Blaylock, James P - Langdon St Ives 02

by Lord Kelvin's Machine

  He jerked up out of his bunk, fighting for breath. "Cottage pie," he said out loud. Damn anyone who might hear him. What did they know? He was a man alone. In the end, that was what had proved to be true. It wasn't anybody's fault; it was the way of the world. He lay down again, feeling the ship rise on the swell. He thought hard about the pie, about the smell of thyme and rosemary and sage simmering in a beef broth, about the herb garden that Alice had started and that was now up in weeds. He hadn't given much of a damn about food before knew Alice, but she had got him used to it. He had kept the herb garden flourishing for a month or so, in her memory. But keeping the memory was somehow worse than fleeing from it. Moles were living in the garden now—a whole village of them.

  He drifted off to sleep again, dreaming that he watched the moles through the parlor window. One of them had the face and spectacles of old Parsons. It pretended to be busy with mole activities, but it regarded him furtively over the top of its spectacles. Away across the grounds lay the River Nidd, fringed with willows. Through them, his beard wagging, stepped Lord Kelvin himself, striding along toward the manor with the broad ever-approaching gait of a man in a dream. He wasn't in a jolly mood, clearly not coming round to chat about the theory of elasticity or the constitution of matter. He carried a stick, which he beat against the palm of his hand.

  Willing to take his medicine, St. Ives stepped out into the garden to meet him, nearly treading on the mole that looked like Parsons. Weeds crackled underfoot and the day was dreary and dim, almost as if the whole world were dilapidated. This wasn't going to be pretty. Lord Kelvin wasn't a big man, and he was getting on in years, but there was a fierce look in his eyes that seemed to say, in a Glasgow brogue, ''You've blown my machine to pieces. Now I'm going to beat the dust out of you."

  What he said was, "I spent twenty-odd years on that engine, lad. I'm too old to start again." His face was saddened, full of loss.

  St. Ives nodded. One day, maybe, he would give it back to the man. But he couldn't tell him that now.

  "I'm truly sorry . . .," he began.

  "Ye can't imagine what it was, man." He gestured with the stick, which had turned into a length of braided copper wire.

  On the contrary, St. Ives had imagined what it was on the day that he walked into Lord Kelvin's barn, looking to ruin it. "

  He took the braided wire from the old man, but it fell apart in his hands, dropping in strands across his shoes.

  "We might have gone anywhere in it," the old man said wistfully. "The two of us. Traveled across time ..." He could be open and honest now that he thought the machine was blasted to pieces. There was nothing to hide anymore. St. Ives let him talk. It was making them both feel better, filling St. Ives with remorse and happiness at the same time: the two of them, traveling together, side by side, back to the Age of Reptiles, forward to a day when men would sail among the stars. St. Ives had worked too long in obscurity, shunned by the Academy and so pretending to despise it—but all the time pounding on the door, crying to be let in. That was the sad truth, wasn't it? Here was its foremost member. Lord Kelvin himself, talking like an old and trusted colleague.

  Lord Kelvin nodded his head, which turned into a quadrant electrometer. In his hand he held a mariner's compass of his own invention. The needle pointed east with awful, mystifying significance.

  "I knew what it . . . what it was," St. Ives said remorsefully. "But I wanted the machine for myself, to work my own ends, not yours. I've given up science for personal gain." He couldn't help being truthful.

  "You'll never be raised to the peerage with that attitude, lad."

  St. Ives noticed suddenly that the mole with Parsons's face was studying him out of its squinty little eyes. Hurriedly, it turned around and scampered away across the meadow, carrying a suitcase. Lord Kelvin looked at his pocket watch, which swung on the end of a length of transatlantic cable. "If he hurries he can catch the 2:30 train to London. He'll arrive in time."

  He showed the pocket watch to St. Ives. The crystal was enormous, nearly as big as the sky, filling the landscape, distorting the images behind it like a fishbowl. St. Ives squinted to make things out. The hands of the watch jerked around their course, ticking loudly. Behind them, on the watch face, a figure moved through the darkness of a rainy night. It was St. Ives himself, wading through ankle-deep water. It was fearsomely

  slow going. Like quicksand, the water clutched his ankles. Going round and round in his head was a hailstorm of regrets—if only the ships hadn't gone down, if he hadn't missed his train, if he hadn't come to ruin on the North Road, if he could tear himself loose now from the grip of this damnable river . . . He wiped rainwater out of his eyes. Crouched before him in the street was Ignacio Narbondo, a smoking pistol in his hand and a look of insane triumph on his face.

