Complete Works of Tacitus (Delphi Classics) (Delphi Ancient Classics Book 24)

by Publius Cornelius Tacitus

  8 In the interval, Agrippina’s jeopardy, which was attributed to accident, had become generally known; and there was a rush to the beach, as man after man learned the news. Some swarmed up the sea-wall, some into the nearest fishing-boats: others were wading middle-deep into the surf, a few standing with outstretched arms. The whole shore rang with lamentations and vows and the din of conflicting questions and vague replies. A huge multitude streamed up with lights, and, when the knowledge of her safety spread, set out to offer congratulations; until, at the sight of an armed and threatening column, they were forced to scatter. Anicetus drew a cordon around the villa, and, breaking down the entrance, dragged off the slaves as they appeared, until he reached the bedroom-door. A few servants were standing by: the rest had fled in terror at the inrush of men. In the chamber was a dim light and a single waiting-maid; and Agrippina’s anxiety deepened every instant. Why no one from her son — nor even Agermus? Had matters prospered, they would have worn another aspect. Now, nothing but solitude, hoarse alarms, and the symptoms of irremediable ill! Then the maid rose to go. “Dost thou too forsake me?” she began, and saw Anicetus behind her, accompanied by Herculeius, the trierarch, and Obaritus, a centurion of marines. “If he had come to visit the sick, he might take back word that she felt refreshed. If to do murder, she would believe nothing of her son: matricide was no article of their instructions.” The executioners surrounded the couch, and the trierarch began by striking her on the head with a club. The centurion was drawing his sword to make an end, when she proffered her womb to the blow. “Strike here,” she exclaimed, and was despatched with repeated wounds.

  [9] Haec consensu produntur. aspexeritne matrem exanimem Nero et formam corporis eius laudaverit, sunt qui tradiderint, sunt qui abnuant. cremata est nocte eadem convivali lecto et exequiis vilibus; neque, dum Nero rerum potiebatur, congesta est aut clausa humus. mox domesticorum cura levem tumulum accepit, viam Miseni propter et villam Caesaris dictatoris, quae subiectos sinus editissima prospectat. accenso rogo libertus eius cognomento Mnester [se] ipse ferro transegit, incertum caritate in patronam an metu exitii. hunc sui finem multos ante annos crediderat Agrippina contempseratque. nam consulenti super Nerone responderunt Chaldaei fore ut imperaret matremque occideret; atque illa “occidat” inquit, “dum imperet.”

  9 So far the accounts concur. Whether Nero inspected the corpse of his mother and expressed approval of her figure is a statement which some affirm and some deny. She was cremated the same night, on a dinner-couch, and with the humblest rites; nor, so long as Nero reigned, was the earth piled over the grave or enclosed. Later, by the care of her servants, she received a modest tomb, hard by the road to Misenum and that villa of the dictator Caesar which looks from its dizzy height to the bay outspread beneath. As the pyre was kindled, one of her freedmen, by the name of Mnester, ran a sword through his body, whether from love of his mistress or from fear of his own destruction remains unknown. This was that ending to which, years before, Agrippina had given her credence, and her contempt. For to her inquiries as to the destiny of Nero the astrologers answered that he should reign, and slay his mother; and “Let him slay,” she had said, “so that he reign.”

  [10] Sed a Caesare perfecto demum scelere magnitudo eius intellecta est. reliquo noctis modo per silentium defixus, saepius pavore exsurgens et mentis inops lucem opperiebatur tamquam exitium adlaturam. atque eum auctore Burro prima centurionum tribunorumque adulatio ad spem firmavit, prensantium manum gratantiumque, quod discrimen improvisum et matris facinus evasisset. amici dehinc adire templa, et coepto exemplo proxima Campaniae municipia victimis et legationibus laetitiam testari: ipse diversa simulatione maestus et quasi incolumitati suae infensus ac morti parentis inlacrimans. quia tamen non, ut hominum vultus, ita locorum facies mutantur, obversabaturque maris illius et litorum gravis adspectus (et erant qui crederent sonitum tubae collibus circum editis planctusque tumulo matris audiri), Neapolim concessit litterasque ad senatum misit, quarum summa erat repertum cum ferro percussorem Agermum, ex intimis Agrippinae libertis, et luisse eam poenam conscientia, qua[si] scelus paravisset.

