The Queen of the South

by Arturo Pérez-Reverte

  That was also why she read so much, now. Reading, she'd learned in prison, especially novels, allowed her to inhabit her mind in a new way—as though by blurring the boundaries between reality and fiction, she might witness her own life as if it were happening to somebody else. Besides teaching her things, reading helped her think differently, or think better, because on the page, others did it for her. Although it was also true that with novels you could apply your point of view to every situation or character. Even to the voice that told the story: sometimes it would be that of a narrator, either with a name or anonymous, and sometimes it would be your own. She had discovered with surprise and pleasure that as she turned each page, the book was written, as though for the first time, all over again.

  When she got out of El Puerto, Teresa had continued to read, and her choices were guided by intuitions, tides, first lines, cover illustrations. So now, in addition to her leather-bound Monte Cristo, she had her own books, which she bought one by one, cheap editions that she found at street markets or in used-book shops, or pocket books that she bought after giving spin after spin to those revolving racks. She would read novels written long ago by men and women whose portraits were sometimes on the back cover or the flap of the dust jacket, and also modern novels about love, adventure, travel. Of all she had read, her favorites were Gabriela, Clove, and Cinnamon, by a Brazilian writer named Jorge Amado; Anna Karenina, about the life of a Russian aristocrat, written by another Russian; and A Tale of Two Cities, which made her cry at the end, when the brave Englishman—Sydney Carton was his name—consoled the frightened young woman by taking her hand as she walked toward the guillotine. She also read that book about a doctor married to a millionaire that Patty had suggested she leave till later, and another, very strange one, hard to understand, that had drawn her in because from the first moment she recognized the land and the language and the soul of the characters that ran through its pages. The book was called Pedro Paramo, and although Teresa never fully unlocked its mysteries, she returned to it over and over again, opening it at random to reread a few pages. The way the words flowed fascinated her, as though she had peered into an unknown, shadowy, magical place that was related to something she herself possessed—she was sure of that—in some dark part of her blood and memory: I came to Comala because I was told that my father, a certain Pedro Paramo, was living there....

  So after a great deal of reading in El Puerto de Santa Maria, Teresa went on adding books to her inner library, one after another, on her free day each week, on nights when sleep would not come. Even the familiar fear of the gray light of dawn could be held at bay, sometimes, if she opened the book that always lay on the night table.

  Tony arrived. Still young, with a beard, a ring in each ear, his skin tan

  from many Marbella summers. A T-shirt with the Osborne bull on it. A beach professional—or beach bum, perhaps, living off tourists, with no apologies. No apparent emotions at all. In the time she'd been there, Teresa had never seen him angry or in a particularly good mood, excited or disappointed, and certainly never cheery. He managed the kiosk with dispassionate efficiency, earned good money, was courteous with the customers and inflexible with the bores and troublemakers. Under the counter, he kept a baseball bat for emergencies, and he served the municipal police that patrolled the beaches snifters of cognac in the morning and gin and tonics when they were off duty. When Teresa came to meet him, shortly after getting out of El Puerto, Tony looked at her long and hard and said he'd give her a job because a friend had asked him to. "But no drugs, no alcohol in front of the customers, no picking them up or letting them pick you up, no sticking your hand in the cash drawer, or I'll throw you out on the fucking street. And if you stick your hand in the cash drawer, I'll also bust your face. The hours are eight to eight, plus the time it takes you to pick up after we close. Take it or leave it."

  Teresa had taken it. She needed a legal gig in order to satisfy the conditions of her parole, and eat, and sleep under a dry roof. And Tony and his kiosk were as good or bad as anything else.

