Beethoven: Anguish and Triumph

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by Swafford, Jan


  Broyles, Michael. Beethoven: The Emergence and Evolution of Beethoven’s Heroic Style. New York: Excelsior Music, 1987.

  Burnham, Scott. Beethoven Hero. Princeton: Princeton University Press, 1995.

  Burnham, Scott, and Michael P. Steinberg, eds. Beethoven and His World. Princeton: Princeton University Press, 2000.

  Cadenbach, Rainer. “Neefe als Literat.” In Loos, Christian Gottlob Neefe.

  Chua, Daniel K. L. The “Galitzin” Quartets of Beethoven. Princeton: Princeton University Press, 1995.

  Clive, H. P. Beethoven and His World: A Biographical Dictionary. New York: Oxford University Press, 2001.

  Closson, Ernest. “Grandfather Beethoven.” Musical Quarterly 19, no. 4 (October 1933): 367–73.

  Comini, Alessandra. The Changing Image of Beethoven: A Study in Mythmaking. New York: Rizzoli, 1987.

  ———. “The Visual Beethoven: Whence, Why, and Whither the Scowl?” In Burnham and Steinberg, Beethoven and His World.

  Cook, Nicholas. Beethoven: Symphony No. 9. Cambridge: Cambridge University Press, 1993.

  ———. “Beethoven’s Unfinished Piano Concerto: A Case of Double Vision?” Journal of the American Musicological Society 42, no. 2 (Summer 1989): 338–74.

  Cooper, Barry. Beethoven. Oxford: Oxford University Press, 2000.

  ———. Beethoven and the Creative Process. Oxford: Clarendon, 1992.

  ———. The Beethoven Compendium: A Guide to Beethoven’s Life and Music. New York: Thames & Hudson, 1992.

  ———. Beethoven’s Folksong Settings: Chronology, Sources, Style. Oxford: Clarendon, 1994.

  ———. “The Compositional Act: Sketches and Autographs.” In Stanley, Cambridge Companion.

  Cooper, Martin. Beethoven: The Last Decade, 1817–1827. London: Oxford University Press, 1970.

  Czerny, Carl. On the Proper Performance of All Beethoven’s Works for the Piano, including “Reminiscences of Beethoven.” Edited by Paul Badura-Skoda. Vienna: Universal Edition, 1970.

  Dahlhaus, Carl. Ludwig van Beethoven: Approaches to His Music. Translated by Mary Whittall. Oxford: Clarendon, 1991.

  Daschner, Hubert. Musik für die Bühne. Bonn: Beethoven-Archiv, 1969.

  Davies, Peter J. The Character of a Genius: Beethoven in Perspective. Westport, Conn.: Greenwood, 2002.

  Dean, Winton. “Beethoven and Opera.” In Robinson, Ludwig van Beethoven.

  Del Mar, Jonathan. “Del Mar’s Musical Curiosities.” Unpublished compilation.

  ———, ed. Symphony No. 6 in F Major. By Ludwig van Beethoven. Basel: Bärenreiter, 2001.

  ———, ed. Violin Concerto, Piano Concerto. By Ludwig van Beethoven. Basel: Bärenreiter, 2009.

  DeNora, Tia. Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792–1803. Berkeley: University of California Press, 1995.

  ———. “The Beethoven-Wölffl Piano Duel.” In Music in Eighteenth-Century Austria, edited by David Wyn Jones. Cambridge: Cambridge University Press, 1996.

  Donakowski, Conrad L. A Muse for the Masses: Ritual and Music in an Age of Democratic Revolution, 1770–1870. Chicago: University of Chicago Press, 1977.

  Douël, Martial. “Beethoven’s ‘Adelaide.’” Translated by Fred Rothwell. Musical Quarterly 13, no. 2 (April 1927): 208–17.

  Drabkin, William. Beethoven: “Missa solemnis.” Cambridge: Cambridge University Press, 1991.

  Drake, Kenneth. The Beethoven Sonatas and the Creative Experience. Bloomington: Indiana University Press, 1994.

  Duffin, Ross W. How Equal Temperament Ruined Harmony (and Why You Should Care). New York: Norton, 2008.

  Dülmen, Richard van. The Society of the Enlightenment: The Rise of the Middle Class and Enlightenment Culture in Germany. Translated by Anthony Williams. New York: St. Martin’s, 1992.

