Death at the Crossroads (Samurai Mysteries)

by Dale Furutani

  His careful examination of the road revealed nothing, and he was angry with himself for wasting time as he turned a bend in the road and saw the crossroads up ahead. Then he stopped. There, at the distant crossroads, was a tiny figure slumped in the middle of the road.

  Kaze rapidly crossed the remaining distance to the crossroads but stopped short of the body. It was a young man sprawled facedown in the road, an arrow protruding from his back. It looked very much like the body Kaze had found at the same place just a few days before.

  Kaze approached and leaned down to see if the man was dead. As he turned the man’s head, he paused and gazed at the lifeless face, covered with dirt and in death contorted with pain. It was Hachiro, the young man Kaze had given life to twice. Hachiro’s dead eyes stared back at Kaze, dull and clouded.

  Kaze gently shut the eyes. He glanced at the arrow that cut the young life short and confirmed that it was the same type as the arrow that killed the unknown victim a few days before. He scanned the area around the body and saw the hoofprints of a horse. From the tracks of the horse, he was able to see that the body had been brought directly to the crossroads from Suzaka village. Why this time the body was brought directly to the crossroads, instead of by the indirect route through Higashi village, was something that Kaze couldn’t fathom. In fact, why the body was brought to the crossroads at all was something that Kaze couldn’t understand.

  He looked around and found a sturdy stick. He picked it up and started scratching out a shallow grave, not far from the fresh grave of the previous victim.

  When he was done burying the boy, he had carved another Kannon. When he had carved the statue for the bandits, he had had a hard time finishing the face. His encounter with the obake of the dead Lady had come back to disturb his tranquillity, and he wasn’t able to finish the statue of the Goddess of Mercy. For this boy, he had no trouble. The familiar face of the Lady, beautiful and serene, appeared from the point of Kaze’s small knife. Placing the statue over the shallow grave of Hachiro, Kaze clapped his hands twice and bowed deeply. When he straightened up, there was a look of weary sadness on his face.

  Later that night, Jiro was making his evening meal when he heard a soft knocking at his door. He paused, not quite sure if he had actually heard a sound. The knocking was repeated. Jiro went to his door and said, “Who’s there?”

  “A friend.”

  Jiro reached down and moved the stick that prevented his door from being opened. He slid the door slightly, to make sure he was correct about whom the voice belonged to. He gave a small grunt of surprise and slid the door completely open. Kaze entered Jiro’s hut and quickly shut the door.

  “Sneaking unseen into a small village is worse than entering a lord’s castle,” Kaze remarked as he walked over to the cooking fire and sat down.

  “What are you doing here? I was told you left.”

  “I did leave. Now I’m back. I want to spend a few days with you.”

  “Why?”

  “I want to watch the village, and the best place to watch the village is from inside it.”

  “What for?”

  Kaze sighed. “Something is not right here. It destroys my ki, my harmony and balance. I’m upset by it and want to restore that harmony.”

  “What are you talking about?”

  Kaze smiled. “Let’s just say I need a favor. I want to watch the village and the Magistrate and the headman Ichiro and maybe that prostitute, Aoi, too. If I’m caught here, it may mean trouble for you. I walked out on Lord Manase, and I’m sure he was upset. The fact that Lord Manase was undoubtedly upset about my leaving is why I slipped in here unseen. So the most powerful man in the District will not be pleased if he learns I’m back spying on the people in the District. He may also not be pleased with you if he learns I’m doing this spying from your house. It may be dangerous, and you could end up back in that tiny cage. If you say no, I’ll understand.”

  Jiro turned back to his cooking. “You’ll have to wait a few minutes for dinner. I wasn’t expecting company, so I only cooked enough for one.”

  “Good.”

  The next morning, Jiro woke at his habitual time. The familiar darkness of his farmhouse wrapped around him. On the other side of the platform he could hear the breathing of the samurai, slow and regular.

