Nemesis n-4
Page 16
"And what about Sheila, the Steinberg twin — who'd she get it from? Look, it's far too late in the day to be rehashing all that now," he said, oddly, having rehashed nearly everything with me already. "Whatever was done, was done," he said. "Whatever I did, I did. What I don't have, I live without."
"But even if it were possible that you were a carrier, you would have been an unsuspecting carrier. Surely you haven't lived all these years punishing yourself, despising yourself, for something you didn't do. That's much too harsh a sentence."
There was a pause, during which he studied that spot that engaged him — to the side of my head and somewhere in the far distance, that spot which more than likely was 1944.
"What I've lived with mostly all these years," he said, "is Marcia Steinberg, if you want the truth. I cut myself free of many things, but I was never able to do that with her. All these years later, and there are times that I still think I recognize her on the street."
"As she was at twenty-two?"
He nodded, and then, to round out the disclosure, he said, "On Sundays I surely don't want to be thinking about her, yet that's when I mostly do. And nothing comes of my trying not to."
Some people are forgotten the moment you turn your back on them; that was not the case for Bucky with Marcia. Marcia's memory had endured.
He reached into his jacket pocket with his unwithered hand and took out an envelope and presented it to me. It was addressed to Eugene Cantor at 17 Barclay Street and postmarked at Stroudsburg, July 2 1944.
"Go ahead," he said. "I brought it so you can look at it. I got it when she'd been away at camp just a few days."
The note I took from the envelope was written in perfect Palmer Method cursive on a small sheet of pale green stationery. It read:
My man my man my man my man my man
my man my man my man my man my man
my man my man my man my man my man
my man my man my man my man my man
All the way to the bottom of the page and halfway down the other side, the two words were repeated over and over, all of them evenly supported on an invisible straight line. The letter was signed with just her initial, M, a tall, beautifully formed capital exhibiting a little flourish in the loop and the stem, followed by "(as in My Man)."
I placed the single page back in the envelope and returned it to him.
"A twenty-two-year-old writes to her first lover. You must have been pleased to get such a letter."
"I got it when I came home from work. I kept it in my pocket during dinner. I took it with me to bed. I went to sleep with it in my hand. Then I was awakened by the phone. My grandmother slept across the hall. She was alarmed. 'Who can it be at this hour?' I went into the kitchen to answer. It was a few minutes after midnight by the clock there. Marcia was calling from the phone booth behind Mr. Blomback's office. She'd been in bed in her cabin, unable to sleep, so she got up and dressed and came out in the dark to call me. She wanted to know if I had received the letter. I said I had. I said I was her man two hundred and eighteen times over — she could depend on that. I said that I was her man forever. Then she told me that she wanted to sing to her man to put him to sleep. I was at the kitchen table in my skivvies in the dark and sweating like a pig from the heat. It had been another whopper of a day, and it hadn't cooled off any by midnight. The lights were out in all the flats across the way. I don't think anyone was awake on our whole street."
"Did she sing to you?"
"A lullaby. It wasn't one I knew, but it was a lullaby. She sang it very, very softly. There it was, all by itself, over the phone. Probably one she remembered from when she was a kid."
"So you had a weakness for her soft voice too."
"I was stunned. Stunned by so much happiness. I was so stunned that I whispered into the phone, 'Are you really as wonderful as this?' I couldn't believe such a girl existed. I was the luckiest guy in the world. And unstoppable. You understand me? With all that love of hers, how could I ever be stopped?"
"Then you lost her," I said. "How did you lose her? That you haven't told me yet."
"No, I haven't. I wouldn't let Marcia see me. That's how it happened. Look, maybe I've said enough." Suddenly, made uneasy by a pang of shame for the sentiments he'd just confided, he flushed deeply. "What the hell got me started? That letter. Finding that letter. I should never have gone looking for it."
With his elbow on the table he dropped his reddened face into his good hand and with his fingertips rubbed at his closed eyelid. We had reached the hardest part of the story.
"What happened to end it with Marcia?" I asked.
