My Lady Ludlow

by Elizabeth Gaskell

  It was then settled that my departure from Hanbury, my happy home for so long, was to take place before many weeks had passed. And as, when one period of life is about to be shut up for ever, we are sure to look back upon it with fond regret, so I, happy enough in my future prospects, could not avoid recurring to all the days of my life in the Hall, from the time when I came to it, a shy awkward girl, scarcely past childhood, to now, when a grown woman,—past childhood—almost, from the very character of my illness, past youth,—I was looking forward to leaving my lady’s house (as a residence) for ever. As it has turned out, I never saw either her or it again. Like a piece of sea-wreck, I have drifted away from those days: quiet, happy, eventless days,—very happy to remember!

  I thought of good, jovial Mr. Mountford,—and his regrets that he might not keep a pack, “a very small pack,” of harriers, and his merry ways, and his love of good eating; of the first coming of Mr. Gray, and my lady’s attempt to quench his sermons, when they tended to enforce any duty connected with education. And now we had an absolute school-house in the village; and since Miss Bessy’s drinking tea at the Hall, my lady had been twice inside it, to give directions about some fine yarn she was having spun for table-napery. And her ladyship had so outgrown her old custom of dispensing with sermon or discourse, that even during the temporary preaching of Mr. Crosse, she had never had recourse to it, though I believe she would have had all the congregation on her side if she had.

  And Mr. Horner was dead, and Captain James reigned in his stead. Good, steady, severe, silent Mr. Horner! with his clock-like regularity, and his snuff-coloured clothes, and silver buckles! I have often wondered which one misses most when they are dead and gone,—the bright creatures full of life, who are hither and thither and everywhere, so that no one can reckon upon their coming and going, with whom stillness and the long quiet of the grave, seems utterly irreconcilable, so full are they of vivid motion and passion,—or the slow, serious people, whose movements—nay, whose very words, seem to go by clockwork; who never appear much to affect the course of our life while they are with us, but whose methodical ways show themselves, when they are gone, to have been intertwined with our very roots of daily existence. I think I miss these last the most, although I may have loved the former best. Captain James never was to me what Mr. Horner was, though the latter had hardly changed a dozen words with me at the day of his death. Then Miss Galindo! I remembered the time as if it had been only yesterday, when she was but a name—and a very odd one—to me; then she was a queer, abrupt, disagreeable, busy old maid. Now I loved her dearly, and I found out that I was almost jealous of Miss Bessy.

  Mr. Gray I never thought of with love; the feeling was almost reverence with which I looked upon him. I have not wished to speak much of myself, or else I could have told you how much he had been to me during these long, weary years of illness. But he was almost as much to every one, rich and poor, from my lady down to Miss Galindo’s Sally.

  The village, too, had a different look about it. I am sure I could not tell you what caused the change; but there were no more lounging young men to form a group at the cross-road, at a time of day when young men ought to be at work. I don’t say this was all Mr. Gray’s doing, for there really was so much to do in the fields that there was but little time for lounging now-a-days. And the children were hushed up in school, and better behaved out of it, too, than in the days when I used to be able to go my lady’s errands in the village. I went so little about now, that I am sure I can’t tell who Miss Galindo found to scold; and yet she looked so well and so happy that I think she must have had her accustomed portion of that wholesome exercise.

  Before I left Hanbury, the rumour that Captain James was going to marry Miss Brooke, Baker Brooke’s eldest daughter, who had only a sister to share his property with her, was confirmed. He himself announced it to my lady; nay, more, with a courage, gained, I suppose, in his former profession, where, as I have heard, he had led his ship into many a post of danger, he asked her ladyship, the Countess Ludlow, if he might bring his bride elect, (the Baptist baker’s daughter!) and present her to my lady!

  I am glad I was not present when he made this request; I should have felt so much ashamed for him, and I could not have helped being anxious till I heard my lady’s answer, if I had been there. Of course she acceded; but I can fancy the grave surprise of her look. I wonder if Captain James noticed it.

