Delphi Complete Works of Walter Pater

by Walter Pater

  It was in truth but a rude place to which they were come. But, after life in the monastery, the severe discipline of which the Prior himself had done much to restore, there was luxury in the free, self-chosen hours, the irregular fare, in doing pretty much as one pleased, in the sweet novelties of the country; to the boy Hyacinth especially, who forgot himself, or rather found his true self for the first time. Girding up his heavy frock, which he laid aside erelong altogether to go in his coarse linen smock only, he seemed a monastic novice no longer; yet, in his natural gladness, was found more companionable than ever by his senior, surprised, delighted, for his part, at the fresh springing of his brain, the spring of his footsteps over the close greensward, as if smoothed by the art of man. Cause of his renewed health, or concurrent with its effects, the air here might have been that of a veritable paradise, still unspoiled. “Could there be unnatural magic,” he asked himself again, “any secret evil, lurking in these tranquil vale-sides, in their sweet low pastures, in the belt of scattered woodland above them, in the rills of pure water which lisped from the open down beyond?” Making what was really a boy’s experience, he had a wholly boyish delight in his holiday, and certainly did not reflect how much we beget for ourselves in what we see and feel, nor how far a certain diffused music in the very breath of the place was the creation of his own ear or brain.

  That strange enigmatic owner of the harp and the bow, whom he had found sleeping so divinely, actually waited on them the next morning with all obsequiousness, stirred the great fire of peat, adjusted duly their monkish attire, laid their meal. It seemed an odd thing to be served thus, like St. Jerome by the lion, as if by some imperiously beautiful wild animal tamed. You hesitated to permit, were a little afraid of, his services. Their silent tonsured porter himself, contrast grim enough to any creature of that kind, had been so far seduced as to permit him to sleep there in the Grange, as he loved to do, instead of in ruder, rougher quarters; and, coaxed into odd garrulity on this one matter, told the new-comers the little he knew, with much also that he only suspected, about him; among other things, as to the origin of those precious objects, which might have belonged to some sanctuary or noble house, found thus in the possession of a mere labourer, who is no Frenchman, but a pagan, or gipsy, white as he looks, from far south or east, and who works or plays furtively, by night for the most part, returning to sleep awhile before daybreak. The other herdsmen of the valley are bond-servants, but he a hireling at will, though coming regularly at a certain season. He has come thus for any number of years past, though seemingly never grown older (as the speaker reflects), singing his way meagrely from farm to farm, to the sound of his harp. His name? — It was scarcely a name at all, in the diffident syllables he uttered in answer to that question, on first coming there; but of names known to them it came nearest to a malignant one in Scripture, Apollyon. Apollyon had a just discernible tonsure, but probably no right to it.

  Well skilled in architecture, Prior Saint-Jean was set, by way of a holiday task, to superintend the completion of the great monastic barn then in building. The visitor admires it still; perhaps supposes it, with its noble aisle, though set north and south, to be a desecrated church. If he be an expert in such matters, he will remark a sort of classical harmony in its broad, very simple proportions, with a certain suppression of Gothic emphasis, more especially in that peculiarly Gothic feature, the buttresses, scarcely marking the unbroken, windowless walls, which rise very straight, taking the sun placidly. The silver-grey stone, cut, if it came from this neighbourhood at all, from some now forgotten quarry, has the fine, close-grained texture of antique marble. The great northern gable is almost a classic pediment. The horizontal lines of plinth and ridge and cornice are kept unbroken, the roof of sea-grey slates being pitched less angularly than is usual in this rainy clime. A welcome contrast, the Prior thought it, to the sort of architectural nightmare he came from. He found the structure already more than half- way up, the low squat pillars ready for their capitals.

  Yes! it must have so happened often in the Middle Age, as you feel convinced, in looking sometimes at medieval building. Style must have changed under the very hands of men who were no wilful innovators. Thus it was here, in the later work of Prior Saint-Jean, all unconsciously. The mysterious harper sat there always, at the topmost point achieved; played, idly enough it might seem, on his precious instrument, but kept in fact the hard taxed workmen literally in tune, working for once with a ready will, and, so to speak, with really inventive hands — working expeditiously, in this favourable weather, till far into the night, as they joined unbidden in a chorus, which hushed, or rather turned to music, the noise of their chipping. It was hardly noise at all, even in the night-time. Now and again Brother Apollyon descended nimbly to surprise them, at an opportune moment, by the display of an immense strength. A great cheer exploded suddenly, as single-handed he heaved a massive stone into its place. He seemed to have no sense of weight: “Put there by the devil!” the modern villager assures you.