  She finished smoking the basuco, burning the tips of her fingers, and then finished off the tequila and orange juice in one long gulp. The first swimmers were beginning to arrive, with their towels and their suntan lotion. The guy with the fishing rod was still down on the shoreline, and the sun was rising higher and higher, warming the sand. A nice-looking man was doing exercises down past the lounge chairs, gleaming with sweat like a horse after a long race. She could almost smell his skin. Teresa stood watching him for a while—his flat stomach, his back muscles flexing with each push-up or twist of his torso. Once in a while he would pause to catch his breath, looking down at the ground as though he were thinking, and she watched him with her own thoughts running around and around in her head. Flat stomachs, back muscles. Men with bronzed, weather-beaten skin smelling of sweat, jealous under their pants. Chale. It was so easy to catch them, and yet so hard, despite everything, despite how predictable they were. And so simple to become a mere "girlfriend," an appendage, a nothing, when you thought with your pussy, or even when you just thought so much that finally it was all the same, you were stupid from being so fucking smart. Since she'd been on the outside again, Teresa had had only one sexual encounter: a young waiter at a kiosk on the other end of the beach, one Saturday night when instead of heading off for her room she stayed around, drinking a few drinks and smoking a couple of joints while she sat on the sand and watched the lights of the fishing boats in the distance and dared herself not to remember. The waiter's timing when he came up to her was perfect, and he was cute, clever, and funny enough to make her laugh, so they wound up a couple of hours later in his car, parked in an abandoned lot near the bullring. It was an encounter that just happened, and Teresa went into it with more curiosity than real desire—she watched herself, absorbed in her own reactions and emotions. The first man in a year and a half—something many of the girls in the prison would have given months of freedom for.

  But she picked the wrong place and the wrong company. Those lights out on the black ocean, she later decided, were to blame. The waiter, a kid who resembled the man doing exercises down by the lounge chairs—no doubt why this memory had come to her now—was selfish and clumsy, and the condom that she made him put on after looking for a good long time for a pharmacy open at that hour didn't make things any better. It was so uncomfortable inside the car that she had to struggle even to unzip her jeans.

  When they finished, the kid was visibly ready to go home and get some sleep, and Teresa was unsatisfied and furious with herself—more furious still with the silent woman who looked back at her from behind the red cigarette-ember in the car window: a luminous dot like those on the fishing boats that worked all night, and on the boats in her memory. So she pulled on her jeans again, got out of the car, said, So long, nice knowing you. She hadn't even caught the kid's name, and if it mattered to him, then que chingue a su madre.

  That same night, when she got to her room, Teresa took a long, hot shower, and then she got drunk and lay naked on her bed, facedown—so drunk that she vomited, long arcs of bile—and fell asleep at last with one hand between her thighs, her fingers inside her sex. She could hear the distant sound of Cessnas and speedboat engines, and the voice of Luis Miguel singing from the cassette player on the night table. If they let us, if they let us, we will love each other all our lives.

  She woke up that same night, shivering in the darkness, because she had finally discovered, in a dream, what was going on in that little Mexican novel by Juan Rulfo. It was the one she'd never quite understood before, no matter how hard she'd tried. I came to Comala because I was told that my father, a certain Pedro Paramo, was living there. . ..

  Hijole! The characters in that story were all dead, but they just didn't know it.

  "Youve got a phone call," Tony said.

  Teresa put the dirty glasses in the sink, set the tray on the counter, and went down to the end of the bar. It was the butt-end of a long, hot, h
ard day: thirsty men, women in dark sunglasses with their pussies in the sun— some of them had no shame—ordering beers and drinks all day; and her head was splitting and her feet burned from walking back and forth from the bar to the lounge chairs over the hot coals of the sand, waiting on table after table, and sweating like crazy in the blinding glare of that blast oven. It was late afternoon, and some of the bathers were beginning to leave the beach, but she still had a couple of hours of work ahead of her.

  She dried her hands on her apron and picked up the telephone. Nobody had called her since she'd gotten out of El Puerto, either at the kiosk or anywhere else, nor could she imagine why anybody would do so now. Tony must have been thinking the same thing, because he watched her out of the corner of his eye as he dried glasses and lined them up on top of the bar.

  "Hello," she said warily.

