Tad Williams - The War of the Flowers (retail) (pdf)

by Tad Williams

  He laughed even though he knew she meant him to, that she was only trying to get out from under his pity. "You didn't lose your charm, either — or your ladylike demeanor."

  "Yeah, and you can shag yourself twice. You better watch your lip, Dolly the ogre's coming out soon for a visit and she still owes you a good thumping. Now lift me up — I told you I want to say something quietlike." When he had raised her to his ear, she whispered, "Go easy on her, Theo — the Thornapple girl. For some reason no normal person could understand, she really cares about you. Also, she's going to have to help decide whether her father gets put to death or just imprisoned for the rest of his life — and remember, we fairy-folk have long lives. Whether or not she hates him, that can't be much fun. And one last thing. I was so afraid for you, and I'm just blindingly glad you're not dead. But tell anyone I said that and you will be."

  When Cumber had carried her out — Applecore effected a ladylike farewell wave as they went through the tent door, like someone at the firstclass rail of a departing luxury liner — Theo turned to Poppy. "Applecore told me about your father. That's bad. They shouldn't make you help decide."

  She turned on him, surprisingly angry. "Yes, they should. Of course they should. Because I'm part of it — the old way. I'm the daughter of one of the men who destroyed Daffodil House, who murdered all those people and helped start a Flower War that destroyed half the City and plunged civilization back into the Forest Age. They need to see where I stand so they know whether I need to be imprisoned too. Well, I suppose it's more likely they'd just exile me, since I have people like Primrose and Cumber to speak for me. Anyway, it's perfectly reasonable." She softened a little, but still looked weary and unhappy.

  "But if that's not what's bothering you . . ." "What do you think is bothering me? You're going to go back to the mortal world, Theo. I heard you. The adventure is over and you're going to hop the first gateway back. That's fine. You have every right, you've suffered terrible things in a world that wasn't really yours for something that wasn't your fault, only the accident of your birth. But you can't expect me to be very happy about it." She stood, dry-eyed and angry. "I have to go now. I've been here all day and I have other things to do."

  Just before she reached the door of the tent, Theo found his voice. "Poppy. Poppy, wait!"

  "What?"

  "Come back, please." He patted the bed. "Sit."

  She did, like a cat with its fur up. "First off, here. This is yours." It hurt to raise his arms, but he slipped the chain over his head and held it out to her. "Your mother's family moundstone, I think you said it was."

  "I gave it to you." "And it gave me strength when things were really dark. But it's yours, Poppy — something important from someone else who loved you. Take it." He closed her fingers around it.

  "Fine. I'll be going, then." He held her arm when she tried to stand, but was too weak to hold her. "Hey, maybe I do want to go back home — but did I ever say I wanted to go back without you?"

  She looked at him suspiciously. "What does that mean?" "What it sounds like. You're angry because you think I'm going back to the world where I grew up. Maybe I will. But why are you so certain I won't ask you to go with me?"

  She frowned, but it was mainly to cover confusion and a hitch of sudden hope. "Why are you so certain I have my Clover Effect exemption — that I haven't already been there?"

  "Have you?" "No, as it happens, I haven't. But why would I want to go to your world, anyway? To get old and die, probably on my own after you leave me? Anyway, there are plenty of grown-up women in the mortal world who'll be better matches for you — women who know the things you know, the songs, the places, the names."

  He laughed. "Grown-up women? Good God, don't you know you've been around long enough to be my great-grandmother?"

  "Now you're just making fun." "Maybe I am, maybe I'm not. Look, Poppy, you have to remember, I just woke up and the world — a world I hadn't really figured out in the first place — is suddenly completely different. I'm trying to sort it all out. I can't even guess at half the things that have happened since . . . since it all went down. Come on. Give me a chance." He extended his hand. At last she took it, then allowed herself to be drawn back onto the edge of the bed. "I do know I want to be with you, wherever we might wind up. You and me, Poppy. I want to . . . to try this thing out, this thing we've started. I don't pretend to know how love works, and I don't know much about these mortal-and-immortal relationships — well, immortal-who-thinks-he's-amortal-and-another-immortal -who-thinks-she's-too-young-for-him, to be more exact — but give us a chance to figure it out together, will you?"

