The Guy De Maupassant Megapack: 144 Novels and Short Stories

by Guy de Maupassant

“The past attracts me, the present terrifies me because the future means death. I regret all that has gone by. I mourn all who have lived; I should like to check time, to stop the clock. But time goes, it goes, it passes, it takes from me each second a little of myself for the annihilation of tomorrow. And I shall never live again.

  “Farewell, ye women of yesterday. I love you!

  “But I am not to be pitied. I found her, the one I was waiting for, and through her I enjoyed inestimable pleasure.

  “I was sauntering in Paris on a bright, sunny morning, with a happy heart and a high step, looking in at the shop windows with the vague interest of an idler. All at once I noticed in the shop of a dealer in antiques a piece of Italian furniture of the seventeenth century. It was very handsome, very rare. I set it down as being the work of a Venetian artist named Vitelli, who was celebrated in his day.

  “I went on my way.

  “Why did the remembrance of that piece of furniture haunt me with such insistence that I retraced my steps? I again stopped before the shop, in order to take another look at it, and I felt that it tempted me.

  “What a singular thing temptation is! One gazes at an object, and, little by little, it charms you, it disturbs you, it fills your thoughts as a woman’s face might do. The enchantment of it penetrates your being, a strange enchantment of form, color and appearance of an inanimate object. And one loves it, one desires it, one wishes to have it. A longing to own it takes possession of you, gently at first, as though it were timid, but growing, becoming intense, irresistible.

  “And the dealers seem to guess, from your ardent gaze, your secret and increasing longing.

  “I bought this piece of furniture and had it sent home at once. I placed it in my room.

  “Oh, I am sorry for those who do not know the honeymoon of the collector with the antique he has just purchased. One looks at it tenderly and passes one’s hand over it as if it were human flesh; one comes back to it every moment, one is always thinking of it, wherever ore goes, whatever one does. The dear recollection of it pursues you in the street, in society, everywhere; and when you return home at night, before taking off your gloves or your hat; you go and look at it with the tenderness of a lover.

  “Truly, for eight days I worshipped this piece of furniture. I opened its doors and pulled out the drawers every few moments. I handled it with rapture, with all the intense joy of possession.

  “But one evening I surmised, while I was feeling the thickness of one of the panels, that there must be a secret drawer in it: My heart began to beat, and I spent the night trying to discover this secret cavity.

  “I succeeded on the following day by driving a knife into a slit in the wood. A panel slid back and I saw, spread out on a piece of black velvet, a magnificent tress of hair.

  “Yes, a woman’s hair, an immense coil of fair hair, almost red, which must have been cut off close to the head, tied with a golden cord.

  “I stood amazed, trembling, confused. An almost imperceptible perfume, so ancient that it seemed to be the spirit of a perfume, issued from this mysterious drawer and this remarkable relic.

  “I lifted it gently, almost reverently, and took it out of its hiding place. It at once unwound in a golden shower that reached to the floor, dense but light; soft and gleaming like the tail of a comet.

  “A strange emotion filled me. What was this? When, how, why had this hair been shut up in this drawer? What adventure, what tragedy did this souvenir conceal? Who had cut it off? A lover on a day of farewell, a husband on a day of revenge, or the one whose head it had graced on the day of despair?

  “Was it as she was about to take the veil that they had cast thither that love dowry as a pledge to the world of the living? Was it when they were going to nail down the coffin of the beautiful young corpse that the one who had adored her had cut off her tresses, the only thing that he could retain of her, the only living part of her body that would not suffer decay, the only thing he could still love, and caress, and kiss in his paroxysms of grief?

  “Was it not strange that this tress should have remained as it was in life, when not an atom of the body on which it grew was in existence?

  “It fell over my fingers, tickled the skin with a singular caress, the caress of a dead woman. It affected me so that I felt as though I should weep.

  “I held it in my hands for a long time, then it seemed as if it disturbed me, as though something of the soul had remained in it. And I put it back on the velvet, rusty from age, and pushed in the drawer, closed the doors of the antique cabinet and went out for a walk to meditate.