  E., F. G. “George P. Bridgetower and the Kreutzer Sonata.” Musical Times, May 1, 1908.

  Ehrlich, Cyril. The Piano: A History. Oxford: Clarendon, 1990.

  Eisinger, Josef. “Was Beethoven Lead-Poisoned?” Beethoven Journal 23, no. 1 (Summer 2008): 15–17.

  Erickson, Raymond, ed. Schubert’s Vienna. New Haven: Yale University Press, 1997.

  ———. “Vienna in Its European Context.” In Erickson, Schubert’s Vienna.

  Fiske, Roger. Beethoven’s “Missa solemnis.” New York: Scribner’s Sons, 1979.

  “Französische Ouvertüre.” Bonner Geschichtsblätter 13 (1959): 17.

  Friedenthal, Richard. Goethe: His Life and Times. Cleveland: World, 1963.

  Gartenberg, Egon. Vienna: Its Musical Heritage. University Park: Pennsylvania State University Press, 1968.

  Gay, Peter, ed. Age of Enlightenment. New York: Time-Life, 1966.

  Geiringer, Karl, with Irene Geiringer. Haydn: A Creative Life in Music. 3rd ed. Berkeley: University of California Press, 1982.

  Gladwell, Malcolm. “Late Bloomers.” The New Yorker, October 20, 2008, 36–44.

  Glauert, Amanda. “Beethoven’s Songs and Vocal Style.” In Stanley, Cambridge Companion.

  Gordon, Philip. “Franz Grillparzer: Critic of Music.” Musical Quarterly 2, no. 4 (October 1916).

  Griffiths, Paul. The String Quartet: A History. New York: Thames & Hudson, 1983.

  Gruneberg, R. “Karl van Beethoven’s Suicide Attempt: A Re-assessment.” Musical Times, March 1963.

  Gutiérrez-Denhoff, Martella. Die gute Kocherey: Aus Beethovens Speiseplänen. Bonn: Beethoven-Haus, 1988.

  Gutman, Robert W. Mozart: A Cultural Biography. New York: Harcourt Brace, 1999.

  Gutzmer, Karl, et al. Chronik der Stadt Bonn. Dortmund, Ger.: Chronik Verlag, 1988.

  Heartz, Daniel. Mozart, Haydn, and Early Beethoven. New York: Norton, 2009.

  Helps, Arthur, and Elizabeth Jane Howard. Bettina: A Portrait. New York: Reynal, n.d.

  Herriot, Edouard. The Life and Times of Beethoven. Translated by Adelheid I. Mitchell and William J. Mitchell. New York: Macmillan, 1935.

  Hill, Cecil. Ferdinand Ries: Briefe und Dokumente. Bonn: Ludwig Röhrscheid Verlag, 1982.

  Hofmann, Paul. The Viennese: Splendor, Twilight, and Exile. New York: Anchor, 1988.

  Im Hof, Ulrich. The Enlightenment. Translated by William E. Yuill. Oxford: Blackwell, 1994.

  Irmen, Hans-Josef. “Beethoven, Bach, und die Illuminaten.” In Beethoven und die Rezeption der alten Musik, edited by Hans-Werner Küthen. Bonn: Verlag Beethoven-Haus, 2002.

  ———. “Neefe als Freimaurer und Illuminat.” In Loos, Christian Gottlob Neefe.

  Jackson, Myles W. “A Spectrum of Belief: Goethe’s ‘Republic’ versus Newtonian ‘Despotism.’” Social Studies of Science 24, no. 4 (November 1994).

  Jander, Owen. “Exploring Sulzer’s Allgemeine Theorie as a Source Used by Beethoven.” Beethoven Newsletter, Spring 1987.

  ———. “The ‘Kreutzer’ Sonata as Dialogue.” Early Music 16, no. 1 (February 1988).

  ———. “‘Let Your Deafness No Longer Be a Secret—Even in Art’: Self-Portraiture and the Third Movement of the C-Minor Symphony.” In Beethoven Forum (University of Nebraska Press) 8 (2000).

  Johnson, Douglas. “Decisive Years in Beethoven’s Early Development.” In Tyson, Beethoven Studies, vol. 3.

  Johnson, Douglas P., Alan Tyson, and Robert Winter. The Beethoven Sketchbooks: History, Reconstruction, Inventory. 4 vols. Berkeley: University of California Press, 1985.

