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McTEAGUEA Story of San Francisco

Page 11

by Frank Norris


  Trina would arrive breathless from her raids upon the bargain counters, her pale cheeks flushed, her hair blown about her face and into the corners of her lips, her mother's net reticule stuffed to bursting. Once in their tiny private room, she would drop into her chair with a little groan.

  "Oh, MAC, I am so tired; I've just been all OVER town. Oh, it's good to sit down. Just think, I had to stand up in the car all the way, after being on my feet the whole blessed morning. Look here what I've bought. Just things and things. Look, there's some dotted veiling I got for myself; see now, do you think it looks pretty?" — she spread it over her face—"and I got a box of writing paper, and a roll of crepe paper to make a lamp shade for the front parlor; and — what do you suppose — I saw a pair of Nottingham lace curtains for FORTY-NINE CENTS; isn't that cheap? and some chenille portieres for two and a half. Now what have YOU been doing since I last saw you? Did Mr. Heise finally get up enough courage to have his tooth pulled yet?" Trina took off her hat and veil and rearranged her hair before the looking-glass.

  "No, no — not yet. I went down to the sign painter's yesterday afternoon to see about that big gold tooth for a sign. It costs too much; I can't get it yet a while. There's two kinds, one German gilt and the other French gilt; but the German gilt is no good."

  McTeague sighed, and wagged his head. Even Trina and the five thousand dollars could not make him forget this one unsatisfied longing.

  At other times they would talk at length over their plans, while Trina sipped her chocolate and McTeague devoured huge chunks of butterless bread. They were to be married at the end of May, and the dentist already had his eye on a couple of rooms, part of the suite of a bankrupt photographer. They were situated in the flat, just back of his "Parlors," and he believed the photographer would sublet them furnished.

  McTeague and Trina had no apprehensions as to their finances. They could be sure, in fact, of a tidy little income. The dentist's practice was fairly good, and they could count upon the interest of Trina's five thousand dollars. To McTeague's mind this interest seemed woefully small. He had had uncertain ideas about that five thousand dollars; had imagined that they would spend it in some lavish fashion; would buy a house, perhaps, or would furnish their new rooms with overwhelming luxury — luxury that implied red velvet carpets and continued feasting. The oldtime miner's idea of wealth easily gained and quickly spent persisted in his mind. But when Trina had begun to talk of investments and interests and per cents, he was troubled and not a little disappointed. The lump sum of five thousand dollars was one thing, a miserable little twenty or twenty-five a month was quite another; and then someone else had the money.

  "But don't you see, Mac," explained Trina, "it's ours just the same. We could get it back whenever we wanted it; and then it's the reasonable way to do. We mustn't let it turn our heads, Mac, dear, like that man that spent all he won in buying more tickets. How foolish we'd feel after we'd spent it all! We ought to go on just the same as before; as if we hadn't won. We must be sensible about it, mustn't we?"

  "Well, well, I guess perhaps that's right," the dentist would answer, looking slowly about on the floor.

  Just what should ultimately be done with the money was the subject of endless discussion in the Sieppe family. The savings bank would allow only three per cent., but Trina's parents believed that something better could be got.

  "There's Uncle Oelbermann," Trina had suggested, remembering the rich relative who had the wholesale toy store in the Mission.

  Mr. Sieppe struck his hand to his forehead. "Ah, an idea," he cried. In the end an agreement was made. The money was invested in Mr. Oelbermann's business. He gave Trina six per cent.

  Invested in this fashion, Trina's winning would bring in twenty-five dollars a month. But, besides this, Trina had her own little trade. She made Noah's ark animals for Uncle Oelbermann's store. Trina's ancestors on both sides were German-Swiss, and some long-forgotten forefather of the sixteenth century, some worsted-leggined wood-carver of the Tyrol, had handed down the talent of the national industry, to reappear in this strangely distorted guise.

  She made Noah's ark animals, whittling them out of a block of soft wood with a sharp jack-knife, the only instrument she used. Trina was very proud to explain her work to McTeague as he had already explained his own to her.

