Shadowdance: The Darkest London Series: Book 4

by Kristen Callihan

  Perhaps it was a dream. The woman in the mirror didn’t look at all like her. She was too pale. Her pink gown, one of many provided by Lord Archer’s money, ruffled and frothed around her like a confectionary. Miranda turned away with disdain. It was the image of an innocent and a maiden. She was neither. And yet he had come for her. Why?

  She did not believe Father’s nonsense about him wanting her for her beauty. There were plenty of pretty daughters of utterly bankrupt, thus desperate, nobles for a wealthy man to choose from. What, then, did he want? What has the world come to when men such as he are permitted to roam the streets… Perspiration bloomed along her upper lip. And yet Lord Archer did not know precisely what he was acquiring when he took Miranda as his bride, did he?

  To create fire by mere thought. It was the stuff of myth. She had discovered the talent quite by accident. And had burned through her share of disasters. Father and Mother had forbidden anyone to ever speak of it and, more to the point, for Miranda to ever use her talent again. Poppy had simply disappeared in the library to search for an explanation; she never found one. Only Daisy had been impressed, though quite put out that she did not possess a similar unearthly talent. As for herself, the question always remained: Was she a monster? Both beauty and beast rolled into one unstable force? Despite her desire to know, there was the greater fear of putting the question to anyone and seeing them turn away as Martin had. So she kept it inside. She would not tell her husband to be, no. But she took comfort in the notion that she was not without defenses.

  Poppy and Daisy’s mutual disregard for Father kept them at a distance as Father hovered by her elbow, guarding all possible attempts to escape. Their chatter was no more than a din, Father’s hand upon her arm a ghost, as they made their way to the small family chapel by the river.

  Reverend Spradling met them at the door. The brackets around his fleshy mouth cut deep as his eyes slid from Miranda to Father. “Lord Archer is…” He tilted his head and pulled at the cassock hugging his bulging neck. “He is waiting in the vestry.”

  “Grand,” said Father with an inane smile.

  “He wants to talk to Miss Ellis in private,” the reverend interrupted as Father tried to walk through the doorway. “I told him it was inappropriate but he was most insistent.”

  The two men turned to Miranda. So now her opinion mattered, did it? She might have laughed, only she feared it would come out as a sob.

  “Very well.” She gathered her skirts. Her fingers had turned to ice long before, and the ruffles slid from her grasp. She took a firmer hold. “I won’t be but a moment.”

  Slowly, she walked toward the vestry door looming before her. She would finally face the man who would be her husband, the man who sent brutes to hospital and caused women to swoon with terror.

  He stood erect as a soldier at the far end of the little stone room. Women, she thought, letting her gaze sweep over him, could be utterly ridiculous.

  She closed the door and waited for him to speak.

  “You came.” He could not fully stamp out the surprise in his deep voice.

  “Yes.”

  He was tall and very large, though there wasn’t a spare ounce of fat discernible over his entire form. The largeness of appearance came from the breadth of his shoulders, the muscles that his charcoal gray morning suit—no matter how finely tailored—could not completely hide and the long length of his strong legs encased in gray woolen trousers. It was not the elegant, thin frame of a refined man, but the brute and efficient form of a dockworker. In short, Lord Archer possessed the sort of virile body that would catch many a lady’s eye and hold it—were it not for one unavoidable fact.

  She lifted her eyes to his face, or where it ought to be. Carved with a Mona Lisa smile upon its lips, a black hard mask like one might wear at Carnival stared back. Beneath the mask, his entire head was covered in tight black silk, offering not a bit of skin to view. The perversity of his costume unnerved, but she was hardly willing to swoon.

  “I thought it best,” he said after letting her study him, “that you enter into this union with full understanding.” Black-gloved fingers ran over the silver handle of the walking stick he held. “As you are to be my wife, it would be foolish of me to try to keep my appearance from you.”