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  Jones, Timothy. Beethoven: The “Moonlight” and Other Sonatas, Op. 27 and Op. 31. Cambridge: Cambridge University Press, 1999.

  Kagan, Susan. Archduke Rudolph, Beethoven’s Patron, Pupil, and Friend: His Life and Music. Stuyvesant, N.Y.: Pendragon, 1988.

  Kant, Immanuel. “What Is Enlightenment?” See Columbia University, Sources of Medieval History, Selected Texts, accessed December 20, 2013, http://www.columbia.edu/acis/ets/CCREAD/etscc/kant.html.

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Dacosta. “Architecture and Sculpture.” In Erickson, Schubert’s Vienna.

  Kerman, Joseph. “An die ferne Geliebte.” In Tyson, Beethoven Studies, vol. 1.

  ———. The Beethoven Quartets. New York: Knopf, 1967.

  ———, ed. Ludwig van Beethoven: Autograph Miscellany from circa 1786 to 1799. (The “Kafka Sketchbook.”) Vol. 2. London: Trustees of the British Museum, 1970.

  ———. “Notes on Beethoven’s Codas.” In Tyson, Beethoven Studies, vol. 3.

  Kinderman, William. Beethoven. Berkeley: University of California Press, 1995.

  ———. Beethoven’s Diabelli Variations. Oxford: Clarendon, 1987.

  ———. “Beethoven’s Symbol for the Deity in the ‘Missa solemnis’ and the Ninth Symphony.” Nineteenth-Century Music 9, no. 2 (Autumn 1985).

  ———. “The Piano Music.” In Stanley, Cambridge Companion.

  Kinsky, Georg, and Hans Halm. Das Werk Beethovens: Thematisch-Bibliographisches Verzeichnis Seiner Sämtlichen Vollendeten Kompositionen. Munich: G. Henle Verlag, 1955.

  Kirby, F. E. “Beethoven and the ‘Geselliges Lied.’” Music and Letters 47, no. 2 (April 1966).

  ———. “Beethoven’s Pastoral Symphony as a Sinfonia caracteristica.” In Lang, Creative World.

  Kirkendale, Warren. “The ‘Great Fugue,’ op. 133: Beethoven’s ‘Art of the Fugue.’” Acta Musicologica 35 (1963): 15–24.

  ———. “New Roads to Old Ideas in Beethoven’s ‘Missa solemnis.’” Musical Quarterly 56, no. 4 (October 1970).

  Kivy, Peter. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Ideal of Musical Genius. New Haven: Yale University Press, 2001.

  Klapproth, John E. Beethoven’s Only Beloved: Josephine! Self-published, 2011. Citations here come from a previous, unpublished version of the book.

  Knight, Frida. Beethoven and the Age of Revolution. New York: International, 1973.

  Knopp, Gisbert. “Die Stadtgestalt Bonns unter Kurfürst Max Franz.” In Bodsch, Joseph Haydn und Bonn.

  Kolisch, Rudolph. “Tempo and Character in Beethoven’s Music.” Pts. 1 and 2. Musical Quarterly 77, no. 1 (Spring 1993); no. 2 (Summer 1993).

  Kolodin, Irving. The Interior Beethoven: A Biography of the Music. New York: Knopf, 1975.

  Kramer, Richard. “Notes to Beethoven’s Education.” Journal of the American Musicological Society 28, no. 1 (Spring 1975): 72–101.

  Kross, Siegfried. “Beethoven und die rheinisch-katholische Aufklärung.” In Beethoven: Mensch seiner Zeit. Bonn: Röhrscheid, 1973.

  Landon, H. C. Robbins. Beethoven: A Documentary Study. London: Macmillan, 1970. Note: This is an abridged edition, the source cited in most of the notes. When “unabridged” is added to a note, it means the unabridged edition, Macmillan, 1970.

  ———, with Henry Raynor. Haydn. New York: Praeger, 1972.

  Lang, Paul Henry, ed. The Creative World of Beethoven. New York: Norton, 1970.

  Levy, David B. Beethoven: The Ninth Symphony. Rev. ed. New Haven, Conn.: Yale University Press, 2003.

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  Lockwood, Lewis. “The Autograph of the First Movement of the Sonata for Violoncello and Pianoforte, Op. 69.” In Lockwood, Beethoven: Studies.