  Jiro got up from the platform, shrugging off the sleeping quilt. He stood on his feet, listening for the samurai once more, and moved toward the door, reassured that his guest was oblivious to his nightly sojourn.

  Sliding back the door of his hut with exaggerated caution, Jiro slipped out into the cold night as soon as the door opening was large enough. He carefully slid the door back into place.

  The velvet night nipped at his flesh with surprising sharpness. He thought briefly of slipping back into his hut to get a jacket but decided against it. He didn’t want the samurai to know what he was doing any more than he wanted the rest of the village to know what he was up to. He felt ashamed by his nightly ritual, knowing that the others in the village would view it as a sign of weakness and something a real man wouldn’t do, but he couldn’t help himself.

  The moon was a quarter full, so coming from the complete blackness of the hut, Jiro found it almost light enough to make out details on the ground. But Jiro didn’t need to see his path. He knew it from countless repetition, over nine thousand journeys to the same destination.

  He skirted the village and made his way up a nearby hillside. The pine trees gathered round him, but he knew the placement of every trunk and made his way rapidly up the path to the top of the hill. There, in a natural clearing, was the village graveyard.

  Jiro went directly to a large stone flanked by a small stone. When he first started making this journey to the graveyard, he would worry about ghosts, but now it was as if the ghosts of all the past people in the village approved of what he was doing, and he felt safer in this place of the dead than in any other place on earth.

  In front of the two stones, he squatted down.

  “Anata,” he said tenderly, “Dear.”

  He reached out and touched the stone that memorialized his wife, now dead over twenty-five years. Then he tenderly stroked the stone that marked his dead son, who outlived his mother by only two days.

  “How are you, Dear?” Jiro whispered. “The samurai has come back to stay with me. He’s a strange one, but he has a good heart and I like him. I don’t have much news to report to you. Things are more quiet in the village now that Boss Kuemon is gone, but I don’t understand what the samurai is doing.” Jiro shook his head. “Samurai! Always starting wars that kill peasants. Such a bother, neh?”

  He stopped talking and felt the tears welling up in his eyes. The same tears that came every day for over twenty-five years, grieving over the loss of his wife and son. It was a weakness, Jiro knew. A man was supposed to bear it, showing strength in adversity. But Jiro couldn’t help it. When his wife died, some part of him died, too. He felt incomplete without her, and the only time he felt whole again was when he was once more in her presence.

  A rich man might have an altar in his house, to call the spirits of the dead to him with a fine brass bell. Jiro just had the stars and the pine trees and the two roughly hewn rocks to represent his wife and infant son. Yet somehow visiting his wife every day made him feel content and whole and ready to bear another unbearable day, until it was his karma to join her.

  In the darkest shadow of the trees, Kaze stood watching Jiro. He was close enough to hear Jiro’s conversation with the dead and knew what the two rocks meant immediately. He slipped back deeper into the forest, silently making his way back to Jiro’s hut so he could seem to be sleeping when Jiro came back.

  So the mystery of where the charcoal seller went every night was solved. Kaze didn’t know if the dear one was a wife, mother, or mistress, but it was plain that Jiro was still linked to her in spirit. Kaze couldn’t see Jiro’s tears, but he could tell from the charcoal seller’s ragged breathing that there were tears.
/>   Kaze thought of his wife, killed along with his son and daughter when his castle fell to the Tokugawa forces. She died a samurai’s death, killing her own children before they could be captured and tortured and then driving the blade of a dagger up under her chin and into her throat. The servants who escaped said she never hesitated when she realized all was lost. She retired to the castle’s keep and did what she had to do, ordering the servants to set fire to the keep in a clear voice that never once wavered, according to the old family retainer who was instructed to report on her death to others, instead of joining her in death.