  He spoke with such equanimity that she could only gaze in amazement. A memory flickered before her eyes like a flame caught in a draft, a vision of a different man, in a different place. A man who also hid in shadows, whose gloriously strong body had haunted her dreams for months afterward, made her want things she hadn’t the name for back then, things that made her skin heat on many a cold night. It had shamed her, the way she had coveted the dark stranger. But it could not have been Lord Archer. The stranger had a voice like shadows, rasping and weak, not like Lord Archer’s strong, deep rumble.

  “Look sharp, Miss Ellis!” The walking stick slammed on the stone floor with a crack, and she jumped. “Do you still intend to proceed?” he asked with more calm.

  She stepped forward, and the man went rigid. “Who are you? An actor of some sort?” Her temper swelled like fire to air. “Is this some joke Father has concocted to bedevil me, because let me tell you—”

  “I am Lord Benjamin Archer,” he said with such acidity that she halted. His eyes flashed from behind the mask. “And it is no joke I play.” The hand on the walking stick tightened. “Though there are days I wish it to be just that.”

  “Why do you wear that mask?”

  “Asks the woman whose beauty might as well be a mask.”

  “Pardon me?”

  The immobile black mask simply stared back, floating like a terrible effigy over broad shoulders.

  “What is beauty or ugliness but a false front that prompts man to make assumptions rather than delving deeper. Look at you.” His hand gestured toward her face. “Not a flaw or distortion of line to mar that perfect beauty. I have seen your face before, miss. Michelangelo sculpted it from cold marble three hundred years ago, his divine hand creating what men would adore.” He took a step closer. “Tell me, Miss Ellis, do you not use that beauty as a shield, keeping the world at bay so that no one will know your true nature?”

  “Bastard,” she spat when she could find her voice. She had been beaten once or twice, forced to steal and lie, but no one had left her so utterly raw.

  “I am that as well. Better you know it now.”

  She gathered up her train, but the heavy masses of slippery fabric evaded her grip. “I came of my own free will but will not abide cruel remarks made at my expense,” she said, finally collecting herself. “Good-bye, Lord Archer.”

  He moved, but stopped himself as though he feared coming too close. A small gurgle died in his throat. “What will it take?”

  The tightly controlled urgency in his voice made her turn back.

  “If you find my character and appearance so very distasteful,” she said through her teeth, “then why ask for my hand?”

  His dark head jerked a fraction. “I am the last of my family line,” he said with less confidence. “Though I have love for Queen and Country, I do not desire to see my ancestral lands swallowed up by the crown. I need a wife.”

  The idea that she would procreate with the man hadn’t entered her mind. It seemed unimaginable.

  “Why not court one of your nobles?” she asked through dry lips.

  He lifted his chin a fraction. “There are not many fathers who would give their marketable daughters up to a man such as me.”

  It irked her that his words made her chest tighten in regret.

  Lord Archer tilted his head and assessed her with all the warmth of a man eyeing horseflesh for purchase. “Your appearance may matter little to me but when the time comes for my heir to enter into society, your stunning looks will help a great deal to facilitate him.”

  She could not fault the sensibility of his plan. Even so…

  “Why do you wear that mask?” she asked again.

  The mask stared back.


  “Are you ill? Have you some sort of sensitivity to light upon your skin?” she prompted.

  “Sensitivity to light,” he uttered and then gave a short laugh of derision. He lifted his head. “I am deformed.” That the confession hurt his pride did not escape her. “It was an accident. Long ago.”

  She nodded stupidly.

  “I realize my appearance is far from ideal to an attractive young lady in search of a husband. On the other hand, I can provide a lifestyle of wealth and comfort…” He trailed off as though pained by his own speech and then shifted his weight. “Well, Miss Ellis? What say you? This is between us now. Whatever your decision, your father may keep what little funds he hasn’t managed to squander without fear of retribution from me.”

  “And if I say no? What will you do? Is there another girl you might ask?” She shouldn’t care really, but her basic curiosity could not be quelled.

  He flinched, a tiny movement, but on him it seemed as obvious as if he’d been struck by a blow.

