Double Cross
Page 1
Advance praise for DOUBLE CROSS
“Double Cross sucked me in from the start and I couldn’t put it down until the last page. I want the next one—now.”
—SHILOH WALKER,
nationally bestselling author of Veil of Shadows
Praise for MIND GAMES
“Mind Games is a violent U-turn in a fresh direction, signaling the dynamic and welcome arrival of both Carolyn Crane and the most unique urban fantasy heroine I’ve seen on the page in a long while, Justine Jones. And like Justine, Midcity is brightly imagined, beautifully dangerous, and perfectly flawed. Flashy and stylish, this is urban fantasy’s new shot in the arm.”
—VICKI PETTERSSON, New York Times
bestselling author of Cheat the Grave
“Carolyn Crane writes with deft and evocative flair, creating a fantasy-noir world touched with comic book cool. With a twisty plot, a unique heroine, memorable supporting characters, and an amazingly fresh premise, debut novel Mind Games is a delicious, unforgettable delight. I can’t wait for the next book!”
—ANN AGUIRRE,
national bestselling author of Blue Diablo
“With a twisty, edgy storyline, a unique premise, and a fascinating heroine, Mind Games jumpstarts a smart and original urban fantasy trilogy. A fabulous debut!”
—MELJEAN BROOK,
author of The Guardians series
“Masterful worldbuilding, sly humor, and fantastically quirky characters. I can’t say enough good things about this book. I loved, loved, loved it. A+”
—JILL SORENSON,
author of Set the Dark on Fire
“A wonderful start to a new series.”
—EllzReadz
“Wow! Crane’s writing style brings to mind old-school noir, with the compelling attitude of superheroes from a graphic novel. A masterful blend of dark and light, good and bad, and all the grays in between, it will draw readers thoroughly into her tale, as they root for the good guys—while trying to figure out just who the good guys are. The ending promises more adventures, and that is a very good thing.”
—Romantic Times (four stars)
“Carolyn Crane’s debut novel is a brilliant original in every way. Just when I think that urban fantasy heroines are becoming too clichéd and predictable, Mind Games blows me out of the water with its unique premise. Justine does not wield a katana, or ride a Harley, or kick like a ninja. Instead she fights with her mind, and speaking as a nerd myself, I find that concept oh so sexy.”
—dirtysexybooks.com
“Mind Games is a fast-paced book from start to finish, you never know what’s going to happen next! It is completely different from any other urban fantasy.”
—Wicked Little Pixie
BY CAROLYN CRANE
Double Cross
Mind Games
Double Cross is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
A Spectra Mass Market Original
Copyright © 2010 by Carolyn Crooke
All rights reserved.
Published in the United States by Spectra, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
SPECTRA and the portrayal of a boxed “s” are trademarks of Random House, Inc.
eISBN: 978-0-345-52272-6
www.ballantinebooks.com
v3.1
Acknowledgments
There are so many people I want to thank for Double Cross!
First of all, I am endlessly, lavishly grateful to my critique partner, Joanna Chambers (a.k.a. Tumperkin), who has been such a brilliant and important co-creator of this book. I feel so lucky we took a chance on each other! And also my husband, Mark, the most amazing brainstormer, draft reader, and sentence-punch-up guy ever, and an extraordinary writer in his own right. I’m grateful also to early readers Elizabeth Jarrett Andrew, Marcia Peck, and Teresa Whitman, who brought insight to the beginning. And to Jessica Miller, who came through with a late-draft read and some key thinking that greatly improved things.
Warmest thanks to Cameron McClure—you continue to be a treasured ally, giving me hard, smart, creative input on my work, and being a great agent in every other way. And I’m hugely grateful to my wonderful editor, Anne Groell, as well as David Pomerico and all the other hard-working people at Spectra.
Also, I owe a tremendous debt to so many book bloggers—your support of the series, your friendship, and all of our creative interaction has meant so much to me. And I should specifically thank Sarah (Sharrow) and Rachael Dimond, who both gave me specific earworm song ideas in a contest ages ago—songs I ended up using on these pages.
Finally, so many authors have reached out to me in so many ways: Ann Aguirre, Meljean Brook, LB Gregg, Vicki Pettersson, Jill Sorenson, Shiloh Walker, Penny Watson, and others. Thank you! And I especially want to thank the talented, generous authors in the League of Reluctant Adults—I feel so lucky and happy to have the benefit of your kindness and insight, and to be in on your mayhem.