  10 But only with the completion of the crime was its magnitude realized by the Caesar. For the rest of the night, sometimes dumb and motionless, but not rarely starting in terror to his feet with a sort of delirium, he waited for the daylight which he believed would bring his end. Indeed, his first encouragement to hope came from the adulation of the centurions and tribunes, as, at the suggestion of Burrus, they grasped his hand and wished him joy of escaping his unexpected danger and the criminal enterprise of his mother. His friends in turn visited the temples; and, once the example had been given, the Campanian towns in the neighbourhood attested their joy by victims and deputations. By a contrast in hypocrisy, he himself was mournful, repining apparently at his own preservation and full of tears for the death of a parent. But because the features of a landscape change less obligingly than the looks of men, and because there was always obtruded upon his gaze the grim prospect of that sea and those shores, — and there were some who believed that he could hear a trumpet, calling in the hills that rose around, and lamentations at his mother’s grave, — he withdrew to Naples and forwarded to the senate a letter, the sum of which was that an assassin with his weapon upon him had been discovered in Agermus, one of the confidential freedmenº of Agrippina, and that his mistress, conscious of her guilt, had paid the penalty of meditated murder.

  [11] Adiciebat crimina longius repetita, quod consortium imperii iuraturasque in feminae verba praetorias cohortes idemque dedecus senatus et populi speravisset, ac postquam frustra [h]abita sit, infensa militi patribusque et plebi dissuasisset donativum et congiarium periculaque viris inlustribus struxisset. quanto suo labore perpetratum, ne inrumperet curiam, ne gentibus externis responsa daret! temporum quoque Claudianorum obliqua insectatione cuncta eius dominationis flagitia in matrem transtulit, publica fortuna exstinctam referens. namque et naufragium narrabat: quod fortuitum fuisse, quis adeo hebes inveniretur, ut crederet? aut a muliere naufraga missum cum telo unum, qui cohortes et classes imperatoris perfringeret? ergo non iam Nero, cuius immanitas omnium questus anteibat, sed Seneca adverso rumore erat, quod oratione tali confessionem scripsisset.

  11 He appended a list of charges drawn from the remoter past:—”She had hoped for a partnership in the empire; for the praetorian cohorts to swear allegiance to a woman; for the senate and people to submit to a like ignominy. Then, her ambition foiled, she had turned against the soldiers, the Fathers and the commons; had opposed the donative and the largess, and had worked for the ruin of eminent citizens. At what cost of labour had he succeeded in preventing her from forcing the door of the senate and delivering her answers to foreign nations!” He made an indirect attack on the Claudian period also, transferring every scandal of the reign to the account of his mother, whose removal he ascribed to the fortunate star of the nation. For even the wreck was narrated: though where was the folly which could believe it accidental, or that a ship-wrecked woman had despatched a solitary man with a weapon to cut his way through the guards and navies of the emperor? The object, therefore, of popular censure was no longer Nero — whose barbarity transcended all protest — but Seneca, who in composing such a plea had penned a confession.

  [12] Miro tamen certamine procerum decernuntur supplicationes apud omnia pulvinaria, utque Quinquatrus, quibus apertae insidiae essent, ludis annuis celebrarentur, aureum Minervae simulacrum in curia et iuxta principis imago statuerentur, dies natalis Agrippinae inter nefastos esset. Thrasea Paetus silentio vel brevi adsensu priores adulationes transmittere solitus exi[i] tum senatu, ac sibi causam periculi fecit, ceteris libertatis initium non praebuit. prodigia quoque crebra et inrita intercessere: anguem enixa mulier, et alia in concubitu mariti fulmine exanimata; iam sol repente obscuratus et tactae de caelo quattuordecim urbis regiones. quae adeo sine cura deum eveniebant, ut multos post[ea] annos Nero imperium et scelera continuaverit. ceterum quo gravaret invidiam matris eaque demota auctam lenitatem suam testi
ficaretur, feminas inlustres Iuniam et Calpurniam, praetura functos Valerium Capitonem et Licinium Gabolum sedibus patriis reddidit, ab Agrippina olim pulsos. etiam Lolliae Paulinae cineres reportari sepulcrumque exstrui permisit; quosque ipse nuper relegaverat Iturium et Calvisium poena exsolvit. nam Silana fato functa erat, longinquo ab exilio Tarentum regressa labante iam Agrippina, cuius inimicitiis conciderat, vel [tamen] mitigata.