"When she came up to Stroudsburg to the hospital, when I was out of isolation, I had them turn her away. She left me a note telling me that her kid sister had only a mild, nonparalytic case and after three weeks recovered completely. I was relieved to learn that, but I still didn't want to resume my relations with the family. Marcia tried a second time to see me when I was transferred down to Philadelphia. That time I let her. We had a terrible argument. I didn't know she had it in her — I'd never seen her openly angry at anyone before. After that, she never came back. We never made contact again. Her father tried to talk to me when I was in Philadelphia, but I wouldn't take the call. When I was working at the Esso station on Springfield Avenue, out of the blue one day he pulled in for gas. That was a long way for him to go for gas."
"Was he there for her? To try to get you to come back?"
"I don't know. Maybe. I let another guy take the pump. I hid. I knew I was no match for Dr. Steinberg. I have no idea what happened to his daughter. I don't want to know. Whoever she married, let them and their children be happy and enjoy good health. Let's hope their merciful God will have blessed them with all that before He sticks His shiv in their back."
It was an arrestingly harsh utterance from the likes of Bucky Cantor, and, momentarily, he seemed to have perturbed himself by making it.
"I owed her her freedom," he finally said, "and I gave it to her. I didn't want the girl to feel stuck with me. I didn't want to ruin her life. She hadn't fallen in love with a cripple, and she shouldn't be stuck with one."
"Wasn't that up to her to decide?" I asked. "A damaged man is sometimes very attractive to a certain type of woman. I know from experience."
"Look, Marcia was a sweet, naive, well-brought-up girl with kindly, responsible parents who had taught her and her sisters to be polite and obliging," Bucky said. "She was a young new first-grade teacher, wet behind the ears. A slight slip of a thing, inches shorter even than me. It didn't help her being more intelligent than me — she still didn't have any idea of how to go about getting out of her mess. So I did it for her. I did what had to be done."
"You've given this a lot of thought," I said. "All your thought, it sounds like."
He smiled for one of the few times during our talks, a smile very like a frown, denoting weariness more than good cheer. There was no lightness in him. That was missing, as were the energy and the industry that were once at the center of him. And, of course, the athletic ingredient had completely vanished. It wasn't only an arm and a leg that were useless. His original personality, all that vital purposefulness that would hit you in the face the moment you met him, seemed itself to have been stripped away, lifted from him in shreds as though it were the thin swatch of bark that he'd peeled from the birch tree the first night with Marcia on the island in the lake at Indian Hill. We had been together one day a week at lunch over a period of a few months and never once did he lighten up, not even when he said, "That song she liked, 'I'll Be Seeing You'—I've never been able to forget that either. Soupy, sappy, yet it looks like I'll remember it for as long as I live. I don't know what would happen if I had to hear it again."
"You'd bawl."
"I might."
"You'd have a right," I said. "Anyone would be miserable, having renounced a true mate like that."
"Oh, my old playground buddy," he said, with more feeling than he'd spoken yet, "I never thought that's how it w
ould end with her. Never."
"When she got angry with you — the time she came to see you in Philadelphia —"
"I never saw her again after that."
"You've said. But what happened?"
He was in a wheelchair, he told me, a glorious autumn Saturday in mid-October, still warm enough for them to go outdoors and for her to sit on a bench on the lawn in front of the Sister Kenny Institute, beneath the branches of a tree whose leaves had turned and begun to fall, but not so warm that the polio epidemic in the northeastern states hadn't finally dissipated and died away. By then Bucky had not seen her or spoken to her in nearly three months, so she hadn't yet had a chance to observe how crippled he was. There had been an exchange of correspondence, not between Bucky and Marcia but between Bucky and Marcia's father. Dr. Steinberg had written to tell Bucky that he had an obligation to allow Marcia to visit him and tell him directly what was on her mind. "Marcia and the family," wrote Dr. Steinberg, "deserve better from you than this." Against a handwritten letter on personalized hospital stationery from a man of the doctor's stature, Bucky, of course, had no defense, and so the date and time of Marcia's visit were set, and the quarrel began almost immediately upon her arrival, when he noticed right off that her hair had grown out since he'd seen her last, making her look more womanly than she had at camp and prettier now than ever. She had dressed with gloves and a hat, just like the proper teacher whom he'd first fallen for.