Contents
Cover
Other Books by This Author
Title Page
Copyright
Acknowledgments
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter
One
EZ THE COAT CHECK GIRL, a.k.a. the Stationmaster, draws her face right up close to the glass window of her little booth and fixes me with a piercing gaze. Her fine features and short blonde hair lend her a certain elfin beauty; it’s hard to believe she’s a mass murderer. Honestly, how does a dream invader even kill people? People have bad dreams all the time. They’re just dreams. I should have asked when Packard assigned me her case.
“Do you get a lot of patients coming to your clinic with, you know, Morgan-Brooksteens parasites colonizing their organs?” she asks.
“Oh, yes.” I run my finger along the semicircular hole at the bottom of the window. The coat check booth is situated along a kind of balcony overlooking the glamorous piano bar below. They call this place the Sapphire Sunset. Soft music and voices rise up through the air, punctuated by occasional hoots of laughter.
“What happens to them?”
“Well, once a person’s organs are colonized …” I shake my head.
“But I thought there were promising new medications on the horizon!”
“ ‘Promising’ may be overstating it. Just between us, we don’t want people scared if they have symptoms.”
Ez stiffens. “People should be scared if they have symptoms?”
“No, I said we don’t want them to be scared.”
“Which implies they should be scared!” The conversation winds on like this for a while. It’s easy to frighten a hypochondriac once you understand that it’s just an adult version of monsters in the closet.
I study the booth as s
he describes her symptoms. Stationmaster Ez is separated from the world by two panes of glass; tokens are passed back and forth along a metal gully under the semicircular holes. To the left is a coat carousel, like a revolving door for coats. Patrons hang them on hooks and Ez spins the coats to her side. She slides a token across the gully for each coat, and then she hangs it up and rollers off lint. You’d never know it’s been her prison for three years. The curtain behind her probably hides where she sleeps and bathes.
Cut off even from touch! Otto only reserves this level of security for his most dangerous offenders; usually when he makes a force-field prison, non-prisoners can pass in and out. That’s how it was when he had Packard imprisoned in the Mongolian Delites restaurant.
A new tune noodles up from below. “Muskrat Love.”
Ez lowers her voice. “Whenever he plays that, I want to shove an ice pick in my ear.”
“I bet.” I’d like nothing better than to discuss the insanity of that song, but I can’t let her get off subject. “Look, I could take your pulse and examine your skin tonus,” I say. “That would provide certain indicators.”
She points to the window. “Antiburglar force field.”
I nod. So that’s how she explains it. Probably only the owner knows she lives here. Her eyes grow huge as I pass my hand through. I have to be touching a target to zing her.
“How’d you do that?”
I’m ready with my story: as a nurse, I have a descrambler that unknits fields just enough for me to pass through.
“I never heard of that!”
“What if you were having a heart attack? How would I treat you?” I don’t tell her the device is the chain bracelet I’m wearing; she might try to rip it right off. “Come on, let’s see.”
Cautiously she places her hand in mine and I pull it toward me, back across the gully, and pretend to inspect her skin as I stoke up the fear I’m going to zing her with. The abnormally large amount of fear I’m able to generate is the reason Packard drafted me into his psychological hit squad, and the reason he could teach me to dump it into other people just by touching them. Later, others from my squad will do the same thing to her, with different emotions. We’re like a demolition team of neurotics.
I focus on one of my triggers: the plastic hospital tray where you put your jewelry before an operation. I feel the panic thicken my throat, speed my pulse. The room goes bright.
I hate this job more every day.
“Can I get one of those? A descrambler?”
“Medical professionals only. Let’s see the other one.”
She extends her other hand toward mine. It occurs to me that this is probably the first time somebody has touched her in years. I feel like such a fiend.
“Can I just see the descrambler?” she asks. “I’d really like to just see it.”
“Sorry, I’m not supposed to show it around.” I concentrate on ripping the hole between our energy dimensions in the area beyond my fingers. The hole acts as a kind of siphon tube, allowing my dark, roiling emotions to rush out of me and into her. Out they flow, faster and faster. I try to maintain my composure, standing there inspecting her hand, but I feel this incredible levity as the heavy fear leaves my body, my mind, my entire being.
When it’s all gone, there’s only the sensation of wind inside my fingers, and exquisite calm. My shoulders drop. Everything’s new.
Ez’s face has gone ashen. “You see something! I know it. Shit!”
They never suspect my touch; they always think the fear is from the conversations. Which is exactly why we have the conversations.
“I have it, don’t I? The parasites are in me! They’ve colonized my body!”
Before I can answer, fingers dig into my shoulders and I’m jerked backward. My hand separates from hers, which is forced back inside the field.
I spin around. “Packard!”
He grabs my elbow and pulls me across the catwalk and down the wide, carpeted stairs, down into the sea of people.
“What are you doing?” I ask, nearly tripping down the last few steps.
