Leaves of Grass: First and Death-Bed Editions
Page 57
understand you,
I do not sound your name, but I understand you,
I specify you with joy O my comrade to salute you, and to salute
those who are with you, before and since, and those to come
also,
That we all labor together transmitting the same charge and
succession,
We few equals indifferent of lands, indifferent of times,
We, enclosers of all continents, all castes, allowers of all theologies,
Compassionaters, perceivers, rapport of men,
We walk silent among disputes and assertions, but reject not the
disputers nor any thing that is asserted,
We hear the bawling and din, we are reach’d at by divisions,
jealousies, recriminations on every side,
They close peremptorily upon us to surround us, my comrade,
Yet we walk unheld, free, the whole earth over, journeying up
and down till we make our ineffaceable mark upon time and
the diverse eras,
Till we saturate time and eras, that the men and women of
races, ages to come, may prove brethren and lovers as
we are.
YOU FELONS ON TRIAL IN COURTS
You felons on trial in courts,
You convicts in prison-cells, you sentenced assassins chain’d and
handcuffed with iron,
Who am I too that I am not on trial or in prison?
Me ruthless and devilish as any, that my wrists are not chain’d
with iron, or my ankles with iron?
You prostitutes flaunting over the trottoirs or obscene in your
rooms,
Who am I that I should call you more obscene than myself?
O culpable! I acknowledge—I exposé!
(0 admirers, praise not me-compliment not me-you make me
wince,
I see what you do not- I know what you do not.)
Inside these breast-bones I lie smutch’d and choked,
Beneath this face that appears so impassive hell’s tides continually
run,
Lusts and wickedness are acceptable to me,
I walk with delinquents with passionate love,
I feel I am of them—I belong to those convicts and prostitutes
myself,
And henceforth I will not deny them—for how can I deny
myself?
LAWS FOR CREATIONS
Laws for creations,
For strong artists and leaders, for fresh broods of teachers and
perfect literats for America,
For noble savans and coming musicians.
All must have reference to the ensemble of the world, and the
compact truth of the world,
There shall be no subject too pronounced—all works shall
illustrate the divine law of indirections.
What do you suppose creation is?
What do you suppose will satisfy the soul, except to walk free and
own no superior?
What do you suppose I would intimate to you in a hundred ways,
but that man or woman is as good as God?
And that there is no God any more divine than Yourself?
And that that is what the oldest and newest myths finally
mean?
And that you or any one must approach creations through such
laws?
TO A COMMON PROSTITUTE
Be composed—be at ease with me—I am Walt Whitman, liberal
and lusty as Nature,
Not till the sun excludes you do I exclude you,
Not till the waters refuse to glisten for you and the leaves to
rustle for you, do my words refuse to glisten and rustle
for you.
My girl I appoint with you an appointment, and I charge you that
you make preparation to be worthy to meet me,
And I charge you that you be patient and perfect till I come.
Till then I salute you with a significant look that you do not forget me.
I WAS LOOKING A LONG WHILE
I was looking a long while for Intentions,
For a clew to the history of the past for myself, and for these
chants—and now I have found it,
It is not in those paged fables in the libraries, (them I neither
accept nor reject,)
It is no more in the legends than in all else,
It is in the present—it is this earth to-day,
It is in Democracy—(the purport and aim of all the past,)
It is the life of one man or one woman to-day—the average man
of to-day,
It is in languages, social customs, literatures, arts,
It is in the broad show of artificial things, ships, machinery,
politics, creeds, modern improvements, and the interchange
of nations,
All for the modern—all for the average man of to-day.
THOUGHT
Of persons arrived at high positions, ceremonies, wealth,
scholarships, and the like;
(To me all that those persons have arrived at sinks away from
them, except as it results to their bodies and souls,
So that often to me they appear gaunt and naked,
And often to me each one mocks the others, and mocks himself
or herself,
And of each one the core of life, namely happiness, is full of the
rotten excrement of maggots,
And often to me those men and women pass unwittingly the true
realities of life, and go toward false realities,
And often to me they are alive after what custom has served them,
but nothing more,
And often to me they are sad, hasty, unwaked sonnambules
walking the dusk.)