  I hardly dared ask my lady, after the interview had taken place, what she thought of the bride elect; but I hinted my curiosity, and she told me, that if the young person had applied to Mrs. Medlicott, for the situation of cook, and Mrs. Medlicott had engaged her, she thought that it would have been a very suitable arrangement. I understood from this how little she thought a marriage with Captain James, R.N., suitable.

  About a year after I left Hanbury, I received a letter from Miss Galindo; I think I can find it.—Yes, this is it.

  ‘Hanbury, May 4, 1811.

  DEAR MARGARET,

  ‘You ask for news of us all. Don’t you know there is no news in Hanbury? Did you ever hear of an event here? Now, if you have answered “Yes,” in your own mind to these questions, you have fallen into my trap, and never were more mistaken in your life. Hanbury is full of news; and we have more events on our hands than we know what to do with. I will take them in the order of the newspapers—births, deaths, and marriages. In the matter of births, Jenny Lucas has had twins not a week ago. Sadly too much of a good thing, you’ll say. Very true: but then they died; so their birth did not much signify. My cat has kittened, too; she has had three kittens, which again you may observe is too much of a good thing; and so it would be, if it were not for the next item of intelligence I shall lay before you. Captain and Mrs. James have taken the old house next Pearson’s; and the house is overrun with mice, which is just as fortunate for me as the King of Egypt’s rat-ridden kingdom was to Dick Whittington. For my cat’s kittening decided me to go and call on the bride, in hopes she wanted a cat; which she did like a sensible woman, as I do believe she is, in spite of Baptism, Bakers, Bread, and Birmingham, and something worse than all, which you shall hear about, if you’ll only be patient. As I had got my best bonnet on, the one I bought when poor Lord Ludlow was last at Hanbury in ’99—I thought it a great condescension in myself (always remembering the date of the Galindo baronetcy) to go and call on the bride; though I don’t think so much of myself in my every-day clothes, as you know. But who should I find there but my Lady Ludlow! She looks as frail and delicate as ever, but is, I think, in better heart ever since that old city merchant of a Hanbury took it into his head that he was a cadet of the Hanburys of Hanbury, and left her that handsome legacy. I’ll warrant you that the mortgage was paid off pretty fast; and Mr. Horner’s money—or my lady’s money, or Harry Gregson’s money, call it which you will—is invested in his name, all right and tight; and they do talk of his being captain of his school, or Grecian, or something, and going to college, after all! Harry Gregson the poacher’s son! Well! to be sure, we are living in strange times!

  ‘But I have not done with the marriages yet. Captain James’s is all very well, but no one cares for it now, we are so full of Mr. Gray’s. Yes, indeed, Mr. Gray is going to be married, and to nobody else but my little Bessy! I tell her she will have to nurse him half the days of her life, he is such a frail little body. But she says she does not care for that; so that his body holds his soul, it is enough for her. She has a good spirit and a brave heart, has my Bessy! It is a great advantage that she won’t have to mark her clothes over again: for when she had knitted herself her last set of stockings, I told her to put G for Galindo, if she did not choose to put it for Gibson, for she should be my child if she was no one else’s. And now you see it stands for Gray. So there are two marriages, and what more would you have? And she promises to take another of my kittens.

  ‘Now, as to deaths, old Farmer Hale is dead—poor old man, I should think his wife thought it a good riddance, for he beat her every
day that he was drunk, and he was never sober, in spite of Mr. Gray. I don’t think (as I tell him) that Mr. Gray would ever have found courage to speak to Bessy as long as Farmer Hale lived, he took the old gentleman’s sins so much to heart, and seemed to think it was all his fault for not being able to make a sinner into a saint. The parish bull is dead too. I never was so glad in my life. But they say we are to have a new one in his place. In the meantime I cross the common in peace, which is very convenient just now, when I have so often to go to Mr. Gray’s to see about furnishing.