  She recognized the voice at the first word, with no need for the person to say, It's me. A year and a half hearing that voice day and night had engraved it in her memory. So she smiled and then laughed out loud, almost joyously. ‘Orale, mi teniente! How great to hear your voice. How's life treating you? She was truly happy to hear that self-assured, composed tone of voice, that person who took things as they came. That person who knew herself and other people as well, because she knew how to look at them, and she had learned even more from people's silences than from their words. At the same time, in one part of her mind, Teresa thought, Chale, I wish I could talk like that, dial a telephone number after all this time and say, How's it hanging, Mexicanita, you silly bitch you, I hope you've missed me while you were screwing half of Marbella, now that nobody's watching you. We going to see each other, or have you moved on?

  Teresa asked whether she was really out, and Patty O'Farrell laughed and said, "Of course I'm out, silly, out three days ago, and going from one homecoming to another—I don't sleep, and then they wake me up again! And every time I catch my breath or regain consciousness I've tried to find your telephone number—and I finally found it, about time, huh?—so I could tell you that those fucking dyke guards could not keep the old Abbe down, and that they can finally shove the Chateau d'lf up their asses, and that it's about time for Edmond Dantes and his friend Faria to have a long, civilized conversation somewhere where the sun doesn't come in through bars. So I thought you could take a bus, or a taxi if you've got some money, or whatever, and come to Jerez, because tomorrow they're throwing me a little party and the truth is, without you, parties are weird. How about that, puss? Jail-house habits are hard to break, huh? So, you coming or not?"

  It was quite a party. A party at a country house in Jerez, what the Spaniards called a cortijo, one of those places where it took you forever to get from the archway at the entrance of the grounds to the house itself, at the end of a long gravel driveway, with expensive cars parked at the door and walls of red-ocher plaster and windows with wrought-iron grilles that reminded Teresa—this is where they come from, she realized—of old Mexican haciendas. The place was like one of those houses in the magazines: rustic furniture ennobled by antiquity, dark paintings on the walls, terracotta floors, beamed ceilings. And a hundred or so guests drinking and talking in two large rooms and out on the terrace with its grape arbor extending toward the rear, a roofed bar to one side, an enormous wood-fired grill, and a pool. The sun was just setting, and the dusty dull gold light gave an almost material consistency to the warm air, out on the horizon of green vineyards softly rising and falling into the distance. "I like your house," Teresa said. "I wish it was mine." "But it belongs to your family." "There's a big difference between my family and me." They were sitting under the grape arbor, in wooden chairs with linen-upholstered cushions, each with a glass in hand, looking at the people milling about nearby. Everything in keeping, Teresa decided, with the place and the cars at the door. At first she'd been ill at ease in her jeans and high heels and simple blouse, especially when some people looked at her strangely when she arrived, but Patty O'Farrell—in a mauve cotton dress, pretty embossed sandals, her blond hair cut short as she always wore it—reassured her. "Here," she said, "everybody dresses the way they want to. And you look terrific. That hair pulled back so tight, with the part down the middle, looks wonderful on you. Very native. You never wore it like that in lockup." "In lockup I didn't go to any parties." "Oh, yes you did!"

  And the two of them laughed, remembering. There was tequila, Teresa discovered, and alcohol of all kinds, and uniformed servants moving about with trays of hors d'oeuvres. Perfect. Two flamenco guitarists were playing at the center of a group of guests. The music, happy and melancholy at the same time, rising and falling in gusts of sound, fit the place and the landscape in the background. Sometimes the people listening clapped, and some of the young women danced, arms high, fingers snapping, heels tapping, pretending to be Gypsies, and then conversed with their companions. Teresa envied the self-possession that allowed them to move about like that, greet people, talk, smoke in that distinguished way that Patty also had, one arm across their lap, one hand holding the other elbow, the arm vertical, the smoking cigarette between their fingers. This may not have been the highest of high society, she concluded, but it was fascinating to watch them—they were so different from the people she'd met in Culiacan with Güero Dávila, thousands of years and miles from her most recent past and from what she was, or ever would be. Even Patty seemed an unreal link between those different worlds. That's the way you're supposed to act, she decided, and I wish I could learn how. And how nice to be able to observe it all, so unimportant and invisible that nobody even noticed you.