He drags me into a corner below the coat check catwalk, where Ez can’t see us. This sort of rough treatment would make me a lot angrier if I hadn’t just zinged out all my negative emotions. All the same, I shake him off, and I do my best to fix him with a good glare. “Don’t ever do that again,” I say.
His green eyes burn into mine. “Or what?”
I have nothing to say to that, unfortunately.
“You zinged her!” he says. “I told you to wait for me.”
“You were an hour late,” I say.
“What have you done?” Packard’s handsomeness doesn’t come from being pretty and finely sculpted; he has a more brutal handsomeness, with big rough-hewn features that look as if they were carved with caveman tools. Tonight, his shortish cinnamon curls are a bit wilder than usual. He glares at his hands, then at me.
I should probably be more concerned at this point, but after you zing out all your fear and darkness, life seems pretty great. Glory hour, we call it. Most people think happiness is about gaining something, but it’s not. It’s all about getting rid of the darkness you accumulate.
It’s here I notice spots of blood on his white shirtfront and cuffs. His fine black jacket is darker in spots, too. “Oh my God, what happened, Packard? Are you okay?”
“How long did you touch her?”
“Just enough to zing her.”
“How did you get through?”
“Otto made me a descrambler.” I hold up my arm with the bracelet. “What’s going on?”
“I’m the one to hand out the descramblers if and when people need them.”
“Well, Otto gave me one.”
“She’s a dream invader.”
“I know,” I say.
Packard frowns. His roguish allure appealed to me at one time, but that was before I realized he’d tricked me into being his minion for life.
I cross my arms and look away, struggling to maintain my usual grudge against him. Everything and everyone is way too enchanting during glory hour. And if a person was alluring to you before glory hour, their allure increases a millionfold. Hell, even breathing is a wonderful, sensual experience during glory hour.
He says, “Once she touches you, she has you.”
“How was I supposed to zing her without touching her?”
Packard pulls a pair of long silver gloves from his pocket.
I take them. No wonder he wanted me to wear my silver dress. “They’re lovely.” I run a palm along the smooth cool silk. Everything is so wonderful during glory hour!
I look up to find him staring at me strangely. Packard is the most intense person I know. Even when he’s just stirring his coffee or adding up columns of numbers, he has this intensity to him. Like white-hot lava churns inside him, 24/7.
“Let me put this in a way that even your glorying mind can understand. I touched you while you were touching an extremely dangerous dream invader. She’s probably linked to us both now.”
“Packard, why do you have blood on you?”
He stares at my shiny shoes. I grab his sleeve. “Packard. The blood. What happened?”
Silence. Then, in a whisper: “Rickie and Francis were shot.”
“No! Are they …”
“They’re both alive. Rickie needs a lot of surgery. Francis was just hit in the shoulder.”
“Shit!” Now I’m focused. Rickie’s a telekinetic Packard took under his wing; Francis is a regular human and Packard’s right-hand man.
“Three figures. Hooded gray sweatshirts,” he adds.
“The Dorks.”
He nods gravely. The trio of serial killers known as the Dorks has been terrorizing Midcity for two weeks. Five shootings and eight dead. Regular people think it’s random. It’s not.
Packard gives me the details of Rickie’s condition. It’s bad.
“So they shot Francis? They’re going after us humans, too?” Up until now, the Dorks have
only targeted those with highcap powers.
“No. They were specifically targeting Rickie,” Packard explains. “It was only when Francis shot back that he became a target.”
“It doesn’t make sense,” I say. “Even DNA testing can’t identify you guys.”
“Somehow the Dorks can tell,” Packard says grimly. “They see us. I don’t know how, but there’s no other ex-planation. Eight dead. Six injured. All highcaps except Francis.”
“Maybe it’s a coincidence,” I say.
“A highcap is a one-in-a-thousand mutation. You don’t get coincidences like that.”
“Could the Dorks have a list of you guys?”
“A few of the dead were so secretive, even the highcap community didn’t know they were highcap until after.” He bites his lip. “They can tell.”
It means they can tell Packard’s a highcap. And Otto, too. Otto would never have been elected mayor if people knew he was a highcap.
Midcity’s mainstream media rarely cover the local highcap phenomenon unless they’re making it into a Bigfoot or UFO type of infotainment feature. Nevertheless, a growing number of Midcitians suspect that highcaps are real, or at least they suspect it enough to fear and loathe them.
Packard pulls me closer to the wall as a squadron of fancy revelers squeezes past. “It gets worse. Before Rickie was shot a second time, she tried to send loose rocks and gravel at them, but as soon as her projectiles neared them, they dropped out of the air. As if the Dorks are shielded somehow, or possess a kind of counterpower. A personal dampening field …”