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Think Again: The Power of Knowing What You Don't Know

Page 7

by Adam Grant


  Research suggests that identifying even a single reason why we might be wrong can be enough to curb overconfidence. Jean-Pierre went further; he made a list of all the arguments that pundits were making about why Trump couldn’t win and went looking for evidence that they (and he) were wrong. He found that evidence within the polls: in contrast with widespread claims that Trump was a factional candidate with narrow appeal, Jean-Pierre saw that Trump was popular across key Republican demographic groups. By mid-September, Jean-Pierre was an outlier, putting Trump’s odds of becoming the nominee over 50 percent. “Accept the fact that you’re going to be wrong,” Jean-Pierre advises. “Try to disprove yourself. When you’re wrong, it’s not something to be depressed about. Say, ‘Hey, I discovered something!’”

  MISTAKES WERE MADE . . . MOST LIKELY BY ME

  As prescient as Jean-Pierre’s bet on Trump was, he still had trouble sticking to it in the face of his feelings. In the spring of 2016, he identified the media coverage of Hillary Clinton’s emails as a red flag, and kept predicting a Trump victory for two months more. By the summer, though, as he contemplated the impending possibility of a Trump presidency, he found himself struggling to sleep at night. He changed his forecast to Clinton.

  Looking back, Jean-Pierre isn’t defensive about his decision. He freely admits that despite being an experienced forecaster, he made the rookie mistake of falling victim to desirability bias, allowing his preference to cloud his judgment. He focused on the forces that would enable him to predict a Clinton win because he desperately wanted a Trump loss. “That was just a way of me trying to deal with this unpleasant forecast I had issued,” he says. Then he does something unexpected: he laughs at himself.

  If we’re insecure, we make fun of others. If we’re comfortable being wrong, we’re not afraid to poke fun at ourselves. Laughing at ourselves reminds us that although we might take our decisions seriously, we don’t have to take ourselves too seriously. Research suggests that the more frequently we make fun of ourselves, the happier we tend to be.* Instead of beating ourselves up about our mistakes, we can turn some of our past misconceptions into sources of present amusement.

  Being wrong won’t always be joyful. The path to embracing mistakes is full of painful moments, and we handle those moments better when we remember they’re essential for progress. But if we can’t learn to find occasional glee in discovering we were wrong, it will be awfully hard to get anything right.

  I’ve noticed a paradox in great scientists and superforecasters: the reason they’re so comfortable being wrong is that they’re terrified of being wrong. What sets them apart is the time horizon. They’re determined to reach the correct answer in the long run, and they know that means they have to be open to stumbling, backtracking, and rerouting in the short run. They shun rose-colored glasses in favor of a sturdy mirror. The fear of missing the mark next year is a powerful motivator to get a crystal-clear view of last year’s mistakes. “People who are right a lot listen a lot, and they change their mind a lot,” Jeff Bezos says. “If you don’t change your mind frequently, you’re going to be wrong a lot.”

  Jean-Pierre Beugoms has a favorite trick for catching himself when he’s wrong. When he makes a forecast, he also makes a list of the conditions in which it should hold true—as well as the conditions under which he would change his mind. He explains that this keeps him honest, preventing him from getting attached to a bad prediction.

  What forecasters do in tournaments is good practice in life. When you form an opinion, ask yourself what would have to happen to prove it false. Then keep track of your views so you can see when you were right, when you were wrong, and how your thinking has evolved. “I started out just wanting to prove myself,” Jean-Pierre says. “Now I want to improve myself—to see how good I can get.”

  It’s one thing to admit to ourselves that we’ve been wrong. It’s another thing to confess that to other people. Even if we manage to overthrow our inner dictator, we run the risk of facing outer ridicule. In some cases we fear that if others find out we were wrong, it could destroy our reputations. How do people who accept being wrong cope with that?

  In the early 1990s, the British physicist Andrew Lyne published a major discovery in the world’s most prestigious science journal. He presented the first evidence that a planet could orbit a neutron star—a star that had exploded into a supernova. Several months later, while preparing to give a presentation at an astronomy conference, he noticed that he hadn’t adjusted for the fact that the Earth moves in an elliptical orbit, not a circular one. He was embarrassingly, horribly wrong. The planet he had discovered didn’t exist.

  In front of hundreds of colleagues, Andrew walked onto the ballroom stage and admitted his mistake. When he finished his confession, the room exploded in a standing ovation. One astrophysicist called it “the most honorable thing I’ve ever seen.”

  Andrew Lyne is not alone. Psychologists find that admitting we were wrong doesn’t make us look less competent. It’s a display of honesty and a willingness to learn. Although scientists believe it will damage their reputation to admit that their studies failed to replicate, the reverse is true: they’re judged more favorably if they acknowledge the new data rather than deny them. After all, it doesn’t matter “whose fault it is that something is broken if it’s your responsibility to fix it,” actor Will Smith has said. “Taking responsibility is taking your power back.”

