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Yog Sothothery - The Definitive H.P. Lovecraft Anthology

Page 137

by H. P. Lovecraft


  “Boss,” cried Schultz, as he entered the vile-smelling room with his young victim, “meet my friend Al Trever, bes’ li’l’ sport up at Lawrence—thas’ ’n Appleton, Wis., y’ know. Some swell guy, too—’s father’s a big corp’ration lawyer up in his burg, ’n’ ’s mother’s some lit’ry genius. He wants to see life as she is—wants to know what the real lightnin’ juice tastes like—so jus’ remember he’s me friend an’ treat ’im right.”

  As the names Trever, Lawrence, and Appleton fell on the air, the loafers seemed to sense something unusual. Perhaps it was only some sound connected with the clicking balls of the pool tables or the rattling glasses that were brought from the cryptic regions in the rear—perhaps only that, plus some strange rustling of the dirty draperies at the one dingy window—but many thought that someone in the room had gritted his teeth and drawn a very sharp breath.

  “Glad to know you, Sheehan,” said Trever in a quiet, well-bred tone. “This is my first experience in a place like this, but I am a student of life, and don’t want to miss any experience. There’s poetry in this sort of thing, you know—or perhaps you don’t know, but it’s all the same.”

  “Young feller,” responded the proprietor, “ya come tuh th’ right place tuh see life. We got all kinds here—reel life an’ a good time. The damn’ government can try tuh make folks good ef it wants tuh, but it can’t stop a feller from hittin’ ’er up when he feels like it. Whaddya want, feller—booze, coke, or some other sorta dope? Yuh can’t ask for nothin’ we ain’t got.”

  Habitués say that it was at this point they noticed a cessation in the regular, monotonous strokes of the mop.

  “I want whiskey—good old-fashioned rye!” exclaimed Trever enthusiastically. “I’ll tell you, I’m good and tired of water after reading of the merry bouts fellows used to have in the old days. I can’t read an Anacreontic without watering at the mouth—and it’s something a lot stronger than water that my mouth waters for!”

  “Anacreontic—what ’n hell’s that?” several hangers-on looked up as the young man went slightly beyond their depth. But the bank defaulter under cover explained to them that Anacreon was a gay old dog who lived many years ago and wrote about the fun he had when all the world was just like Sheehan’s.

  “Let me see, Trever,” continued the defaulter, “didn’t Schultz say your mother is a literary person, too?”

  “Yes, damn it,” replied Trever, “but nothing like the old Teian! She’s one of those dull, eternal moralisers that try to take all the joy out of life. Namby-pamby sort—ever heard of her? She writes under her maiden name of Eleanor Wing.”

  Here it was that Old Bugs dropped his mop.

  “Well, here’s yer stuff,” announced Sheehan jovially as a tray of bottles and glasses was wheeled into the room. “Good old rye, an’ as fiery as ya kin find anyw’eres in Chi’.”

  The youth’s eyes glistened and his nostrils curled at the fumes of the brownish fluid which an attendant was pouring out for him. It repelled him horribly, and revolted all his inherited delicacy; but his determination to taste life to the full remained with him, and he maintained a bold front. But before his resolution was put to the test, the unexpected intervened. Old Bugs, springing up from the crouching position in which he had hitherto been, leaped at the youth and dashed from his hands the uplifted glass, almost simultaneously attacking the tray of bottles and glasses with his mop, and scattering the contents upon the floor in a confusion of odoriferous fluid and broken bottles and tumblers. Numbers of men, or things which had been men, dropped to the floor and began lapping at the puddles of spilled liquor, but most remained immovable, watching the unprecedented actions of the barroom drudge and derelict. Old Bugs straightened up before the astonished Trever, and in a mild and cultivated voice said, “Do not do this thing. I was like you once, and I did it. Now I am like—this.”

  “What do you mean, you damned old fool?” shouted Trever. “What do you mean by interfering with a gentleman in his pleasures?”

