The Charterhouse of Parma
Page 60
2. The impetuous, idealistic Fabrizio is, like many of the characters that inhabit this novel, an intensely vivid literary realization. Discuss Fabrizio’s character, and in particular his relationship to authority and the state as we follow the course of his tempestuous life.
3. Some have argued that the true heroes of this book are Fabrizio’s aunt and her lover. Do you agree?
4. Stendhal was an officer in Napoleon’s army, and later a diplomat in Italy. How do these experiences play into the places and events recounted in the novel? Could only a seasoned diplomat have rendered court intrigue with Stendhal’s precision?
5. A number of critics (for instance, French feminist Simone de Beauvoir) have noted that female characters are often more sympathetically portrayed than male characters in Stendhal’s work. Do you agree? Discuss the way Stendhal treats femininity and masculinity in Charterhouse, and the virtues and foibles that seem to be associated with each.
6. Stendhal wrote this novel in a breathtaking fifty-two days, a pace reflected in the galloping prose style. Remarking on this, Bernard Knox, in The New York Review of Books, wrote, “From the very beginning the narrative takes the reader by storm with its fervid pace … and this speed lies at the base of another aspect of the narrative, its unpredictability.” Discuss this comment, and your reaction to the pace and plot of The Charterhouse of Parma.
THE MODERN LIBRARY EDITORIAL BOARD
Maya Angelou
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Daniel J. Boorstin
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A. S. Byatt
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Caleb Carr
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Christopher Cerf
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Ron Chernow
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Shelby Foote
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Stephen Jay Gould
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Vartan Gregorian
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Charles Johnson
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Jon Krakauer
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Edmund Morris
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Joyce Carol Oates
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Elaine Pagels
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John Richardson
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Salman Rushdie
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Arthur Schlesinger, Jr.
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Carolyn See •
William Styron
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Gore Vidal
A NOTE ON THE TYPE
The principal text of this Modern Library edition was set in a digitized version of Janson, a typeface that dates from about 1690 and was cut by Nicholas Kis, a Hungarian working in Amsterdam. The original matrices have survived and are held by the Stempel foundry in Germany. Hermann Zapf redesigned some of the weights and sizes for Stempel, basing his revisions on the original design.