  With a change then, not so much of style as of temper, of management, in the application of acknowledged rules, Prior Saint-Jean shaping only, adapting, simplifying, partly with a view to economy, not the heavy stones only, but the heavy manner of using them, turned light. With no pronounced ornamentation, it is as if in the upper story ponderous root and stem blossomed gracefully, blossomed in cornice and capital and pliant arch-line, as vigorous as they were graceful, and rose on high quickly. Almost suddenly tie-beam and rafter knit themselves together into the stone, and the dark, dry, roomy place was closed in securely to this day. Mere audible music, certainly, had counted for something in the operations of an art, held at its best (as we know) to be a sort of music made visible. That idle singer, one might fancy, by an art beyond art, had attracted beams and stones into their fit places. And there, sure enough, he still sits, as a final decorative touch, by way of apex on the gable which looks northward, though much weather-worn, and with an ugly gap between the shoulder and the fingers on the harp,* as if, literally, he had cut off his right hand and put it from him: — King David, or an angel? guesses the careless tourist. The space below has been lettered. After a little puzzling you recognise there the relics of a familiar verse from a Latin psalm Nisi Dominus aedificaverit domum,+ and the rest: inscribed as well as may be in Greek characters. Prior Saint-Jean caused it to be so inscribed, absurdly, during his last days there.

  And is not the human body, too, a building, with architectural laws, a structure, tending by the very forces which primarily held it together to drop asunder in time? Not in vain, it seemed, had Prior Saint-Jean come to this mystic place for the improvement of his body’s health. Thenceforth that fleshly tabernacle had housed him, had housed his cunning, overwrought and excitable soul, ever the better day by day, and he began to feel his bodily health to be a positive quality or force, the presence near him of that singular being having surely something to do with this result. He and his fascinations, his music, himself, might at least be taken for an embodiment of all those genial influences of earth and sky, and the easy ways of living here, which made him turn, with less of an effort than he had known for many years past, to his daily tasks, and sink so regularly, so immediately, to wholesome rest on returning from them. It was as if Brother Apollyon himself abhorred the spectacle of distress, and mainly for his own satisfaction charmed away other people’s maladies. The mere touch of that ice-cold hand, laid on the feverish brow, when the Prior lapsed from time to time into his former troubles, certainly calmed the respiration of a troubled sleeper. Was there magic in it, not wholly natural? The hand might have been a dead one. But then, was it surprising, after all, that the methods of curing men’s maladies, as being in very deed the fruit of sin, should have something strange and unlooked-for about them, like some of those Old Testament healings and purifications which the Prior’s biblical lore suggested to him? Yet Brother Apollyon, if their surly Janitor, in his less kindly moments, spoke truly, himself greatly needed pu
rification, being not only a thief, but a homicide in hiding from the law. Nay, once, on his annual return from southern or eastern lands, he had been observed on his way along the streets of the great town literally scattering the seeds of disease till his serpent-skin bag was empty. And within seven days the “black death” was there, reaping its thousands. As a wise man declared, he who can best cure disease can also most cunningly engender it.