  “No. It has to be you.” He sucked in a sharp breath and straightened like a soldier. “To speak plainly, there is no other option left to me. As to what will I do should you say no, I will continue to live alone. In short, I need you. Your help, that is. Should you grant it, Miss Ellis, you shall want for nothing.”

  The man in the black mask seemed to stand alone, apart from everything. Miranda knew loneliness when she saw it. Her mind drifted over another memory, one hard repressed. One of herself standing in the very same corner of the vestry, watching as Martin cut their engagement and walked away. And it had hurt. God, it had hurt. So much so that the idea of doing it to another made her queasy.

  Lord Archer had shown his weakness, given her a chance to cut their agreement. He’d given her power over him. The man was clearly intelligent enough to have done so with purpose. A chance at equality was unexpected.

  Still, none of that might have mattered. Foolish was the woman who gave away her freedom out of sympathy. No, it was not sympathy or the hope of power that prompted a decision; she felt something when in the presence of this strange man, a tingling thrill that played over her belly, the sense of rapid forward motion though her body stood still. It was a feeling long dormant, one gleaned from taking a sword in hand, swaggering through dark alleys when all proper girls were in their beds. It was adventure. Lord Archer, with his black countenance and rich voice, offered a sense of adventure, a dare. She could do nothing short of picking up that gauntlet, or regret it for the rest of her days. Perhaps, then, she could help them both. The idea of helping rather than destroying filled her with a certain lightness of heart.

  Miranda collected the blasted train that threatened to trip her and straightened. “We have kept my father and sisters waiting long enough, Lord Archer.” She paused at the door to wait for him. “Shall we go?”

  THE DISH

  Where Authors Give You the Inside Scoop

  From the desk of Jaime Rush

  Dear Reader,

  DRAGON AWAKENED and the world of the Hidden started very simply, as most story ideas do. I saw this sexy guy with an elaborate dragon tattoo down his back. But much to my surprise, the “tattoo” changed his very cellular structure, turning him into a full-fledged Dragon. I usually get a character in some situation that begs me to open the writer’s “What if?” box. And this man/Dragon was the most intriguing character yet. I had a lot of questions, as you can imagine. Who are you? Why are you? And will you play with me? This is the really fun part of writing for me: exploring all the possibilities. I got tantalizing bits and pieces. I knew he was commanding, controlling, and a warrior. And his name was Cyntag, Cyn for short.

  Then the heroine made an appearance, and she in no way seemed to fit with him. She was, in the early version, a suffer-no-fools server in a rough bar. And very human. I knew her name was Ruby. (I love when their names come easily like that. Normally I have to troll through lists and phone books to find just the right one.) The television show American Restoration inspired a new profession for Ruby, who was desperately holding on to the resto yard she inherited from her mother. I knew Ruby was raised by her uncle after being orphaned, and he’d created a book about a fairy-tale world just for her.

  But I was still stumped by how these completely different people fit together. Until I got the scene where Ruby finds her uncle pinned to the wall by a supernatural weapon, and the name he utters on his dying breath: Cyntag.

  Ah, that’s how they’re connected. [Hands rubbing together in anticipation.] Then the scene where she confronts him rolled through my mind like a movie. Hot-headed, passionate Ruby and the cool, mysterious Cyn, who reveals that he is part of a Hidden world of Dragons, magick, Elementals, and danger. And so is she. Suddenly, her uncle’s bedtime stories, filled with Dragon princes and evil sorcerers, become very dangerously real. As does the chemistry that sparks between Ruby and Cyn.

  I loved creating the Hidden, which exists alongside modern-day Miami. Talk about opening the “What if?” box! I found lots of goodies inside: descendants of gods and fallen angels, demons, politics, dissension, and all the delicious complications that come from having magical humans and other beings trapped within one geographical area. And a ton of questions that needed to be answered. It was quite the undertaking, but all of it a fun challenge.

  We all have an imagination. Mine has always contained murder, mayhem, romance, and magic. Feel free to wander through the madness of my mind any time. A good start begins at my website, www.jaimerush.com, or that of my romantic suspense alter-ego, www.tinawainscott.com.