There was nothing she could say that would change his mind, he announced, however much he would have loved just to reach out with his good hand and touch her face. Instead, he used his good hand to grasp his dead arm around the wrist and raise it to the level of her eyes. "Look," he said. "This is what I look like."
She did not speak, but she did not blink either. No, he told her, he was no longer man enough to be a husband and a father, and it was irresponsible of her to think otherwise.
"Irresponsible of me?" she cried.
"To be the noble heroine. Yes."
"What are you talking about? I'm not trying to be anything other than the person who loves you and wants to marry you and be your wife." And then she advanced the gambit that she had no doubt rehearsed on the train down. "Bucky, it's not complicated, really," she told him. "I'm not complicated. Remember me? Remember what I said to you the night before I left for camp in June? 'We'll do it perfectly.' Well, we will. Nothing has changed that. I'm just an ordinary girl who wants to be happy. You make me happy. You always have. Why won't you now?"
"Because it's no longer the night before you left for camp. Because I'm no longer the person you fell in love with. You delude yourself if you think that I am. You're only doing what your conscience tells you is right — I understand that."
"You don't at all! You're speaking nonsense! It's you who's trying to be noble by refusing to talk to me and refusing to see me. By telling me to leave you alone. Oh, Bucky, you're being so blind!"
"Marcia, marry a man who isn't maimed, who's strong, who's fit, who's got all that a prospective father needs. You could have anyone, a lawyer, a doctor — someone as smart as you are and as educated as you are. That's what you and your family deserve. And that's what you should have."
"You are infuriating me so by talking like this! Nothing in my entire life has ever infuriated me as much as what you are doing right now! I have never known anyone other than you who finds such comfort in castigating himself!"
"That's not what I'm doing. That's an absolute distortion of what I'm doing. I just happen to see the implications of what's happened and you don't. You won't. Listen to me: things aren't the way they were before the summer. Look at me. Things couldn't be more different. Look."
"Stop this, please. I've seen your arm and I don't care."
"Then look at my leg," he said, pulling up his pajama bottoms.
"Stop, I beg you! You think it's your body that's deformed, but what's truly deformed is your mind!"
"Another good reason to save yourself from me. Most women would be delighted if a cripple volunteered to get out of their life."
"Then I'm not most women! And you're not just a cripple! Bucky, you've always been this way. You could never put things at the right distance — never! You're always holding yourself accountable when you're not. Either it's terrible God who is accountable, or it's terrible Bucky Cantor who is accountable, when in fact, accountability belongs to neither. Your attitude toward God — it's juvenile, it's just plain silly."
"Look, your God is not to my liking, so don't bring Him into the picture. He's too mean for me. He spends too much time killing children."
"And that is nonsense too! Just because you got polio doesn't give you the right to say ridiculous things. You have no idea what God is! No one does or can! You are being asinine — and you're not asinine. You sound so ignorant — and you're not ignorant. You are being crazy — and you're not crazy. You were never crazy. You were perfectly sane. Sane and sound and strong and smart. But this! Spurning my love for you, spurning my family — I refuse to be a party to such insanity!"
Here the obstinate resistance collapsed, and she threw her hands up over her face and began to sob. Other patients who were entertaining visitors on nearby benches or being pushed in wheelchairs along the paved path in front of the institute could not but notice the petite, pretty, well-dressed young woman, seated beside a patient in a wheelchair, who was so visibly swept away by her sorrow.
"I'm completely baffled by you," she told him through her tears. "If only you could have gone into the war, you might — oh, I don't know what you might. You might have been a soldier and gotten over all this — whatever it is. Can't you believe that it's you I love, whether or not you had polio? Can't you understand that the worst possible outcome for both of us is for you to take yourself away from me? I cannot bear to lose you — is there no getting that through to you? Bucky, your life can be so much easier if only you'll let it be. How do I convince you that we have to go on together? Don't save me, for God's sake. Do what we planned — marry me!"