  "Truly, Theo? I hate pity. I'd kill you before I'd let you pity me." And with her Thornapple mask in place, she looked like she meant it.

  "Truly." She stared at him hard — not the Thornapple mask now, but not a lot warmer and fuzzier than that, either — and then seemed to make up her mind. She let go of his hand, but only long enough to climb into bed beside him and wrap her legs and arms around him. She put her warm mouth against his ear.

  "Okay, so how weak are you?" she asked. "Really weak? Or just enough that you'll need a long nap afterward?"

  ————— He woke up at the sound of Cumber's discreet cough outside the tent. He got up, aching and wobbly-headed but more or less functional, and dressed by the light of the globe in the clean clothes that had been put out for him, a kind of white tunic and pants that to his eye looked something like the dress uniform from a karate academy. He pulled on the feather-light boots, then kissed Poppy on the cheek and left her to sleep.

  "It took you long enough," said Applecore, sitting on Cumber's shoulder. Theo fought an undeniable moment of jealousy at seeing her in her favorite position, but on someone else. "I'm not moving very fast." He looked around at the riverside camp, bright with campfires as a carnival midway. "So, we're going to see Button?"

  "You are." Cumber seemed depressed, but with a ferisher it was a bit hard to tell. "It's an honor. Button isn't seeing very many people tonight." Theo nodded. "Let's walk, then. I'm pretty hungry. And maybe you can tell me a bit more on the way about what happened while I was floating around at the bottom of the lake." He said it lightly, but it was in him still, the languor and green silence, like a dream from which he couldn't quite wake up. "The whole thing, the battle — I still don't quite get it. I know about how we helped Button bring those grims into the City, and I'm guessing they killed the dragons, but still . . ." He looked up, a little startled, as a gang of gnome-like creatures sitting around one of the fires called to him by name, wishing him a fine evening. Other passersby seemed to recognize him too, smiling shyly or even giving him a kind of salute. "What's with these people? What did you tell them, Cumber?"

  "The truth, Theo. That without you it all would have failed. Zirus Jonquil and his troops would have been too late and definitely too little to stop Hellebore. He and his monster-child would have been in control of a power as great as that of the king and queen themselves — greater, perhaps."

  "But even so, even with the grims . . . Hellebore and the others had all those soldiers, the parliamentary constables with their bee-guns or whatever, guards, armies. Even with the dragons dead, how is it that one of the other Parliament bigwigs didn't just take over?"

  Cumber walked on for a way without speaking. "I heard Lord Hollyhock speak once, at a symposium at Daffodil House," he said at last. "Lady Aemilia brought me along as her secretary. You remember Hollyhock, don't you, Theo? He was a good man, very smart. Anyway, I heard him say that the Flower lords were sitting on top of the people of Faerie and thought they were riding the population as though it were a horse, but it was more like an unbroken dragon. There would come a point, Hollyhock said, that if the Flower lords didn't mend their ways, the beast beneath them would realize how strong it was and would simply shake them off and crush them. That's what happened. Button's revolution, if you want to call it that, made everyone aware that things could change. You see, not only the gob
lins were angry."

  "But thousands of people must have died!" "Not as many as you'd think. Hundreds in the first hours, when the constables still believed they were simply quelling a riot. But when the dragons fell and the people came out into the streets in real numbers . . . well, you have to understand that most of the constables aren't Flower nobility, they're just ordinary fairy-folk, not that different from Core or me. If you're a century-old shee fresh out of the Hawthorn suburbs, it's one thing to shoot at troublemakers who are trying to brain you with rocks or set you on fire with scattershot flame-charms, but another thing entirely to mow down ordinary men and women and even children — your own people — who are standing in front of you, refusing to do what they're told. Especially when you know, as many of the constables must have, that they are right and the people you serve are wrong."

  "But if the Flower lords are out, who's going to take over? Who's in charge?"

