Obsidian Butterfly ab-9

by Laurell K. Hamilton

  12

  IT WAS ONLY AS Edward was searching for a parking spot on the rock-covered parking lot behind Los Cuates that I realized it was a Mexican restaurant. The name should have been a clue, but I just hadn't been paying attention. If my mother had liked Mexican food, she hadn't lived long enough to pass it on to me. Blake was an English name, but before my great-grandfather came through Ellis Island it was Bleckenstien. My idea of ethnic cuisine was wiener schnitzel and sauerbraten. So I was less than enthused as we crossed the gravel to the rear entrance of the restaurant. For someone who didn't like Mexican or southwestern cuisine, I was in the wrong part of the country.

  The back entrance led through a long shadowed hall, but the main restaurant was bright with white stucco walls: bright wall hangings, fake parrots dangling from the ceiling, and strings of dried chilies everywhere. Very touristy, which usually means the food won't be authentic or very good. But a lot of the diners were Hispanic and that boded well. Whatever the food, if the actual ethnic group liked the restaurant, then the food was authentic and likely good.

  A woman that actually looked Hispanic asked if we'd like a table. Edward smiled and said, "Thanks, but I see our party."

  I looked where he was looking and saw Donna at a booth. There were two kids with her, one girl about five or six and a boy in his early teens. Call it a hunch, but I was betting I was about to be introduced to her kiddies. Introduced to Edward's potential step-children. Can you stand it? I was almost sure I couldn't.

  Donna stood and gave Edward a smile that would have melted a lesser man into his socks. It wasn't the sex, though that was in there. It was the warmth, the perfect trust that only true love can give you. That first romantic love that may not last, but while it does, wow. I knew that he was probably giving as gooda look as he was getting, but his wasn't real. He didn't mean it. He was lying with his eyes, something I'd only managed to learn recently, and part of me is sad about that. It's one thing to know how to lie, but to be able to lie with your eyes says you are someone not to be trusted. Poor Donna. She was with two of us.

  The little girl scooted out of the booth and came running towards us, arms outstretched, chestnut braids flying. She gave a glad shriek of, "Ted!" and flung herself into his arms. Edward scooped her up and tossed her towards the ceiling. She laughed that joyous full-blown sound that children eventually grow out of, as if the world bleeds the joy from them. Unless we're very lucky, the world teaches us to laugh more quietly, more coyly.

  The boy just sat staring at us. His hair was the same rich chestnut brown as the girl's, cut short with a wave of bangs that hung into his eyes. The eyes were brown and dark and not friendly. Edward had said the boy was fourteen, but he was one of those boys that look younger. He could have passed for twelve easily. He looked sullen and angry as he watched Edward and Donna hug, the little girl still in Edward's arms so it was a family hug, Edward whispered something in Donna's ear that made her laugh and pull away blushing.

  He swung the girl to his other arm and asked, "How's my best girl?"

  She giggled and started talking in a high excited voice. She was telling some long complicated story about her day that involved butterflies and a cat and Uncle Raymond and Aunt Esther. I assumed they were the neighbors that had played babysitter for the day.

  The boy turned his hostile eyes from Edward to me. The frown did not lessen, but the eyes went from angry to curious, as if I wasn't what he'd expected. I actually get that a lot from men of all ages. I ignored the happy family stuff and held out my hand to him. "I'm Anita Blake."

  He gave me his hand half hesitating as if most people didn't offer. His grip was unsure as if he needed practice, but he said, "Peter, Peter Parnell."

  I nodded. "Good to meet you." I would have said his mother said good things about him, but that wasn't strictly true, and Peter struck me as someone who respected truth.

  He nodded vaguely, eyes flicking to his mother and Edward. He didn't like it, not one little bit, and I didn't blame him. I remembered how I'd felt when my father brought Judith home. I'd never really forgiven my father for marrying her only two years after my mother's death. I hadn't finished my grieving and he was moving on with his life, being happy again. I'd hated him for it and hated Judith more.

  Even if Edward had truly been Ted Forrester, and his intentions honorable, it would have been a difficult situation. As it was, it sucked.