  12 However, with a notable spirit of emulation among the magnates, decrees were drawn up: thanksgivings were to be held at all appropriate shrines; the festival of Minerva, on which the conspiracy had been brought to light, was to be celebrated with annual games; a golden statue of the goddess, with an effigy of the emperor by her side, was to be erected in the curia, and Agrippina’s birthday included among the inauspicious dates. Earlier sycophancies Thrasea Paetus had usually allowed to pass, either in silence or with a curt assent: this time he walked out of the senate, creating a source of danger for himself, but implanting no germ of independence in his colleagues. Portents, also, frequent and futile made their appearance: a woman gave birth to a serpent, another was killed by a thunderbolt in the embraces of her husband; the sun, again, was suddenly obscured, and the fourteen regions of the capital were struck by lightning — events which so little marked the concern of the gods that Nero continued for years to come his empire and his crimes. However, to aggravate the feeling against his mother, and to furnish evidence that his own mildness had increased with her removal, he restored to their native soil two women of high rank, Junia and Calpurnia, along with the ex-praetors Valerius Capito and Licinius Gabolus — all of them formerly banished by Agrippina. He sanctioned the return, even, of the ashes of Lollia Paulina, and the erection of a tomb: Iturius and Calvisius, whom he had himself relegated some little while before, he now released from the penalty. As to Silana, she had died a natural death at Tarentum, to which she had retraced her way, when Agrippina, by whose enmity she had fallen, was beginning to totter or to relent.

  [13] Cunctari tamen in oppidis Campaniae, quonam modo urbem ingrederetur, an obsequium senatus, an studia plebis reperiret anxius. contra deterrimus quisque, quorum non alia regia fecundior extitit, invisum Agrippinae nomen et morte eius accensum populi favorem disserunt: iret intrepidus et venerationem sui coram experiretur; simul praegredi exposcunt. et promptiora quam promiserant inveniunt, obvias tribus, festo cultu senatum, coniugum ac liberorum agmina per sexum et aetatem disposita, exstructos, qua incederet, spectaculorum gradus, quo modo triumphi visuntur. hinc superbus ac publici servitii victor Capitolium adiit, grates exsolvit, seque in omnes libidines effudit, quas male coercitas qualiscumque matris reverentia tardaverat.

  13 And yet he dallied in the towns of Campania, anxious and doubtful how to make his entry into Rome. Would he find obedience in the senate? enthusiasm in the crowd? Against his timidity it was urged by every reprobate — and a court more prolific of reprobates the world has not seen — that the name of Agrippina was abhorred and that her death had won him the applause of the nation. Let him go without a qualm and experience on the spot the veneration felt for his position! At the same time, they demanded leave to precede him. They found, indeed, an alacrity which surpassed their promises: the tribes on the way to meet him; the senate in festal dress; troops of wives and of children disposed according to their sex and years, while along his route rose tiers of seats of the type used for viewing a triumph. Then, flushed with pride, victor over the national servility, he made his way to the Capitol, paid his grateful vows, and abandoned himself to all the vices, till now retarded, though scarcely repressed, by some sort of deference to his mother.

  [14] Vetus illi cupido erat curriculo quadrigarum insistere, nec minus foedum studium cithara ludicrum in modum canere. concertare [e]quis regium et antiquis ducibus factitatum memora[ba]t, idque vatum laudibus celebre et deorum honori datum. enimvero cantus Apollini sacros, talique ornatu adstare non modo Graecis in urbibus, sed Romana apud templa numen praecipuum et praescium. nec iam sisti poterat, cum Senecae ac Burro visum, ne utraque pervinceret, alterum concedere. clausumque valle Vaticana spatium, in quo equos regeret, haud promisco spectaculo. mox ultro vocari populus Romanus laudibusque extollere, ut est vulgus cupiens voluptatum et, se eodem princeps trahat, laetum. ceterum evulgatus pudor non satietatum, ut rebantur, sed incitamentum attulit. ratusque dedecus moliri, si plures foedasset, nobilium familiarum posteros egestate venales in scaenam deduxit; quos fato perfunctos ne nominatim tradam, maioribus eorum tribuendum puto. [nam et eius flagitium est, qui pecuniam ob delicta potius dedit, quam ne delinquerent.] notos quoque equites Romanos operas arenae promittere subegit donis ingentibus, nisi quod merces ab eo, qui iubere potest, vim necessitatis adfert.