  Sheehan, now recovering from his astonishment, advanced and laid a heavy hand on the old waif’s shoulder.

  “This is the last time for you, old bird!” he exclaimed furiously. “When a gen’l’man wants tuh take a drink here, by God, he shall, without you interferin’. Now get th’ hell outa here afore I kick hell outa ya.”

  But Sheehan had reckoned without scientific knowledge of abnormal psychology and the effects of nervous stimulus. Old Bugs, obtaining a firmer hold on his mop, began to wield it like the javelin of a Macedonian hoplite, and soon cleared a considerable space around himself, meanwhile shouting various disconnected bits of quotation, among which was prominently repeated, “…the sons of Belial, blown with insolence and wine.”

  The room became pandemonium, and men screamed and howled in fright at the sinister being they had aroused. Trever seemed dazed in the confusion, and shrank to the wall as the strife thickened. “He shall not drink! He shall not drink!” Thus roared Old Bugs as he seemed to run out of—or rise above—quotations. Policemen appeared at the door, attracted by the noise, but for a time they made no move to intervene. Trever, now thoroughly terrified and cured forever of his desire to see life via the vice route, edged closer to the blue-coated newcomers. Could he but escape and catch a train for Appleton, he reflected, he would consider his education in dissipation quite complete.

  Then suddenly Old Bugs ceased to wield his javelin and stopped still—drawing himself up more erectly than any denizen of the place had ever seen him before. “Ave, Caesar, moriturus te saluto!” he shouted, and dropped to the whiskey-reeking floor, never to rise again.

  Subsequent impressions will never leave the mind of young Trever. The picture is blurred, but ineradicable. Policemen ploughed a way through the crowd, questioning everyone closely both about the incident and about the dead figure on the floor. Sheehan especially did they ply with inquiries, yet without eliciting any information of value concerning Old Bugs. Then the bank defaulter remembered the picture, and suggested that it be viewed and filed for identification at police headquarters. An officer bent reluctantly over the loathsome glassy-eyed form and found the tissue-wrapped cardboard, which he passed around among the others.

  “Some chicken!” leered a drunken man as he viewed the beautiful face, but those who were sober did not leer, looking with respect and abashment at the delicate and spiritual features. No one seemed able to place the subject, and all wondered that the drug-degraded derelict should have such a portrait in his possession—that is, all but the bank defaulter, who was meanwhile eyeing the intruding bluecoats rather uneasily. He had seen a little deeper beneath Old Bugs’ mask of utter degradation.

  Then the picture was passed to Trever, and a change came over the youth. After the first start, he replaced the tissue wrapping around the portrait, as if to shield it from the sordidness of the place. Then he gazed long and searchingly at the figure on the floor, noting its great height, and the aristocratic cast of features which seemed to appear now that the wretched flame of life had flickered out. No, he said hastily, as the question was put to him, he did not know the subject of the picture. It was so old, he added, that no one now could be expected to recognise it.

  But Alfred Trever did not speak the truth, as many guessed when he offered to take charge of the body and secure its interment in Appleton. Over the library mantel in his home hung the exact replica of that picture, and all his life he had known and loved its original.

  For the gentle and noble features were those of his own mother.

  Poetry

  Sweet Ermengarde Or, The Heart of a Country Girl

  A Reminiscence of Dr. Samuel Johnson

  The History of the Necronomicon

  “Ode to Selene or Diana” (as “To Selene”)

  Nemesis

  Astrophobos

  The Poe-et’s Nightmare

  Despair

  Revelation

  The House

  The City

  To Edward Joh
n Moreton Drax Plunkett, Eighteenth Baron Dunsany

  The Nightmare Lake

  On Reading Lord Dunsany’s Book of Wonder

  The Cats

  Festival

  Hallowe’en in a Suburb aka “In a Suburb”