  “I walked along, filled with sadness and also with unrest, that unrest that one feels when in love. I felt as though I must have lived before, as though I must have known this woman.

  “And Villon’s lines came to my mind like a sob:

  Tell me where, and in what place

  Is Flora, the beautiful Roman,

  Hipparchia and Thais

  Who was her cousin-german?

  Echo answers in the breeze

  O’er river and lake that blows,

  Their beauty was above all praise,

  But where are last year’s snows?

  The queen, white as lilies,

  Who sang as sing the birds,

  Bertha Broadfoot, Beatrice, Alice,

  Ermengarde, princess of Maine,

  And Joan, the good Lorraine,

  Burned by the English at Rouen,

  Where are they, Virgin Queen?

  And where are last year’s snows?

  “When I got home again I felt an irresistible longing to see my singular treasure, and I took it out and, as I touched it, I felt a shiver go all through me.

  “For some days, however, I was in my ordinary condition, although the thought of that tress of hair was always present to my mind.

  “Whenever I came into the house I had to see it and take it in my, hands. I turned the key of the cabinet with the same hesitation that one opens the door leading to one’s beloved, for in my hands and my heart I felt a confused, singular, constant sensual longing to plunge my hands in the enchanting golden flood of those dead tresses.

  “Then, after I had finished caressing it and had locked the cabinet I felt as if it were a living thing, shut up in there, imprisoned; and I longed to see it again. I felt again the imperious desire to take it in my hands, to touch it, to even feel uncomfortable at the cold, slippery, irritating, bewildering contact.

  “I lived thus for a month or two, I forget how long. It obsessed me, haunted me. I was happy and tormented by turns, as when one falls in love, and after the first vows have been exchanged.

  “I shut myself in the room with it to feel it on my skin, to bury my lips in it, to kiss it. I wound it round my face, covered my eyes with the golden flood so as to see the day gleam through its gold.

  “I loved it! Yes, I loved it. I could not be without it nor pass an hour without looking at it.

  “And I waited—I waited—for what? I do not know—For her!

  “One night I woke up suddenly, feeling as though I were not alone in my room.

  “I was alone, nevertheless, but I could not go to sleep again, and, as I was tossing about feverishly, I got up to look at the golden tress. It seemed softer than usual, more life-like. Do the dead come back? I almost lost consciousness as I kissed it. I took it back with me to bed and pressed it to my lips as if it were my sweetheart.

  “Do the dead come back? She came back. Yes, I saw her; I held her in my arms, just as she was in life, tall, fair and round. She came back every evening—the dead woman, the beautiful, adorable, mysterious unknown.

  “My happiness was so great that I could not conceal it. No lover ever tasted such intense, terrible enjoyment. I loved her so well that I could not be separated from her. I took her with me always and everywhere. I walked about the town with her as if she were my wife, and took her to the theatre, always to a private box. But they saw her—they guessed—they arrested me. They put me in
prison like a criminal. They took her. Oh, misery!”

  Here the manuscript stopped. And as I suddenly raised my astonished eyes to the doctor a terrific cry, a howl of impotent rage and of exasperated longing resounded through the asylum.

  “Listen,” said the doctor. “We have to douse the obscene madman with water five times a day. Sergeant Bertrand was the only one who was in love with the dead.”

  Filled with astonishment, horror and pity, I stammered out:

  “But—that tress—did it really exist?”

  The doctor rose, opened a cabinet full of phials and instruments and tossed over a long tress of fair hair which flew toward me like a golden bird.

  I shivered at feeling its soft, light touch on my hands. And I sat there, my heart beating with disgust and desire, disgust as at the contact of anything accessory to a crime and desire as at the temptation of some infamous and mysterious thing.

  The doctor said as he shrugged his shoulders:

  “The mind of man is capable of anything.”