  "You see, I take a block of straight-grained pine and cut out the shape, roughly at first, with the big blade; then I go over it a second time with the little blade, more carefully; then I put in the ears and tail with a drop of glue, and paint it with a 'non-poisonous' paint — Vandyke brown for the horses, foxes, and cows; slate gray for the elephants and camels; burnt umber for the chickens, zebras, and so on; then, last, a dot of Chinese white for the eyes, and there you are, all finished. They sell for nine cents a dozen. Only I can't make the manikins."

  "The manikins?"

  "The little figures, you know — Noah and his wife, and Shem, and all the others."

  It was true. Trina could not whittle them fast enough and cheap enough to compete with the turning lathe, that could throw off whole tribes and peoples of manikins while she was fashioning one family. Everything else, however, she made — the ark itself, all windows and no door; the box in which the whole was packed; even down to pasting on the label, which read, "Made in France." She earned from three to four dollars a week.

  The income from these three sources, McTeague's profession, the interest of the five thousand dollars, and Trina's whittling, made a respectable little sum taken altogether. Trina declared they could even lay by something, adding to the five thousand dollars little by little.

  It soon became apparent that Trina would be an extraordinarily good housekeeper. Economy was her strong point. A good deal of peasant blood still ran undiluted in her veins, and she had all the instinct of a hardy and penurious mountain race — the instinct which saves without any thought, without idea of consequence — saving for the sake of saving, hoarding without knowing why. Even McTeague did not know how closely Trina held to her new-found wealth.

  But they did not always pass their luncheon hour in this discussion of incomes and economies. As the dentist came to know his little woman better she grew to be more and more of a puzzle and a joy to him. She would suddenly interrupt a grave discourse upon the rents of rooms and the cost of light and fuel with a brusque outburst of affection that set him all a-tremble with delight. All at once she would set down her chocolate, and, leaning across the narrow table, would exclaim:

  "Never mind all that! Oh, Mac, do you truly, really love me — love me BIG?"

  McTeague would stammer something, gasping, and wagging his head, beside himself for the lack of words.

  "Old bear," Trina would answer, grasping him by both huge ears and swaying his head from side to side. "Kiss me, then. Tell me, Mac, did you think any less of me that first time I let you kiss me there in the station? Oh, Mac, dear, what a funny nose you've got, all full of hairs inside; and, Mac, do you know you've got a bald spot—" she dragged his head down towards her—"right on the top of your head." Then she would seriously kiss the bald spot in question, declaring:

  "That'll make the hair grow."

  Trina took an infinite enjoyment in playing with McTeague's great square-cut head, rumpling his hair till it stood on end, putting her fingers in his eyes, or stretching his ears out straight, and watching the effect with her head on one side. It was like a little child playing with some gigantic, good-natured Saint Bernard.

  One particular amusement they never wearied of. The two would lean across the table towards each other, McTeague folding his arms under his breast. Then Trina, resting on her elbows, would part his mustache-the great blond mustache of a viking — with her two hands, pushing it up from his lips, causing his face to assume the appearance of a Greek mask. She would curl it around either forefinger, drawing it to a fine end. Then all at once McTeague would make a fearful snorting noise through his nose. Invariably — though she was expecting this, though i
t was part of the game — Trina would jump with a stifled shriek. McTeague would bellow with laughter till his eyes watered. Then they would recommence upon the instant, Trina protesting with a nervous tremulousness:

  "Now — now — now, Mac, DON'T; you SCARE me so."

  But these delicious tete-a-tetes with Trina were offset by a certain coolness that Marcus Schouler began to affect towards the dentist. At first McTeague was unaware of it; but by this time even his slow wits began to perceive that his best friend — his "pal" — was not the same to him as formerly. They continued to meet at lunch nearly every day but Friday at the car conductors' coffee-joint. But Marcus was sulky; there could be no doubt about that. He avoided talking to McTeague, read the paper continually, answering the dentist's timid efforts at conversation in gruff monosyllables. Sometimes, even, he turned sideways to the table and talked at great length to Heise the harness-maker, whose table was next to theirs. They took no more long walks together when Marcus went out to exercise the dogs. Nor did Marcus ever again recur to his generosity in renouncing Trina.