MIRACLES
Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the
water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night
with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer
forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet
and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.
To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
ships with men in them,
What stranger miracles are there?
SPARKLES FROM THE WHEEL
Where the city’s ceaseless crowd moves on the livelong day,
Withdrawn I join a group of children watching, I pause aside with
them.
By the curb toward the edge of the flagging,
A knife-grinder works at his wheel sharpening a great knife,
Bending over he carefully holds it to the stone, by foot and knee,
With measur’d tread he turns rapidly, as he presses with light but
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firm hand,
Forth issue then in copious golden jets,
Sparkles from the wheel.
The scene and all its belongings, how they seize and affect me,
The sad sharp-chinn’d old man with worn clothes and broad
shoulder-band of leather,
Myself effusing and fluid, a phantom curiously floating, now here
absorb’d and arrested,
The group, (an unminded point set in a vast surrounding,)
The attentive, quiet children, the loud, proud, restive base of the
streets,
The low hoarse purr of the whirling stone, the light-press’d blade,
Diffusing, dropping, sideways-darting, in tiny showers of gold,
Sparkles from the wheel.
TO A PUPIL
Is reform needed? is it through you?
The greater the reform needed, the greater the Personality you
need to accomplish it.
You! do you not see how it would serve to have eyes, blood,
complexion, clean and sweet?
Do you not see how it would serve to have such a body and soul
that when you enter the crowd an atmosphere of desire and
command enters with you, and every one is impress’d with
your Personality?
O the magnet! the flesh over and over!
Go, dear friend, if need be give up all else, and commence to-day
to inure yourself to pluck, reality, self-esteem, definiteness,
elevatedness,
Rest not till you rivet and publish yourself of your own Personality.
UNFOLDED OUT OF THE FOLDS81
Unfolded out of the folds of the woman man comes unfolded,
and is always to come unfolded,
Unfolded only out of the superbest woman of the earth is to come
the superbest man of the earth,
Unfolded out of the friendliest woman is to come the friendliest
man,
Unfolded only out of the perfect body of a woman can a man be
form’d of perfect body,
Unfolded only out of the inimitable poems of woman can come
the poems of man, (only thence have my poems come;)
Unfolded out of the strong and arrogant woman I love, only
thence can appear the strong and arrogant man I love,
Unfolded by brawny embraces from the well-muscled woman I
love, only thence come the brawny embraces of the man,
Unfolded out of the folds of the woman’s brain come all the folds
of the man’s brain, duly obedient,
Unfolded out of the justice of the woman all justice is unfolded,
Unfolded out of the sympathy of the woman is all sympathy;
A man is a great thing upon the earth and through eternity, but
every jot of the greatness of man is unfolded out of woman;
First the man is shaped in the woman, he can then be shaped in
himself.
WHAT AM I AFTER ALL
What am I after all but a child, pleas’d with the sound of my own
name? repeating it over and over;
I stand apart to hear—it never tires me.
To you your name also;
Did you think there was nothing but two or three pronunciations
in the sound of your name?
KOSMOS
Who includes diversity and is Nature,
Who is the amplitude of the earth, and the coarseness and
sexuality of the earth, and the great charity of the earth, and
the equilibrium also,
Who has not look’d forth from the windows the eyes for nothing,
or whose brain held audience with messengers for nothing,
Who contains believers and disbelievers, who is the most majestic
lover,
Who holds duly his or her triune proportion of realism,
spiritualism, and of the aesthetic or intellectual,
Who having consider’d the body finds all its organs and parts good,
Who, out of the theory of the earth and of his or her body
understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of these
States;
Who believes not only in our globe with its sun and moon, but in
other globes with their suns and moons,
Who, constructing the house of himself or herself, not for a day
but for all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable
together.