  ON THE RIVER

  I rented a little country house last summer on the banks of the Seine, several leagues from Paris, and went out there to sleep every evening. After a few days I made the acquaintance of one of my neighbors, a man between thirty and forty, who certainly was the most curious specimen I ever met. He was an old boating man, and crazy about boating. He was always beside the water, on the water, or in the water. He must have been born in a boat, and he will certainly die in a boat at the last.

  One evening as we were walking along the banks of the Seine I asked him to tell me some stories about his life on the water. The good man at once became animated, his whole expression changed, he became eloquent, almost poetical. There was in his heart one great passion, an absorbing, irresistible passion—the river.

  Ah, he said to me, how many memories I have, connected with that river that you see flowing beside us! You people who live in streets know nothing about the river. But listen to a fisherman as he mentions the word. To him it is a mysterious thing, profound, unknown, a land of mirages and phantasmagoria, where one sees by night things that do not exist, hears sounds that one does not recognize, trembles without knowing why, as in passing through a cemetery—and it is, in fact, the most sinister of cemeteries, one in which one has no tomb.

  The land seems limited to the river boatman, and on dark nights, when there is no moon, the river seems limitless. A sailor has not the same feeling for the sea. It is often remorseless and cruel, it is true; but it shrieks, it roars, it is honest, the great sea; while the river is silent and perfidious. It does not speak, it flows along without a sound; and this eternal motion of flowing water is more terrible to me than the high waves of the ocean.

  Dreamers maintain that the sea hides in its bosom vast tracts of blue where those who are drowned roam among the big fishes, amid strange forests and crystal grottoes. The river has only black depths where one rots in the slime. It is beautiful, however, when it sparkles in the light of the rising sun and gently laps its banks covered with whispering reeds.

  The poet says, speaking of the ocean,

  “O waves, what mournful tragedies ye know

  —Deep waves, the dread of kneeling mothers’ hearts!

  Ye tell them to each other as ye roll

  On flowing tide, and this it is that gives

  The sad despairing tones unto your voice

  As on ye roll at eve by mounting tide.”

  Well, I think that the stories whispered by the slender reeds, with their little soft voices, must be more sinister than the lugubrious tragedies told by the roaring of the waves.

  But as you have asked for some of my recollections, I will tell you of a singular adventure that happened to me ten years ago.

  I was living, as I am now, in Mother Lafon’s house, and one of my closest friends, Louis Bernet who has now given up boating, his low shoes and his bare neck, to go into the Supreme Court, was living in the village of C., two leagues further down the river. We dined together every day, sometimes at his house, sometimes at mine.

  One evening as I was coming home along and was pretty tired, rowing with difficulty my big boat, a twelve-footer, which I always took out at night, I stopped a few moments to draw breath near the reed-covered point yonder, about two hundred metres from the railway bridge.

  It was a magnificent night, the moon shone brightly, the river gleamed, the air was calm and soft. This peacefulness tempted me. I thought to myself that it would be pleasant to smoke a pipe in this spot. I took up my anchor and cast it into the river.

  The boat floated downstream with the current, to the end of the chain, and then stopped, and I seated myself in the stern on my sheepskin and made myself as comfortable as possible. There was not a sound to be heard, except that I occasionally thought I could perceive an almost imperceptible lapping of the water against the bank, and I noticed taller groups of reeds which assumed strange shapes and seemed, at times, to move.

  The river was perfectly calm, but I felt myself affected by the unusual silence that surrounded me. All the creatures, frogs and toads, those nocturnal singers of the marsh, were silent.

  Suddenly a frog croaked to my right, and close beside me. I shuddered. It ceased, and I heard nothing more, and resolved to smoke, to soothe my mind. But, although I was a noted colorer of pipes, I could not smoke; at the second draw I was nauseated, and gave up trying. I began to sing. The sound of my voice was distressing to me. So I lay still, but presently the slight motion of the boat disturbed me. It seemed to me as if she were making huge lurches, from bank to bank of the river, touching each bank alternately. Then I felt as though an invisible force, or being, were drawing her to the surface of the water and lifting her out, to let her fall again. I was tossed about as in a tempest. I heard noises around me. I sprang to my feet with a single bound. The water was glistening, all was calm.

