Charlie Bone And The Red Knight (Children Of The Red King)

by Jenny Nimmo

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  various other encounters. "Would this be convenient?"

  "Yes, sir. But we need your address and phone number." The policeman peered at Paton suspiciously. There was something odd about the tall man in his black hat. Hadn't he caused some trouble a few months ago? Lights, that was it. Exploding lights. "Don't leave the city, sir. We might need to talk to you again."

  "Oh, but I want..." Paton hesitated. He looked anxious. "Very well. I'll let you know if I'm thinking of making a journey."

  "You do that, sir." Officer Singh took out his notebook. "Now, address and phone number, please."

  Uncle Paton gave them, a little reluctantly.

  The policeman consulted his notes. "And you didn't know the late gentleman but were just visiting to inquire about making a will, even though it was Sunday" -- he raised his eyebrow a fraction, but continued in the same tone -- "and you found the front door open."

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  "Yes," said Uncle Paton firmly. "I'm a very busy man and Sunday is the only day I can do these... er, things."

  Charlie added, "The door opened when I knocked on it."

  Officer Singh ignored this. They had gone through it all before. But not to be left out, Emma said, "And I was the one who went upstairs first."

  "You can go now," said Officer Singh, giving a sort of flourish with his pen on the notepad.

  They walked down Tigerfield Street in single file. The ambulance and two police cars were parked in Hangman's Way. Uncle Paton strode across the road without even glancing at them. Charlie and Emma ran to catch up with him and when they reached the gate into Cathedral Close, Charlie burst out, "It was Ashkelan Kapaldi. He murdered that poor old man."

  "Whatever gives you that idea?" Uncle Paton marched across the cobblestones, his face set in an angry frown.

  "Because of the scratch on the floorboards. The

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  sword can do that. It scraped along the road when it was chasing me."

  Uncle Paton slowed down, then he stopped altogether and looked at Charlie. "You have a point," he said.

  "I saw the police staring at the scratch," said Charlie. "They must have been wondering what had made it."

  "Then why didn't you tell them about the sword?" asked Emma.

  Charlie gave her a disappointed look. "How could I, Em? How could I say, "Excuse me, but there's this man at our school, who came out of a painting, and he's got this sword that works on its own'?"

  Emma pouted. "You could have," she argued. "They might have gone and questioned him."

  "I doubt it, Emma," said Uncle Paton. "The police don't like delving into the paranormal."

  Emma shrugged. "I'm going home," she said.

  They watched her run across the square and disappear into the bookstore.

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  "They were looking for the box, weren't they?" Charlie asked his uncle. "Whoever murdered Mr. Bittermouse was working for the Bloors."

  "Could have been. But did they find it? And why kill the poor old man?" Uncle Paton cast a lingering look at the bookstore and then resumed his loping stride toward High Street.

  As soon as they were home, Uncle Paton rang Mr. Silk and told him the news. Charlie could hear the excitement in the room where Mr. Silk had taken the call. It was lunchtime, and knives and forks were clattering on plates, Mr. Onimous was exclaiming very loudly, and then Gabriel's voice sang out, "Is Charlie all right, Dad? Who's been murdered?"

  When Uncle Paton had said all he needed to, Charlie took the receiver and spoke to Gabriel. He wanted to know what the important meeting had been about.

  "Not much, really," said Gabriel. "We just thought we should work out some kind of strategy for dealing with the swordsman. Emma told us pretty much

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  everything that happened to you, so we reckoned you'd be spending the morning in bed."

  "No such luck," said Charlie. "Em dragged me around to see this old lawyer. She thought he might have the box that everyone is looking for. That's when we found him -- murdered." Charlie lowered his voice. "It was the swordsman, Gabe, I know it. There was a scratch on the --" He was cut short by someone opening the front door.

  Grandma Bone walked in. "What are you doing?" she demanded, glaring at Charlie.

  "Sorry. Got to go, Gabe. Grandma's here." Charlie put down the receiver.

  "I hear you've been involved in a murder." Grandma Bone stared at Charlie accusingly.

