Sun & Moon - a contemporary romance (The Minstrel Series #1)
Page 21
Felix stood, tall and lanky, with long hair pulled back into a low pony tail. He reached for her hand. “So good to meet you. I’ve heard your stuff. I can’t wait to get started.”
Katja frowned. Micah was smooth. “Actually,” she started, “I wasn’t…”
Micah grabbed both of her shoulders, ducking low, forcing her to look at him. “You’re here now. You might as well record one track.”
It was like he knew she was going to bail. “How…”
“You arrived without your guitar.”
The guy was just so attentive to her. How could she say no? “One song.”
Micah guided her into the vocal booth and closed the door behind him. She mentally reviewed her repertoire. It was hard to choose. All her best songs were about Micah. She placed her hands on her hips and admitted, “I don’t know which one to do.”
“Do the one you sang the other night,” Micah said.
Katja glanced at him, surprised. “You know I sang that song because I thought it would hurt you.”
“It did hurt me, but it also encouraged me.”
She was stunned. “How so?”
“It’s called, ‘Don’t Go.’”
Katja slumped onto the studio sofa. Micah sat tentatively beside her. “Are you all right?”
“I don’t get you,” she said. “You could have any girl. There are a lot of pretty, intelligent girls in your…” She waved a hand, “… class. They don’t have the baggage I carry.”
“I don’t want those girls. Katja, listen to me. Besides being immensely attractive, you are a good, decent person. I know you don’t believe that about yourself, but it’s true. You’re selfless and kind. You make me want to be a better person. You taught me to hope.
“None of those girls come close to what you are to me. Especially a certain one I refuse to name.”
He reached for her hand, and she let him take it. “I love you. I’ve never stopped.”
A lump had grown in Katja’s throat, and she found it hard to swallow.
“Please,” Micah pleaded. “Say something.”
“I really want to kiss you.”
Micah huffed, his face bright with relief. “I think that’s a fantastic idea.”
His lips touched hers and her body exploded. She responded eagerly, like she hadn’t had anything to drink in days and Micah was a cold glass of water. Her lips inhaled his. His tongue played with her lip ring.
“Do you like it?” she asked between kisses. “You’ve never said.”
“It’s very sexy.” His mouth ran along her jawbone, down her neck, and she shuddered under his touch.
“I love you, Micah Sturm.”
He paused, and then his lips trailed back to hers. “You don’t know how desperate I’ve been to hear you say those words.”
“Then I better say them again. I love you.”
Micah slipped to the floor, kneeling, and Katja wondered what he was doing. He reached into his pocket. “I’ve been carrying this around since the day you left, hoping I’d have another chance to give it to you.”
Her pulse took off. Was he...?
He held a dainty item between his forefinger and thumb. It glittered in the studio lights. Her engagement ring. “Katja, may I place this back on your finger?”
She gasped, then held out a shaky hand. “Yes.”
Micah slipped it on, then he let out a hoot and swooped Katja up in his arms. He called out to Felix who’d been spying on them from the other side of the glass. “We need to rebook!”
Felix laughed and waved them off.
Katja giggled as Micah carried her out of the studio and to his car. She didn’t know where he was taking her and she didn’t care, so long as they were together. Finally, and forever.
Micah and Katja were married on a snowy day in February. It was a small ceremony celebrated with family, a few of their Berliner friends and a handful from Dresden. Renata and Maurice came, of course, and Sebastian and Yvonne even attended. He said he had a gig in Berlin with his band anyway.
Frau Sturm accepted her defeat in the matter of her son’s choice of bride, and after a couple of drinks, managed to welcome Katja into the family.
Katja moved into Micah’s tenth-floor flat as Frau Micah Sturm, stunned to discover that the entire building was, in fact, owned by Micah’s father. As a result, her mother and sister were invited to live in one of the smaller ground-floor suites at a greatly reduced rent. Her mother was ecstatic. Not only was the flat clean and beautiful and in a good neighborhood, it was secure, a feature that meant a lot, knowing that her soon to be ex-husband wandered about freely. Sibylle changed schools to one closer to their new home, and she flourished in her studies.
Katja couldn’t be happier. She spent her days writing music and sketching, and her evenings with her new husband making love.
She continued to perform as the years went on, becoming a national name in the indie music scene. The country knew her as award-winning singer-songwriter, Katja Stoltz-Sturm.
But the only names she cared about were the ones she held at home. Daughter, sister and wife. Katja snuggled in under Micah’s arm as he ran through the channels on the TV and rubbed her rounded belly. And this new name: Mama.
Want more of the Minstrel Series?
Please enjoy this excerpt from
FLESH & BONE
by Lee Strauss
She can’t remember. He can’t forget.
Eva Bauman is invisible. Sebastian Weiss is famous. In a perfect world Eva would be fearless and Sebastian would be guiltless.
It’s not a perfect world.