  I saw that my nerves were somewhat shaky, and I resolved to leave the spot. I pulled the anchor chain, the boat began to move; then I felt a resistance. I pulled harder, the anchor did not come up; it had caught on something at the bottom of the river and I could not raise it. I began pulling again, but all in vain. Then, with my oars, I turned the boat with its head up stream to change the position of the anchor. It was no use, it was still caught. I flew into a rage and shook the chain furiously. Nothing budged. I sat down, disheartened, and began to reflect on my situation. I could not dream of breaking this chain, or detaching it from the boat, for it was massive and was riveted at the bows to a piece of wood as thick as my arm. However, as the weather was so fine I thought that it probably would not be long before some fisherman came to my aid. My ill-luck had quieted me. I sat down and was able, at length, to smoke my pipe. I had a bottle of rum; I drank two or three glasses, and was able to laugh at the situation. It was very warm; so that, if need be, I could sleep out under the stars without any great harm.

  All at once there was a little knock at the side of the boat. I gave a start, and a cold sweat broke out all over me. The noise was, doubtless, caused by some piece of wood borne along by the current, but that was enough, and I again became a prey to a strange nervous agitation. I seized the chain and tensed my muscles in a desperate effort. The anchor held firm. I sat down again, exhausted.

  The river had slowly become enveloped in a thick white fog which lay close to the water, so that when I stood up I could see neither the river, nor my feet, nor my boat; but could perceive only the tops of the reeds, and farther off in the distance the plain, lying white in the moonlight, with big black patches rising up from it towards the sky, which were formed by groups of Italian poplars. I was as if buried to the waist in a cloud of cotton of singular whiteness, and all sorts of strange fancies came into my mind. I thought that someone was trying to climb into my boat which I could no longer distinguish, and that the river, hidden by the thick fog, was full of strange creatures which were swimming all around me. I felt horribly uncomfortable, my forehead felt as if it had
a tight band round it, my heart beat so that it almost suffocated me, and, almost beside myself, I thought of swimming away from the place. But then, again, the very idea made me tremble with fear. I saw myself, lost, going by guesswork in this heavy fog, struggling about amid the grasses and reeds which I could not escape, my breath rattling with fear, neither seeing the bank, nor finding my boat; and it seemed as if I would feel myself dragged down by the feet to the bottom of these black waters.

  In fact, as I should have had to ascend the stream at least five hundred metres before finding a spot free from grasses and rushes where I could land, there were nine chances to one that I could not find my way in the fog and that I should drown, no matter how well I could swim.

  I tried to reason with myself. My will made me resolve not to be afraid, but there was something in me besides my will, and that other thing was afraid. I asked myself what there was to be afraid of. My brave “ego” ridiculed my coward “ego,” and never did I realize, as on that day, the existence in us of two rival personalities, one desiring a thing, the other resisting, and each winning the day in turn.

  This stupid, inexplicable fear increased, and became terror. I remained motionless, my eyes staring, my ears on the stretch with expectation. Of what? I did not know, but it must be something terrible. I believe if it had occurred to a fish to jump out of the water, as often happens, nothing more would have been required to make me fall over, stiff and unconscious.

  However, by a violent effort I succeeded in becoming almost rational again. I took up my bottle of rum and took several pulls. Then an idea came to me, and I began to shout with all my might towards all the points of the compass in succession. When my throat was absolutely paralyzed I listened. A dog was howling, at a great distance.

  I drank some more rum and stretched myself out at the bottom of the boat. I remained there about an hour, perhaps two, not sleeping, my eyes wide open, with nightmares all about me. I did not dare to rise, and yet I intensely longed to do so. I delayed it from moment to moment. I said to myself: “Come, get up!” and I was afraid to move. At last I raised myself with infinite caution as though my life depended on the slightest sound that I might make; and looked over the edge of the boat. I was dazzled by the most marvellous, the most astonishing sight that it is possible to see. It was one of those phantasmagoria of fairyland, one of those sights described by travellers on their return from distant lands, whom we listen to without believing.