  "How do you know?" asked Charlie. "It's only just happened."

  "I want to know what you were doing on Tigerfield Street."

  Charlie didn't answer. He watched his grandmother pull off her black gloves and put them in her pocket.

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  Next she took off her hat with the purple feathers sticking up in the back, unwound a lavender-colored scarf from her neck, and shuffled out of her black fur coat. When she had hung all these garments on the coatrack, she said, "Well?"

  Charlie walked into the kitchen, where Uncle Paton, having heard everything his sister had said, was making himself yet another cup of black coffee. "It's amazing how word gets around so quickly in your nefarious underground, Grizelda," he said, dropping a lump of sugar into his coffee. "There is a network of spies in this city that I find truly repellent."

  "What are you talking about? Where's lunch? I'm hungry," she said, all in one breath.

  "We are all aware that you are part of a scandalous conspiracy to defraud Billy Raven of his rightful inheritance." Uncle Paton's dark eyes never left his sister's face as he slowly stirred the spoon around and around in his cup. "Even if it means drowning your own son. The question I have often

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  asked myself is, why, Grizelda, why? Now I believe I know."

  Grandma Bone stared at her brother with a mixture of contempt and hatred. "You have no idea what you're up against this time, Paton Yewbeam," she snarled, and left the room.

  Charlie pulled out a chair and sat beside his uncle. "What did you mean, Uncle P.?" he asked. "Have you really found out why Grandma Bone's the way she is?"

  Uncle Paton was silent for a while. He continued to stir his coffee, almost as if he were unaware of his actions. Charlie began to smell the leg of lamb that Maisie was roasting in the oven. He thought of the crisp roast potatoes that she always cooked with lamb, and the rich, brown gravy. And because he was still so tired, the thought of the wonderful meal ahead filled his mind like a dream, and he forgot that he'd asked a question until his uncle began to speak.

  Charlie had heard the story of Uncle Paton's mother,

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  slipping on the steps of Yewbeam castle and cracking her head on the stones. He knew that Paton's four sisters had remained in the castle after their mother's death, while Paton and their father had left. The castle belonged to an aunt: Yolanda, the notorious shape-shifter. It was she who had turned the girls against their father and their brother. All this Charlie knew, but it didn't explain why Grizelda, the oldest, had turned against her only son.

  "It has to do with love, Charlie." Uncle Paton stared at the window. Snowflakes were tapping gently against the pane, and the room was filled with a soft opalescent light. "Grandma Bone's husband, Monty, fell out of love with her. Who wouldn't have, the way she behaved: jealous, domineering, humorless, greedy.... Monty would never have married her, but he was trapped, spellbound if you like, probably by Venetia with one of her magic garments. She was good at that even as a child. Poor Monty didn't stand a chance. Grizelda had always wanted to marry a pilot, and she got one. But not for long."

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  "What happened?" Charlie stared at his uncle's angular profile, expecting to hear why Monty's plane had crashed. He had often asked how it had happened, but no one seemed to know. Charlie was hoping his uncle had found out at last, so he was disappointed when Paton said nothing about the crash but began to describe a meeting he'd had with a woman called Homily Brown, who lived in the far southwest.

  Homily Brown had been a great friend of Monty's. They'd been in
school together. It was James, Uncle Paton's father, who had remembered that Monty had been born in a little hamlet called Neverfinding. And that's where Uncle Paton had been on one of his recent trips as he tried to piece together the troubled history of the Yewbeams and the Bones.

  "Monty returned to his old home a week before he died." Uncle Paton's tone was almost melancholy. "He went to make a will. Homily found a lawyer for him, and she and a friend were witnesses. He left everything to his only son, Lyell. But that wasn't all.

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  He wrote a letter, a sad, tragic message to be given to Lyell on his eighteenth birthday. He told his only son never to trust the Yewbeams, never to let them rule his life and" -- Paton paused and drew a deep breath -- "Homily read this letter, but Lyell has never spoken of it and, I have to admit, I found the last part rather shocking."

  "What did it say?" asked Charlie, bracing himself for a dreadful revelation.