Coming Spring/Summer 2014
Gabriele had dared her to do this. “Just walk in, sign your name, and play a song for heaven’s sake.” It was easy for her to say. Eva Baumann’s sister didn’t understand what it was like to be afraid. What it was like to be invisible. Gabriele oozed confidence, tall and lithe like a runway model, lighting up every room she entered. She was pretty, talented, smart.
And not handicapped.
Eva eyed the graffiti marred entrance of the Blue Note Pub and watched as other musicians and patrons strolled into the darkened room. Music pumping from the sound system escaped into the narrow corridor of four-story stone buildings every time the heavy wooden door opened and closed. Eva carefully set down her guitar case and rested her hand over her chest willing her heartbeat to slow. The muscle pulsed erratically, and her stomach wanted to dry heave.
Eva gripped her cane with white knuckles. She’d learned to master the uneven sidewalks with careful steps, but the cobblestones were still a nemesis, especially in colder months like March. The rubber knob on the tip of her cane had to center on a stone, otherwise she could lose her balance and fall. It was necessary to wait for a break in traffic, or to continue to the corner for a walk light before daring to cross the street.
She took a deep breath. She could do this. This was just an irrational fear—not real. Nothing bad would happen to her in that room. It was filled with people who loved music as much as she did. It was loud and crowded and dark, and no one would expect her to talk. When they called her name, she’d focus on the small stage, blocking everyone in the room out until she safely stepped up. Then she’d just close her eyes and pretend she was at the street church playing to the people who came for the soup they provided.
She could do this.
A cold wind blew hair across Eva’s face and she snapped to attention just as the little green man flashed indicating it was safe to walk. She lumbered across with a guitar in her left hand and her cane in her right. The weight of her instrument pulled her shoulders forward, her back arching slightly under her winter jacket. She caught her reflection in a store window and frowned. She looked like a crazy, old lady, not a young woman of nineteen.
Eva tucked her cane under her left armpit and reached for the door. It swung open sharply, a patron had exited at the same moment, and she was shoved against the wall, nearly losing her balance.
“Excuse me,” the guy said. He held the door open, waiting for her to go in. She wanted to turn around and head straight home, but the guy’s eyes stayed on her, waiting. The cold air whooshed inside.
It would be impolite not to pass through. “Thank you,” she said softly. She leaned on her cane and entered. She’d been to the Blue Note before. Gabriele and her British boyfriend Lennon had dragged her out one night, so she knew what to expect. There was a bar to the right and table seating to the left. A poster on the wall read: “If you want to chat with your pals while the band is playing, take your conversation outside.” The air smelled of beer and cigarette smoke clinging to damp wool jackets. At the back of the mid-sized room was a small stage lit by two lights hanging from the ceiling.
Her stomach churned, and once again she questioned herself. Why had she come? What did she have to prove? Why did she care so much what Gabriele thought? She stared back at the door.
“Hello, ma Cherie. Would you like to sign your name?”
Eva knew the manager, Herr Maurice Leduc, by reputation, but had never spoken to him before. “I don’t know,” she answered.
“Well—” His eyes darted to the guitar in her hand. “I just thought since you lugged that thing in with you.” He pushed the sign-up sheet closer.
Eva didn’t have the heart to deny the man. She took the pen and scribbled her name.
“Wonderful,” Herr Leduc said with a sincere grin that filled a round face. “I look forward to hearing you play…” he glanced down at his sheet, “… Eva Baumann.”
The room consisted of a lot of wood. Tables, chairs, benches and floors—all darkly stained, old wood. Even the ceiling had rough, open wood beams. Eva claimed a nearby empty chair and breathed in and out, long and slow. She was here. She’d done it. Wait until she told Gabriele. Wouldn’t she be surprised?
A server arrived, and Eva ordered a cola. The other people who shared the long table gave her sideways glances at her childish drink and cheered each other as they lifted their beer glasses.
Herr Leduc walked on stage and welcomed everyone. He called the first act, a girl with long, golden hair he announced as Katja Stoltz.
Eva listened intently impressed with the girl’s talent and the way she took over the stage like she owned it. That was what she needed to do. Own it.
The girl finished her song, and after much-deserved applause, she joined her friends at a table across the room. A guy in his early twenties with a peacock tattoo along one arm stood to give Katja Stoltz a hug. He laughed and high-fived her before sitting and draping the peacock around a thin girl with spiky hair.
A shiver ran up Eva’s back. She recognized that guy. Last summer, when she was playing guitar for the homeless, many of them had raised their hands to God in praise. The outside metal blinds had been raised, they always were when the church was open, and a group of guys had stopped to watch from across the street. They began to laugh and then threw their arms in the air, mocking the people worshiping inside.
That was the first time Eva had seen that peacock tattoo, and she’d never forget the laughing face of the handsome boy who went with it.
Her short-lived confidence shriveled at the thought of being the guy’s next target. Oh, why did she come? She’d leave right now if she thought she could do it without making a scene. The room had filled, and there was no way she could slip out unnoticed with her guitar and her cane.
She sipped her cola and kept her eyes focused on each act as it was called. Her heart filled with nervous dread every time Herr Leduc stepped to the mike to call a name, followed by a flush of relief when she didn’t hear hers.
