The Seville Communion

by Arturo Pérez-Reverte

  Peregil looked around in a blind panic. The river offered no protection, and he didn't have a chance if he ran along the deserted quay. He could temporarily solve things by handing over what he had on him, but there were two drawbacks to this: the amount didn't cover his entire debt to the moneylender, and he wouldn't be able to justify the loss to Gavira, to whom he now owed the sum of eleven million. Without even considering the kidnapped priest hanging like a heavy burden from a rope around Peregil's neck. The lady and the tall priest would show up, and he could just imagine the look on the faces of Don Ibrahim, El Potro del Mantelete and La Nina Punales if he left them holding the baby. Added to that, there was the dead man in the church, the police, and all the other trouble. He looked again at the black river. Maybe it would be cheaper if he just jumped in and drowned.

  He sighed deeply and took out a pack of cigarettes. He glanced at the two shadows in turn. Why worry, he thought resignedly, there are plenty of hospitals. "Either of you got a light?"

  The Gypsy Maircna was just about to strike a match when Percgil tore off along the quay towards Triana Bridge, as if his life depended on it. Which it did.

  For a while he thought he was safe. His breathing was measured - one, two, one, two - blood throbbed at his temples, his heart pounded and his lungs burned as if they were being ripped from his chest and turned inside out. He ran almost blindly in the darkness. He could hear the two men behind him, the curses of the Gypsy Mairena, the wheezing of El Polio Muelas. A couple of times Peregil thought he felt them touch his back or legs, and in a frenzy of terror he ran faster and believed he was getting away. He could see the car lights approaching rapidly up ahead, on the bridge. Steps, he thought incoherently, befuddled by his exertions. There were steps somewhere to the left, and up there - streets, lights, people. He veered, something hit his back, and he speeded up again, crying out. There were the steps: he sensed rather than saw them in the shadows. He made a last effort, but he was finding it more and more difficult to get his legs to obey him. He lurched forward, his lungs were a searing wound, he couldn't breathe. He reached the foot of the steps and thought that maybe he would make it after all. Then his strength failed, and he fell to his knees, as if he'd been shot.

  He was done in. Under his shirt, the notes were stuck to him with sweat. He rolled over on his back, lying against the bottom step, and the stars above revolved like fairground lights. Where's all the oxygen gone, he thought, one hand pressing on his heart to keep it from jumping out of his mouth. Beside him, panting, leaning against the wall, the Gypsy Mairena and El Polio Muelas were trying to catch their breath.

  "Son of a bitch," he heard the Gypsy say, spluttering. "Runs like the wind."

  El Polio Muelas was now crouching, heaving like a bellows full of holes, his bared teeth visible in the light of a street lamp. "That was great, Peregil. It really was," he said, gently patting Percgil’s face. "We're impressed." He struggled to his feet and, smiling, gave Peregil another couple of friendly pats, then jumped on his right arm and snapped the bone. It was the first of Peregil's bones to be broken that night.

  * * *

  Macarena glanced at her watch for the hundredth time. It was eleven forty. "Something's wrong," she whispered.

  Quart was sure she was right, but he said nothing. They waited in the darkness by the locked gate of a jetty for pedaloes. Above them, beyond the palm trees and bougainvilleas and the deserted terraces of the Arenal, the cupola of the Maestranza and a corner of the Cartujano Bank were visible. Some three hundred metres downriver, the Torre del Oro, all lit up, mounted guard by San Telmo Bridge. Exactly midway, moored to the quay, was the Lovely.

  With a sweater tied round her shoulders, she watched the place where Gavira's man should have appeared. The boat in which Father Ferro was supposed to be being held looked deserted, silent and dark. They'd arrived early, and after a time Quart thought the banker might have tricked them. But then he rejected the idea - Gavira couldn't afford to play tricks at this stage.

  A breeze made the jetty creak. Water lapped gently around the posts of the quay. Something must have happened to alter the plan. Assuming that the old priest was on the boat - and they had no guarantee of that other than Gavira's word - his rescue was going to be more complicated if the intermediary didn't show up. Quart thought of Navajo.

  "Maybe we should phone the police," he suggested.

  "Absolutely not," she said, not taking her eyes off the boat. "First we have to talk to Don Priamo."

