England and Other Stories

by Graham Swift

  ‘No, I don’t quite fully believe it either. I don’t believe it can have been all fun for a bunch of Indian soldiers in Dorset in 1944. Just think about it. But I’m only telling you what my father told me. He called it luck.

  ‘It wasn’t the only piece of luck either, though you might think this next piece of luck wasn’t any kind of luck at all. He took part in D-Day. He was one of very few Indian soldiers who did so. He served the British in their war. To the utmost, you might say. He was on that big fleet of ships. But he was very soon on a ship coming back, and very soon after that he was in a ward in a hospital here in London, commandeered by the Army, where all the patients had serious wounds to the leg, or legs.

  ‘I don’t know the details. It was somewhere in Normandy, not far from the beaches. I’m not sure he knew himself. All he’d say was, “I was blown up.” Once he said, “I was blown up and I thought I was dead.” And he went a little further still. “I thought I’d been blown to pieces,” he said, “and had come back together again as somebody else.” That’s not physiologically possible, of course. I can’t comment on that as a medical man. But then—we transplant hearts.’

  Dr Shah would smile.

  ‘He was in the leg unit, or more plainly the amputation unit, though no one, I suppose, would have called it that. The only saving grace was that it might have been better to have a leg removed there than back in the thick of things in France. Though sometimes, I believe, it’s important to amputate a leg fast. But the crucial fact is that he was the only Indian man, the only brown man, occupying any of the beds. Not a saving grace you might think, but wait.

  ‘I’ve never amputated a leg. It’s not my field, as you know. But anyone knows it’s an extreme procedure, if sometimes the only way of saving life. And I’m talking about over sixty years ago and about patients who might have had other complicated injuries too. In short, not every amputee would have survived and every man on that ward would have known the risks.

  ‘My father once showed me a photograph when I was a boy. It was of three men in pyjamas, in wheelchairs, all of them missing a leg. But all of them smiling, as if they were pleased with their stumps. It was a rather scary photograph to show a small boy, but my father wanted me to see it. He told me the men were some of his “old pals”. Then he told me that if ever I should feel disadvantaged in life I should remember his old pals. “Disadvantaged”. That was his actual word. It was a big word for a small boy, but I remember it clearly.’

  Dr Shah’s smile would broaden again and his listener might think—as he or she was perhaps meant to think—that ‘disadvantaged’ sat strangely on the lips of a senior consultant in an expensive pinstriped suit.

  ‘I used to think that the smiles on the faces of those amputees were a bit like my father saying he’d had the time of his life in Dorset. Anyway there was another photograph of him and his bicycle, and he’s smiling in that. You need two legs to ride a bicycle.

  ‘Working on the leg unit there were of course doctors, surgeons, nurses. One of the nurses was called Nurse Watts, but my father would get to know her as Rosie. And I would get to know her as my mother. One day, apparently, my father asked her if her family had kept a newspaper announcing the news of D-Day. Many families kept such a thing. Could she bring it in to show him? He wanted proof that he’d been part of history. But it was the start of something else.

  ‘Working on the leg unit too was a doctor, a doctor and assistant surgeon—only a junior, not the top man at all—who discreetly let it be known to a few of the men that if they let him “do” them he could save their leg. Also of course, by implication, their life.

  ‘Quite an offer, you might think. But so far not a single patient had signed up to it. It wasn’t that he was only a junior. The simple reason was that the man’s name was Chaudhry and he was a brown-skinned doctor. From Bombay. From Mumbai. He too had come from India to serve the British, in a medical capacity. And they—the other patients, I mean—didn’t want his brown fingers meddling with them. In fact there was even a sort of soldiers’ pact among them that the brown doctor’s offer should be refused.

  ‘Silly fools.’

  Dr Shah would leave a well-rehearsed pause at this point.

  ‘But you can imagine that the position and response of my father was rather different.’

  There’d be another pause, almost as if he had come to the end.

  ‘I hardly need to tell you, do I? The others underwent their amputations, successfully or not, but my father’s leg was saved. After a while he was even able to walk again, almost as easily as he’d always done. He had a very slight limp and—or so he liked to say—perhaps a few tiny grains of metal still inside him, courtesy of Krupp’s. But that’s not all. His relations with Nurse Watts—with Rosie, my mother—had meanwhile reached a point where they both clearly wanted to take things further. Against all the odds. To take them further, in fact, for the rest of their lives.

