The Second E. F. Benson Megapack

by E. F. Benson

  He will see her, will he? Ah! But he shall not. Eva, who had always felt herself so strong, was suddenly weak. If she knew that he was there, was waiting to know if he could see her, how could she say she would not see him, and if she saw him, how could she not yield? It was impossible, impossible. Meanwhile, she had a day and a night in which to decide what to do. He would not be in London till tomorrow morning. Many things may happen in a day or a night. She might go away, away somewhere where he would never know and could never follow her. And where in the world was that? Where would not she follow him? Perhaps nowhere in the world, out of the world somewhere—perhaps—perhaps.…

  There was a piece of green, unturned grass next the grave where her husband lay, in that peaceful churchyard where the trees sang low together in the wind. How would it do to go there, to be quite quiet at last? “Perchance to dream?” Yes; but surely if she dreamed at all, she would dream of Reggie. One might do worse, she thought, than dream of him.

  How odd that she had not thought of this before! It was so very simple, so very satisfactory. She only cared for one thing in this world, and that she could not have. So why wait here?

  But he must never know—that would spoil it all. He must never even suspect. Eva had an intense horror of anything like melodrama, and she wished everything to be as natural as possible. If only she could hire a madman from a lunatic asylum to shoot her—no, shooting would not do—it was noisy, messy, a hundred things it should not be. Surely doctors knew plenty of ways by which one could glide quietly out of the world without suspicion—they knew so many ingenious devices by which they can keep us in the world, that they must know some to let us out. Some clean, soothing drug which presented no traces at a post-mortem diagnosis—that was the word, was it not? Eva smiled when she pictured herself going to a doctor and asking for a drug of this description. A suspicious mind might perhaps attach undue importance to such a visit, if made a few hours before her death. What fools people were!

  Eva pondered, till after a moment a sudden thought struck her. Was not suicide, of a kind, more misleading to those—to him to whom she wished it to be misleading, than death from apparently natural causes? Her husband had died four days before, and, nominally, she was a more or less broken-hearted widow; to Reggie, at least, broken-hearted enough, for it was part of the concealment which she had practised to him, to hide her relations with her husband, and when she decided to let him know the rest of her, that was a side issue which she had not shown him. Would not the self-sought death of a heart-broken widow be the most complete disguise to her action, far more complete than the clumsy death by pistols or overdoses? “It is always a good thing to add details,” thought Eva to herself. The worst of it was that such a death was somewhat melodramatic; but when the actor quits the boards for ever, it may be excusable that he makes one concession, in spite of his own distaste, to set the audience in a roar. Yes, she would have it so.

  Lord Hayes used to dabble in chemistry in an amateur way, and Eva remembered his showing her, in his laboratory at Aston, a little bottle full of a harmless-looking liquid, the smell of which reminded her at first of soft cool peaches, but afterwards of the almond icing on the top of wedding cakes. He had told her that it was prussic acid, and that one drop of it on the tongue would kill a man. She remembered the incident clearly, because when she smelled it she had shuddered, and had thought of her own wedding cake. The bottle was sure to be there still—it stood on the second shelf to the right as you opened the door of the laboratory, and it had a large, red label on it. It was curious how accurately the whole thing came back to her.

  The bottle was at Aston, and he was buried in the churchyard there. She regretted the necessity of melodrama, but she would not be alive to regret it afterwards. Eva had no fear, only a longing to get it over—to be quite sure that nothing would stop her carrying out her intention of putting herself out of the reach of him she loved. She would go down to Aston that afternoon; meanwhile, there were three or four hours to be spent in London. Well, there were very few preparations to make. When we take that longest journey of all, there is no packing to be done, no arrangements to be made, as when we go away for a three days’ visit. All arrangements are made for us; death provides us with an excellent courier who will forget nothing.

  There were just two notes she wished to write—one to Mrs. Davenport, saying that she had heard from Reggie, to say he was coming back to London, and that he wished to see her; that she had given him his congé once for all and had no intention of seeing him, and that it would save her trouble if Mrs. Davenport would communicate this to him.

  It was not a very easy note to write for many reasons, but the other was even harder; it was to Gertrude Carston, and ran as follows:—

  “You will wonder what I, of all women in the world, can have to say to you. Do not resent my writing till you have read. I have done you a cruel wrong and I am sorry for it. I allowed Reggie Davenport to fall in love with me, when I might have stopped it. If I had cared for him it would have been different, for my husband is dead, and he would have married me. In that case I should not have been sorry as I am now. But I never cared for him at all; I did it thoughtlessly, and, as far as I had any motive at all, because it amused me. My husband was the only man I ever cared for; he is dead and I wish I were dead too. It is but poor amends that I can make, but this I promise you, that I will never see Reggie Davenport again. Be very patient with him; he will love you as well as you love him, and that I know is not a little. He will come back to you and you will not hate me then.

  “I wish I could have seen you to tell you these things. I think you would have believed me; and I must ask you to believe me now. You will have heard of my husband’s death. May you never know what that means. If you like, show Mr. Davenport what I have written to you; it will be good that he should know that I never cared for him.