  When we find out we might be wrong, a standard defense is “I’m entitled to my opinion.” I’d like to modify that: yes, we’re entitled to hold opinions inside our own heads. If we choose to express them out loud, though, I think it’s our responsibility to ground them in logic and facts, share our reasoning with others, and change our minds when better evidence emerges.

  This philosophy takes us back to the Harvard students who had their worldviews attacked in that unethical study by Henry Murray. If I had to guess, I’d say the students who enjoyed the experience had a mindset similar to that of great scientists and superforecasters. They saw challenges to their opinions as an exciting opportunity to develop and evolve their thinking. The students who found it stressful didn’t know how to detach. Their opinions were their identities. An assault on their worldviews was a threat to their very sense of self. Their inner dictator rushed in to protect them.

  Take it from the student with the code name Lawful. He felt he had been damaged emotionally by the study. “Our adversary in the debate subjected us to various insults,” Lawful reflected four decades later. “It was a highly unpleasant experience.”

  Today, Lawful has a different code name, one that’s familiar to most Americans. He’s known as the Unabomber.

  Ted Kaczynski became a math professor turned anarchist and domestic terrorist. He mailed bombs that killed three people and injured twenty-three more. An eighteen-year-long FBI investigation culminated in his arrest after The New York Times and The Washington Post published his manifesto and his brother recognized his writing. He is now serving life in prison without parole.

  The excerpt I quoted earlier was from Kaczynski’s manifesto. If you read the entire document, you’re unlikely to be unsettled by the content or the structure. What’s disturbing is the level of conviction. Kaczynski displays little consideration of alternative views, barely a hint that he might be wrong. Consider just the opening:

  The Industrial Revolution and its consequences have been a disaster for the human race. . . . They have destabilized society, have made life unfulfilling. . . . The continued development of technology will worsen the situation. It will certainly subject human beings to greater indignities and inflict greater damage on the natural world. . . . If the system survives, the consequences will be inevitable: There is no way of reforming or modifying the system. . . .

  Kaczynski’s case leaves many questions about his mental health unanswered. Still, I can’t help but wonder: If he had learned to question his opinions, would he still h
ave been able to justify resorting to violence? If he had developed the capacity to discover that he was wrong, would he still have ended up doing something so wrong?

  Every time we encounter new information, we have a choice. We can attach our opinions to our identities and stand our ground in the stubbornness of preaching and prosecuting. Or we can operate more like scientists, defining ourselves as people committed to the pursuit of truth—even if it means proving our own views wrong.

  CHAPTER 4

  The Good Fight Club

  The Psychology of Constructive Conflict

  Arguments are extremely vulgar, for everybody in good society holds exactly the same opinions.

  —Oscar Wilde

  As the two youngest boys in a big family, the bishop’s sons did everything together. They launched a newspaper and built their own printing press together. They opened a bicycle shop and then started manufacturing their own bikes together. And after years of toiling away at a seemingly impossible problem, they invented the first successful airplane together.

  Wilbur and Orville Wright first caught the flying bug when their father brought home a toy helicopter. After it broke, they built one of their own. As they advanced from playing together to working together to rethinking human flight together, there was no trace of sibling rivalry between them. Wilbur even said they “thought together.” Even though it was Wilbur who launched the project, the brothers shared equal credit for their achievement. When it came time to decide who would pilot their historic flight at Kitty Hawk, they just flipped a coin.

  New ways of thinking often spring from old bonds. The comedic chemistry of Tina Fey and Amy Poehler can be traced back to their early twenties, when they immediately hit it off in an improv class. The musical harmony of the Beatles started even earlier, when they were in high school. Just minutes after a mutual friend introduced them, Paul McCartney was teaching John Lennon how to tune a guitar. Ben & Jerry’s Ice Cream grew out of a friendship between the two founders that began in seventh-grade gym class. It seems that to make progress together, we need to be in sync. But the truth, like all truths, is more complicated.

  One of the world’s leading experts on conflict is an organizational psychologist in Australia named Karen “Etty” Jehn. When you think about conflict, you’re probably picturing what Etty calls relationship conflict—personal, emotional clashes that are filled not just with friction but also with animosity. I hate your stinking guts. I’ll use small words so that you’ll be sure to understand, you warthog-faced buffoon. You bob for apples in the toilet . . . and you like it.

  But Etty has identified another flavor called task conflict—clashes about ideas and opinions. We have task conflict when we’re debating whom to hire, which restaurant to pick for dinner, or whether to name our child Gertrude or Quasar. The question is whether the two types of conflict have different consequences.

  A few years ago I surveyed hundreds of new teams in Silicon Valley on conflict several times during their first six months working together. Even if they argued constantly and agreed on nothing else, they agreed on what kind of conflict they were having. When their projects were finished, I asked their managers to evaluate each team’s effectiveness.

