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Peelin Orange

Page 6

by Mervyn; Morris


  drag slower and slower until the term

  you didn’t walk: your classes came

  to see you fade from ailing to infirm.

  When you retired from teaching, as you had to –

  your body wouldn’t serve your driving will –

  we built a special house to cage you in

  so anyone could come and see you still.

  The few occasions when I looked you up

  I saw a living carcass wasting slow,

  that sprightliness of mind a crudish irony

  when all your wretched limbs were withering so.

  Without a conscious plan to be neglectful

  I didn’t seem to find the time

  to drop in for your running commentary

  on what you called ‘the national pantomime’.

  I wonder whether time has stolen from me

  something that matters deeply (or should do)

  and whether anything I manage now will ever

  relieve my guilt about neglecting you.

  And when you die I know I shall be sorry,

  remembering your kindness. But the fear

  of facing death stops me from coming

  to see you dying smiling in your chair.

  OUTING

  A rush of boys reporting in.

  Enquiry, and a hush.

  ‘Drowned, drowned, Marriott is drowned.’

  That curious thirst for detail swells;

  in waves the teachers rise

  like undertakers

  and descend the cold stone steps.

  THE CASTLE

  His mother told him of the king’s

  enormous thick-walled castle where

  with lots of yellow courtiers

  he kept his yellow court of fear.

  The bold knight hopped a milk-white horse,

  spurred fiercely, keen as anything;

  resolved, this honourable knight,

  to slay that fearful king.

  The giddy knight rode hard and fast.

  At dusk he heaved a dreadful sigh:

  at last, that frightful yellow flag

  against the darkening sky!

  Living is Fearing. Tired, he read

  the writing on the castle wall,

  and braced himself to slay that king

  who terrifies us all.

  The drawbridge down, the knight spurred hard,

  galloping into battle;

  but as he neared, the bridge pulled up

  with a disdainful rattle.

  Too late to stop, he took the plunge;

  accoutred well, he couldn’t float;

  and, loud exclaiming ‘Death to Fear!’,

  he drowned himself in the moat.

  HERITAGE

  whispering ancestors

  enfold me in their loving

  ghostly immanence

  LITERARY EVENING, JAMAICA

  In a dusty old crumbling building just fit for rats

  and much too large for precious poetry circles

  the culture fans sat scattered in the first ten rows

  listening for English poetry.

  Geoff read Larkin beautifully, Enright too,

  and Michael Saunders talked between the poems:

  ‘I don’t say they are wonderful,’ he said,

  ‘and would not say that anybody says

  they’re great. I offer them

  as two fair English poets writing nowadays.

  They’re anti-gesture, anti-flatulence,

  they speak their quiet honesties without pretence.’

  The longer section of the evening’s programme

  was poems by the locals, undergraduates,

  some coarse, some wild, and many violent,

  all bloody with the strains of rape and childbirth,

  screaming hot curses anti-slavery,

  ‘Down with the limey bastards! Up the blacks!

  Chr-rist! Let’s tear the painted paper

  off all the blasted cracks!’

  The more I heard the more it seemed

  a pretty rotten choice to read us Larkin,

  dull-mannered, scared, regressive Phil,

  saying No to everything or Soon, Not Yet.

  So many bulging poets must have blushed

  and wondered where the hell they’d ever get

  with noisy poems, brash, self-conscious, colourful,

  and feared that maybe they were born too crude.

  Maybe they were; but it was bloody rude

  seeming to ask for things that don’t belong out here

  where sun shines hot and love is plentiful.

  For to us standing here, a naked nation

  bracing ourselves for blows, what use

  is fearfulness and bland negation?

  What now if honesty should choose

  to say, in all this world’s confusion,

  that we are still too young for disillusion?

  JAMAICA 1979

  a stone’s throw

  from the revolutionary

  slogans on the wall

  an old black woman

  scavenging

  in ruins

  Cars idle

  at the traffic lights

  waiting for green

  REPRISE

  What now if honesty should choose

  to say, in all this world’s confusion,

  that we are still too young for disillusion?