  In short, these creatures of rule, these “regulars,” the Prior and his companion, were come in contact for the first time in their lives with the power of untutored natural impulse, of natural inspiration. The boy experienced it immediately in the games which suited his years, but which he had never so much as seen before; as his superior was to undergo its influence by-and-by in serious study. By night chiefly, in its long, continuous twilights, Hyacinth became really a boy at last, with immense gaiety; eyes, hands and feet awake, expanding, as he raced his comrade over the turf, with the conical Druidic stone for a goal, or wrestled lithely enough with him, though as with a rock; or, taking the silver bow in hand for a moment, transfixed a mark, next a bird, on the bough, on the wing, shedding blood for the first time, with a boy’s delight, a boy’s remorse. Friend Apollyon seemed able to draw the wild animals too, to share their sport, yet not altogether kindly. Tired, surfeited, he destroys them when his game with them is at an end; breaks the toy; deftly snaps asunder the fragile back. Though all alike would come at his call, or the sound of his harp, he had his preferences; and warred in the night-time, as if on principle, against the creatures of the day. The small furry thing he pierced with his arrow fled to him nevertheless caressingly, with broken limb, to die palpitating in his hand. In this wonderful season, the migratory birds, from Norway, from Britain beyond the seas, came there as usual on the north wind, with sudden tumult of wings; but went that year no further, and by Christmas-time had built their nests, filling that belt of woodland around the vale with the chatter of their business and love quarrels. In turn they drew after them strangers no one here had ever known before; the like of which Hyacinth, who knew his bestiary, had never seen even in a picture. The wild-cat, the wild-swan — the boy peeped on these wonders as they floated over the vale, or glided with unwonted confidence over its turf, under the moonlight, or that frequent continuous aurora which was not the dawn. Even the modest rivulets of the hill-side felt that influence, and “lisped” no longer, but babbled as they leapt, like mountain streams, exposing their rocky bed. Were they angry, as they ran red sometimes with blood-drops from the stricken bird caught there by rock or bough, as it fell with rent breast among the waves?

  But say, think, what you might against him, the pagan outlaw was worth his hire as a herdsman; seemingly loved his sheep; was an “affectionate shepherd”; cured their diseases; brought them easily to the birth, and if they strayed afar would bring them back tenderly upon his shoulders. Monastic persons would have seen that image many times before. Yet if Apollyon looked like the great carved figure over the low doorway of their place of penitence at home, that could be but an accident, or perhaps a deceit; so closely akin to those soulless creatures did he still seem to the wondering Prior, — immersed in, or actually a part of, that irredeemable natural world he had dreaded so greatly ere he came hither. And was he after all making terms with it now, in the seductive person of this mysterious being — man or demon — suspected of murder; who has an air of unfathomable evil about him as from a distant but ineffaceable past, and a sort of heathen understanding with the dark realm of matter; who is bringing the simple people, the women and lovesick lads, back to those caves and cromlechs and blasted trees, resorts of old godless secret-telling? And still he has all his own way with beasts and man, with the Prior himself, much as all alike distrust him.

  Most conspicuous in the little group of buildings, a feudal tower of goodly white stone, cylindrical and smoothly polished without to hinder the ascent of creeping things, and snugly plastered within to resist the damp, was the pigeon-house — a veritable feudal tower, a veritable feudal plaisance of birds, which the common people dared not so much as ruffle. About a thousand of them were housed there, each in its little chamber, encouraged to grow plump, and to breed, in perfect self-content. From perch to perch of the great axle-tree in the centre, monastic feet might climb, gentle monastic hands pass round to every tiny compartment in turn. The arms of the monastery were carved on the keystone of the doorway, and the tower finished in a conical roof, with becoming aerial gaillardise, with pretty dormer-windows for the inmates to pass in and out, little balconies for brooding in the sun, little awnings to protect them from rough breezes, and a great weather-vane, on which the birds crowded for the chance of a ride. If the peasants of that day, whose small fields they plundered, noting all this, perhaps envied the birds dumbly, for the brethren, on the other hand, it was a constant delight to watch the feathered brotherhood, which supplied likewise their daintiest fare. Who then, what hawk, or wild-cat, or other savage beast, had ravaged it so wantonly, so very cruelly destroyed the bright creatures in a single night — broken backs, rent away limbs, pierced the wings? And what was that object there below? The silver harp surely, lying broken likewise on the sanded floor, soaking in the pale milky blood and torn plumage.

  Apollyon sobbed and wept audibly as he went about his ordinary doings next day, for once fully, though very sadly, awake in it; and towards evening, when the villagers came to the Prior to confess themselves, the Feast of the Nativity being now at hand, he too came along with them in his place meekly, like any other penitent, touched the lustral water devoutly, knew all the ways, seemed to desire absolution from some guilt of blood heavier than the slaughter of beast or bird. The Prior and his attendant, on their side, are reminded that by this time they have wellnigh forgotten the monastic duties still incumbent upon them, especially in that matter of the “Offices.” On the vigil of the feast, however, Brother Apollyon himself summoned the devout to Midnight Mass with the great bell, which had hung silent for a generation, wedged in immoveably by a beam of the cradle fallen out of its place. With an immense effort of strength he relieved it, hitched the bell back upon its wheel; the thick rust cracked on the hinges, and the strokes tolled forth betimes, with a hundred querulous, quaint creatures, bats and owls, circling stupidly in the waves of sound, but allowed to settle back again undisturbedly into their beds.