  It was a fine death and a brave one. But Kaze wished she had been less the samurai’s daughter and wife and more the woman. He wished she could have found a way to survive the destruction of their castle while Kaze was out fighting the Tokugawas. He felt tears forming in his own eyes, especially when he thought of the shining eyes of his children. Now, years later, Kaze found himself agreeing with the charcoal seller. Samurai were always starting wars, and peasants and other innocents were always dying in them. At one time it seemed so logical and sensible to him that bushido, the way of the warrior, was the natural way for a man to live. Now he wondered, especially when he dwelt on the losses that way had brought.

  When Jiro returned to the hut, he found the samurai still sleeping soundly, breathing in a slow, gentle rhythm. Jiro didn’t know that the samurai’s breathing masked a sorrow as deep as his own and tears as bitter and salty as the ones the peasant shed every night in the forest. He drifted into a dreamless sleep.

  Jiro woke early and stretched his stiff bones. When he sat up he was surprised to see the samurai already awake. Jiro nodded to the samurai and hoisted his heavy charcoal basket on his back. With another dip to say goodbye, Jiro left his hut to make his rounds, selling charcoal to the people who needed it. The activities in the village were no different from those on any other day, for nature and survival know no holidays, but with the elimination of Boss Kuemon the people had smiles on their faces and a lightness to their step.

  Despite the gnawing danger of having the samurai hiding in his hut, Jiro, too, was especially loquacious that morning, actually trading small talk with several customers. By the time he returned to his hut, his basket was considerably lighter.

  He entered the gloom of his hut and was surprised to see the samurai sitting in the lotus position, his eyes closed and his hands in his lap. He expected to find him gone or, at the very least, spying through the wooden shutters that covered the windows of the hut, looking at whatever it was that had prompted him to return to the village.

  Kaze didn’t open his eyes and made no move when Jiro entered. From the heavy sound of his footfall, he knew it was the old charcoal seller, still hauling his large basket. Jiro hesitated a moment at the doorway, then closed the door behind him and shrugged off his basket. He cleared his throat.

  “Excuse me, samurai-san, but would you like something to eat?”

  Kaze popped his eyes open. “Why are you getting so formal now? I already know how gruff and rude you are.”

  Jiro scratched his head and grinned. “You were so quiet and still that I wasn’t sure I should disturb you.”

  “I was thinking. When I awoke this morning, I realized I was about to make a samurai’s mistake.”

  “What’s that?”

  “Confusing activity with action. Sometimes thinking is action. I came here to observe the village, but I realized this observation was worthless without considering everything I knew and working up a strategy.”

  “What is it you’re trying to observe?”

  “That’s what I should be thinking about. In the heat of battle, some samurai rush about like a school of fish, darting this direction and that, showing a lot of activity, but not killing too many of the enemy. The great Takeda Shingen would sit, holding his war fan and directing his troops. He would never move, even when the enemy was on top of him. He could do that because he would pick the strategic place to sit; the point where the entire battle would be decided. They called him The Mountain. He thought about the battle and knew where The Mountain should be placed. He didn’t try different locations like a flea hopping across a tatami mat. If I’m going to be Matsuyama, pine mountain, I should take a lesson from Shingen and think about what I know and what I want to see. Then I can place the mountain at the spot where I’m most likely to see it.”

  “You say the strangest things. I can’t understand you sometimes.”

  “That’s all right. I can’t understand myself sometimes. Let’s have some breakfast, then I want to go back to thinking.”

  The charcoal seller and the samurai shared a simple peasant’s breakfast of cold millet gruel and hot soup. After cleaning up, Jiro excused himself to go out and work in his fields. Kaze nodded and settled back into the lotus position, closing his eyes and thinking about what he had seen and heard over the last several days.

  His breathing slowed and his entire being was focused on the meaning of the two bodies at the crossroads. In his mind he reviewed everything he had seen on the two bodies, carefully cataloging anything that seemed unusual or out of place. He tried to recall exact details, like a hunter examining the subtle turnings of grass blades or faint impressions on hard soil, searching out his quarry.

  In his mind, he tried to replay every conversation he had had with every person he had met over the last several days, relistening to words and intonations and trying to recall minute changes in facial expression.