  St. Ives jackknifed awake again. The air of the cabin was cold and wet, and for a moment he imagined he was once more in the bathyscaphe, on the bottom of the sea. But then he heard Uncle Botley shout and then laugh, and the voice, especially the laughter, seemed to St. Ives to be a wonderful fragment of the living world—something he could get a grip on, like a cottage pie.

  St. Ives studied his face in the mirror on the wall. He was thin and sallow. He felt a quick surge of terror without an object, and he realized abruptly that he had gotten old. He seemed to have the face of his father. "Time and chance happeneth to them all," he muttered, and he went out on deck in the gathering night, where the lights of Grimsby slipped past off the starboard bow, and the waters of the Humber lost themselves in the North Sea.

  The Saving of Singer's Dog

  ST. IVES SAT in the chair in his study. It was a dim and wintry day outside, with rain pending and the sky a uniform gray. He had been at work on the machine for nearly six months, and success loomed on the horizon now like a slowly approaching ship. There had been too little sleep and too many missed or hastily eaten meals. His friends had rallied around him, full of concern, and he had gone on in the midst of all that concern, implacably, like a rickety mill wheel. Jack and Dorothy were on the Continent now, though, and Bill Kraken was off to the north, paying a visit to his old mother. There was a fair chance that he wouldn't see any of them again. The thought didn't distress him. He was resigned to it.

  A fly circled lazily over the clutter on the desk, and St. Ives whacked at it suddenly with a book, knocking it to the floor. The fly staggered around as if drunk. In a fit of remorse, St. Ives scooped it up on a sheet of paper, walked across and opened the French window, and then dumped the fly out into the bushes. "Go," he said hopefully to the fly, which buzzed around aimlessly, somewhere down in the bushes.

  St. Ives stood breathing the wet air and staring out onto the meadow at the brick silo that rose there crumbHng and lonely, full to the top with scientific aspirations and pretensions. It looked to him like a sorry replica of the Tower of Babel. Inside it lay Lord Kelvin's machine, along with Higgins's bathyscaphe. St. Ives had removed and discarded most of the shell of the machine, hauling the useless telltale debris away by night. What was left was nearly ready; he had only to wheedle what might be called fme points out of the gracious Lord Kelvin, who would abandon Harrogate for Glasgow tomorrow morning.

  St. Ives hadn't slept in two days. Dreaming had very nearly cured him of sleep. There would be time enough for sleep, though. Either that, or there wouldn't be. On impulse, he left the window open, thinking to show other flies that he harbored no ill will toward them, and then he slumped back across to the chair and sat down heavily, sinking so that he rested on his tailbone. A shock of hair fell across his eyes, obscuring his vision. He harrowed it backward with his fmgers, then nibbled at a grown-out nail, tearing it off short and taking a fragment of skin with it. "Ouch," he said, shaking his hand, but then losing interest in it almost at once. For a long time he sat there, thinking about nothing.

  Coming to himself, finally, he surveyed the desktop. It was a clutter of stuff—tiny coils and braids of wire, miniature gauges, pages torn out of
books, many of which torn pages now marked places in other books. There was an army of tiny clockwork toys littering the desktop, built out of tin by William Keeble. Half of them were a rusted ruin, the victims of an experiment he had performed three weeks past. St. Ives looked at them suspiciously, trying to remember what he had meant to prove by spraying them with brine and then leaving them on the roof.

  He had waked up in the middle of the night with a notion involving the alteration of matter, and had spent an hour meddling with the toys, leaving them, finally, on the roof before going back to bed, exhausted. In the morning, somehow, he had forgotten about them. And then, days later, he had seen them from out on the meadow, still lying on the roof, and although he remembered having put them there, and having been possessed with the certainty that putting them there was good and right and useful, he couldn't for the life of him recall why.

