StarD_Bean_1910s_final
Page 38
de Mille, William C. Hollywood Saga. New York: E. P. Dutton, 1939.
DiMaggio, Paul. “Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America.” Media, Culture, and Society 1 (January 1982): 33–50.
Dyer, Richard. “The Colour of Virtue: Lillian Gish, Whiteness and Femininity.” Women and Film: A Sight and Sound Reader. Ed. Pam Cook and Philip Dodd. Philadelphia: Temple UP, 1993. 1–9.
————. “A Star Is Born and the Construction of Authenticity.” Stardom: Industry of Desire.
Ed. Christine Gledhill. London: Routledge, 1991. 132–40.
————. Stars. London: BFI Publishing, 1979; 1990.
Dyer, Thomas G. Theodore Roosevelt and the Idea of Race. Baton Rouge: Louisiana State UP, 1980.
Dykstra, Bram. Evil Sisters: The Threat of Female Sexuality in Twentieth-Century Culture. New York: Henry Holt, 1996.
Eagleton, Terry. Holy Terror. New York: Oxford UP, 2005.
272
WORKS CITED
Edmonds, Andy. Frame-Up! The Shocking Scandal that Destroyed Hollywood’s Biggest Star. New York: Avon, 1991.
Edwards, Holly. Noble Dreams Wicked Pleasures: Orientalism in America, 1870–1930. Princeton, N.J.: Princeton UP, 2000.
Elsaesser, Thomas. Weimar Cinema and After: Germany’s Historical Imaginary. London: Routledge, 2000.
Enstad, Nan. Ladies of Labor, Girls of Adventure: Working Women, Popular Culture, and Labor Politics at the Turn of the Century. New York: Columbia UP, 1999.
Epstein, Jean. “Magnification.” French Film Theory and Criticism: A History/Anthology 1907–1939.
Vol. 1: 1907–1929. Ed. Richard Abel. Princeton, N.J.: Princeton UP, 1988. 235–41.
———. “The Senses I (b).” French Film Theory and Criticism: A History/Anthology 1907–1939.
Vol. 1: 1907–1929. Ed. Richard Abel. Princeton, N.J.: Princeton UP, 1988. 241–46.
Ewald, Francois. “Norms, Discipline, and the Law.” Representations 30 (1990): 138–61.
Fairbanks, Douglas. Laugh and Live. New York: Britton, 1917.
Farrar, Geraldine. Such Sweet Compulsion: The Autobiography of Geraldine Farrar. New York: Greystone Press, 1938.
Fuller, Kathryn H. At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture. Washington, D.C.: Smithsonian Institution Press, 1996.
Genini, Ronald. Theda Bara: A Biography of the Silent Screen Vamp, with a Filmography. Jefferson, N.C.: McFarland, 1996.
Gitter, Elizabeth. “The Power of Women’s Hair in the Victorian Imagination.” PMLA 99.5
(October 1984): 936–54.
Gleason, Philip. “American Identity and Americanization.” Harvard Encyclopedia of American Ethnic Groups. Ed. Stephen Thernstorm. Cambridge, Mass.: Harvard UP, 1980. 31–58.
Gledhill, Christine. Reframing British Cinema: Between Restraint and Passion, 1918–1928. London: BFI, 2003.
———. “The Screen Actress: from Silence to Sound.” The Cambridge Companion to the Actress.
Ed. Maggie B. Gale and John Stokes. Cambridge: Cambridge UP, 2007. 193–214.
Glenn, Susan A. Female Spectacle: The Theatrical Roots of Modern Feminism. Cambridge, Mass.: Harvard UP, 2000.
Gold, Arthur, and Robert Fizdale. The Divine Sarah. New York: Knopf, 1991.
Golden, Eve. Vamp: The Rise and Fall of Theda Bara. New York: Emprise Publishing, 1996.
Goldwyn, Samuel. Behind the Screen. New York: George H. Doran, 1923.
Götkürk, Deniz. “Moving Images of America in Early German Cinema.” A Second Life: German Cinema’s First Decades. Ed. Thomas Elsaesser. Amsterdam: Amsterdam UP, 1996.