  Most of the male guests were over forty, with dark jackets, good shoes and watches, and informal touches—open shirts, no tie. Their skin was tanned, and not exactly from working in the fields. As for the women, there were two definite types: good-looking girls with long legs, some a little ostentatious in their clothing and jewelry, and others that were better dressed, more sober, with fewer adornments and makeup, on whom plastic surgery and money—one permitted by the other—sat very naturally. Patty's sisters belonged to that second group: nose jobs, facelifts, blond hair with tips and streaks, that marked Andalucian accent that betokened good breeding, elegant hands that had never washed a dish, designer clothes. Around fifty the older one, forty-something the other, Teresa figured. They resembled Patty from the front—the oval faces, the way they twisted their mouths when they talked or smiled. They'd looked Teresa up and down with that same arching of the eyebrows—two circumflexes that took her in and put her down in mere seconds—before returning to their social obligations and their guests.

  "Pigs," Patty muttered when they'd turned their backs, just as Teresa was thinking, Orale, what was I thinking, wearing this smuggler outfit. I should have worn something else, the silver bracelets and a skirt instead of jeans and heels and this old blouse that they looked at like it was a dishrag.

  "The older one," Patty said, "is married to a lazy idiotic bum, that potbellied bald guy laughing like a hyena in that group over there, and the other one kisses up to my father the way he likes it. Although the truth is, they both kiss his ass."

  "Is your father here?"

  "Good god, of course not." Patty crinkled her nose elegantly, her whisky on the rocks halfway to her mouth. "That old cabron lives under glass in his apartment in Jerez.... He's allergic to the country." She laughed maliciously. "Pollen and all that."

  "Why did you invite me?"

  Without looking at her, Patty finished raising her glass to her lips. "I thought," she said, her lips moist, "that you'd like to have a drink with me."

  "There are bars to have drinks in. And this is not my scene."

  Patty set her glass down on the table and lit a cigarette, although the previous one was still burning in the ashtray.

  "Mine, either. Or at least not entirely." She looked around contemptuously. "My sisters are absolute imbeciles—throwing a party to welcome me back into society. Instead of hiding me, they show me off, get it? That way they can ac
t like they're not ashamed of the lost sheep.... Tonight they'll go to bed with their cunts cold and their consciences easy, like they always do."

  "Maybe you're being unfair to them. Maybe they're really glad."

  "Unfair?... Here?" She bit her lower lip with an unpleasant smile. "Would you believe it if I told you that nobody has yet to ask me how it was for me in prison?... Taboo subject. Just, Hey, sweetheart. Kiss, kiss. Like I'd been on vacation in the Caribbean."

  Her tone was lighter than in El Puerto, Teresa thought. More flighty, frivolous; more talkative. She says the same things and in the same way, but there's something different, as though here she feels the need to give me explanations that in our former life were unnecessary. Teresa had been watching her from the first moment, when Patty stepped away from some people to greet her, and then when she left her alone a couple of times, going and coming among the guests. It took a minute to recognize her, to really believe it was her behind those smiles, the gestures of complicity with people who were strangers to Teresa, to really believe it was Patty accepting cigarettes, inclining her head while someone lit them for her.

  When Patty returned and they went out to sit on the terrace, Teresa finally began to recognize her. And it was true that now she explained things more, justified them, as if unsure that Teresa would understand, or—the thought now struck Teresa—approve.

  That possibility gave her something to think about. Maybe, she ventured after some reflection, the personal legends that work behind bars don't work on the outside, and once you're out you have to establish who you are all over again. Confirm it in the light of the street. Maybe Lieutenant O'Farrell is nobody here, or not what she really wants to be. And maybe, also, she's afraid that I'll realize that. My advantage is that I never knew what or who I was while I was on the inside, and so maybe that's why I'm not worried about what or who I am outside. I've got nothing to explain to anybody. Nothing to convince anybody about. Nothing to prove.