  That sort of thing was bothersome—periods of awful lucidity followed by short bursts of rage or by wild enthusiasm for some theoretical notion having to do with utter nonsense. Moodily, he poked at the windup duck, which whirred momentarily to life, and then fell over onto its side. There were ceramic figures, too, sitting among comical Toby mugs and glass gewgaws, some few of which had belonged to Alice. Balls of crumpled paper lay everywhere, along with broken pens and graphite crumbs and fragments of India-rubber erasers. A lake of spilled ink had long ago dried beneath it all, staining the brown oak of the desktop a rich purple.

  Filled with a sudden sense of purpose, he reached out and swept half the desk clear, the books and papers and tin toys tumbling off onto the floor. Carefully, he straightened the glass and ceramic figurines, setting a little blue-faced doggy alongside a Humpty Dumpty with a ruff collar. He stood a tiptoeing ballerina behind them, and then, in the foreground, he lay a tiny glass shoe full of sugar crystals. He sat back and looked at the collection, studying it. There was something in it that wasn't quite satisfying, that wasn't—what? Proportionate, maybe. He turned the toe of the glass shoe just a bit. Almost . . . He rotated the Humpty Dumpty so that it seemed to be regarding the ballerina, then slid the dog forward so that its head rested on the toe of the shoe.

  That was it. On the instant, meaning had evolved out of simple structure. Something in the little collection reminded him of something else. What? Domestic tranquillity. Order. He smiled and shook his head nostalgically, yearning for something he couldn't recall. The comfortable feeling evaporated into the air. The nostalgia, poignant as it had been for that one moment, wasn't connected to anything at all, and was just so much vapor, an abstraction with no concrete object. It was gone now, and he couldn't retrieve it. Maybe later he would see it again, when he wasn't trying so hard.

  Frowning, he returned to the window where he worked his fingers through his hair again. There was a broken hmb on the bush where he had dropped the fly, as if someone had stepped into it clumsily. For a moment he was puzzled. There hadn't been any broken limb a half hour ago.

  A surge of worried excitement welled up in him, and he stepped out through the window, looking up and down along the wall of the house. Here he is again! he said to himself. No one was visible, though.

  He sprinted to the corner, bursting quickly past it to catch anyone who might still be lurking. He looked about himself wildly for a moment and then ran straight toward the carriage house and circled entirely around it. The door was locked, so he didn't bother going in, but headed out onto the meadow instead, straightaway toward the silo. He realized that he should have fetched Hasbro along with him, or at any rate brought a weapon.

  He had left the silo doors double-locked, though. They were visible from the house, too—both from the study and from St. Ives's bedroom upstairs. Hasbro's quarters also looked out onto the meadow, and Mrs. Langley could see the silo from the kitchen window. St. Ives had been too vigilant for anyone to have . . . And no one had. The doors were still locked, the locks untouched. Carefully, he inspected the ground, finding stray shoeprints here and there. He stepped into them, realizing only then that he was in his stocking feet. Still, there was one set of prints that were smaller even than his unshod foot. They wouldn't belong to Hasbro, then. Possibly they were Bill Kraken's, except that Kraken was up in Edinburgh and these prints were fresh. Parsons! It had to be Parsons, snooping around again. Who else could it be? No one.

  Finally he jogged off toward his study window, pounding his fist over and over into his hand in a fit of nervous energy. His mind was a turmoil of conflict. He had to sort things out . . . The ground outside the French windows was soft, kept wet by water falling off the overhanging eaves. A line of shoeprints paralleled the wall, as if someone had come sneaking along it, stepping onto the bush in order to sandwich himself in toward the window without being seen. In his excitement St. Ives hadn't seen the prints, but he stooped to examine them now. The toes were pressed deeply into the dirt, so whoever it was had been hunched over forward, keeping low, moving slowly and heavily. Small shoeprints again, though. Certainly not his own.

  St. Ives hurried back into the study. He opened a desk drawer and rooted through it, pulling out papers and books until he found a cloth-wrapped parcel. He pulled the cloth away, revealing four white plaster-of-Paris shoeprint casts. He turned them over, and, on the bottom, printed neatly in ink, were dates and place-names. The first set was dated six months past, taken in Sterne Bay from the dirt outside the icehouse. The second pair were taken a week past, down along the River Nidd. They were from different pairs of shoes of the same size.