93–100.
Griffiths, Alison. Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture. New York: Columbia UP, 2002.
Hake, Sabine. “Chaplin Reception in Weimar Germany.” New German Critique 51 (Autumn 1990): 87–111.
Hales, Peter B. Silver Cities: The Photography of American Urbanization, 1839–1915. Philadelphia: Temple UP, 1984.
Halsey, Stuart, & Co. “The Motion Picture Industry as a Basis for Bond Financing” (1927).
The American Film Industry. Rev. ed. Ed. Tino Balio. Madison: U of Wisconsin P, 1985.
195–217.
Hamilton, Gayla Jamison. “Theda Bara and the Vamp Phenomenon, 1915–1920.” M.A. thesis, U of Georgia, 1972.
WORKS CITED
273
Hammond, Robert M., and Charles Ford. “French End Games: For Some American Silent Stars a Trip Abroad Was a Tonic for Ailing Careers.” Films in Review 34.6 (June-July 1983): 329–33.
Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass.: Harvard UP, 1991.
Harris, Neil. Humbug: The Art of P. T. Barnum. Chicago: U of Chicago P, 1973.
Hayakawa, Sessue. Zen Showed Me the Way: . . . to Peace, Happiness, and Tranquility. Indianapo-lis: Bobbs-Merrill, 1960.
Herman, Arthur. The Idea of Decline in Western History. New York: Free Press, 1997.
Higashi, Sumiko. Cecil B. DeMille and American Culture: The Silent Era. Berkeley: U of California P, 1994.
———. “Vitagraph Stardom: Constructing Personalities for ‘New’ Middle-Class Consumption.” Reclaiming the Archive: Feminism and Film History. Ed. Vicki Callahan. Detroit: Wayne State UP, 2010. 264–88.
Hoberman, J. “After the Gold Rush: Chaplin at One Hundred.” The Film Comedy Reader. Ed.
Gregg Rickman. New York: Limelight Editions, 2001. 37–41.
Huff, Theodore. Charlie Chaplin: A Biography. New York: Pyramid Communications, 1964.
Hughes, Stephen. “House Full: Silent Film Genre, Exhibition and Audiences in South India.”
Indian Economic and Social History Review 43.1 (2006): 31–62.
Hunt, John Dixon. The Picturesque Gardens in Europe. London: Thames & Hudson, 2002.
Jacobs, Lea. “Belasco, DeMille, and the Development of Lasky Lighting.” Film History 5.4
(1993): 405–18.
———. The Decline of Sentiment: American Film in the 1920s. Berkeley: U of California P, 2008.
Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia UP, 1992.
Johnson, Katie N. Sisters in Sin: Brothel Drama in America, 1900–1920. Cambridge: Cambridge UP, 2006.
Kaeriyama, Norimasa. “Sesshû no seikô bunseki [Analysis of Sessue’s success].” Sesshû. Ed.
Kôda Honami. Tokyo: Shin jidai sha, 1922. 2–5.
Kayser, Wolfgang. The Grotesque in Art and Literature (1957). Trans. Ulrich Weissten. New York: Columbia UP, 1981.
Keaton, Buster, with Charles Samuels. My Wonderful World of Slapstick. New York: DaCapo, 1960.
Keeler, Amanda. “Seeing the World While Staying at Home: Slapstick, Modernity and American-ness.” Early Cinema and the “National.” Ed. Richard Abel, Giorgio Bertellini, and Rob King. New Barnet, U.K.: John Libbey, 2008. 229–35.
Keil, Charles. “Reframing The Italian: Questions of Audience Address in Early Cinema.” Journal of Film and Video 42.1 (Spring 1990): 36–48.
Keil, Charlie, and Shelley Stamp, eds. American Cinema’s Transitional Era: Audiences, Institutions, Practices. Berkeley: U of California P, 2004.
Kellor, Frances. The Federal Administration and the Alien. New York: Doran, 1921.
