The Second E. F. Benson Megapack

by E. F. Benson

  Archie had been lying in his balcony one morning writing an account of these things to Miss Bampton. His mother had gone back to England to take Jeannie home, but would be back at the end of the week, and in the absence of an instructor Archie’s task was to write a long letter daily to somebody at home. This he enjoyed doing, for the search for words in which to express himself had begun to interest him, and he had just written: “If you listen very hard, you can almost hear the grass and the flowers fizzing. Is it the sap? It’s like fizzing anyhow. That’s what I mean.”

  As he paused at the end of his third page, he felt something in his hand that also reminded him of fizzing. There was that queer thrill and twitching in his fingers, which he recognized at once, and words, not searched for by him, but coming from some other source, began to trace themselves on the blank fourth page. Today there were no preliminary scrawls, the firm, upright handwriting was coherent from the first.

  “Archie, I’ve got through again,” it wrote. “Isn’t it fun? If you want a test (“Test?” thought Archie, “what’s that?”) you’ll find a circle cut on the bark of the pine opposite the front-door. Dig in the earth just below it. There’s a box and some things in it. I hid them.”

  A wave of conscious excitement came over the boy, and instantly his hand stopped writing.

  “Oh, bother; it’s stopped,” he said to himself. “I wish I hadn’t interrupted it.”

  But he had interrupted it, and, since he could not get back into that particular quiescence which, he had begun to see, always accompanied these manifestations, he could at least do what the writing suggested, and, slipping off his couch, he tiptoed downstairs in order not to let Blessington hear his exit.

  There were two pine-trees, either of which might have been described as opposite the front-door, and he searched in vain round the first of these for any sign of the circle cut on the bark. Then, coming to the other, he at once saw, with a sudden beating of his heart, a rough circle cut in the bark just opposite his eyes. A grey ring of lichen had grown into it, making it so conspicuous that he wondered he had never noticed it before. Next moment he was down on his knees, grubbing up the loose earth directly below it, with the eager, absolute certainty of success. The earth came away very easily, and his hole was not yet a foot deep when he saw something white and shining at the bottom of it, and presently he drew out a small, round tin box, like that which stood on the table in his father’s study, and held tobacco. He hastily filled the earth into his excavation again, and, undetected, tiptoed back to his balcony.

  For a while the lid resisted his efforts to open it, but soon he got it loose and looked inside. On the top lay a folded piece of paper; below there was a stick of chocolate in lead paper, a pencil, a match-box, and a photograph of a boy about nine years old whom Archie instantly knew to be like himself. Then he opened the piece of folded paper, and saw words written on it in a hand he knew quite well:

  “This is Martin Morris’s,” was the inscription, “and belongs to him alone, and not anybody else at all ever.”

  Archie read this, looked at the photograph again, and a flood of light poured in on his mind. It was no wonder that he had felt that Martin was friendly and affectionate, that Martin wanted to talk to him, that Martin told him of the cache he had made, for to whom should he tell it but to his brother?

  Yes: Martin was here, for Martin had written to him, had called him…And then, in a moment, more light flashed on him. Certainly Martin was alive, but he was not alive in the sense that his mother was alive or Blessington. In that sense Martin was dead. There was nothing in the least shocking or terrifying in the discovery, and it burst upon him as the sense of spring had done. It was just a natural thing, wonderfully beautiful, to find out for certain, as he felt he had found out, that there was close to him, always perhaps, and certainly at times, this presence of the brother whom he had never seen, but who in some way, not more inexplicable than the appearance of the blue gentians pricking up through the snow, could occasionally speak to him, calling him by name, or using his hand to write with.

  A few days afterwards Lady Davidstow arrived back from England, and on the first evening of her return, after dusk had fallen, Archie was sitting on the floor against her knee in front of the one open fire-place in the house, where pine-logs fizzed and smouldered and burst into flame, and glowed into a core of heat. Sometimes, for that pleasant hour before bed-time, she read to him, but tonight there had been no reading, for she had been telling him of the week she had passed at home. They had moved up to London while she was there, and London was miry and foggy and cold.

  “Altogether disgusting, dear,” she said. “You don’t want to go there, do you?”

