman in the audience missed an article of clothing?" asked Alleyn. He made a face at Nigel, and looked round, most provokingly. Then so suddenly that they all jumped, he whisked out his hand and held it high above his head.

  In it was a pair of grey suede gloves. "Eureka!" said Chief Detective-Inspector Alleyn.

  CHAPTER NINE

  Stephanie Vaughan's Shoulder

  "YES, BUT LOOK HERE," Nigel be
gan indignantly.

  "Old Miss Max—I mean to say, that's a bit too thick. She's a nice old thing."

  Alleyn gave one of his rare laughs. "All right, all right," he said. "Don't bite my head off. I didn't plant the things."

  "Well, somebody else did, then."

  "Quite possible. During the black-out. Oh, it's a very nasty bit of goods, this is. And so clever, so filthily clever. Everything nice and simple. No fancy touches. I tell you one thing, all of you, for what it's worth. I've been telling it to myself ever since this started. We're up against good acting."

  "Yes," said Nigel thoughtfully, "the very best."

  "As you say. It's a West End production, bad luck to it."

  "Anything on the thumb of the right-hand glove?" asked Fox abruptly.

  "Oh, Mr. Fox, aren't you wonderful?" he said. "Such a lovely quality, moddom, or, rather, sir. Yes, definitely, 'sir.' Have a sniff." He held them out.

  "I've got it," said Fox. "They smell of cigars, and scent, and—damn it—where did I smell that scent?"

  "On Mr. Jacob Saint."

  "By gum, you're right, sir."

  "It's a very good scent. Something rather special. But how careless of Mr. Saint to lose his gloves, how rather surprisingly careless." He handed the glove over to his colleague.

  "When were they lost? He was wearing none when he came round," Fox declared. "I know that because he shoved me aside at the door, and his ring dug into my hand."

  "His altogether too big signet ring," murmured Alleyn. "It does dig in. Look!"

  He held up the little finger of the left-hand glove. The base showed a distinct bulge.

  "He was behind the scenes earlier in the evening, you know. Before the curtain went up. Then he was in front."

  "Could he have come round again, later?" asked Nigel.

  "We must find out. By George, Fox, what happened to the old gentleman?"

  "Who's he?"

  "The stage door-keeper."

  "I never saw one. He must have gone home during the first few moments."

  "He was there when we came round. Not very good. He'll have to be traced. Oh well, let's have Miss Vaughan. I think I'll see her alone, if you please, Fox. There's nothing much else to be done here that I can think of. Have you looked closely at the thumb?"

  "Yes," said Fox carefully. "There's a bit of whitish stain on it."

  "There is, indeed. We may want an analysis of that to compare with the cartridges."

  "What do you make it out to be?"

  "Oh, cosmetic, Fox, cosmetic. While I'm talking to Miss Vaughan, see if you two can match it in any of the dressing-rooms. Take samples of any make-up that looks like it and note where from, and all that. And now would you take my compliments to Miss Vaughan and ask her if she would be kind enough to come out here?"

  Fox and Bailey went off. Presently the constable who had been stationed outside the wardrobe-room came back and with a glance at Alleyn disappeared in the direction of the stage door. Alleyn followed him, said something that Nigel did not catch and returned.

  "Any objection to noting this down for me?" asked Alleyn.

  "No," said Nigel. "If I had any, they are overruled by curiosity. I'll go back to my cache-cache."

  "Thank you. Here she comes."

  Nigel slipped through the doorway in the set. He discovered that, by moving his seat, he could leave the door half open and get a fuller view of the stage without being visible. In this way he was able to see Stephanie Vaughan when she came on to the scene. She had changed her dress and was wearing a dark fur wrap. The stage make-up was gone, and she looked pale and rather tired. There was no hint of histrionics in her manner now. She was grave and dignified, and a little remote. "Why, it's not the same woman," thought Nigel.

  "You sent for me," she said quietly.

  "I'm sorry if my message sounded peremptory," answered Alleyn.

  "Why not? You're in charge."

  "Will you sit down?"

  She sank into an arm-chair, and there was a little silence.

  "What do you want to ask me?" she said at last.

  "Several questions. The first—where were you during the black-out at the beginning of the last act?"

  "In my dressing-room, changing. Then I went in to see Felix."

  "Was anyone with you? In your own room, I mean?"

  "My dresser."

  "All the time?"

  "I've no idea. From my dressing-room I couldn't see when the stage lights went on."

  "I should have thought you could hear the dialogue."

  "Possibly. I didn't listen."

  "Was Mr. Gardener still in his room when you left it?"

  "No. He went out first. He came on before I did."

  "When did you go out on to the stage?"

  "When the scene was over."

  "Yes. Thank you. What happened after Bathgate and I left your dressing-room?"

  The question must have taken her by surprise. Nigel heard her draw in her breath. When she spoke, however, her voice was quite even.