  “I am not so bad as you think; I did my best to stop him caring for me when we saw Tannhäuser together; he went away to you, I know, next morning, and I hoped that that would have been the end. Perhaps, if you saw me, you would be sorry for me now. Above all, remember he will come back to you; it will be with you as if I had never come between you. The fault was mine, do not cast it up to him.”

  This letter took some time in the writing. It was not easy to write, but when it was done, Eva closed it for fear of drawing back, and sent both off at once to the post. She longed to finish some one of those things that lay before her to do, so that she could not go back from finishing them all. She was afraid of being weak, but not from fear of death. It was far easier to die than to live with that impassable barrier between her and happiness.

  She arrived at Aston about four o’clock. She had sent a telegram to the house saying that she was coming for a few nights, and a carriage was at the station to meet her. She went first of all to the little laboratory opening off what had been her husband’s study, and found that she had remembered the place where the bottle stood, with its red label. She uncorked it to make sure it was right. Yes, the almond on the top of wedding-cakes—her wedding-cake—it was exactly that smell. Then she drew her black veil over her face and went out again. There were certain grimly comic details which she had determined to go through, in order to lend probability to her act, and, with this purpose, she went into the hothouses, and the gardeners who were working saw her pick an armful of delicate orchids and white lilies. She tore the plants up like one possessed, and with her load of sweet-smelling whiteness, they saw her go down the path that led to the churchyard.

  There were several loiterers there, among them the old sexton, who remembered afterwards that a lady, dressed in black, scattered a mass of flowers over Lord Hayes’s grave, and then threw herself down on the fresh-turned earth, and lay there for half an hour or it might have been more. He knew her to be Lady Hayes, and when he went away, for the dusk was falling, he left her still there.

  But when the sexton had gone, Eva got up. “One scene more of this weary farce,�
�� she said half aloud. “Ah, Reggie, Reggie, may you never know!”

  In the gloaming she went back to the tall house, standing stately among its terraces and garden beds. The sun had sunk; only in the west was a great splash of crimson, the nightingales were singing in the elm trees, and white-winged moths fluttered about over the flower-beds. As she entered, she turned once more to look over the peaceful, unconscious earth. The river lay like a chain of crimson pools among the trees below the meadow; on the far bank was a brown-faced country lad fishing, and nearer, in the hayfields, were a few belated labourers returning from their work. Across the river she could see the red walls of her old home and the flower-beds gleaming in the light of the sunken sun. Then, for the first moment, a sudden spasm of regret, of longing, and of horror for what she was going to do came over her. It would have been better to have finished that last act at the grave itself, but an unaccountable repugnance to being found by the first passer-by had prevented her.

  Next moment she had swept it away. Surely she was not going to turn coward now. She turned, and passed through the study, with step as firm as ever, and with all her indolent, unrivalled grace of movement, into the laboratory beyond.

  MICHAEL (Part 1)

  CHAPTER I

  Though there was nothing visibly graceful about Michael Comber, he apparently had the art of giving gracefully. He had already told his cousin Francis, who sat on the arm of the sofa by his table, that there was no earthly excuse for his having run into debt; but now when the moment came for giving, he wrote the cheque quickly and eagerly, as if thoroughly enjoying it, and passed it over to him with a smile that was extraordinarily pleasant.

  “There you are, then, Francis,” he said; “and I take it from you that that will put you perfectly square again. You’ve got to write to me, remember, in two days’ time, saying that you have paid those bills. And for the rest, I’m delighted that you told me about it. In fact, I should have been rather hurt if you hadn’t.”

  Francis apparently had the art of accepting gracefully, which is more difficult than the feat which Michael had so successfully accomplished.

  “Mike, you’re a brick,” he said. “But then you always are a brick. Thanks awfully.”

  Michael got up, and shuffled rather than walked across the room to the bell by the fireplace. As long as he was sitting down his big arms and broad shoulders gave the impression of strength, and you would have expected to find when he got up that he was tall and largely made. But when he rose the extreme shortness of his legs manifested itself, and he appeared almost deformed. His hands hung nearly to his knees; he was heavy, short, lumpish.

  “But it’s more blessed to give than to receive, Francis,” he said. “I have the best of you there.”

  “Well, it’s pretty blessed to receive when you are in a tight place, as I was,” he said, laughing. “And I am so grateful.”

  “Yes, I know you are. And it’s that which makes me feel rather cheap, because I don’t miss what I’ve given you. But that’s distinctly not a reason for your doing it again. You’ll have tea, won’t you?”

  “Why, yes,” said Francis, getting up, also, and leaning his elbow on the chimney-piece, which was nearly on a level with the top of Michael’s head. And if Michael had gracefulness only in the art of giving, Francis’s gracefulness in receiving was clearly of a piece with the rest of him. He was tall, slim and alert, with the quick, soft movements of some wild animal. His face, brown with sunburn and pink with brisk-going blood, was exceedingly handsome in a boyish and almost effeminate manner, and though he was only eighteen months younger than his cousin, he looked as if nine or ten years might have divided their ages.

  “But you are a brick, Mike,” he said again, laying his long, brown hand on his cousin’s shoulder. “I can’t help saying it twice.”