  One Tuesday, as McTeague took his place at the table in the coffee-joint, he found Marcus already there.

  "Hello, Mark," said the dentist, "you here already?"

  "Hello," returned the other, indifferently, helping himself to tomato catsup. There was a silence. After a long while Marcus suddenly looked up.

  "Say, Mac," he exclaimed, "when you going to pay me that money you owe me?"

  McTeague was astonished.

  "Huh? What? I don't — do I owe you any money, Mark?"

  "Well, you owe me four bits," returned Marcus, doggedly. "I paid for you and Trina that day at the picnic, and you never gave it back."

  "Oh — oh!" answered McTeague, in distress. "That's so, that's so. I — you ought to have told me before. Here's your money, and I'm obliged to you."

  "It ain't much," observed Marcus, sullenly. "But I need all I can get now-a-days."

  "Are you — are you broke?" inquired McTeague.

  "And I ain't saying anything about your sleeping at the hospital that night, either," muttered Marcus, as he pocketed the coin.

  "Well — well — do you mean — should I have paid for that?"

  "Well, you'd 'a' had to sleep SOMEWHERES, wouldn't you?" flashed out Marcus. "You 'a' had to pay half a dollar for a bed at the flat."

  "All right, all right," cried the dentist, hastily, feeling in his pockets. "I don't want you should be out anything on my account, old man. Here, will four bits do?"

  "I don't WANT your damn money," shouted Marcus in a sudden rage, throwing back the coin. "I ain't no beggar."

  McTeague was miserable. How had he offended his pal?

  "Well, I want you should take it, Mark," he said, pushing it towards him.

  "I tell you I won't touch your money," exclaimed the other through his clenched teeth, white with passion. "I've been played for a sucker long enough."

  "What's the matter with you lately, Mark?" remonstrated McTeague. "You've got a grouch about something. Is there anything I've done?"

  "Well, that's all right, that's all right," returned Marcus as he rose from the table. "That's all right. I've been played for a sucker long enough, that's all. I've been played for a sucker long enough." He went away with a parting malevolent glance.

  At the corner of Polk Street, between the flat and the car conductors' coffee-joint, was Frenna's. It was a corner grocery; advertisements for cheap butter and eggs, painted in green marking-ink upon wrapping paper, stood about on the sidewalk outside. The doorway was decorated with a huge Milwaukee beer sign. Back of the store proper was a bar where white sand covered the floor. A few tables and chairs were scattered here and there. The walls were hung with gorgeously-colored tobacco advertisements and colored lithographs of trotting horses. On the wall behind the bar was a model of a full-rigged ship enclosed in a bottle.

  It was at this place that the dentist used to leave his pitcher to be filled on Sunday afternoons. Since his engagement to Trina he had discontinued this habit. However, he still dropped into Frenna's one or two nights in the week. He spent a pleasant hour there, smoking his huge porcelain pipe and drinking his beer. He never joined any of the groups of piquet players around the tables. In fact, he hardly spoke to anyone but the bartender and Marcus.

  For Frenna's was one of Marcus Schouler's haunts; a great deal of his time was spent there. He involved himself in fearful political and social discussions with Heise the harness-maker, and with one or two old German, habitues of the place. These discussions Marcus carried on, as was his custom, at the top of his voice, gesticulating fiercely, banging the table with his fists, brandishing the plates and glasses, exciting himself with his own clamor.

  On a certain Saturday evening, a few days after the scene at the coffee-joint, the dentist bethought him to spend a quiet evening at Frenna's. He had not been there for some time, and, besides that, it occurred to him that the day was his birthday. He would permit himself an extra pipe and a few glasses of beer. When McTeague entered Frenna's back room by the street door, he found Marcus and Heise already installed at one of the tables. Two or three of the old Germans sat opposite them, gulping their beer from time to time. Heise was smoking a cigar, but Marcus had before him his fourth whiskey cocktail. At the moment of McTeague's entrance Marcus had the floor.