  “Not an atom,” said Archie firmly. “I like this place better than any I have ever been in.”

  “I’m so glad, Archie. I was afraid you would dislike it after the frost went.”

  Archie was staring dreamily at the fire, and suddenly he knew that Martin was here, and he looked quickly round wondering if, by any new and lovely miracle, he should see the boy whose face was now familiar to him from the photograph. But there was nothing visible; only the firelight leaped on the wooden walls.

  “What is it, Archie?” asked his mother.

  Suddenly Archie felt that he could preserve his secret no longer. As on the day in church when he wanted his mother to share with him the pleasure of that glorious comedian, the man with the wagging beard, so now he wanted her to share with him the secret joy of Martin’s presence.

  “Mummy, I want to tell you about Martin,” he said. “You know whom I mean: Martin, my brother.”

  “Archie, who has been telling you about Martin?” she asked.

  Archie laughed.

  “Why, Martin, of course. It’s too lovely. Once he called me out loud, and he writes for me. He’s written for me three times, once at home and twice here. I knew he was particularly here, the moment we got here. And last time he told me about what he had hidden under the pine-tree, and I found it. Don’t you want to see it? I hid it away in the paper in my portmanteau. Oh, and what is a test? He said it was a test.”

  “A test? A test is a proof.”

  Archie laughed again.

  “That makes sense,” he said. “Now shall I show you the test? I kept it all together with what he wrote to me about it first.”

  He came back in a moment with his precious possession.

  “Look, that’s what he wrote on the paper of my letter to Miss Bampton,” he said. “He said there was a circle cut on the pine-tree, and I found it, and I dug as he told me, and found this. Look! Isn’t it lovely, and that’s Martin’s photograph, isn’t it?”

  It was impossible to question the validity of this evidence, and, indeed, Lady Davidstow had no desire to do so. For herself, she believed implicitly in the fact of life everlasting, without which the whole creation of God, with its pains and its agonies and its yearning and its love, becomes the cruellest of all sorry jests concocted by the omnipotent power of a mind infinitely brutal and cynical, who tortures the puppets He has created with unutterable anguish, or ravishes their souls with a joy as meaningless as dreams. Well she remembered Martin’s cutting the circle on the pine-tree, but what its significance was he had never told her. But now, five years after his death, he had told it, she could not doubt, to the brother who had no normal remembrance of him. There they were, the little pathetic tokens of his childish secrecy, a pencil, a piece of chocolate, a photograph, and, above all, the well-formed, upright handwriting identical with that of the message traced on the last page of Archie’s unsent letter. How it happened, what was the strange mechanism that fashioned by material means this mysterious communication between the living and the dead she had no idea, but of its having happened she had no doubt.

  She turned these relics over, she kissed the handwriting so long buried, and tears of tender amazement rose in her eyes.

  “Oh Archie, my darling,” she said. “You lucky boy!”

  �
�Aren’t I?” said Archie. “But does Martin never write to you?”

  “No, dear; I suppose he cannot.”

  “And why is he so particularly here?” demanded Archie.

  She paused a moment.

  “He died here,” she said.

  “In this house?” asked he. “Which room?”

  “Blessington’s.”

  Archie gave a great sigh.

  “Oh, mummy, do let me have that room instead of mine!” he said.

  ACROSS THE STREAM (Part 2)

  BOOK II

  CHAPTER V

  Archie was precariously perched on the side of his little Una-rigged, red-sailed boat, looking with dancing blue eyes at the rocky coast all smothered in billows and sunlit spray some quarter of a mile ahead, and wondering if he would be able to make the harbour of Silorno on this tack. He wondered also what was the best thing to do if he could not. There seemed to be two alternatives, the one to beat out to sea again and come in on another tack, the other to run before the wind to the head of the bay, away to the right, where he knew there was a sandy beach, tumble himself out as best he might, and, he was afraid, see his beloved Amphitrite being pounded to bits by the rollers; for, with all his optimism, he could not picture himself hauling her up out of harm’s way. But even this seemed preferable to the other alternative, for to beat out again in such a sea seemed really a challenge to the elements to swamp him, in which case he was like to lose the Amphitrite and his own life as well.