  Uncle Paton glanced at him, and for a moment, Charlie thought that his uncle could not bring himself to repeat the last part of Monty Bone's letter, and then out it came, on a long sigh. "Monty told Lyell to put an end to the Yewbeams, before they destroyed him."

  It was Charlie's turn to stare at the snowflakes falling past the window. So many questions filled his head, but before he could even utter them, Maisie came bustling into the kitchen, talking about snow and overcooked potatoes and uncooked carrots, and Grandma Bone sulking in her bedroom.

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  Before they knew it, lunch was on the table, and Uncle Paton was carving the lamb. But the rich smells and a yearning, empty stomach couldn't dislodge the thought of Monty Bone's letter from Charlie's mind. He was told to take a tray of food up to Grandma Bone, and as he carried it carefully across to the table in her room, he couldn't stop himself from thinking, She knew about that letter and she doesn't want Dad to come home, ever.

  "You've spilled the water," the old woman grumbled as Charlie left the bedroom.

  "Sorry," Charlie closed the door while his grandmother was complaining about dry potatoes and not enough gravy.

  "Are you going off again?" Maisie was asking Paton when Charlie returned to the kitchen.

  "Not until Monday night," said Uncle Paton. "I'll have to inform the police, of course."

  "But..." Charlie stared hard at his uncle. "Haven't you found out enough?"

  "No, Charlie. I'm on the trail of something else.

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  It's all connected, I suppose, but we need to know the whereabouts of that pearl-inlaid box."

  "Maybe they found it in Mr. Bittermouse's study," said Charlie.

  Uncle Paton shook his head. "In that case, why kill him?"

  "The sword did it. It acts on its own, you know."

  Maisie's knife and fork clattered onto her plate. "Please," she begged. "You're putting me off my lunch. Can't we talk about something pleasant for a change?"

  "The weather?" said Charlie, grinning at the snow. "Maybe the school will be closed and we can go tobogganing in the Heights."

  "And I'll slip, fall on my bottom, and drop the shopping," Maisie said with a laugh.

  The snow continued to fall.

  After lunch, Charlie went up to his room. Claerwen was fluttering over the windowpanes as though she were trying to become part of the snow. Charlie took

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  her onto his hand and she walked up to his shoulder, where she sat, her wings folded, and watched him writing an essay for English. "Vacation."

  Charlie didn't go on vacations. There was a break from school, but he had never experienced a journey to a sunny place with yellow beaches, blue skies, and pink and white houses. Now and again, Uncle Paton would take him to see his greatgrandfather who lived beside the sea: a fierce gray sea, where seagulls gathered and wild waves lashed the black rocks. But these visits had to be kept secret because if Grandma Bone had known her father's whereabouts, she would have sought him out and harried him to his grave. There was another reason. Great-grandfather's brother lived there, a boy named Henry who had never grown up, caught in time by the Twister, a marble of astonishing beauty that Ezekiel had used to try and banish Henry to the Ice Age.

  Charlie smiled when he thought of Henry, safe in his own brother's cottage by the sea.

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  After a few minutes of deep thinking, Charlie imagined a vacation spent on a Caribbean island. And then he realized that he didn't have to imagine it; if he could find a photograph of someone actually sitting on a Caribbean beach, he could travel there. But Charlie had become wary of picture traveling. It was never quite as much fun as he hoped. He could never take a friend, and the journey home often left him feeling a little unsteady. He must now conserve his energy for the dangerous journey into Badlock to rescue Billy Raven.

  His essay completed, Charlie felt he deserved a cookie, maybe two. The house was very quiet. His grandmothers were both sleeping, no doubt, and Uncle Paton would be writing up his notes for the next chapter of his book, A History of the Yewbeams.

  It was not yet evening, but the sky was dark with snow to come, and snow was still falling. Charlie could hardly see his way to the back of the kitchen. Details in the room were vague and incomplete, as though covered by a thin, gray veil. Charlie found a

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  package of cookies and brought it to the table. He sat down and began to eat them while he watched the snow gently falling.