  "It can't be proven," he was yelling. "I defy any sane politician whose eyes are not blinded by party prejudices, whose opinions are not warped by a personal bias, to substantiate such a statement. Look at your facts, look at your figures. I am a free American citizen, ain't I? I pay my taxes to support a good government, don't I? It's a contract between me and the government, ain't it? Well, then, by damn! if the authorities do not or will not afford me protection for life, liberty, and the pursuit of happiness, then my obligations are at an end; I withhold my taxes. I do — I do — I say I do. What?" He glared about him, seeking opposition.

  "That's nonsense," observed Heise, quietly. "Try it once; you'll get jugged." But this observation of the harness-maker's roused Marcus to the last pitch of frenzy.

  "Yes, ah, yes!" he shouted, rising to his feet, shaking his finger in the other's face. "Yes, I'd go to jail; but because I–I am crushed by a tyranny, does that make the tyranny right? Does might make right?"

  "You must make less noise in here, Mister Schouler," said Frenna, from behind the bar.

  "Well, it makes me mad," answered Marcus, subsiding into a growl and resuming his chair. "Hullo, Mac."

  "Hullo, Mark."

  But McTeague's presence made Marcus uneasy, rousing in him at once a sense of wrong. He twisted to and fro in his chair, shrugging first one shoulder and then another. Quarrelsome at all times, the heat of the previous discussion had awakened within him all his natural combativeness. Besides this, he was drinking his fourth cocktail.

  McTeague began filling his big porcelain pipe. He lit it, blew a great cloud of smoke into the room, and settled himself comfortably in his chair. The smoke of his cheap tobacco drifted into the faces of the group at the adjoining table, and Marcus strangled and coughed. Instantly his eyes flamed.

  "Say, for God's sake," he vociferated, "choke off on that pipe! If you've got to smoke rope like that, smoke it in a crowd of muckers; don't come here amongst gentlemen."

  "Shut up, Schouler!" observed Heise in a low voice.

  McTeague was stunned by the suddenness of the attack. He took his pipe from his mouth, and stared blankly at Marcus; his lips moved, but he said no word. Marcus turned his back on him, and the dentist resumed his pipe.

  But Marcus was far from being appeased. McTeague could not hear the talk that followed between him and the harnessmaker, but it seemed to him that Marcus was telling Heise of some injury, some grievance, and that the latter was trying to pacify him. All at once their talk grew louder. Heise laid a retaining hand upon his companion's coat sleeve, but Marcus swung himself around in his chair, and, fixing his eyes on McTeague, cried as if in answer to
some protestation on the part of Heise:

  "All I know is that I've been soldiered out of five thousand dollars."

  McTeague gaped at him, bewildered. He removed his pipe from his mouth a second time, and stared at Marcus with eyes full of trouble and perplexity.

  "If I had my rights," cried Marcus, bitterly, "I'd have part of that money. It's my due — it's only justice." The dentist still kept silence.

  "If it hadn't been for me," Marcus continued, addressing himself directly to McTeague, "you wouldn't have had a cent of it — no, not a cent. Where's my share, I'd like to know? Where do I come in? No, I ain't in it any more. I've been played for a sucker, an' now that you've got all you can out of me, now that you've done me out of my girl and out of my money, you give me the go-by. Why, where would you have been TO-DAY if it hadn't been for me?" Marcus shouted in a sudden exasperation, "You'd a been plugging teeth at two bits an hour. Ain't you got any gratitude? Ain't you got any sense of decency?"

  "Ah, hold up, Schouler," grumbled Heise. "You don't want to get into a row."

  "No, I don't, Heise," returned Marcus, with a plaintive, aggrieved air. "But it's too much sometimes when you think of it. He stole away my girl's affections, and now that he's rich and prosperous, and has got five thousand dollars that I might have had, he gives me the go-by; he's played me for a sucker. Look here," he cried, turning again to McTeague, "do I get any of that money?"

  "It ain't mine to give," answered McTeague. "You're drunk, that's what you are."

  "Do I get any of that money?" cried Marcus, persistently.

 

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