  The Wood

  The Outpost

  The Ancient Track

  The Messenger

  Nathicana

  Fungi from Yuggoth

  Where Once Poe Walk’d

  To Clark Ashton Smith, Esq.,

  On Receiving a Picture of Swans

  Fact and Fancy

  Laeta; a Lament

  Unda; or, The Bride of the Sea

  Pacifist War Song—1917

  Waste Paper

  Dead Passion’s Flame

  Arcadia

  Life’s Mystery

  A Garden

  Sunset

  Providence

  Christmas

  Christmas Greetings

  An American to Mother England

  Lines on Gen. Robert Edward Lee

  The Rose of England

  The Peace Advocate

  Ode for July Fourth, 1917

  The Conscript

  Sweet Ermengarde Or, The Heart of a Country Girl

  By Percy Simple (H. P. Lovecraft)

  Written: 1917

  First Published: Beyond the Wall of Sleep.

  Collected by August Derleth and Donald Wandrei.

  Sauk City, WI: Arkham House (1943), Pages 349-353

  Chapter I - A Simple Rustic Maid

  Ermengarde Stubbs was the beauteous blonde daughter of Hiram Stubbs, a poor but honest farmer-bootlegger of Hogton, Vt. Her name was originally Ethyl Ermengarde, but her father persuaded her to drop the praenomen after the passage of the 18th Amendment, averring that it made him thirsty by reminding him of ethyl alcohol, C2H5OH. His own products contained mostly methyl or wood alcohol, CH3OH. Ermengarde confessed to sixteen summers, and branded as mendacious all reports to the effect that she was thirty. She had large black eyes, a prominent Roman nose, light hair which was never dark at the roots except when the local drug store was short on supplies, and a beautiful but inexpensive complexion. She was about 5ft 5.33…in tall, weighed 115.47 lbs. on her father’s copy scales—also off them—and was adjudged most lovely by all the village swains who admired her father’s farm and liked his liquid crops.

  Ermengarde’s hand was sought in matrimony by two ardent lovers. ’Squire Hardman, who had a mortgage on the old home, was very rich and elderly. He was dark and cruelly handsome, and always rode horseback and carried a riding-crop. Long had he sought the radiant Ermengarde, and now his ardour was fanned to fever heat by a secret known to him alone—for upon the humble acres of Farmer Stubbs he had discovered a vein of rich GOLD!! “Aha!” said he, “I will win the maiden ere her parent knows of his unsuspected wealth, and join to my fortune a greater fortune still!” And so he began to call twice a week instead of once as before.

  But alas for the sinister designs of a villain—’Squire Hardman was not the only suitor for the fair one. Close by the village dwelt another—the handsome Jack Manly, whose curly yellow hair had won the sweet Ermengarde’s affection when both were toddling youngsters at the village school. Jack had long been too bashful to declare his passion, but one day while strolling along a shady lane by the old mill with Ermengarde, he had found courage to utter that which was within his heart.

  “O light of my life,” said he, “my soul is so overburdened that I must speak! Ermengarde, my ideal [he pronounced it i-deel!], life has become an empty thing without you. Beloved of my spirit, behold a suppliant kneeling in the dust before thee. Ermengarde—oh, Ermengarde, raise me to an heaven of joy and say that you will some day be mine! It is true that I am poor, but have I not youth and strength to fight my way to fame? This I can do only for you, dear Ethyl—pardon me, Ermengarde—my only, my most precious—” but here he paused to wipe his eyes and mop his brow, and the fair responded:

  “Jack—my angel—at last—I mean, this is so unexpected and quite unprecedented! I had never dreamed that you entertained sentiments of affection in connexion with one so lowly as Farmer Stubbs’ child—for I am still but a child! Such is your natural nobility that I had feared—I mean thought—you would be blind to such slight charms as I possess, and that you would seek your fortune in the great city; there meeting and wedding one of those more comely damsels whose splendour we observe in fashion books.