  The wind was blowing with all the violence of a summer Italian gale straight down the bay from the open sea. A high wall of rock against which the breakers smashed themselves, and would smash anything else that rode them, was in front of him; then came the narrow opening into Silorno harbour for which he was making, after which the rocks, on the top of which ran the road to Santa Margharita, continued right up to the head of the bay. It had been rough when he started to sail there, in order to get some cigarettes, which now were stowed away in his coat which he had wrapped round them and placed where it would receive as small a share as possible of the spray that from time to time fell in a solid sheet into the boat. That seemed almost the most important thing of all, to keep the cigarettes dry, for it would be too futile to have taken all this trouble, and so greatly have ventured himself and his Amphitrite, if at the end the cigarettes should prove to be a mash of tobacco and salt water, for they were only in a cardboard box. And next in importance came the need of demonstrating to his mother and Harry and Helena and Jessie that he had been perfectly wise and prudent in sailing across to Santa Margharita, in spite of their land-lubber fears, in a freshening gale and a lumpy sea, in order to get these Egyptian cigarettes instead of the despised Italian brand. He made no doubt that the whole party of them were at this moment watching him through glasses from the terraced garden of the Castello that sat perched at the top of the steep, olive-clothed hill in front of him, and he spared a second to wave a hand in their direction in case they were there. But he did it in a rather hurried manner, for he wanted that hand to be ready to loosen the sheet in case any more wind was on its way to him, and the other hand must retain its hold on the tiller.

  Archie was clad in a jersey stained and whitened with salt-water, and the rest of his attire consisted of grey flannel trousers. His coat was defending to its last dry stitch the trophy of cigarettes; his shoes he had put under his coat, for it was just as well to keep them dry, while, if by any chance he had to swim, they would be of no use to him either dry or wet. The sleeves of his jersey rolled up nearly to his shoulder, disclosed slim, strong arms, incredibly browned with a month of sea-bathing, and his sockless feet were of the same fine tan of constant exposure. His hair, thick and dripping from the spray, had for the present lost its tawny curliness, and he had to throw back his head from time to time, in order to keep it out of his eyes. And in his mind there was the same wildness of out-of-doors rapture that characterized the youth of his supple body: he could have laughed with pleasure at the mere fact of this doubtful battle between himself and the wind-maddened sea. But all the time in some secret chamber of his brain there sat, so to speak, a steadfast and keen observer, who was making notes with all his might, and pushing them down into the cool caves of memory, to be brought forth (in case Archie came safely to land) from their cold storage, and fitted with words which should reproduce the exultation of wind and sun and sea. And in a chamber more secret yet, a chamber not in his brain but in his heart, sat the knowledge that among the others his second cousin, Helena Vautier, in particular was surely looking at him from the terraced garden high above the cliff. She should see (and, for that matter, so should her sister Jessie) how to handle a boat. She had been strong in her dissuasion of his starting at all, and that, if Archie was quite honest with himself, was one of the principal reasons why he had insisted on doing so. She had mentioned casually the otherday that there was nothing in the world she liked better than the careless “go-to-the-deuce” attitude towards danger which to her represented manliness, and Archie had been only too delighted to give her this vigorous exhibition of it. But it tremendously pleased him that, on his announcement of his intention to go across the bay, she should have so strenuously dissuaded him. To his mind that conveyed the impression that she liked him as much as she liked exhibitions of manliness.

  He was already opposite the opening into the harbour and still several hundred yards distant, and for the time all the attention of the observer who some day was going to put this experience into words, and of the other observer who knew that Helena was watching him, was diverted to the job that engaged his more superficial self. But that part of him, intent and eager though it was on the hazard that lay before it, sang and shouted with glee at the fact that he was alone out here on the sea. For this very sane and healthy personage, Archie Morris, might almost be described as an aqua-maniac, so intense was his passion for that gladdest and most glorious creature of God. He did not want to be a sailor, for a sailor inhabited an impregnable fort which, though surrounded by sea, was still impenetrably removed from it, and defied it by means of colossal cylinders and pounding pistons and steel sides. Best of all was to be swimming in the sea, but not far removed from that was to coax and wheedle the sea through the medium of a big sail and a tiny boat: being alone with the sea, as with all lovers, was necessary to the full realization of passion. A river was a fair substitute for the sea or a lake; but there had to be a quantity of water. He loved to dive, and open his eyes under water, so as to see the sun shining through it. That was a very early passion, dating from the time when he had stepped out of a boat in his anxiety about a pike that was on the end of his line…