  "That's the question all right, boyo," said Applecore. Cumber shrugged. "Nobody knows. That's why these are such important days. Come look at something, Theo." They had reached the edge of the bridge, and now Cumber led him up the spiral of stairs from the riverside. A pair of goblins with spears — Theo could not tell if they were grims or simply armed that way — stopped them at the top for a moment's quick examination, then waved them past onto the bridge. "Come over here." Cumber beckoned him to the edge of the bridge.

  It took a moment of peering out into the night for Theo to realize that the great haphazard mass of dim lights before him was the City. "It looks so different. Like a dying campfire or something."

  "Troops under control of the new council — it's fairies of all sorts now, goblins, even ferishers, working together, at least for the moment — have been sent to free all the slaves from the power plants, to close the places and lock them. There is no longer any power in this city that a person cannot make for himself or herself," Cumber explained. "Those are fires, candles, lanterns. A few radiance-charms, but most people are saving their strength for what is more important, making sure their families are fed and protected. The downtown area is dark, the buildings empty. It's a new world, and nobody knows what kind of world yet."

  The last time Theo had seen the City it had glowed like the display in a jewelry store window, diamond and ruby and sapphire gleams, dazzlingly bright. Now it looked like all the gems had been replaced with amber and topaz — an ancient light, murky and mysterious, but somehow also satisfying. "You said the king and queen are gone."

  "Vanished from the ruins of the Cathedral on the Old Mound. They might be dead — really dead, this time — but I doubt that could be true. Perhaps they've simply . . . moved on. Changed. Nobody knows. I suspect there will be whole university departments trying to answer these questions for centuries." He took Theo's arm and led him along the bridge. Cumber had changed. He had something now, a sort of reserve, an inner weight that made the rest of his traits seem to fit better. "Now go on," the ferisher said, pointing to the bridgehouse. "Button's waiting to see you."

  "Pick me up for a minute, Theo," commanded Applecore.

  When Theo had her safe, Cumber Sedge retreated a few steps to give them a little privacy. "Are you happy?" Theo asked her. "With Cumber? He's a fine lad. Gentle and sweet as spring rain. A bit on the quiet side sometimes, but I've got enough to say for both of us." She looked at him, her little face owlish in the torchlight. "Don't worry about me, Theo. Yes, I'm happy. And whatever you do, I think you'll be happy, too. I just wanted to say . . . well, I'm proud of you. You're not anywhere near as much of an eejit as I suspected."

  He laughed. "I'd like that in writing." Applecore snorted. "Like any of your other friends can read." She stood on tiptoe, balancing herself with a hand on his jaw, and kissed him at the corner of his mouth, a touch as light and cool as a snowflake just before it melts. "If you don't come back to us, we won't forget you. And I'm not talking about Cumber's history-book nonsense, either. I'm talking about the ones who care about you."

  "Like you?"

  "Yeah, like me."

  He lifted her up and kissed the top of her head as gently as he could. "I haven't had many real friends, you know." "Could be your breath." She was scowling, but he knew better. "Now give me back to my boyfriend before he decides to come over and hit you with a grimoire or somethin'."

  ————— He had expected to be met at the top of the stairs by Button's ogre bodyguards but there was no sign of them. He was met instead by a trio of goblins he didn't recognize, all dressed in loose, colorful clothing, with knives stuck in their belts and various lines painted or tattooed on their faces. They did not seem delighted to see him, but there was no hostility, either: they bowed in a stiffly formal way, arms at their sides, and then led him into Button's apartment. A group of goblin musicians sat cross-legged in one corner, playing a soft but angular melody, and for a moment Theo was thrown back into that hour when the music was all that had saved him. Might it have saved more than that? Could goblin jazz have spared the entire mortal world from ruin?

  What a concept! An overblown rock opera if ever there was one. One of the instrumentalists nodded as Theo passed. It was Bottlecap, with whom he had shared a night of music and ghostweed, but the hush of the room and the air of ceremony kept him from stopping to converse. Still, Theo thought, it would be interesting to talk to him about what had happened on the little island, even to try to work out in actual music some of what he had experienced. Maybe someday . . .