  Becca was wearing a bright yellow sundress with daisies on it. She had yellow ribbons at the end of each neat braid. The hand she put over her mouth to smother a giggle still had that soft, round baby look to it. She was looking at Edward as if he was the eighth wonder of the world. In that moment I hated Edward, hated that he could lie to the child so completely and not understand that it was wrong.

  Something must have shown on my face because Peter was giving me a strange considering look. Not angry, but thoughtful. I forced my face blank and met his eyes. He held my gaze for a few seconds, but finally had to look away. Probably not fair to bring out my full stare on one angry fourteen-year-old boy, but to do less would imply that he was less, and he wasn't, just young. And time would cure that. Donna took Becca back from Edward's arms and turned towards me smiling. "This is Becca."

  "Hi, Becca," I said and smiled because she was one of those children that made it easy to smile.

  "And this is Peter," she said.

  "We've met," I said.

  Donna gave a funny look from Peter to me and back to me. I realized she thought we'd literally met before. "We introduced ourselves already," I said.

  She relaxed and gave a nervous laugh. "Of course. Silly of me."

  "You were just too busy to notice," Peter said, and his voice held what the actual words did not: scorn.

  Donna looked at him as if she didn't know what to say, and finally, said, "I'm sorry, Peter."

  She shouldn't have apologized. It implied she'd done something wrong, and she hadn't. She didn't know that Ted Forrester was an illusion. She was holding up her end of the bargain for happily ever after. Apologizing makes you sound weak, and from the look on Peter's face Donna needed all the strength she could get.

  Donna slid into the booth first, then Becca, and Edward on the outside, with one leg hanging out from the booth. Peter had already sat down in the middle of his side of the booth. I sat down beside him and he didn't move over, so I found enough seat to be comfortable and ended with the line of our bodies touching from shoulder to hip. If he wanted to play sullen teenager with Edward and his mom, great, but I was not playing.

  When Peter realized I wasn't moving over, he finally scooted over with a loud sigh that let me know it had been an effort. I did feel sorry for Peter and his plight, but my sympathy is never endless, and the sullen teenager routine might use it up pretty quick.

  Becca was sitting happily between her mother and Edward. She was swinging her legs, and her hands were out of sight, maybe holding a hand of each of them. Her contentment was large and complete as if sitting between them not only was she happy, but she felt safe the way you're supposed to feel with your parents. It made my chest tight to see her so pleased with the situation. Edward was right. He couldn't just leave without some explanation. Becca Parnell more than her mother deserved better than that. I watched the little girl sit there and shine between them and wondered what excuse would be good enough. Nothing came to mind.

  Awaitress came to the booth, handed plastic menus all around even to Becca which pleased her, and then went away while we looked at them. Peter's first comment was, "I hate Mexican food."

  Donna said, "Peter," in a warning voice.

  But I added my two cents worth, "Me, too."

  Peter looked at me sideways, as if he didn't trust my show of solidarity with him. "Really?"

  I nodded. "Really."

  "Ted picked the restaurant," he said.

  "Think he did it just to be irritating?" I asked.

  Peter was looking directly at me, eyes a little wide. "Yeah, I do."


  I nodded. "Me, too."

  Donna had an open-mouthed astonished look on her face. "Peter, Anita." She turned to Edward. "What are we going to do with the two of them?" Her appealing to Edward for help over such a small thing made me think less of her.

  "You can't do anything with Anita," he said, and he turned cool blue eyes to Peter. "I'm not sure about Peter yet."

  Peter wouldn't meet Edward's gaze, and the boy squirmed just a bit. Edward made him uncomfortable on more than one level. It wasn't just that Edward was doing his mom. It was more than that. Peter was just a little afraid of Edward, and I was betting that he hadn't done anything to earn it. I was betting that Edward had tried very hard to win Peter over as he'd won Becca over, but Peter wasn't having any of it. It had probably started out as just the normal resentment of anyone his mom dated, but the way he sat there now with his gaze carefully avoiding Edward's let me know it was more now, Peter was more nervous than he should have been around Ted, as if he somehow had picked up the real Edward under all the fun and games. It was both good for Peter and bad for him. If he ever guessed the truth and Edward didn't want it known ... Well, Edward was very practical.