  He also thought about his own actions, and he realized he had been hasty. He should not have eliminated the Magistrate as the first killer on the basis of a few arrows grabbed in panic on the night he played the trick on the village. The Magistrate could have several types of arrows. Boss Kuemon was also a possibility, perhaps killing the first samurai while someone else killed the boy. But was it likely that two different people would use the same type of high-quality arrow to kill? Even a woman could use a bow, and, if she was close enough, it would not take special skill or practice to hit her target. So Aoi was a possibility. Kaze knew Ichiro was probably capable of killing if provoked. Who knew what might provoke him if he or his family was threatened? So many choices to consider, and being hasty was not the way to consider them.

  The sun climbed slowly to its zenith and started descending toward China. It passed behind the peaks of the mountains that ringed the village of Suzaka and caused the blue twilight that marked the time when the men and women trudged home from the fields. Before Jiro got home, Kaze opened his eyes. He said, “Good.”

  CHAPTER 21

  Strange beast, with no eye

  to perceive unripened fruit.

  Some destroy the young.

  “Hurry! Hayaku!” Nagato pulled the sniveling girl deeper into the forest. The girl hung back, tugging at his tight grip on her wrist. Nagato found it gave him a jolt of pleasure to cruelly twist the youngster’s arm. She bent downward under the strain put on her limb and yelped in pain. He smiled. “You should be happy for what I’m about to do to you, you little whore!” he said.

  He turned and continued to drag the eleven-year-old into the woods. Lust shot through him as sudden and hot as the desires of a sixteen-year-old. With the crying girl stumbling behind him, all his frustrations with Manase-sama and his wife and Boss Kuemon and the loss of money that the death of Boss Kuemon meant seemed to fade. He felt that he was truly a man after all, capable of conquering others, even if the other was just a young child and her peasant family.

  Just a few minutes before he had been stomping away from the village, upset because of his latest fight with his wife and crone of a mother-in-law. His wife, as if sensing the fact that he was putting money aside for the purchase of a concubine, had been spending at a profligate rate. Nagato realized that money could buy power and that money could buy pleasure, and he was ready for either, but his wife seemed determined to deny him both.

  Ideas came slowly to Nagato, and the idea that money could change his life had come equal
ly slowly. But once the thought was planted, he embraced it with gusto. Unfortunately, it was Nagato’s mother-in-law who had the money. He had not been clever enough to arrange for the assets of his father-in-law to be transferred to him upon death. As an adopted son-in-law, he inherited the position of Magistrate, but his mother-in-law still had the house, land, and money that should have been his.

  Three years after their marriage, his wife had finally conceived a son, but soon after the birth of a Nagato heir, his wife had lost all tolerance for sex and started rebuffing him when he made his clumsy attempts to crawl into her futon at night.

  Nagato, a man violent and bad-tempered with all underlings, was at a loss as to what to do about the abrogation of his rights in the marriage futon. Worse yet, his wife had told her mother about her new preference for sleeping alone, and the sharp-tongued old harpy had supported her daughter, threatening economic consequences if Nagato beat his wife or forced her to submit. This turned Nagato’s world upside down, because he assumed it was the natural right of any husband to beat a wife who displeased him. That there might be consequences to this action befuddled and frustrated him, and he could think of no action to set his domestic world right except to find a concubine whom he could abuse and treat in a manner that he thought was fitting for a man to treat a woman.

  The spring before, his interest had alighted on the daughter on the village headman, Ichiro. As was customary for all women and men in the village, during the hot months all the peasants worked stripped to the waist. Ichiro’s daughter, Momoko, had just turned eleven, and she was helping the other village girls in the planting of the tender shoots of rice into the fetid water of the rice paddies.

  This was a community effort, for no individual farmer could prepare the fields, plant the rice, care for the growing green shoots, and finally harvest and winnow the rice by himself. Some said this was why Japanese village culture was so close-knit and interdependent, but, to the peasants involved, acting cooperatively was the only way to survive.