  ‘You can imagine it, can’t you? All those men with their stumps. It wasn’t just their legs they’d lost, was it? They’d lost out on something else. And there were Ranjit and Rosie, like two turtle doves. As my father put it, he got his leg and he got the girl too. Now do you see why he talked about his luck?’

  Dr Shah would sometimes leave things there. It was the simple version and it was enough. He’d only add, ‘And that’s how I came to be born in Battersea, in 1948.’ He’d leave a pause and look closely but disclaimingly at his patient. ‘No, my field isn’t genetics either, and I can’t explain it, but it’s how I came out.’

  But if he wished to tell the longer and fuller version, he’d go on.

  ‘Imagine it. London, Battersea. At the end of a war. Against all the odds. But my mother always said there were no two ways about it. Ranjit was the one. And if she could fall in love with a man with his body all smashed up and the possibility that he’d lose a leg, then wasn’t that a pretty good test of love? Setting aside the other matter that had nothing to do with the war.

  ‘Let me tell you something else. For nearly ten years my father was a hospital porter. You won’t catch me talking down to a hospital porter. Then he rose to the dizzy heights of hospital administration. I mean he was a clerk, lowest grade. With his education. Having fought at D-Day. And all of that because it was all he could get. And that only because of some string-pulling from his nurse wife—and no doubt from Dr Chaudhry too.

  ‘But he accepted it and stuck with it. Because, I have no doubt, he thought it was worth it, because he thought it was a small price. And for the same reason he began gradually to realise that he’d never go back to India. It was how it was. His home was in England now. His family, his mother and father in Poona—he’d probably never see them again.

  ‘He once told me that he looked at it like this: he might never have gone back anyway. He might have been killed in France. Or in Italy. And hadn’t he done a fine thing anyway, even in the eyes of his family? Married a British lady. Perhaps he was right. He’d been blown up and he’d become somebody else.

  ‘And this of course was the time—just before I was born—that India got home rule. Home rule and partition. We cleared out—the British cleared out. India was divided and terrible things happened, and all this while there was this other division my father had made between India and himself. It can’t have been easy. He got his leg and he got the girl, but he lost something else. They say that amputees never stop feeling the “ghosts” of their limbs.

  ‘But of all of this, too, you could say it was a pretty good test.

  ‘And do I have to tell you the rest? Do I have to tell you that the man who saved my father’s leg, Dr Chaudhry, became a sort of second father to my father? And like an uncle to me. He became a friend of the family. And do I have to tell you that it was because of Dr Chaudhry—his name was Sunil—and with his encouragement that I set my sights on taking up medicine too? I was born in 1948. I was born along with the National Health. I was fated to spend my days in hospitals.’

&n
bsp; Dr Shah’s smile, now more like a triumphant beam, would indicate that his story was over. He’d look distinctly young, even though he was over sixty and was even mourning his father.

  ‘But you are free to go,’ he’d announce—if he were speaking to one of his recovered patients. He’d hold out his hand, his brown hand with its fine dexterous fingers.

  ‘At this point I always like to say I hope I never see you again. Please don’t take it the wrong way. Take it the right way. Remember my father and his leg.’

  There were things he might have added, but didn’t, things only to be inferred. He didn’t say that, though he’d been born into the Welfare State, he’d certainly known, once upon a time in Battersea, the ‘disadvantages’ of which his father spoke. He didn’t enlarge on the fact that, though he’d been encouraged by Dr Chaudhry, he hadn’t gone into orthopaedics, but cardiology. And he didn’t say that in becoming a doctor himself, not to say eventually a senior consultant, he’d become, too, like a sort of second father to his own father and—there was really no other phrase for it—had gladdened his father’s heart.

  Cardiology, back in his days at medical school, had certainly become the glamour field. Everyone wanted to be a heart surgeon, in spite of the fact that the heart is only an organ like any other. No one gets worked up about a liver or a lung or a lower intestine. Or even perhaps a leg.