  The teams that performed poorly started with more relationship conflict than task conflict. They entered into personal feuds early on and were so busy disliking one another that they didn’t feel comfortable challenging one another. It took months for many of the teams to make real headway on their relationship issues, and by the time they did manage to debate key decisions, it was often too late to rethink their directions.

  What happened in the high-performing groups? As you might expect, they started with low relationship conflict and kept it low throughout their work together. That didn’t stop them from having task conflict at the outset: they didn’t hesitate to surface competing perspectives. As they resolved some of their differences of opinion, they were able to align on a direction and carry out their work until they ran into new issues to debate.

  All in all, more than a hundred studies have examined conflict types in over eight thousand teams. A meta-analysis of those studies showed that relationship conflict is generally bad for performance, but some task conflict can be beneficial: it’s been linked to higher creativity and smarter choices. For example, there’s evidence that when teams experience moderate task conflict early on, they generate more original ideas in Chinese technology companies, innovate more in Dutch delivery services, and make better decisions in American hospitals. As one research team concluded, “The absence of conflict is not harmony, it’s apathy.”

  Relationship conflict is destructive in part because it stands in the way of rethinking. When a clash gets personal and emotional, we become self-righteous preachers of our own views, spiteful prosecutors of the other side, or single-minded politicians who dismiss opinions that don’t come from our side. Task conflict can be constructive when it brings diversity of thought, preventing us from getting trapped in overconfidence cycles. It can help us stay humble, surface doubts, and make us curious about what we might be missing. That can lead us to think again, moving us closer to the truth without damaging our relationships.

  Although productive disagreement is a critical life skill, it’s one that many of us never fully develop. The problem starts early: parents disagree behind closed doors, fearing that conflict will make children anxious or somehow damage their character. Yet research shows that how often parents argue has no bearing on their children’s academic, social, or emotional development. What matters is how respectfully parents argue, not how frequently. Kids whose parents clash constructively feel more emotionally safe in elementary school, and over the next few years they actually demonstrate more helpfulness and compassion toward their classmates.

  Being able to have a good fight doesn’t just make us more civil; it also develops our creative muscles. In a classic study, highly creative architects were more likely than their technically competent but less original peers to come from homes with plenty of friction. They often grew up in households that were “tense but secure,” as psychologist Robert Albert notes: “The creative person-to-be comes from a family that is anything but harmonious, one with a ‘wobble.’” The parents weren’t physically or verbally abusive, but they didn’t shy away from conflict, either. Instead of telling their children to be seen but not heard, they encouraged them to stand up for themselves. The kids learned to dish it out—and take it. That’s exactly what happened to Wilbur and Orville Wright.

  When the Wright brothers said they thought together, what they really meant is that they fought together. Arguing was the family business. Although their father was a bishop in the local church, he included books by atheists in his library—and encouraged the children to read and debate them. They developed the courage to fight for their ideas and the resilience to lose a disagreement without losing their resolve. When they were solving problems, they had arguments that lasted not just for hours but for weeks and months at a time. They didn’t have such incessant spats because they were angry. They kept quarreling because they enjoyed it and learned from the experience. “I like scrapping with Orv,” Wilbur reflected. As you’ll see, it was one of their most passionate and prolonged arguments that led them to rethink a critical assumption that had prevented humans from soaring through the skies.

  THE PLIGHT OF THE PEOPLE PLEASER

  As long as I can remember, I’ve been determined to keep the peace. Maybe it’s because my group of friends dropped me in middle school. Maybe it’s genetic. Maybe it’s because my parents got divorced. Whatever the cause, in psychology there’s a name for my affliction. It’s called agreeableness, and it’s one of the major personality traits around the world. Agreeable people tend to be nice. Friendly. Polite. Canadian.*

  My first impulse is to avoid even the most trivial of conflicts. When I’m riding in an Uber and the air-conditioning is blasting, I struggle
to bring myself to ask the driver to turn it down—I just sit there shivering in silence until my teeth start to chatter. When someone steps on my shoe, I’ve actually apologized for inconveniently leaving my foot in his path. When students fill out course evaluations, one of their most common complaints is that I’m “too supportive of stupid comments.”

  Disagreeable people tend to be more critical, skeptical, and challenging—and they’re more likely than their peers to become engineers and lawyers. They’re not just comfortable with conflict; it energizes them. If you’re highly disagreeable, you might be happier in an argument than in a friendly conversation. That quality often comes with a bad rap: disagreeable people get stereotyped as curmudgeons who complain about every idea, or Dementors who suck the joy out of every meeting. When I studied Pixar, though, I came away with a dramatically different view.

  In 2000, Pixar was on fire. Their teams had used computers to rethink animation in their first blockbuster, Toy Story, and they were fresh off two more smash hits. Yet the company’s founders weren’t content to rest on their laurels. They recruited an outside director named Brad Bird to shake things up. Brad had just released his debut film, which was well reviewed but flopped at the box office, so he was itching to do something big and bold. When he pitched his vision, the technical leadership at Pixar said it was impossible: they would need a decade and $500 million to make it.

 

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