“Sebastian Weiss,” Herr Leduc said.
The guy with the peacock tattoo hooted, shifted out from behind his table and grabbed his guitar.
So that was his name.
She wanted him to be terrible so that she could add self-delusion to his other obvious traits of conceit and insensitivity, but unfortunately he wasn’t. His voice was smooth and strong, and he had great range.
She also happened to notice the flex in his biceps that poked out of the short sleeves of his dark T-shirt and how his jeans fit nicely on slender hips.
He finished his song, fisted the air like he just won a boxing match, and the audience went crazy. Eva couldn’t help but join in the applause. Something about Sebastian was electric. His aura and confidence, his popularity—she couldn’t peel her eyes off him. His arm returned to its position around the girl beside him who hadn’t smiled once. Such a contrast to Sebastian who couldn’t stop smiling. He seemed quite taken by the pixie girl and kissed her excitedly on the cheek.
“Eva Baumann.”
What? Eva had been so busy watching the table of cool people, she hadn’t been paying attention.
Herr Leduc’s accented German bellowed again. “Eva Baumann.”
Eva’s heart stopped. Then raced. Her hands broke out into a sweat, and she blinked back the tears welling up behind her eyes, which were opened far too wide. Her head prickled hotly, and she swallowed hard. She could sense the attention of the room, necks craning, everyone searching, waiting for the next act to stand.
Herr Leduc stared at her, and all she could do was shake her head. He gave her a gracious nod and called the next name.
A girl with short, dark hair bounced out of her seat, and within seconds Eva was forgotten. She took advantage of the swirl of commotion that occurred between acts, grabbing her guitar and cane, and limped away.
It was a terrible mistake to come, she thought as she hobbled down the crusty street. She kept her head bowed low against the cold, and gripped her guitar case and her cane with white knuckles. If she had a third hand, she’d swipe at the bitter tear that slid down her cheek.
But in her dreams she was… well, she was Gabriele. And Lennon was Sebastian Weiss.
Lee Strauss writes mixed genre romance for upper young adult and adult readers. She also writes light and fun stuff under the name Elle Strauss. To find out more about Lee Strauss’s books check out her author facebook page. You can also follow her on twitter @elle_strauss and on Pinterest. To find out about new releases, including the Minstrel Series companion book Flesh & Bone, sign up for Lee’s newsletter. Find out more at www.leestraussbooks.com.
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The Perception Trilogy
Ambition (short story prequel)
Perception (book 1)
Volition (book 2)
Contrition (book 3)
Jars of Clay
Jars of Clay (vol. 1)
Broken Vessels (vol. 2)
Playing with Matches
Playing with Matches
A Piece of Blue String (companion short story)
East of Eden (contemporary romance)
The Minstrel Series
Flesh & Bone (book 2)
Listen to all the songs featured in Sun & Moon as recorded by Canadian Folk artist Kim McMechan.
Visit the songwriters!
Sarah Brendel
Listen to Think Back written and performed by Sarah Brendel
Norm Strauss
Listen to How Deep Can You Feel written and performed by Norm Strauss
Kim McMechan
Listen to Don’t Go Now written and performed by Kim McMechan
Joel Strauss
Listen to Sun & Moon written and performed by Joel Strauss
Watch the music video of Sun & Moon on youtube.
Writing a book is like raising a child—it takes a whole village to do it. Much thanks to my “village!”
First, there’s my singer-songwriter husband Norm Strauss whose idea that we should work on something together was the catalyst of this book, and my son Joel whose song “Sun & Moon” was the seed that inspired Katja and Micah’s story. Also Sarah Brendel and Kim McMechin who contributed songs that inspired ideas. Special hugs and kisses to Kim for giving Katja a musical voice.
&n
bsp; My editor Marie Jaskulka, cover artist Steven Novak and book formatter Ali Cross.
Beta readers Leigh Moore, Denise Jaden, Marie Clarke and Angelika Offenwanger.
My friends and family in BC, Canada and also in Dresden Germany.
All the bloggers who help to spread the word, especially Mandy Anderson of I Read Indie, whose enthusiasm and support of Indie Authors is unmatched.
Fans of Lee Strauss (aka Elle Strauss)—You rock! I mean it. Totally rock!!
And as always, my Heavenly Father who gently guides and watches over me.
Table of Contents
Summary
Permissions
Today
Three Days Ago
Two Days Ago
Yesterday
Today, Take Two
Micah
His Place
Okay
You're Not Welcome
Not One of Those
The Girl with the Guitar and the Cane
What Drives You
He's Just a Friend
Empty Walls
Everything and Nothing
The Blue Note
The Door
Coffee Shop on the Corner
Birthday Girl
Chocolate Cake and New York City
His American Mother
Party Girl
The Hangover
The Story
Letting Go
The Ceremony
Pretty Woman
How Deep Can You Feel
Kiss Me Good
Play For Me
I'm Not That Person Anymore
Finally, Another Gig
Think Back to When You Were a Child
The Fight