  ‘Now you think I have told you all the Hanbury news, don’t you? Not so. The very greatest thing of all is to come. I won’t tantalize you, but just out with it, for you would never guess it. My Lady Ludlow has given a party, just like any plebeian amongst us. We had tea and toast in the blue drawing-room, old John Footman waiting with Tom Diggles, the lad that used to frighten away crows in Farmer Hale’s fields, following in my lady’s livery, hair powdered and everything. Mrs. Medlicott made tea in my lady’s own room. My lady looked like a splendid fairy queen of mature age, in black velvet, and the old lace, which I have never seen her wear before since my lord’s death. But the company? you’ll say. Why, we had the parson of Clover, and the parson of Headleigh, and the parson of Merribank, and the three parsonesses; and Farmer Donkin, and two Miss Donkins; and Mr. Gray (of course), and myself and Bessy; and Captain and Mrs. James; yes, and Mr. and Mrs. Brooke; think of that! I am not sure the parsons liked it; but he was there. For he has been helping Captain James to get my lady’s land into order; and then his daughter married the agent; and Mr. Gray (who ought to know) says that, after all, Baptists are not such bad people; and he was right against them at one time, as you may remember. Mrs. Brooke is a rough diamond, to be sure. People have said that of me, I know. But, being a Galindo, I learnt manners in my youth and can take them up when I choose. But Mrs. Brooke never learnt manners, I’ll be bound. When John Footman handed her the tray with the tea-cups, she looked up at him as if she were sorely puzzled by that way of going on. I was sitting next to her, so I pretended not to see her perplexity, and put her cream and sugar in for her, and was all ready to pop it into her hands,—when who should come up, but that impudent lad Tom Diggles (I call him lad, for all his hair is powdered, for you know that it is not natural gray hair), with his tray full of cakes and what not, all as good as Mrs. Medlicott could make them. By this time, I should tell you, all the parsonesses were looking at Mrs. Brooke, for she had shown her want of breeding before; and the parsonesses, who were just a step above her in manners, were very much inclined to smile at her doings and sayings. Well! what does she do, but pull out a clean Bandanna pocket-handkerchief all red and yellow silk, spread it over her best silk gown; it was, like enough, a new one, for I had it from Sally, who had it from her cousin Molly, who is dairy-woman at the Brookes’, that the Brookes were mighty set-up with an invitation to drink tea at the Hall. There we were, Tom Diggles even on the grin (I wonder how long it is since he was own brother to a scarecrow, only not so decently dressed) and Mrs. Parsoness of Headleigh,—I forget her name, and it’s no matter, for she’s an ill-bred creature, I hope Bessy will behave herself better—was right-down bursting with laughter, and as near a hee-haw as ever a donkey was, when what does my lady do? Ay! there’s my own dear Lady Ludlow, God bless her! She takes out her own pocket-handkerchief, all snowy cambric, and lays it softly down on her velvet lap, for all the world as if she did it every day of her life, just like Mrs. Brooke, the baker’s wife; and when the one got up to shake the crumbs into the fire-place, the other did just the same. But with such a grace! and such a look at us all! Tom Diggles went red all over; and Mrs. Parsoness of Headleigh scarce spoke for the rest of the evening; and the tears came into my old silly eyes; and Mr. Gray, who was before silent and awkward in a way which I tell Bessy she must cure him of, was made so happy by this pretty action of my lady’s, that he talked away all the rest of the evening, and was the life of the company.

  ‘Oh, Margaret Dawson! I sometimes wonder if you’re the better off for leaving us. To be sure you’re with your brother, and blood is blood. But when I look at my lady and Mr. Gray, for all they’re so different, I would not change places with any in England.’

  Alas! alas! I never saw my dear lady again. She died in eighteen hundred and fourteen, and Mr. Gray did not long survive her. As I dare say you know, the Reverend Henry Gregson is now vicar of Hanbury, and his wife is the daughter of Mr. Gray and Miss Bessy.

  ***END OF THE PROJECT GUTENBERG EBOOK MY LADY LUDLOW***

  ***** This file should be named 2524-h.htm or 2524-h.zip****** This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/5/2/2524 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance
with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not voi
d the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.gutenberg.net/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://www.gutenberg.net/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://www.gutenberg.net/fundraising/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://www.gutenberg.net/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.