  People and priest, the Prior, vested as well as might be, with Hyacinth as “server,” come in due course, all alike amazed to find that frozen neglected place, with its low-browed vault and narrow windows, alight, and as if warmed with flowers from a summer more radiant far than that of France, with ilex and laurel — gilt laurel — by way of holly and box. Prior Saint-Jean felt that he had never really seen flowers before. Somewhat later they and the like of them seemed to have grown into and over his brain; to have degraded the scientific and abstract outlines of things into a tangle of useless ornament. Whence were they procured? From what height, or hellish depth perhaps? Apollyon, who entered the chapel just then, as if quite naturally, though with a bleating lamb in his bosom (“dropped” thus early in that wonderful season) by way of an offering, took his place at the altar’s very foot, and drawing forth his harp, now restrung, at the right moment, turned to real silvery music the hoarse Gloria in Excelsis of those rude worshippers, still shrinking from him, while they listened in a little circle, as he stood there in his outlandish attire of skins strangely spotted and striped. With that however the Mass broke off unconsummated. The Prior felt obliged to desist from the sacred office, and had left the altar hurriedly.

  But Brother Apollyon put his strange attire aside next day, and in a much-worn monk’s frock, drawn forth from a dark corner, came with them, still like a Penitent, when they turned once more to their neglected studies somewhat sadly. See them then, after a collect for “Light” repeated by Hyacinth, skull-cap in hand, seated at their desks in the little scriptorium, panelled off from their living-room on the first floor, while the
Prior makes an effort to recover the last thought of his long-suspended work, in the execution of which the boy is to assist with his skilful pen. The great glazed windows remain open; admit, as if already on the soft air of spring, what seems like a stream of flowery odours, the entire moonlit scene, with the thorn bushes on the vale-side prematurely bursting into blossom, and the sound of birds and flocks emphasising the deep silence of the night.

  Apollyon then, as if by habit, as he had shared all their occupations of late, had taken his seat beside them, meekly enough, at first with the manner of a mere suppliant for the crumbs of their high studies. But, straightway again, he surprises by more than racing forward incredibly on the road to facts, and from facts to luminous doctrine; Prior Saint-Jean himself, in comparison, seeming to lag incompetently behind. He can but wonder at this strange scholar’s knowledge of a distant past, evidenced in his familiarity (it was as if he might once have spoken them) with the dead languages in which their text-books are written. There was more surely than the utmost merely natural acuteness in his guesses as to the words intended by those crabbed contractions, of their meaning, in his sense of allusions and the like. An ineffaceable memory it might rather seem of the entire world of which those languages had been the living speech, once more vividly awake under the Prior’s cross-questioning, and now more than supplementing his own laborious search.

  And at last something of the same kind happens with himself. Had he, on his way hither from the convent, passed unwittingly through some river or rivulet of Lethe, that had carried away from him all his so carefully accumulated intellectual baggage of fact and theory? The hard and abstract laws, or theory of the laws, of music, of the stars, of mechanical structure, in hard and abstract formulae, adding to the abstract austerity of the man, seemed to have deserted him; to be revived in him again however, at the contact of this extraordinary pupil or fellow-inquirer, though in a very different guise or attitude towards himself, as matters no longer to be reasoned upon and understood, but to be seen rather, to be looked at and heard. Did not he see the angle of the earth’s axis with the ecliptic, the deflexions of the stars from their proper orbits with fatal results here below, and the earth — wicked, unscriptural truth! — moving round the sun, and those flashes of the eternal and unorbed light such as bring water, flowers, living things, out of the rocks, the dust? The singing of the planets: he could hear it, and might in time effect its notation. Having seen and heard, he might erelong speak also, truly and with authority, on such matters. Could one but arrest it for one’s self, for final transference to others, on the written or printed page — this beam of insight, or of inspiration!