Kendall, Elizabeth. Where She Danced: The Birth of American Art Dance. New York: Knopf, 1979.
Kennedy, David. Over Here: The First World War and American Society. New York: Oxford UP, 1980.
Kerr, Walter. The Silent Clowns. New York: Alfred A. Knopf, 1975.
Kiehn, David. Broncho Billy and the Essanay Film Company. Berkeley, Calif.: Farwell Books, 2003.
274
WORKS CITED
Kimber, John. The Art of Charlie Chaplin. Sheffield: Sheffield Academic Press, 2000.
King, Rob. “‘Made for the Masses with an Appeal to the Classes’: The Triangle Fi
lm Corporation and the Failure of Highbrow Film Culture.” Cinema Journal 44.2 (Winter 2005): 3–33.
Kline, Wendy. Building a Better Race: Gender, Sexuality, and Eugenics from the Turn of the Century to the Baby Boom. Berkeley: U of California P, 2005.
Koshy, Susan. “American Nationhood as Eugenic Romance.” Differences 12.1 (2001): 50–78.
Koszarski, Richard. An Evening’s Entertainment: The Age of the Silent Feature Picture 1915–1928.
New York: Scribner’s, 1990.
Kracauer, Siegfried. “Two Chaplin Sketches.” Trans. John MacKay. Yale Journal of Criticism 10.1 (1997): 115–20.
Lahue, Kalton C., and Terry Brewer. Kops and Custards: The Legend of Keystone Films. Norman: U of Oklahoma P, 1968/1972.
Lant, Antonia. “The Curse of the Pharaoh, or How Cinema Contracted Egyptomania.” Visions of the East: Orientalism in Film. Ed. Matthew Bernstein and Gaylyn Studlar. New Brunswick, N.J.: Rutgers UP, 1997. 69–98.
———, ed. With Ingrid Perez. Red Velvet Seat: Women’s Writing on the First Fifty Years of Cinema.
London: Verso Press, 2006.
Lasky, Jesse L. I Blow My Own Horn. Garden City, N.Y.: Doubleday, 1957.
Lears, T. J. Jackson. No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920. Chicago: U of Chicago P, 1994.
Levin, Martin, ed. Five Boyhoods: Howard Lindsay, Harry Golden, Walt Kelly, William K. Zusser, and John Updike. Garden City, N.Y.: Doubleday, 1962.
Levine, Lawrence. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard UP, 1988.
Livingston, James. Pragmatism, Feminism, and Democracy: Rethinking the Politics of American History. New York: Routledge, 2001.
Looby, Christopher. “Southworth and Seriality: ‘The Hidden Hand’ in the New York Ledger.”
Nineteenth-Century Literature 59.2 (2004): 179–211.
Loos, Anita. A Girl Like I. New York: Viking, 1966.
Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins UP, 2006.
Maland, Charles J. Chaplin and American Culture: The Evolution of a Star Image. Princeton, N.J.: Princeton UP, 1989.
Mann, William J. The Biograph Girl: A Novel of Hollywood Then and Now. New York: Kensing-ton Publishing Corporation, 2000.
Marx, Karl. Capital (1887). Ed. Frederick Engels. Vol. 1. New York: International Publishers, 1967.
Mast, Gerald. The Comic Mind: Comedy and the Movies. Chicago: U of Chicago P, 1979.
Matsumoto, Yûko. “Amerika jin de arukoto, Amerika jin ni suru koto: 20seiki shotô no
‘Amerika ka’ undô ni okeru jendâ, jinshu, kaikyû [Being American, making American: Gender, class and race in the ‘Americanization’ movement in early twentieth century].” Shisô 884 (February 1998): 52–75.
May, Lary. Screening Out the Past: The Birth of Mass Culture and the Motion Picture Industry.
Chicago: U of Chicago P, 1980.
McCabe, John. Charlie Chaplin. New York: Doubleday, 1978.
McCabe, Susan. “‘Delight in Dislocation’: The Cinematic Modernism of Stein, Chaplin, and Man Ray.” Modernism/Modernity 8.3 (September 2001): 429–52.