  He’d held his father very gently, but wanting to hold him as tightly and inseparably as possible. His father had become as puny and as nearly weightless as a boy. He’d seen for a moment that photo, the men with their stumps. And for a moment he’d seen too the map of India as it had once appeared in old school atlases, in the 1950s, blush-red and plumply dangling, not unlike some other familiar shape.

  TRAGEDY, TRAGEDY

  ‘TRAGEDY, TRAGEDY,’ Mick says. ‘Ever feel there’s too much tragedy about?’

  We’re in the canteen. Morning break. Mick has the paper spread, as usual, over the table. He peers at it through his half-rims. Two damp rings where our mugs have been.

  I thought: Now what?

  ‘Tragedy,’ he says. ‘When bad stuff happens, when people die. It’s always a tragedy, it’s tragic. That’s what the papers say. Tragic.’

  ‘Well, isn’t it?’ I say.

  He looks up at me, over the half-rims, and takes his usual pause.

  ‘When Ronnie Meadows had his heart attack on the fork-lift, was that tragic?’

  I have to take a little pause too.

  ‘Well—no,’ I say, wondering whether it’s the right answer. Whether it’s fair to Ronnie to say it wasn’t tragic.

  ‘Exactly,’ Mick says. ‘It was just Ronnie Meadows having a heart attack. But if Ronnie had died in, I don’t know, a train crash and it had been in the papers, they’d have called it tragic. See what I mean?’

  True. But it’s not as if they’d have mentioned Ronnie at all. I could see the word printed in the paper. I could see the headline: ‘Rail Crash Tragedy’. Not just ‘Rail Crash’. I couldn’t see the headline: ‘Ronnie Meadows Dies in Rail Crash Tragedy’.

  I was drumming on the edge of the table with my fingers.

  ‘So?’ I say.

  ‘Or if Ronnie hadn’t been a fork-lift driver, if he’d been, I don’t know, a Member of Parliament or someone on TV, and he’d died doing something just as boring—pushing a lawn-mower—they’d have called that tragic.’

  ‘So?’ I say again.

  I thought: Drink your tea, Micky, I’m gasping.

  ‘So. So it’s just a word. It’s just a word they use in the papers about things that get into the papers. It’s just a word they use because they can’t think of what else to say. It has to be tragic.’

  Mick likes to do this. He likes to read the paper—I mean not just look at it, but read it—and he likes to mouth off about whatever he’s reading to anyone he’s with. Which is me, Bob Lewis. But he likes to do it now specially, to make me suffer, now he’s trying to quit. I wanted him to finish his tea and fold up his paper so we could go outside for a smoke.

  ‘So it has no meaning?’ I say.

  I thought: Idiot, why encourage him?

  But I also thought it’s not true that no one called Ronnie’s death tragic. Mick wasn’t as close as I was, when the ambulance came. Ronnie’s wife had come too. She had to come. I’ve forgotten her name. Sandra? Sarah? And Mercer was there, in his white shirt, he had to be. He said, ‘It’s tragic, Mrs Meadows. Tragic . . . tragic.’ He said it several times. He looked like he didn’t know what else to say, and Ronnie’s wife looked like she wasn’t listening.

  Ronnie was still lying under a pallet cover, because it was technically an industrial accident and he couldn’t be moved yet. There was a pointy bit of the pallet cover that was Ronnie Meadows’ nose.

  Did Mick hear what Mercer said? As I remember it, he was hanging back a bit. It was over three months ago. Ronnie had to go and drop dead right in the middle of the yard where everyone crosses to get to the gate. Even for a smoke at break time. I saw people skirting round for days, weeks afterwards. I skirted round myself. Then one day I realised, same as everyone else: I’ve just walked over the spot where Ronnie Meadows died and never thought about it.

  But now I remembered Mercer saying ‘tragic’ to Ronnie’s wife.

  ‘Yes it has a meaning,’ Mick says. He takes a breath. I thought: Here we go. He could see me drumming my fingers.

  He started wearing the half-rims a couple of months ago. Because of them everyone began calling him ‘Prof’. But I think the glasses only brought out something already there. It was like his face had been waiting for the glasses to complete it. Mick himself had been waiting. Mick Hammond, the man who likes to let you know he thinks.