  Quart glanced round. "Nobody's coming," he said.

  "They will. Pencho knows he's got a lot to lose here."

  But nobody appeared. When it was gone twelve, the tension had become unbearable. Macarena paced up and down by the gate to the jetty. She'd forgotten her cigarettes. Quart stayed and watched the Lovely while she went to a phone to call her husband. She returned looking grim. The banker had assured her that Peregil promised he would be there at eleven on the dot, with the money for the handover. He had no idea what had happened but would meet them there in fifteen minutes.

  Gavira appeared after a time, walking under the acacias towards the jetty. In the darkness he seemed more tanned than usual. "God knows what's happened to Peregil," he said by way of greeting. That was it - no apologies or superfluous remarks. He was clearly worried - and prepared to do anything to deliver Father Ferro from a kidnapping to which he, Gavira, could be linked. Anything, as long as the police weren't involved. Quart admired the man's composure. Gavira had brought cigarettes, and he and Macarena lit up, cupping their hands around the flame. The banker listened more than he spoke, his head tilted, in control. He just wanted everything to be resolved for the best. At last he looked directly at Quart and asked, "What do you think?" It wasn't a challenge or a threat, simply an objective question.

  Quart hesitated only a moment. He didn't like the idea of the old priest's going from the hands of the kidnappers straight into the hands of Deputy Superintendent Navajo. Quart had to talk to him first. "We should go in," he said, nodding at the Lovely.

  "Let's do it, then," said Macarena, resolute.

  "One moment," said Quart. "We need to know first what we'll find there."

  Gavira told him. According to Peregil's reports, there were three. A fat man of about fifty was the boss. There was also a woman and a former boxer. The boxer might be dangerous.

  "Do you know the layout of the boat?"

  Gavira didn't, but it was the usual type of tourist boat: an upper deck with several rows of seats, a bridge in the bow, and, below deck, half a dozen cabins and an engine room. The boat had obviously been out of service for some time.

  The ghosts that had troubled Quart over the last few hours gradually dispersed. The night, the boat in darkness, the imminent confrontation, all filled him with an almost childishly pleasant sense of anticipation. He was in control, back on familiar territory. He even discovered in Pencho Gavira an unexpected comrade in arms, and his dislike of the man diminished. No doubt the dislike would return tomorrow, but for tonight at least, the Knight Templar had an ally. Quart appreciated the fact that Gavira had come on foot, alone, and was now preparing to board the Lovely without superfluous words.

  "Let's go," said Macarena impatiently. At that moment she couldn't have cared less about either man. Her only concern was the boat.

  Gavira looked at Quart. His teeth shone white in the darkness. "After you, Father," he said.

  They approached, careful not to make any noise. The boat was tied to the quay with two ropes, one to the bow and one to the stern. Crossing the gangway stealthily, they found a deck littered with coils of rope, old lifebelts, tyres, tables and chairs. Quart switched his wallet to his trouser pocket, removed his jacket, and left it folded on one of the seats. Gavira silently followed suit.

  They crossed the upper deck. For a moment they thought they heard movement beneath their feet, and the quay became faintly illuminated, as if someone had opened a porthole to look out. Quart held his breath and trod softly. Bl
ood pounded in his ears; he tried to calm himself so he could hear everything around him. He came to the bridge, where the helm and instruments were under canvas covers. Leaning against the bulkhead, he listened. The place smelled dirty and abandoned. Macarena and Gavira stood tense beside him. The banker looked questioningly at Quart. Macarena frowned; from the determination on her face, you'd have thought she'd been raiding boats in the middle of the night all her life. From behind the door came the muffled sound of a radio.

  "If there's trouble, we take a man each," whispered Quart. "Macarena can see to Father Ferro."

  "What about the woman?" asked Gavira.

  "I don't know. We'll see if she does anything and deal with it then."

  They discussed the situation in hushed voices. The banker said he would speak for Peregil and try to resolve things amicably. They quickly weighed pros and cons. The problem, of course, was that the kidnappers were expecting money and Gavira only had his credit cards. Regretting now that they hadn't called the police, Quart reviewed tactics. If they tried the friendly approach, there would be a lot of talking. A raid entailed speed, surprise, violence. The idea was not to give their opponents time to think, to stun them. And should the worst happen, he hoped that God - or whoever was on duty that night - would make sure there weren't any casualties.