  One problem at a time. Peter and I bent over our menus and made disparaging comments about nearly every menu item. By the time the waitress had come back with a basket of bread, I'd actually seen him smile twice. My own younger brother Josh had never been sullen, but I'd always gotten along with him. If I ever had children, not that I was planning on it, I wanted boys. I was just more comfortable with them.

  The bread wasn't bread, but some fluffed pastry thing called a sopapilla. There was a plastic container of honey on the table especially for them. Donna spread honey on a small corner and ate that. Edward spread honey across one entire end of his bread. Becca put so much honey on her bread that Donna had to take it away from her.

  Peter took a sopapilla. "It's the only good part of the meal," he said.

  "I don't like honey," I said.

  "Me, either, but this isn't bad." He spread a minute amount of honey and ate the small bite he'd spread it on, then repeated the process.

  I got one and followed his example. The bread was good, but the honey was very different, stronger, and with an undercurrent that reminded me of sage. "This honey tastes nothing like honey back home."

  "It's sage honey," Edward said. "Stronger flavor."

  "I'll say." I'd never had anything but clover honey. I wondered if all honey took on the flavor of the plant the bees used. It seemed likely. Learn something new every day. But Peter was right. The sopapillas were good, and the honey wasn't bad in small, nay, microscopic amounts.

  I finally ordered chicken enchilada. I mean, what could they possibly do to chicken to make it uneatable. Don't answer that.

  Peter had plain cheese enchiladas. Both of us seemed to be going on the less is better plan.

  I was on my second sopapilla when everyone else, including Peter, had finished their two a piece, when I saw bad guys come into the restaurant. How did I know they were bad guys? Instinct? Nope, practice.

  The first one was six foot and almost obscenely broad through the shoulders. His arms swelled against the sleeves of his T-shirt as if the cloth couldn't contain him. His hair was straight and thick, tied back in a loose braid. I think the braid was for effect because the rest of him was so ethnic, he could have been the poster boy for the American Indian GQ. The cheekbones were high and tight under the dark skin, a slight uptilt to his black eyes, a strong jaw, slender lips. He wore blue jeans that were tight enough that you could tell his lower body had not had the workout that his upper body had. There is only one place where a man will put that much effort into his upper body and ignore his lower: prison. You don't lift weights in prison to get a balanced effect. You lift weights so you look like a complete badass and can hit with everything you got when the time comes. I looked for the next clue, and the tattoos were there. Black barbwire chased the swell of his arms just below the sleeves of the T-shirt.

  There were two other men with him, one taller, one shorter. The taller one was in better shape, but the shorter had a wicked-looking scar that nearly bisected his face giving him the more sinister look. All the three of them needed was a sign above their heads that flashed "bad news." Why was I not surprised when they started walking toward us. I looked at Edward and mouthed, "What's up?"

  The strangest part was that Donna knew them. I could tell by her face that she knew them and was scared of them. Could this day get any stranger?

  13

  PETER LET OUT A soft, "Oh, my God."

  His face showed fear. He put his angry sullen look up like a mask, but I was close enough to see how wide his eyes were, how his breathing had quickened.

  I glanced at Becca, and she had curled back into the seat between Edward and Donna. She peered out around Edward's arm with wide eyes. Everyone knew what was happening except me.

  But I didn't have long to wait. The threatening threesome came right up to the booth. I tensed, ready to stand if Edward did, but he stayed seated though his hands were out of sight under the table. He probably had a gun out. I dropped my napkin accidentally on purpose and when I came out from under the table, the napkin was in one hand, and the Browning Hi-Power was in the other. The gun was under the table out of sight, but it was pointed at the bad guys. From under the table the shot probably wouldn't kill anyone, but it would make a big hole in someone's leg, or groin, depending on how tall the person was who happened to be standing in the wrong place at the wrong time.