  ‘It has a meaning . . .’

  He was all shy at first about wearing them, but now he fancies himself in them, he likes the business of looking over the top of them. And I quite like Mick in his reading glasses. Because they make him look serious, and that makes me want to laugh.

  ‘It has a meaning . . .’

  I could see he really was doing some thinking now, but he was also in a bit of a fix. I thought: You started this, Micky mate.

  But mainly I thought: I’m gasping. And I thought: He’s only dawdling over his tea because he’s trying to quit the fags. He doesn’t want to cross the yard with me and slip out the gate to what we used to call Death Row. Till Ronnie Meadows died.

  Mick’s a mate, but this whole giving-up thing’s a bastard. It doesn’t seem right for Mick to stop me nipping off for a drag. But it doesn’t seem right for me to nip off anyway without Mick. Even if he’s not going to smoke himself, he should come outside with me and stand beside me while I do. But that’s daft too.

  ‘If . . .’ he says, ‘if . . . a famous mountaineer dies while trying to climb a new way up the north face of the Eiger, the papers would call that tragic, but it wouldn’t be.’

  That seems a long way from Macintyre’s warehouse, but I let it go. I can see Mick is getting all important with himself. I thought: Stay calm.

  ‘What would it be?’

  ‘It would be. . . well, heroic maybe.’

  ‘Or mad,’ I say.

  ‘No, no, it would be the right sort of death for a mountaineer, wouldn’t it? It would be how a mountaineer might even want to die.’

  I don’t say, ‘Who wants to die?’ And I don’t say, ‘Why are we talking about mountaineering?’

  ‘So?’ I say.

  He shifts the half-rims on his nose a little, lifts them up with one finger, lets them drop again. Any moment now he’ll take them off and wipe them. He didn’t just get new glasses, he got a whole new act, a whole new bloody Mick Hammond, or the one that had only been waiting.

  Maybe because of Mick and his glasses, I thought: Tragedy’s about acting too. It’s about stuff that happens on stage. Shakespeare and stuff. That’s the thing about it. It’s not real life. And Mercer can’t have been thinking that Ronnie Meadows dropping off his fork-lift
was—well, like Hamlet.

  Micky Hamlet, I thought. Mickey Mouse.

  ‘If, on the other hand . . .’ he says. I thought: Here we go.

  ‘. . . if a famous mountaineer dies not on the north face of the Eiger, but climbing up some easy-peasy little mountain in, I don’t know, the Lake District, then that’s tragic.’

  I didn’t know what to say to this. Mick must have done some thinking, I’ll give him that, to come up with this. I sort of got what he was getting at, but then again I didn’t, I didn’t at all.

  I thought: I never knew Mick had a secret hankering to be a mountaineer. And I thought: We’re nowhere near the Lake District, Micky, we’re in Stevenage.

  So I said, ‘Why?’

  Which is always the killer question. When I said it I couldn’t help thinking of when Gavin, our first, started up with his ‘Why? Why? Why?’. It often sounded more like ‘Wha! Wha! Wha!’ but, God, he knew it was the killer question.

  Gavin’s nearly eighteen now.

  ‘Well, don’t you see?’ Mick says. ‘It’s got something about it. It’s not how a mountaineer would want to die, or should die. It’s—’

  ‘Just stupid,’ I say.

  ‘Tragic,’ he says.

  Mick Hammond’s totally different from me. But, yes, he’s my mate, has been for years. Search me.

  ‘If you say so, Mick.’

  And those glasses sometimes make Mick look like a granddad, twice my age, though there’s only a year in it.

  I didn’t say, ‘If you say so, Prof.’ I thought: How did we get to this? The newspaper. Ronnie Meadows. The Lake District. But it was the newspaper first. I thought: I’m gasping.

  And then I thought: If I get up and leave Mick here and go out across the yard to the gate to have a smoke and if I keel over while I’m doing it, would that be tragic? Smoking kills. It says so on the packet. Or would it be more tragic if Mick comes with me, is standing right beside me when it happens, and if he’s smoking too? Or if he isn’t, because he’s trying to give up and he’s just keeping me company?