  He put the first pair back into the drawer and carried the second outside, laying them into appropriate prints. They settled in perfectly. On his hands and knees he squinted closely at one of the heel prints in the dirt. The back outside corner of the heel was gone, worn away, so that the heel print looked like someone's family crest, but with a quarter of the shield lopped away. An image leaped into his mind of Parsons walking along in his usual bandy-legged gait, scuffing the leather off the corners of his heels. The heels on the plaster casts were worn out absolutely identically. There couldn't be any doubt, or almost none. Parsons had come snooping around. He couldn't have been entirely positive that the man he had seen skulking along the river had been Parsons. It had been late evening, and drizzling. Whoever it had been, though, it was the same man who, within the last half hour or so, had sneaked along the wall of the house, stepped into the bush and broke off the limb, and then, no doubt, peered in at the window.

  He climbed back into the room, rewrapping the plaster casts and closing them up in the drawer. Then, pulling on his coat, he strode out across the meadow once again like a man with a will, noticing only when he was halfway to the River Nidd that he still wasn't wearing any shoes.

  HE RETURNED LATE that aftemoon in an improved mood, although he felt agitated and anxious. He had spent three hours with Lord Kelvin. The great scientist had come to understand that tragedy had turned St. Ives into a natural fool. He had even patted St. Ives on the head once, which had been humiliating, but to some little extent St. Ives had been grateful for it—a sign, he realized, of how dangerously low his spirits had fallen. But things were looking up now. His efforts weren't doomed after all, although he was certain that he was running a footrace with Parsons and the Royal Academy. When they were sure of themselves, they would merely break down the silo door—come out with a dozen soldiers and checkmate him. The game would be at an end.

  The idea of it once again darkened his thoughts. His elation at having swindled Lord Kelvin out of certain tidbits of information suddenly lapsed, and he slumped into his chair feeling fatigued and beaten. He seemed to swing between two extremes—doom and utter confidence. Middle ground, had become the rarest sort of real estate. What he needed, desperately, was to be levelheaded, and here he was atilt again, staggering off course.

  Tomorrow, though, or the next day, he would set out. Right now he would rest. Lord Kelvin had taken pity on him this afternoon. That was the long and the short of it. One look at St. Ives's fac
e, at his disheveled clothes, and Lord Kelvin had been ready to discuss anything at all, as if he were talking to the village idiot. The man had a heart like a hay wagon, to be sure. St. Ives's wandering over without any shoes on had probably done the trick. Kelvin had finally warmed to the subject of time travel, and St. Ives had led him through a discussion of the workings of the machine itself as if he were a trained ape.

  That was clever, he told himself, going out shoeless was. He half believed it for a moment. Then he knew that it hadn't been clever at all; he had gone out shoeless without meaning to, and in late autumn, yet. He would have to watch that sort of thing. They'd have him tied down in Colney Hatch if he wasn't careful. He was too close to success. He couldn't chance a strait-waistcoat. Seeing things clearly for the moment, he looked at himself in the cheval glass on the desk. A haircut wouldn't be a bad idea, either. Perhaps if a man affected sanity carefully enough . . .

  Almost happy again, he stepped into his slippers and lit a pipe, sitting back and puffing on it. Failure—that's what had squirreled him up. Too much failure made a hash of a man's mind . . . He thought for a moment about his manifold failures, and suddenly and inexplicably he was awash with fear, with common homegrown panic. He found that he could barely keep his hands still.

  Immediately, he tried to recite the cottage-pie recipe, finding that he couldn't remember it. He pulled a scrap of paper from his shirt pocket and studied the writing on it. There it was—sage and sweet basil. Not sweetbread. He could feel his heart flutter like a bird's wings, and he felt faint and lightheaded. Desperately, he breathed for a moment into a sack until the light-headedness began to abate. Sweetbread? Why had he thought of sweetbread? That was some kind of gland, wasn't it? Something the French ate, probably out of buckets and without the benefit of forks.