  "Harold," Edward said, "you brought backup." His voice was still Ted's voice, more lively than his usual, but it was no longer a pleasant voice. I couldn't have told you what had changed in the voice, but it raised the tension level another notch. Becca scooted back until she couldn't see the men, hiding her face against Edward's sleeve. Donna reached for her, drawing her away from Edward and into her arms. Donna's face was openly fearful like the girl's. Edward's was open, almost smiling, but his eyes had gone empty. His real eyes peeking out. I'd seen monsters, real monsters, pale under that gaze.

  The short one with the scar shifted from foot to foot. "Yeah, this is Russell," he motioned at the Indian, "and this is Newt."

  I almost said, "Newt," aloud, but figured we had enough problems without me being a smart-ass. And people say I don't know when to keep my mouth shut.

  "Tom and Benny still in the hospital?" Edward asked, voice still conversational. So far we hadn't attracted too much attention. We were getting some glances but not much else, yet.

  "We're not Tom and Benny," Russell said. His voice matched the smile on his face, but I was reminded that smiling is just another way of baring teeth, another way to snarl.

  "Bully for you," I said.

  His gaze swiveled to me. His eyes were so black that the iris and pupil had melted into one black hole. "You another psychic bleeding heart trying to keep the Indian lands safe for us poor savages?"

  I shook my head. "I've been accused of a lot but never of being a bleeding heart." I smiled up at him and thought that if I pulled the trigger, I would take out most of his thigh, and maybe cripple him for life. He was standing that close to the table. Close enough that I wanted him to back up, but I was waiting on Edward, and he seemed just fine with them towering over us.

  "You should leave now," Edward said, and his voice was beginning to sound like Edward. Ted was leaking away, leaving his face a blank, cold mask, his eyes empty as a winter sky. His voice was without inflection as if he were saying something totally different. Edward was emerging from his Ted mask like a butterfly pulling free of a chrysalis, though I wanted something less pretty, less harmless for the analogy, because what was pulling free into the light wasn't harmless, and if things went wrong it wasn't going to be pretty at all.

  Russell leaned over the table, large hands spread across the top. He leaned way over so he would be close to Donna's face, ignoring both Edward and me. Either he was stupid, or he figured we wouldn't dra
w first blood in a public place. He was right about me, but I wasn't so sure about Edward.

  "You and your friends stay out of our way, or you are going to get hurt." He wasn't smiling when he said it. His voice was flat and ugly. "You've got a cute little girl there. Be a shame if something happened to her."

  Donna paled and clutched Becca tighter. I don't know what Edward had planned because it was Peter who spoke. "Don't you threaten my sister." His voice was low and angry, no fear showed through.

  Russell's gaze flicked to Peter, and he leaned over into his face. Peter sat unmoving, until their faces were inches apart but his eyes flickered back and forth like they were trying to escape. His hands gripped the seat edge as if he were literally holding on to keep from backing down.

  "And what are you going to do about it, little man?"

  "Ted?" I made it a question.

  Russell's eyes flicked to me, then back to Peter. He was enjoying the boy's fear and the show of bravado. Hard to be tough muscle if you can't make a fourteen-year-old boy back down. He'd finish scaring Peter then turn to me. I don't think he considered me a threat. His mistake.

  I couldn't see Edward through Russell's bulk, but I heard his voice, cold and empty, "Do it."

  No, I didn't shoot him. That wasn't what I'd asked permission to do or what Edward had given the go ahead on. How did I know this? I just did. I switched the gun to my left hand, and let out a breath, long and soft, until my shoulders were relaxed. I centered myself like I learned for years in Judo, and now Kenpo. I visualized my fingers going into his throat, through the flesh. When fighting for real, you don't visualize hitting someone. You visualize throwing the punch through them and out the other side. Though I would hold back a little. You can collapse a man's windpipe with this move, and I didn't want to go to jail over this. I dropped my right hand down to the seat beside me and brought my hand up with two fingers like a spear pointed. Russell saw the movement, but didn't react in time. I drove my fingers into his throat coming to my feet with the strength of the blow.