OTHERS MAY PRAISE WHAT THEY LIKE
Others may praise what they like;
But I, from the banks of the running Missouri, praise nothing in
art or aught else,
Till it has well inhaled the atmosphere of this river, also the
western prairie-scent,
And exudes it all again.
WHO LEARNS MY LESSON COMPLETE?
Who learns my lesson complete?
Boss, journeyman, apprentice, churchman and atheist,
The stupid and the wise thinker, parents and offspring, merchant,
clerk, porter and customer,
Editor, author, artist, and schoolboy—draw nigh and
commence;
It is no lesson—it lets down the bars to a good lesson,
And that to another, and every one to another still.
The great laws take and effuse without argument,
I am of the same style, for I am their friend,
I love them quits and quits, I do not halt and make salaams.
I lie abstracted and hear beautiful tales of things and the reasons
of things,
They are so beautiful I nudge myself to listen.
I cannot say to any person what I hear—I cannot say it to
myself—it is very wonderful.
It is no small matter, this round and delicious globe moving so
exactly in its orbit for ever and ever, without one jolt or the
untruth of a single second,
I do not think it was made in six days, nor in ten thousand years,
nor ten billions of years,
Nor plann’d and built one thing after another as an architect
plans and builds a house.
I do not think seventy years is the time of a man or woman,
Nor that seventy millions of years is the time of a man or
woman,
Nor that years will ever stop the existence of me, or any
one else.
Is it wonderful that I should be immortal? as every one is
immortal;
I know it is wonderful, but my eyesight is equally wonderful, and
how I was conceived in my mother’s womb is equally
wonderful,
And pass’d from a babe in the creeping trance of a couple of
summers and winters to articulate and walk—all this is
equally wonderful.
And that my soul embraces you this hour, and we affect each other without ever seeing each other, and never perhaps to see each other, is every bit as wonderful.
And that I can think such thoughts as these is just as
wonderful,
And that I can remind you, and you think them and know them
to be true, is just as wonderful.
And that the moon spins round the earth and on with the earth, is
equally wonderful,
And that they balance themselves with the sun and stars is equally
wonderful.
TESTS
All submit to them where they sit, inner, secure, unapproachable
to analysis in the soul,
Not traditions, not the outer authorities are the judges,
They are the judges of outer authorities and of all traditions,
; They corroborate as they go only whatever corroborates
themselves, and touches themselves;
For all that, they have it forever in themselves to corroborate far
and near without one exception.
THE TORCH
On my Northwest coast in the midst of the night a fishermen’s
group stands watching,
Out on the lake that expands before them, others are spearing
salmon,
The canoe, a dim shadowy thing, moves across the black water,
Bearing a torch ablaze at the prow.
O STAR OF FRANCE (1870-71)82
O star of France,
The brightness of thy hope and strength and fame,
Like some proud ship that led the fleet so long,
Beseems to-day a wreck driven by the gale, a mastless hulk,
And ‘mid its teeming madden’d half-drown’d crowds,
Nor helm nor helmsman.
Dim smitten star,
Orb not of France alone, pale symbol of my soul, its dearest
hopes,
The struggle and the daring, rage divine for liberty,
Of aspirations toward the far ideal, enthusiast’s dreams of
brotherhood,
Of terror to the tyrant and the priest.
Star crucified—by traitors sold,
Star panting o‘er a land of death, heroic land,
Strange, passionate, mocking, frivolous land.
Miserable! yet for thy errors, vanities, sins, I will not now rebuke
thee,
Thy unexampled woes and pangs have quell’d them all,
And left thee sacred.
In that amid thy many faults thou ever aimedst highly,
In that thou wouldst not really sell thyself however great the
price,
In that thou surely wakedst weeping from thy drugg’d sleep,
In that alone among thy sisters thou, giantess, didst rend the ones
that shamed thee,
In that thou couldst not, wouldst not, wear the usual chains,