But he wouldn't be budged, however much she cried and however heartfelt the crying seemed, even to him. "Marry me," she said, and he could only reply, "I will not do that to you," and she could only reply, "You're not doing anything to me — I am responsible for my decisions!" But there was no breaking down his opposition, not when his last opportunity to be a man of integrity was by sparing the virtuous young woman he dearly loved from unthinkingly taking a cripple as her mate for life. The only way to save a remnant of his honor was in denying himself everything he had ever wanted for himself — should he be weak enough to do otherwise, he would suffer his final defeat. Most important, if she was not already secretly relieved that he was rejecting her, if she was still too much under the sway of that loving innocence of hers — and under the sway as well of a morally punctilious father — to see the truth plainly for herself, she would feel differently when she had a family and a home of her own, with happy children and a husband who was whole. Yes, a day would come, and not far in the future, when she would find herself grateful to him for his having so pitilessly turned her away — when she would recognize how much better a life he had given her by his having vanished from it.
WHEN HE'D COMPLETED the story of the final meeting with Marcia, I asked him, "How bitter does all this leave you?"
"God killed my mother in childbirth. God gave me a thief for a father. In my early twenties, God gave me polio that I in turn gave to at least a dozen kids, probably more — including Marcia's sister, including you, most likely. Including Donald Kaplow. He died in an iron lung at Stroudsburg Hospital in August 1944. How bitter should I be? You tell me." He asserted this caustically, in the same tone in which he'd proclaimed that her God would one day betray Marcia and plant a knife in her back too.
"It's not for me," I replied, "to find fault with any polio sufferer, young or old, who can't fully overcome the pain of an infirmity that never ends. Of course there's brooding over its permanence. But there must
in time be something more. You speak of God. You still believe in this God you disparage?"
"Yes. Somebody had to make this place."
"God the great criminal," I said. "Yet if it's God who's the criminal, it can't be you who's the criminal as well."
"Okay, it's a medical enigma. I'm a medical enigma," Bucky said confusingly. Did he mean perhaps that it was a theological enigma? Was this his Everyman's version of Gnostic doctrine, complete with an evil Demiurge? The divine as inimical to our being here? Admittedly, the evidence he could cull from his experience was not negligible. Only a fiend could invent polio. Only a fiend could invent Horace. Only a fiend could invent World War II. Add it all up and the fiend wins. The fiend is omnipotent. Bucky's conception of God, as I thought I understood it, was of an omnipotent being whose nature and purpose was to be adduced not from doubtful biblical evidence but from irrefutable historical proof, gleaned during a lifetime passed on this planet in the middle of the twentieth century. His conception of God was of an omnipotent being who was a union not of three persons in one Godhead, as in Christianity, but of two — a sick fuck and an evil genius.
To my atheistic mind, proposing such a God was certainly no more ridiculous than giving credence to the deities sustaining billions of others; as for Bucky's rebellion against Him, it struck me as absurd simply because there was no need for it. That the polio epidemic among the children of the Weequahic section and the children of Camp Indian Hill was a tragedy, he could not accept. He has to convert tragedy into guilt. He has to find a necessity for what happens. There is an epidemic and he needs a reason for it. He has to ask why. Why? Why? That it is pointless, contingent, preposterous, and tragic will not satisfy him. That it is a proliferating virus will not satisfy him. Instead he looks desperately for a deeper cause, this martyr, this maniac of the why, and finds the why either in God or in himself or, mystically, mysteriously, in their dreadful joining together as the sole destroyer. I have to say that however much I might sympathize with the amassing of woes that had blighted his life, this is nothing more than stupid hubris, not the hubris of will or desire but the hubris of fantastical, childish religious interpretation. We have heard it all before and by now have heard enough of it, even from someone as profoundly decent as Bucky Cantor.