  Well, that was 1962.

  And here we are, a fractured nation

  jumping up in celebration

  of fifty years of chattering pretence

  at independence,

  though decades of political confusion

  have made the growing rough,

  and we’re now old enough

  for disillusion.

  THE ROACHES

  We had a home. The roaches came

  to stay. They spread until they had control

  of kitchen, pantry, study, then the whole

  damned house. We fought them, but the game

  was set. We sprayed, and they kept breeding all the same.

  We found a house with plenty space,

  clean and dry and full of light.

  We checked beneath the sink – no roach in sight.

  We checked the cupboards – not a trace

  of roaches. No roach anyplace.

  And so we moved.

  The roaches came.

  We sprayed, but they kept breeding all the same.

  SENTENCES FOR HERITAGE WEEK

  Mine history

  for the energy it frees.

  Do not spend precious time

  hanging from family trees.

  THE EARLY REBELS

  Time and the changing passions played them tricks,

  Killing the shop-soiled resolutions dead.

  Gone are the early angry promises

  Of rich men squeezed, of capitalists bled.

  More adult honesties have straightened ties

  And brushed the dinner-jackets clean,

  Maturer minds have smelt out fallacies

  And redefined what thinkers mean.

  Hope drives a chromium symbol now

  And smiles a toothpaste passion to the poor,

  With colder eloquence explaining how

  The young were foolish when they swore

  They’d see those dunghills dank and dreary

  All replaced by bright new flats:

  Good sense was never youthful fury

  And rash young promises by brats …

  ‘Let’s drink a loyal toast to dedication:

  We mean the same but youth is past;

  We are the fathers of our nation,

  The thinking leaders come at last.

  Cheers for the faith of simple minds,

  Cheers for the love of humble friends;

  Love does not alter when it finds

  That we have redefined its ends.’

  THE MILITANT

  was into paint
ing

  butterflies

  & now

  is into jackboots

  stomping painters

  painting butterflies

  MAVERICK

  They charged him with a lack of guts

  and still he wouldn’t do as they desired;

  to all their quick solutions offering buts

  instead of the agreement they required.

  They dropped him from the inner group,

  achieving thus consensus of a fashion.

  The relics were a loyal troop

  who could be certified for passion.

  GROUNATION

  for Cedric Brooks

  out of that pain

  that bondage

  heavy heavy sounds

  our brothers’ weary march

  our shackled trip

  a joyful horn takes off

  to freedom time

  remembered & foretold

  Release I brother let me go

  let my people go

  home to Ethiopia

  in the mind

  MUNTU

  for Janheinz Jahn

  My ancestors

  alive inside the daylight

  closed up invisible in air

  float from the pages of your book.

  We called their names.

  Enter my father, laughing,

  a gregarious black.

  Behind him his black father,

  formidable, stern.

  Fathers who fathered me.

  My mother’s mother shuffles in,

  dragging her gentleness along the glare.

  She indicates her father,

  who looks white.

  I start to hear the irons clink.

  He dissipates my terror with a wink.

  POST-COLONIAL IDENTITY

  The language they’re conducted in

  dictates the play in these debates.

  Good english, as they say, discriminates.

  White people language white as sin.

  FOR QUEEN ELIZABETH II

  Longest reigning British Head of State

  (September 2015)

  You have been Jamaica’s

  Head of State

  till now

  Your Majesty

  But it is not

  in ceremonial fealty

  we salute

  this latest marker

  in your life

  It is in recognition

  of exemplary

  performance

  in a role

  that was not yours

  before the day

  you learnt you really

  might inherit a throne

  We celebrate

  your dignified embrace

  of duty all these years

  and your perennial

  graciousness

  MONTAGE

  England, autumn, dusk –

  so different from that quarter-hour

  at home when darkness drops:

  there’s no flamboyant fireball

  laughing a promise to return;

  only a muted, lingering farewell,

  and day has passed to evening.