  "Let's go in."

  This is ridiculous, he thought. Then he picked up a heavy metal bar, took a deep breath, and opened the door. He wondered whether he should also have made the sign of the Cross.

  Don Ibrahim spilled his coffee down his trousers. The tall priest had materialised in the doorway, in shirtsleeves, with a nasty metal bar in his hand. Don Ibrahim struggled to his feet and now saw another man behind the priest, dark and good-looking, and he recognised the banker Gavira. Then the young duchess appeared.

  "Please stay calm," said the tall priest. "We've come to talk."

  Still in his vest, the Spanish Legion tattoo on his shoulder glossy with sweat, El Potro del Mantelete sat up in his bunk and put his bare feet on the floor. He looked at Don Ibrahim as if asking whether this visit was scheduled or not.

  "Peregil sent us," announced Gavira. "Everything's in order."

  If everything was in order, thought Don Ibrahim, they wouldn't have been there, Peregil would be putting four and a half million on the table, and the tall priest wouldn't be holding that metal bar. Something had gone wrong. He glanced over the shoulders of the three new arrivals, expecting the police to appear any moment.

  "We need to talk," said the tall priest.

  What Don Ibrahim, La Nina, and El Potro needed to do was get the hell out of there. But La Nina was next door with the old priest, and leaving wouldn't be that easy - because, among other things, three people were blocking the exit. Damn his luck, he thought. Damn it and all the Peregils and all the priests in the world. He knew getting involved with cassocks would bring bad luck. He was an idiot - it had been obvious from the start.

  "There's been a misunderstanding," Don Ibrahim said, playing for time.

  The priest's face was stony; with his dog collar, the metal bar in his hand was as incongruous as a couple of pistols in the hands of Jesus. Don Ibrahim leaned on the table, while El Potro watched him like a dog awaiting orders. If only he could protect La Nina, Don Ibrahim thought. And make sure she wasn't implicated if the worst happened.

  Events made his decision for him. The young duchess looked around, her eyes flashing. "Where are you keeping him?" she demanded. Not waiting for an answer, she took a couple of steps to the closed door of the cabin. That young lady was certainly pretty mad, thought Don Ibrahim. Instinctively, El Potro stood up, blocking her way. He looked hesitantly at his colleague, but Don Ibrahim didn't know how to react. At that moment, the banker moved as if to defend the woman, and El Potro, more decisive with regard to an adult male, shot him a left hook that threw him against the bulkhead. After that things became complicated. As if a bell had rung somewhere in his battered memory, El Potro held up his fists and started to bounce around the cabin, striking out in all directions, ready to defend his bantamweight title. Gavira was flung against a cupboard full of tin cups that came crashing down, the young duchess ducked to avoid one of El Potro's right-handers and made for the cabin where the old priest was being held, and Don Ibrahim started shouting for everyone to calm down. Nobody listened.

  La Nina, hearing the noise, came out to see what was going on and slammed into the young duchess, while Gavira, no doubt seeking revenge for El Potro's punch, advanced on Don Ibrahim, looking none too friendly. The tall priest looked hesitantly at the metal bar in his hand, threw it to the ground and stepped back to avoid El Potro, who was still striking out at anything that moved, including his own shadow.

  "Stop!" pleaded Don Ibrahim. "Stop!"

  La Nina became hysterical, pushed the young duchess, and rushed at the banker as if to scratch his eyes out. Gavira stopped her dead with a very ungentlemanly punch that flung her back into the cabin, flounces and polka dots flying, right at the feet of the old priest, who was blindfolded and tied to a chair. At this, Don Ibrahim forgot his conciliatory intentions. The former bogus lawyer overturned the table, lowered his head as Kid Tunero and Don Ernesto Hemingway had taught him in the Floridita Bar in Havana, and yelling "Viva Zapata!" - it was the first thing that entered his head - he flung his hundred and ten kilos at the banker, taking him crashing to the other side of the cabin. Just then, El Potro hit the priest in the face with a left hook, the priest grabbed the lamp to keep himself from falling, the electric cord sparked as it was pulled from the socket, and the boat was plunged into darkness.