  “Twice more than was necessary,” said Michael, finally dismissing the subject.

  The room where they sat was in Michael’s flat in Half Moon Street, and high up in one of those tall, discreet-looking houses. The windows were wide open on this hot July afternoon, and the bourdon hum of London, where Piccadilly poured by at the street end, came in blended and blunted by distance, but with the suggestion of heat, of movement, of hurrying affairs. The room was very empty of furniture; there was a rug or two on the parquet floor, a long, low bookcase taking up the end near the door, a table, a sofa, three or four chairs, and a piano. Everything was plain, but equally obviously everything was expensive, and the general impression given was that the owner had no desire to be surrounded by things he did not want, but insisted on the superlative quality of the things he did. The rugs, for instance, happened to be of silk, the bookcase happened to be Hepplewhite, the piano bore the most eminent of makers’ names. There were three mezzotints on the walls, a dragon’s-blood vase on the high, carved chimney-piece; the whole bore the unmistakable stamp of a fine, individual taste.

  “But there’s something else I want to talk to you about, Francis,” said Michael, as presently afterwards they sat over their tea. “I can’t say that I exactly want your advice, but I should like your opinion. I’ve done something, in fact, without asking anybody, but now that it’s done I should like to know what you think about it.”

  Francis laughed.

  “That’s you all over, Michael,” he said. “You always do a thing first, if you really mean to do it—which I suppose is moral courage—and then you go anxiously round afterwards to see if other people approve, which I am afraid looks like moral cowardice. I go on a different plan altogether. I ascertain the opinion of so many people before I do anything that I end by forgetting what I wanted to do. At least, that seems a reasonable explanation for the fact that I so seldom do anything.”

  Michael looked affectionately at the handsome boy who lounged long-legged in the chair opposite him. Like many very shy persons, he had one friend with whom he was completely unreserved, and that was this cousin of his, for whose charm and insouciant brilliance he had so adoring an admiration.

  He pointed a broad, big finger at him.

  “Yes, but when you are like that,” he said, “you can just float along. Other people float you. But I should sink heavily if I did nothing. I’ve got to swim all the time.”

  “Well, you are in the army,” said Francis. “That’s as much swimming as anyone expects of a fellow who has expectations. In fact, it’s I who have to swim all the time, if you come to think of it. You are somebody; I’m not!”

  Michael sat up and took a cigarette.

  “But I’m not in the army any longer,” he said. “That’s just what I am wanting to tell you.”

  Francis laughed.

  “What do you mean?” he asked. “Have you been cashiered or shot or something?”

  “I mean that I wrote and resigned my commission yesterday,” said Michael. “If you had dined with me last night—as, by the way, you promised to do—I should have told you then.”

  Francis got up and leaned against the chimney-piece. He was conscious of not thinking this abrupt news as important as he felt he ought to think it. That was characteristic of him; he floated, as Michael had lately told him, finding the world an extremely pleasant place, full of warm currents that took you gently forward without entailing the slightest exertion. But Michael’s grave and expectant face—that Michael who had been so eagerly kind about meeting his debts for him—warned him that, however gossamer-like his own emotions were, he must attempt to ballast himself over this.

  “Are you speaking seriously?” he asked.

  “Quite seriously. I never did anything that was so serious.”

  “And that is what you want my opinion about?” he asked. “If so, you must tell me more, Mike. I can’t have an opinion unless you give me the reasons why you did it. The thing itself—well, the thing itself doesn’t seem to matter so immensely. The significance of it is why you did it.”

  Michael’s big, heavy-browed face lightened a moment. “For a fellow who never thinks,” he said, “y
ou think uncommonly well. But the reasons are obvious enough. You can guess sufficient reasons to account for it.”

  “Let’s hear them anyhow,” said Francis.

  Michael clouded again.

  “Surely they are obvious,” he said. “No one knows better than me, unless it is you, that I’m not like the rest of you. My mind isn’t the build of a guardsman’s mind, any more than my unfortunate body is. Half our work, as you know quite well, consists in being pleasant and in liking it. Well, I’m not pleasant. I’m not breezy and cordial. I can’t do it. I make a task of what is a pastime to all of you, and I only shuffle through my task. I’m not popular, I’m not liked. It’s no earthly use saying I am. I don’t like the life; it seems to me senseless. And those who live it don’t like me. They think me heavy—just heavy. And I have enough sensitiveness to know it.”

  Michael need not have stated his reasons, for his cousin could certainly have guessed them; he could, too, have confessed to the truth of them. Michael had not the light hand, which is so necessary when young men work together in a companionship of which the cordiality is an essential part of the work; neither had he in the social side of life that particular and inimitable sort of easy self-confidence which, as he had said just now, enables its owner to float. Except in years he was not young; he could not manage to be “clubable”; he was serious and awkward at a supper party; he was altogether without the effervescence which is necessary in order to avoid flatness. He did his work also in the same conscientious but leaden way; officers and men alike felt it. All this Francis knew perfectly well; but instead of acknowledging it, he tried quite fruitlessly to smooth it over.