  HEY, REF!

  Not long ago

  that godlike player

  dribbled round each obstacle

  or shoulder-charged like stone.

  Now time is marking him.

  Hey, Ref, that’s foul!

  Play on.

  Beyond the touchline,

  flabby, bent,

  more ancient idols watch

  and wait.

  The whistle blows. Full time.

  TOURNAMENT

  Nostalgic devils ‘playing for fun’

  in their declining years,

  they scramble till the match is done

  and smile as if to say, ‘Who cares?’

  That loser, sweltering

  in bed, contending with a sheet,

  he cares. He’s grappling

  with midnight memories of defeat.

  TO AN INTERVIEWER

  for Usain Bolt

  Greatness

  is to false-start

  an to feel di world

  stop dead

  Mi draw mi shirt off

  leave di track

  an watch di race

  in shock

  Greatness is to look inside

  di failure

  try mi best

  to swallow up di pain

  Greatness is

  to get mi head to settle

  on di nex event

  run right dis time

  an hear di stadium

  goh wild

  SWIMMER

  That powerful swimmer

  furrowing the pool

  towards the final wall …

  Mourn him, the crumpled athlete:

  his element was water;

  now they’ll sink him

  in the ground, he’s gone

  to rust, that muscled plough.

  UNIVERSITY STUDY

  The window opened

  on a tangled growth

  of shrub.

  He moved his wooden desk.

  Second reel, New Life:

  a barbed-wire fence

  rough cobblestones

  a solitary tree

  and brown leaves

  falling, falling.

  He moved the damn desk back.

  O brave new world:

  incipient jungle

  just outside.

  He drew the curtains

  and stayed in.

  But all day long

  the mind projected

  images

  one tree alone

  self-strangled shrub

  and brown leaves

  falling free

  LECTURER

  He came on like a navigator

  with complicated options to unravel

  who fifty minutes later

  had not yet sorted out which way to travel.

  FETE

  Look that fellow how he staring

  at the boys in the band

  with a half-empty beer-bottle

  dangling from he hand.

  Hooked, man, gasping for air

  and posing casual, he frown

  then suck the beer

  and rest the bottle down.

  Room full of empties.

  TEACHER

  for Bill Carr

  Your foreign intervention helped

  identify our region. We

  give thanks (now you have left us)

  finally.

  Remembering you, I celebrate

  imprudent anger, I commemorate

  your obstinate anxiety to share.

  True men, you tried to teach us, show they care.

  ON CAMPUS, MURDER

  The gentlemen were rough

  trade, and the world closed in

  on you, grabbing, jabbing

  in the eye, the belly of

  your need. Kindness

  was never enough.

  Koo deh. Him dead fi true.

  Sun-hot and the glare

  of strangers

  drilling through

  pretences,

  a swarm of judges

  rubbishing

  your delicate defences.

  HAVING EYES THAT SEE

  The blind man led by a little boy

  goes tap-tap-tapping down the street,

  and foolishly I feel accused

  for having eyes that see.

  That blind man at the bus stop regularly

  feeling along the window’s edge –

  ‘Thanks, God bless you,’ shuffling on –

  breeds like a chigger in my mind.

  And leafing through a magazine

  I am confronted by an ad,

  ‘Tell me, what colour is the wind?’

  I shan’t let spurious guilt

  take hold and steer me

  into gloom, and yet

  I think I see

&nb
sp; a shadowy connection.

  MEETING

  I

  An unfamiliar bed

  of radicals. And me

  looking to root

  out lies.

  A nightmare –

  comrade after comrade

  springing

  up to criticize!

  I took

  to planting

  questions

  in your eyes.

  II

  spuriously dry

  we banter

  knowing

  something

  critical

  is growing

  underground

  a movement

  threatening

  solidarity

  REMEMBERING JOHN LA ROSE

 

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