  "After you left," she said, "there was a scene."

  "There was the making of one while we were there. What happened?"

  She leant back wearily, her wrap slipped down. She winced, as if something had hurt her, and sat forward again, pulling the fur collar over her shoulders.

  "You are hurt?" said Alleyn. "Your shoulder. You put your hand up to it."

  "Arthur hit me."

  "What!"

  "Oh, yes."

  "Let me see it."

  She let her wrap fall, and pulled aside her dress, hunching up her shoulder. Nigel could see the bruise. Alleyn bent over her without touching her.

  "What did Gardener do?"

  "He wasn't there. I'm beginning half-way, I suppose. The moment you had gone I made Felix leave me. He didn't want to, of course, but I had to deal with Arthur alone, and I insisted. He didn't like going, but he went."

  "And then?"

  "And then there was a scene—a scene in a whisper. We had had them before. I was used to it. He was quite beside himself with jealousy, and threatened me with all sorts of things. Then he became maudlin and shed tears. I'd never seen him like that before."

  "With what did he threaten you?"

  "He told me," said Miss Vaughan gently, "that he would drag my name in the mud. He said he would stop Felix marrying me. Really, if Felix had been shot, I should not have wondered. Arthur looked murderous. I think he did it himself."

  "Do you? Had he that sort of rogue's courage?"

  "I think so. He hoped Felix would be accused."

  "Where was he?" asked Alleyn, "when he struck you?"

  "How do you mean? I was sitting where you left me—on the small chair in my room. He was standing, I think, about as far off as you are now."

  "With his left hand, then?"

  "No. I don't know. I can't remember, I'm afraid. Perhaps if you were to do it—but gently, please—I might remember."

  Alleyn moved his right arm and Nigel saw his hand against the left side of her throat.

  "It would be there, on your face," he said. "I think it must have been with his left hand, and even then it would be a strange sort of blow."

  "He was drunk."

  "So everyone keeps telling me. Could he not have been behind you? Like this."

  Alleyn stood behind her and laid his right hand on her right shoulder. Nigel was suddenly and vividly reminded of the scene in the dressing-room, when Gardener had stood, touching her in the same way, and laughing at Alleyn's remark about Edgar Wallace.

  "My hand falls exactly over the bruise," said Alleyn. "Am I hurting you?"

  "No."

  "Let me draw up your wrap. You are cold."

  "Thank you."

  "Do you think that could have been the way of it?"

  "Perhaps. He was lurching about the room. I really don't remember."

  "You must have been terrified."

  "No. He was not a terrifying man, but I was glad Felix had gone. I managed t
o get rid of Arthur and then I went to Felix's room."

  "Next door?"

  "Yes. I said nothing about the blow on my shoulder. Beadle was there but left as soon as I went in. Then I told Felix it had all petered out."

  "What did he say?"

  "He said that Arthur was a drunken pig, but that in a way he was sorry for him. He said I must let him speak to Mister Surbonadier and tell him to behave himself, and that he wouldn't have me worried like that."

  "Quite temperate about it?"

  "Yes. He knew that sort of thing didn't really count and we both had a horror of more scenes. We only spoke a few words, and then Felix went out on to the stage. The lights were still out, I remember. Have you got a cigarette, Mr. Alleyn? I should like one."

  "I'm very sorry. I didn't think."

  She took one from his case and he lit it for her. She touched her fingers against the back of his hand, and they seemed to look full in each other's face. Then she leant back again in her chair. They smoked in silence for a little time—Alleyn very composedly, Miss Vaughan not so composedly.

  "Please tell me this," she said at last, very earnestly, "do you suspect anyone?"

  "You cannot expect me to answer that," said Alleyn.

  "Why not?"

  "Everyone is under suspicion. Everyone is lying and acting."

  "Even me? Have I lied or played a part?"

  "I don't know," said Alleyn sombrely. "How should I?"

  "How you dislike me, Inspector Alleyn!"

  "You think so?" said Alleyn swiftly, and then, after a pause: "Do you ever do jigsaw puzzles?"

  "Sometimes."

  "And do you ever conceive an ardent distaste for a bit that won't fit in?"

  "Yes."

  "That is the only kind of personal prejudice a policeman can allow himself. I have that feeling for the pieces that don't fit. For the ones that do, I develop a queer sort of affection."

  "And you can't fit me into your puzzle?"

  "On the contrary, I think I have you—just where you belong."

  "My cigarette is finished. Have you anything more to ask me? No, I don't want another."

  "Only one more point. May I have your hand?"

  She held out both her hands. Nigel was astonished to see him take them very lightly in his, and raise them to his face. He turned them over in his palms, and stood with his eyes closed, his lips almost touching them. She made no attempt to withdraw them, but she was less pale, and Nigel thought her hands trembled very slightly. Then he let them drop.