  14 It was an old desire of his to drive a chariot and team of four, and an equally repulsive ambition to sing to the lyre in the stage manner. “Racing with horses,” he used to observe, “was a royal accomplishment, and had been practised by the commanders of antiquity: the sport had been celebrated in the praises of poets and devoted to the worship of Heaven. As to song, it was sacred to Apollo; and it was in the garb appropriate to it that, both in Greek cities and in Roman temples, that great and prescient deity was seen standing.” He could no longer be checked, when Seneca and Burrus decided to concede one of his points rather than allow him to carry both; and an enclosure was made in the Vatican valley, where he could manoeuvre his horses without the spectacle being public. Before long, the Roman people received an invitation in form, and began to hymn his praises, as is the way of the crowd, hungry for amusements, and delighted if the sovereign draws in the same direction. However, the publication of his shame brought with it, not the satiety expected, but a stimulus; and, in the belief that he was attenuating his disgrace by polluting others, he brought on the stage those scions of the great houses whom poverty had rendered venal. They have passed away, and I regard it as a debt due to their ancestors not to record them by name. For the disgrace, in part, is his who gave money for the reward of infamy and not for its prevention. Even well-known Roman knights he induced to promise their services in the arena by what might be called enormous bounties, were it not that gratuities from him who is able to command carry with them the compelling quality of necessity.

  [15] Ne tamen adhuc publico theatro dehonestaretur, instituit ludos Iuvenalium vocabulo, in quos passim nomina data. non nobilitas cuiquam, non aetas aut acti honores impedimento, quo minus Graeci Latinive histrionis artem exercerent usque ad gestus modosque haud viriles. quin et feminae inlustres deformia meditari; exstructaque apud nemus, quod navali stagno circumposuit Augustus, conventicula et cauponae et posita veno inritamenta luxui. dabantur stipes, quas boni necessitate, intemperantes gloria consumerent. inde gliscere flagitia et infamia, nec ulla moribus olim corruptis plus libidinum circumdedit quam illa conluvies. vix artibus honestis pudor retinetur, nedum inter certamina vitiorum pudicitia aut modestia aut quicquam probi moris reservaretur. postremus ipse scaenam incedit, multa cura temptans citharam et praemeditans adsistentibus ph[on]ascis. accesserat cohors militum, centuriones tribunique et maerens Burrus ac laudans. tuncque primum conscripti sunt equites Romani cognomento Augustianorum, aetate ac robore conspicui, et pars ingenio procaces, alii in spe[m] potentiae. ii dies ac noctes plausibus personare, formam principis vocemque deum vocabulis appellantes; quasi per virtutem clari honoratique agere.

  15 Reluctant, however, as yet to expose his dishonour on a public stage, he instituted the so-called Juvenile Games, for which a crowd of volunteers enrolled themselves. Neither rank, nor age, nor an official career debarred a man from practising the art of a Greek or a Latin mummer, down to attitudes and melodies never meant for the male sex. Even women of distinction studied indecent parts; and in the grove with which Augustus fringed his Naval Lagoon, little trysting-places and drinking-dens sprang up, and every incentive to voluptuousness was exposed for sale. Distributions of coin, too, were made, for the respectable man to expend under compulsion and the prodigal from vainglory. Hence debauchery and sca
ndal throve; nor to our morals, corrupted long before, has anything contributed more of uncleanness than that herd of reprobates. Even in the decent walks of life, purity is hard to keep: far less could chastity or modesty or any vestige of integrity survive in that competition of the vices. — Last of all to tread the stage was the sovereign himself, scrupulously testing his lyre and striking a few preliminary notes to the trainers at his side. A cohort of the guards had been added to the audience — centurions and tribunes; Burrus, also, with his sigh and his word of praise. Now, too, for the first time was enrolled the company of Roman knights known as the Augustiani; conspicuously youthful and robust; wanton in some cases by nature; in others, through dreams of power. Days and nights they thundered applause, bestowed the epithets reserved for deity upon the imperial form and voice, and lived in a repute and honour, which might have been earned by virtue.