  “But, Jack, since it is really I whom you adore, let us waive all needless circumlocution. Jack—my darling—my heart has long been susceptible to your manly graces. I cherish an affection for thee—consider me thine own and be sure to buy the ring at Perkins’ hardware store where they have such nice imitation diamonds in the window.”

  “Ermengarde, me love!”

  “Jack—my precious!”

  “My darling!”

  “My own!”

  “My Gawd!”

  [Curtain]

  Chapter II - And the Villain Still Pursued Her

  But these tender passages, sacred though their fervour, did not pass unobserved by profane eyes; for crouched in the bushes and gritting his teeth was the dastardly ’Squire Hardman! When the lovers had finally strolled away he leapt out into the lane, viciously twirling his moustache and riding-crop, and kicking an unquestionably innocent cat who was also out strolling.

  “Curses!” he cried—Hardman, not the cat—“I am foiled in my plot to get the farm and the girl! But Jack Manly shall never succeed! I am a man of power—and we shall see!”

  Thereupon he repaired to the humble Stubbs’ cottage, where he found the fond father in the still-cellar washing bottles under the supervision of the gentle wife and mother, Hannah Stubbs. Coming directly to the point, the villain spoke:

  “Farmer Stubbs, I cherish a tender affection of long standing for your lovely offspring, Ethyl Ermengarde. I am consumed with love, and wish her hand in matrimony. Always a man of few words, I will not descend to euphemism. Give me the girl or I will foreclose the mortgage and take the old home!”

  “But, Sir,” pleaded the distracted Stubbs while his stricken spouse merely glowered, “I am sure the child’s affections are elsewhere placed.”

  “She must be mine!” sternly snapped the sinister ’squire. “I will make her love me—none shall resist my will! Either she becomes muh wife or the old homestead goes!”

  And with a sneer and flick of his riding-crop ’Squire Hardman strode out into the night.

  Scarce had he departed, when there entered by the back door the radiant lovers, eager to tell the senior Stubbses of their new-found happiness. Imagine the universal consternation which reigned when all was known! Tears flowed like white ale, till suddenly Jack remembered he was the hero and raised his head, declaiming in appropriately virile accents:

  “Never shall the fair Ermengarde be offered up to this beast as a sacrifice while I live! I shall protect her—she is mine, mine, mine—and then some! Fear not, dear father and mother to be—I will defend you all! You shall have the old home still [adverb, not noun—although Jack was by no means out of sympathy with Stubbs’ kind of farm produce] and I shall lead to the altar the beauteous Ermengarde, loveliest of her sex! To perdition with the crool ’squire and his ill-gotten gold—the right shall always win, and a hero is always in the right! I will go to the great city and there make a fortune to save you all ere the mortgage fall due! Farewell, my love—I leave you now in tears, but I shall return to pay off the mortgage and claim you as my bride!”

  “Jack, my protector!”

  “Ermie, my sweet roll!”

  “Dearest!”

  “Darling!—and don’t forget that ring at Perkins’.”

  “Oh!”

  “Ah!”

  [Curtain]

  Chapter III - A Dastardly Act

  But the resourceful ’Squire Hardman was not so easily to be foiled. Close by the village lay a disreputable settlement of unkempt shacks, populated by a
shiftless scum who lived by thieving and other odd jobs. Here the devilish villain secured two accomplices—ill-favoured fellows who were very clearly no gentlemen. And in the night the evil three broke into the Stubbs cottage and abducted the fair Ermengarde, taking her to a wretched hovel in the settlement and placing her under the charge of Mother Maria, a hideous old hag. Farmer Stubbs was quite distracted, and would have advertised in the papers if the cost had been less than a cent a word for each insertion. Ermengarde was firm, and never wavered in her refusal to wed the villain.

  “Aha, my proud beauty,” quoth he, “I have ye in me power, and sooner or later I will break that will of thine! Meanwhile think of your poor old father and mother as turned out of hearth and home and wandering helpless through the meadows!”

 

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