  Yeah, but I'll be going home, so that won't happen. Theo had also anticipated that Primrose and some of Button's other closest confidants would be there, but other than himself, there were only goblins. He saw Doorlatch and a few others that he recognized from the camp, but there were far more unfamiliar faces, serious, wild-looking goblins in festival colors, many of them armed. At the center of the room, in front of a carpet laid with dishes and tea bowls, sat Mud Bug Button. He was dressed in white, as Theo was; he looked like an Indian holy man holding court in his ashram. He stood as Theo approached, reaching out to him with a taloned hand.

  "Welcome, Theo Vilmos. It is good of you to come. I had feared you would not be well enough, and this would be a poor farewell feast without the most important guest."

  "But . . . well, to be honest, I'm not a hundred percent certain I'm going back." "Ah." Button sat down and directed one of the goblins next to him to pour tea for Theo. The person in question looked more like a warrior than a servant, but he did as he was asked.

  When Theo had taken a few sips for courtesy's sake and allowed his dish to be piled with various savories — he had a quick if covert look to make sure none of them were field mouse-based — he leaned forward. "Where are Primrose and the others?"

  "Caradenus is in mourning," Button explained. "He begged to be excused."

  "He must have loved his sister very much."

  Button looked at him for a long moment, then nodded. "Yes. He did."

  Theo said, "I'm amazed to be alive. I'm surprised so many of us are. Did you know it would work this way?" For the first time, Button showed a little of his old, sly self. "If I told you I did, would you promise to tell that story to all who ask you? Then history will remember me as a genius of tactics — another Lord Rose. But to be truthful, hem, no. I hoped. Primrose and I made the best plan we could. We knew the goblins would fight after the stick was broken — that my people's anger was too hot to be contained once the treaty was ended. But did we know for certain that others would come out, that the streets would be full of discontent and rage? No. We could only do what was best and hope."

  "But you did know that grims could kill dragons." Again, Button smiled. "I knew that they could, yes, but even that was what might be called a gamble, and everyone knows that although we goblins love gambling, we are not always good at it." He turned to the goblin on his left, whose costume bristled with feathers and beadwork jewelry. "Otter, when you lived in the hills you killed a dragon, yes?"

  The goblin looked at Theo, th
en rubbed his long nose. "Yes. My people called me 'Wormslayer.' " "How big was it?" Button asked. The one called Otter thought for a moment, then spread his arms wide. "Wings like this," he said. "One of the big ones." He went back to his solemn chewing.

  "That would mean Otter's famous trophy was . . . hem . . . about ten or twelve feet long." Button laughed. "So you see, even the grims had little experience with the great worms. Again, we could only hope that arrows steeped in poison in their eyes and soft throats would have the same effect that they did on the monsters' much smaller cousins."

  "My God! They were trying that for the first time?" "War is often that way," said Button. "Now, eat. I would ask you more questions about what you heard and saw, what happened to you. Particularly of the Remover. The little I have heard is very surprising."

  "But you're not eating."

  "I am fasting," the goblin explained. "But the food is very good. Eat. You have been a long time asleep and I think you need it." Theo really was very hungry, and although many of the tastes were unfamiliar, the food was good. As he answered Button's questions, struggling to remember the order in which things had happened, having to backtrack several times when he realized he had left out an important detail, he realized that goblin food and goblin music, just to name two unquestionably foreign things, were beginning to seem almost ordinary to him.

  "So you yourself were the key," Button said at last.

  "Just a tool." "No. That was Hellebore's great error. He thought of you that way, but it was your mind and your heart that broke him. Now I will ask you a question, just as you asked me. Did you know that the irrha would take the child if it could not take you?"

  Theo shrugged. "Like you said yourself — I hoped. I didn't have much time to think about it, really. I just remembered Dowd saying something about how a changeling and the mortal child he gets switched with have some kind of bond. I didn't really understand it, but there weren't a lot of other options. Also, I suddenly realized that I'd rather have one of those water-women get me than that thing."