  From the desk of Kristen Ashley

  Dear Reader,

  I often get asked which of my books or characters are my favorites. This is an impossible question to answer and I usually answer with something like, “The ones I’m with.”

  See, every time I write a book, I lose myself in the world I’m creating so completely, I usually do nothing but sit at my computer—from morning until night—immersed in the characters and stories. I so love being with them and want to see what happens next, I can’t tear myself away. In fact, I now have to plan my life and make sure everything that needs to get done, gets done; everyone whom I need to connect with, I connect with; because for the coming weeks, I’ll check out and struggle to get the laundry done!

  Back in the day, regularly, I often didn’t finish books, mostly because I didn’t want to say good-bye. And this is one reason why my characters cross over in different series, just so I can spend time with them.

  Although I absolutely “love the ones I’m with,” I will say that only twice did I end a book and feel such longing and loss that I found it difficult to get over. This happened with At Peace and also, and maybe especially, with LAW MAN.

  I have contemplated why my emotion after completing these books ran so deep. And the answer I’ve come up with is that I so thoroughly enjoyed spending time with heroes who didn’t simply fall in love with their heroines. They fell in love with and built families with their heroines.

  In the case of LAW MAN, Mara’s young cousins, Bud and Billie, badly needed a family. They needed to be protected and loved. They needed to feel safe. They needed role models and an education. As any child does. And further, they deserved it. Loyal and loving, I felt those two kids in my soul.

  So when Mitch Lawson entered their lives through Mara, and he led Mara to realizations about herself, at the same time providing all these things to Bud and Billie and building a family, I was so deep in that, stuck in the honey of creating a home and a cocoon of love for two really good (albeit fictional) kids, I didn’t want to surface.

  I remember standing at the sink doing dishes after putting the finishing touches on that book and being near tears, because I so desperately wanted to spend the next weeks (months, years?) writing every detail in the lives of Mitch, Mara, Bud, and Billie. Bud making the baseball team. Billie going to prom. Mitch giving Bud “the talk” and giving Billie’s friends the stink-eye. Scraped knees. Broken hearts
. Homework. Christmases. Thanksgivings. I wanted to be a fly on the wall for it all, seeing how Mitch and Mara took Bud’s and Billie’s precarious beginnings on this Earth and gave them stability and affection, taught them trust, and showed them what love means.

  Even now, when I reread LAW MAN, the beginning of the epilogue makes my heart start to get heavy. Because I know it’s almost done.

  And I don’t want it to be.

  From the desk of Kristen Callihan

  Dear Reader,

  In SHADOWDANCE, heroine Mary Chase asks hero Jack Talent what it’s like to fly. After all, Jack, who has the ability to shift into any creature, including a raven in Moonglow, has cause to know. He tells her that it is lovely.

  I have to agree. When I was fifteen, I read Judith Krantz’s Till We Meet Again. The story features a heroine named Frederique who loves to fly more than anything on Earth. Set in the 1940s, Freddy eventually gets to fly for the Women’s Auxiliary Ferrying Squadron in Britain. I cannot tell you how cool I found this. The idea of women not only risking their lives for their country but being able to do so in a job usually reserved for men was inspiring.

  So, of course, I had to learn how to fly. Luckily, my dad had been a navigator in the Air Force, which made him much more sympathetic to my cause. He gave me flying lessons as a sixteenth birthday present.

  I still remember the first day I walked out onto that small airfield in rural Maryland. It was a few miles from Andrews Air Force Base, where massive cargo planes rode heavy in the sky while fighter jets zipped past. But my little plane was a Cessna 152, a tiny thing with an overhead wing, two seats, and one propeller to keep us aloft.

  The sun was shining, the sky cornflower blue, and the air redolent with the sharp smell of aviation gas and motor oil. I was in heaven. Here I was, sixteen, barely legal to drive a car, and I was going to take a plane up in the sky.