  The doorbell rang.

  If the sound had woken the grandmothers, they apparently didn't feel obliged to go to the door. Nor did Uncle Paton.

  The bell rang again.

  Charlie had seen no one pass the window. Filbert Street appeared to be deserted; snow lay on the parked cars, three inches deep.

  The third time the bell rang, it was hardly a sound at all. Charlie had the impression that it was only inside his head. But he felt compelled to go to the door. He opened it tentatively and a cloud of snow-flakes floated into the hall.

  A woman stood on the doorstep. Her hair was as white as the snow. She wore a thick white coat, and a soft yellow-gold shawl lay on her shoulders.

  Charlie gasped. His hand flew to his mouth. For a moment he thought a snow angel had landed at their door.

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  And then he recognized the woman. "Alice Angel," he whispered.

  Alice smiled. "Hello, Charlie. May I come in?"

  He stood aside and she walked into the hall. A delicious smell drifted past Charlie and he remembered Alice's store, Angel Flowers, where tall white blooms perfumed the air with their heavenly scent.

  "Where have you been?" he asked.

  "I've been in my other store," she said, putting a small leather case on the floor. "It's a long, long way from here."

  Charlie took Alice's soft white coat and hung it on a peg. "Why have you come back?" he asked.

  "Olivia," she said.

  "Olivia?" Charlie took Alice into the kitchen and put on the kettle. The room seemed suddenly brighter, especially where Alice stood in her white dress and long silver-gray boots. "It's funny you should come here now," he said, "because Olivia may be in trouble."

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  "I know," said Alice, with a frown of concern.

  "She betrayed herself."

  "Tell me how." Alice sat at the table while Charlie made her a cup of tea. She hadn't asked for one but was very happy to drink it while Charlie told her about the stone gargoyle and the skeleton Olivia had conjured up to scare Eric the animator.

  Alice Angel's solemn face broke into a smile. "How very appropriate: a skeleton. Olivia certainly has a wild imagination. But she shouldn't have let her endowment be known. Now I've lost her."

  There were footsteps on the stairs, and Charlie and Alice looked at the door. Charlie hoped it wasn't Grandma Bone. But Uncle Paton looked into the room and immediately recognized Alice Angel.

  "Dear Alice, what brings you here?" he asked. "In a snowstorm, too. It must be urgent."

  "It is," she said earnestly. "I may live three hundr
ed miles away, but I always know when Olivia needs me. It's an instinct I have; I can't explain it.

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  As soon as I got to the city, I went around to Olivia's house." Her face clouded and she nervously sipped her tea. "They wouldn't let me see her."

  "Wouldn't... ?" Uncle Paton sat down abruptly. "Why on earth?"

  "Olivia's father came to the door," Alice continued. "He said that Olivia wasn't quite herself. I begged him to tell her that I had arrived, that I wanted to see my dearest goddaughter, so he went up to her room while I waited in the hall." Tears glittered in the corners of Alice's large hazel green eyes. "When Mr. Vertigo came down, he said ... he said..." She stopped and dabbed her eyes with a white handkerchief.

  Paton laid a hand on her arm. "What did Mr. Vertigo say?"

  Alice straightened her back and tucked her handkerchief into her sleeve. "He said that Olivia didn't want to see me and would I please leave the house immediately."

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  Charlie couldn't believe his ears. Olivia loved her godmother. What had happened to turn her against Alice Angel, unless...

  "I'm afraid they have gotten to her already." Alice's voice was firmer now. "But I am not going to give up, and I am certainly not going to leave this city. I shall stay here until Olivia is herself again. The trouble is" -- she hesitated -- "I'm not sure where I can stay. The house I used to live in is still empty, but it's very, very cold."

  "You must stay here," said Uncle Paton, springing up. "I insist."

  Maisie came into the room just as Paton was about to run and fetch her. She listened to Alice's story with the resigned expression that she frequently wore these days. And yet Charlie could see her warming to Olivia's godmother, and it wasn't long before she was offering her cake and then shooting upstairs to make up a bed in the room where Charlie's mother had slept.