WORKS CITED
275
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham, N.C.: Duke UP, 1995.
Miyao, Daisuke. Sessue Hayakawa: Silent Cinema and Transnational Stardom. Durham, N.C.: Duke UP, 2007.
Mori, Iwao. “Eiga Haiyû no hanashi (part 2) [A story about film actors].” Katsudô Kurabu (July 1922): 72–73.
———. Hayakawa Sesshû. Tokyo: Tôyô shuppan sha, 1922.
Morosco, Helen M., and Leonard Paul Dugger. The Oracle of Broadway: Life or Oliver Morosco.
Caldwell, Oh.: Caxton Printers, 1944.
Morris, Brian C. “Charlie Chaplin’s Tryst with Spain.” Journal of Contemporary History 18
(1983): 517–31.
Muscio, Giuliana. “Girls, Ladies, Stars: Stars and Women Screenwriters in Twenties’ America.” Cinegrafie 13 (2000): 177–220.
Nash, Elizabeth. Always First Class: The Career of Geraldine Farrar. Washington, D.C.: UP of America, 1981.
Neale, Steve, and Frank Krutnik. Popular Film and Television Comedy. London: Routledge, 1990.
Neibaur, James, L. Arbuckle and Keaton: Their 14 Film Collaborations. Jefferson, N.C.: McFarland, 2007.
Newton, Isaac. Opticks (1717). Reprinted from the 4th ed. New York: McGraw-Hill, 1931.
Ockman, Carol, and Kenneth E. Silver. Sarah Bernhardt: The Art of High Drama. New Haven, Conn.: Yale UP, 2005.
Odell, George Clinton Densmore. Annals of the New York Stage. New York: Columbia UP, 1927–1949. Reprint, New York: AMS Press, 1970.
Oderman, Stuart. Roscoe “Fatty” Arbuckle: A Biography of the Silent Film Comedian, 1887–1933.
Jefferson, N.C.: McFarland, 1994.
Okihiro, Gary Y. Cane Fires: The Anti-Japanese Movement in Hawaii, 1865–1945. Philadelphia: Temple UP, 1991.
Osterman, Anne Burri. “The Tramp, the Ingenue, and the Cowboy: Work, Authority, and the Mass-Mediation of Gender during the Silent Film Era.” Ph.D. diss., U of Chicago, 2004.
Parker, Andrew, and Eve Kosofsky Sedgwick, eds. Performativity and Performance. London: Routledge, 1995.
Perez, Gilberto. “On Chaplin and Keaton.” Film Theory and Criticism, 7th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 2009. 474–79.
Pickford, Mary. How to Act for the Screen. London: Standard Art Books, 1919.
Qin, Xiqing. “Pearl White and the New Female Image in Chinese Early Silent Cinema.”
Unpublished manuscript, Institute of Film and TV Studies, Chinese National Academy of Arts.
Rapf, Joanna E. “Both Sides of the Camera: Roscoe Arbuckle’s Evolution at Keystone.” Quarterly Review of Film & Television 26.4 (2009): 339–52.
Robinson, David. Chaplin: His Life and Art. New York: McGraw-Hill, 1985.
Rodríguez, Clara E. “Film Viewing in Latino Communities, 1896–1934: Puerto Rico as Microcosm.” From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Ed.
Myra Mendible. Austin: U of Texas P, 2007. 31–50.
Roosevelt, Theodore. The Strenuous Life: Essays and Addresses. New York: Century, 1901.
Rutherford, Susan. The Prima Donna and Opera, 1815–1930. Cambridge: Cambridge UP, 2006.
276
WORKS CITED
Sandberg, Mark B. Living Pictures, Missing Persons: Mannequins, Museums, and Modernity.
Princeton, N.J.: Princeton UP, 2003.
Sargent, Amy. “Dancing on Fire and Water: Charlot and l’esprit nouveau.” Slapstick Comedy.
Ed. Tom Paulus and Rob King. New York: Routledge, 2010. 193–206.