  Then, for a moment, all other considerations were subordinated to keen physical activity. The wind was sweeping him across the mouth of the harbour, and he had either to put about at once to avoid being taken onto the rocks at its northern end, or, risking being swamped, put his helm even harder a-port, and tighten his sheet. With his habit of swift decision, he determined to go for it, and, throwing his leg across the tiller, he pulled on his sheet with both hands. The spray from the waves that broke themselves on the rocks fell solid and drenched him, but next moment, with but a yard or two to spare, he skimmed by them into the broadening harbour. There the promontory on which the Castello stood came between him and the wind, his sail flapped idly, and in dead calm he picked up his sculls to row the Amphitrite to her anchorage. But, before he took them up, he laughed aloud.

  “Gosh, what sport!” he said.

  * * * *

  The anchorage of the Amphitrite lay in a bay not far from the entrance to the harbour, screened by the steep-climbing olive groves belonging to this Castello of Silorno which Archie’s mother had taken for the months of May and June: Silorno itself, that incredibly picturesque huddle of pink and yellow walls, of campaniles, and lacemakers, who, with bright coloured kerchiefs over their comely heads, plied their wooden bobbins all day in the shade of its narrow streets, rose, roof over roof, at the
head of the harbour. A big cobbled piazza sloped down to the quay wall where sailors chatted and dozed in the shadow all day, putting to sea for their night-fishing by the light of flares about the time of sunset. The village was impenetrable to wheeled traffic, for the road along the bay came to an end at its outskirts, and thereafter became a narrow cobbled track, built in steps where the steepness of its streets demanded. Round the town rose an amphitheatre of hills broken only by the low saddle, where the final promontory on which the Castello stood swam out seawards in three wooded humps of hills. And, sitting here, you could observe on days like these the breakers crashing on the reefs to the right, where the seas rolled in from the open Mediterranean, while the land-locked harbour, into which Archie had just brought his boat, lay smooth as a mirror at your feet towards the left. Straight in front ran the ascending path that passed below the Castello to the head of the promontory, where enlightened Italian enterprise was building an execrable and totally useless lighthouse to supplant the little Madonna chapel that had stood there for centuries.

  Archie took down his sail, anchored the Amphitrite, and punted himself across in a small boat to the landing-stage at the foot of the hill on which the Castello stood. Here the trees stood untroubled by the gale that poured high over them from the south, though on the other side of the harbour the wind roared in the olives, and turned their green to the grey of the underleaf, and the great surges beat and burst on the rocks he had narrowly avoided. But here that tumultuous stir was unfelt, and the resinous smell of pines and the clean odour of the eucalyptus-trees hung in the warm and sheltered air. Out of that denser shade he passed into the belt of olives that grew higher on the slope, mixed with angled and contorted fig-trees, where the fruit was already beginning to swell and ripen. Above rose the great grey bastion of the retaining fortress wall, tufted with stone-crop and valerian that was rooted in the crevices, and above that again was spread the umbrella of the stone-pine that grew at the corner of the garden. The path he followed wound round the base of this wall and passed below its easterly side, where he came into the blast of the warm south wind again that swept along the face of the Castello, and made the cypresses bend and buckle like fishing-rods which feel the jerk and pull of some hooked giant of the waters. The hillside here plunged very precipitously downwards to the bay three hundred feet below, wrinkled with waves, and feathered with foam, and, lover of the sea though he was, he felt content to observe that tumult of windy water. Not a sail was visible right across to the farther shore of the gulf, and tonight there would be no illumination of the fishing-boats that in calm weather rode out there, twinkling and populous as a town. But he stood looking at the sea a moment before he turned into the narrow stone passage that led to the gate of the house, as a man may look with love on his horse that, unruly and obstreperous, has yet carried him so gallantly.