  "Nina! Potro!" shouted Don Ibrahim, gasping from the struggle and letting go of the banker.

  Something shattered. The darkness was filled with cries and blows. Someone, perhaps the tall priest, fell on top of Don Ibrahim and elbowed him in the face so hard that he saw stars. The bastard wasn't turning the other cheek. With blood trickling from his nose, Don Ibrahim crawled away, dragging his belly. It was dreadfully hot and he could hardly breathe. El Potro appeared for a moment as a dark shadow in the doorway, still striking out to left and right, in a world of his own. More blows and curses came from various directions, and something broke with a great splintering of wood. A high-heeled shoe trod on Don Ibrahim's hand, and then a body fell on top of him. He immediately recognised the flouncy dress and fragrance of Maderas de Oriente.

  "The door, Nina! Run to the door!"

  He struggled to his feet, let loose a punch - missing - at someone who got in his way, grabbed La Nina by the hand, and dragged her up on deck. El Potro was already out there, bouncing around the helm. Don Ibrahim, heart pounding, exhausted, certain he would have a coronary at any moment, took El Potro by the arm and, still gripping La Nina's hand, pulled them both to the ladder and dry land. There, pushing them ahead of him, he managed to steer them along the quay. La Nina was weeping. Beside her, his head down and breathing through his nose - left, right - El Potro del Mantelete did battle with the shadows.

  They took Father Ferro up on deck and sat there, enjoying the cool evening air after their skirmish. With the torch they'd found, Quart could see Gavira's swollen cheek and right eye almost closed, Macarena's dirty face with a scratch on her forehead, and the scruffy figure of the old priest, his cassock wrongly buttoned and two days of stubble covering his scarred face. Quart himself wasn't in much better shape: the man who looked like a boxer had got in a good punch just before the lamp went out. Quart's jaw was now stiff, and his ears buzzed. He prodded a tooth with the tip of his tongue and thought he could feel it move.

  It was a strange situation: the deck of the Lovely littered with broken seats, the lights of the Arenal above the parapet, the Torre del Oro illuminated beyond the acacias downriver. And Gavira, Macarena and he in a semicircle around Father Ferro, who had not said a single word. The old priest stared at the black river, as if he were far away.

  Gavira was the first to speak. Precise and calm, he put his jacket ro
und his shoulders. Without denying that he was responsible, he said that Peregil had misunderstood his instructions. That was why he was here now, trying to set things right if he could. He was prepared to offer the old priest compensation, which included tearing Peregil to shreds when he laid hands on him; but he made it clear that this didn't change his attitude towards the church. The two matters were completely separate. He paused to feel his swollen cheek and light a cigarette. "In which case," he added after a moment's thought, "I'm no longer involved in this." That was all he said.

  Macarena spoke next, giving the old priest a detailed account of everything that had happened since his disappearance. Father Ferro listened without any sign of emotion, even when she told him that Honorato Bonafé was dead and the police suspected Father Ferro of the murder. This was Quart's area. Father Ferro turned to him and waited.

  "The problem is," said Quart, "you have no alibi."

  By the light of the torch, the old priest's eyes were sunken and inscrutable. "Why should I need an alibi?" he asked.

  "Well," said Quart, leaning forwards, his elbows on his knees, "there's a crucial period, between seven or seven thirty in the evening until about nine o'clock. It depends what time you closed the church. If you had any witnesses to what you were doing during that time, it would be wonderful." He waited for the priest to answer, observing how hard the old man's face looked.

  "There are no witnesses," said Father Ferro.

  He seemed not to care. Quart and Gavira exchanged a glance. The banker remained silent. Quart sighed.

  "This makes things difficult," he said. "Macarena and I can testify that you arrived at the Casa del Postigo shortly after eleven, and that there was absolutely nothing suspicious in your behaviour. Gris Marsala can confirm that everything happened as usual until seven thirty. I assume that the first thing the police will ask you is how you could have failed to notice Bonafé in the confessional. But you didn't go into the church, did you? That's the most logical explanation. We have a lawyer for you, and I assume he'll ask you to confirm that point." "Why should I?"