Sarris, Andrew. “The Most Harmonious Comedian.” The Essential Chaplin: Perspectives on the Life and Art of the Great Comedian. Ed. Richard Schickel. Chicago: Ivan R. Dee, 2006.
45–58.
Schickel, Richard. “Charles Chaplin: An Unexamined Premise.” Richard Schickel on Film: Encounters—Critical and Personal—with Movie Immortals. New York: William Morrow, 1989. 17–33.
———. His Picture in the Papers: A Speculation on the Celebrity in America Based on the Life of Douglas Fairbanks, Sr. New York: Charterhouse, 1973.
Seldes, Gilbert. The Seven Lively Arts. New York: Harper & Brothers, 1924.
Serna, Laura Isabel. Making Cinelandia: American Films and Mexican Film Culture before the Golden Age, 1896–1936. Durham, N.C.: Duke UP, forthcoming.
Shaviro, Steven. The Cinematic Body. Minneapolis: U of Minnesota P, 1993.
Sherman, William Thomas. Mabel Normand: A Source Book to Her Life and Films. Seattle: Cinema Books, 1994.
Shohat, Ella. “Gender and Culture of Empire.” Visions of the East: Orientalism in Film. Ed.
Matthew Bernstein and Gaylyn Studlar. New Brunswick, N.J.: Rutgers UP, 1997.
109–66.
Showalter, Elaine. Sexual Anarchy: Gender and Culture
at the Fin de Siècle. New York: Viking, 1990.
Sinclair, Upton. Upton Sinclair Presents William Fox. Los Angeles: n.p., 1933.
Singer, Ben. “Feature Films, Variety Programs, and the Crisis of the Small Exhibitor.” American Cinema’s Transitional Era: Audiences, Institutions, Practices. Ed. Charlie Keil and Shelley Stamp. Berkeley: U of California P, 2004. 76–100.
———. Melodrama and Modernity: Early Pulp Cinema and Its Contexts. New York: Columbia UP, 2001.
Sklar, Robert. F. Scott Fitzgerald: The Last Laocoon. New York: Oxford UP, 1967.
Slide, Anthony. The Kindergarten of the Movies: A History of the Fine Arts Company. Metuchen, N.J.: Scarecrow Press, 1980.
Smith, Andrew Brodie. “‘The Making of Broncho Billy’: Gilbert M. Anderson Creates the Western-Film Hero.” Shooting Cowboys and Indians: Silent Western Films, American Culture, and the Birth of Hollywood. Boulder: U of Colorado P, 2003. 133–56.
Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: U of California P, 2004.
Soupault, Phillipe. “Cinema, U.S.A.” (1924). The Shadow and Its Shadow: Surrealist Writings on the Cinema. 3rd ed. Ed. Paul Hammond. San Francisco: City Lights Books, 2000. 60–61.
Staiger, Janet. Bad Women: Regulating Sexuality in Early American Cinema. Minneapolis: U of Minnesota P, 1995.
———. “Seeing Stars.” Stardom: Industry of Desire. Ed. Christine Gledhill. London: Routledge, 1991. 3–16.
Stamp, Shelley. Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon.
Princeton, N.J.: Princeton UP, 2000.
Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection.
Durham, N.C.: Duke UP, 1993.
WORKS CITED
277
Stoloff, Sam. “Normalizing Stars: Roscoe ‘Fatty’ Arbuckle and Hollywood Consolidation.”
American Silent Film: Discovering Marginalized Voices. Ed. Gregg Bachman and Thomas J.
Slater. Carbondale: Southern Illinois UP, 2002. 148–75.
Streeby, Shelley. American Sensations: Class, Empire, and the Production of Popular Culture.
Berkeley: U of California P, 2002.
Studlar, Gaylyn. “‘Out-Salomeing Salome’: Dance, the New Woman, and Fan Magazine Orientalism.” Visions of the East: Orientalism in Film. Ed. Gaylyn Studlar and Matthew Bernstein. New Brunswick, N.J.: Rutgers UP, 1997. 99–129.