  ———. Beethoven: The Music and the Life. New York: Norton, 2003.

  ———. Beethoven: Studies in the Creative Process. Cambridge, Mass.: Harvard University Press, 1992.

  ———. “Beethoven’s Leonore and Fidelio.” Journal of Interdisciplinary History 36, no. 3 (Winter 2006).

  ———. “The Earliest Sketches for the Eroica.” In Lockwood, Beethoven: Studies.

  ———. “On the Beautiful in Music.” In Lockwood and Kroll, Beethoven Violin Sonatas.

  Lockwood, Lewis, and Mark Kroll, eds. The Beethoven Violin Sonatas: History, Criticism, Performance. Urbana: University of Illinois Press, 2004.

  Loos, Helmut, ed. Christian Gottlob Neefe (1748–1798): Eine eigenständige Künstlerpersönlichkeit. Chemnitz, Ger.: Gudrun Schröder Verlag, 1999.

  Lorenz, Michael. “Commentary on Wawruch’s Report: Biographies of Andreas Wawruch and Johann Seibert, Schindler’s Responses to Wawruch’s Report, and Beethoven’s Medical Condition and Alcohol Consumption.” Beethoven Journal 22, no. 2 (Winter 2007): 44–52.

  MacArdle, Donald W. “The Family van Beethoven.” Musical Quarterly 35, no. 4 (October 1949): 528–50.

  Mai, François Martin. Diagnosing Genius: The Life and Death of Beethoven. Montreal: McGill-Queen’s University Press, 2007.

  Marek, George R. Beethoven: Biography of a Genius. New York: Funk & Wagnalls, 1969.

  Matthäus, Wolfgang. “Beiträge zur Musickgeschichte Bonns in den Jahren 1772–1791: Quellen und Berichte aus zeitgenössischen Tageszeitungen.” Bonner Geschichtsblätter 21 (1967): 136.

  May, Arthur J. The Age of Metternich, 1814–1848. Rev. ed. New York: Holt, Rinehart & Winston, 1961.

  Monson, Dale E. “The Classic-Romantic Dichotomy, Franz Grillparzer, and Beethoven.” International Review of the Aesthetics and Sociology of Music 13, no. 2 (December 1982).

  Moore, Julia. “Beethoven and Inflation.” In Beethoven Forum (University of Nebraska Press) 1 (1992).

  Musulin, Stella. Vienna in the Age of Metternich: From Napoleon to Revolution, 1805–1848. Boulder, Colo.: Westview, 1975.

  Newman, William S. “Beethoven’s Pianos versus His Piano Ideals.” Journal of the American Musicological Society 23, no. 3 (Autumn 1970).

  Nicholls, David. Napoleon: A Biographical Companion. Santa Barbara, Calif.: ABC-CLIO, 1999.

  Nicolson, Harold. The Congress of Vienna: A Study in Allied Unity, 1812–1822. London: Cassell, 1946.

  Nohl, Ludwig. An Unrequited Love: An Episode in the Life of Beethoven. London: Bentley & Son, 1876. Reprint, n.p.: Nabu Public Domain Reprints, 2012.

  Nottebohm, Gustav. Beethoveniana: Aufsätze und Mittheilungen. 2 vols. Leipzig: Verlag von C. F. Peters, 1872. Reprint, New York: Johnson Reprint Corp., 1970.

  ———. Two Beethoven Sketchbooks: A Description with Musical Extracts. Translated by Jonathan Katz. London: Gollancz, 1979.

  Ohm, Gregor. “Zur Sozialpolitik in der Residenzstadt Bonn zur Zeit der Kurfürsten Max Friedrich und Max Franz.” Bonner Geschichtsblätter 47–48 (1998).

  Palisca, Claude V. “French Revolutionary Models for Beethoven’s Eroica Funeral March.” In Music and Context: Essays for John M. Ward, edited by Anne Dhu Shapiro. Cambridge, Mass.: Harvard University Department of Music, 1985.

  Parsons, James. “‘Deine Zauber binden wieder’: Beethoven, Schiller, and the Joyous Reconcilation of Opposites.” In Beethoven Forum (University of Illinois Press) 9, no. 1 (2002).

  Pestelli, Giorgio. The Age of Mozart and Beethoven. Cambridge: Cambridge University Press, 1984.

  Pfeiff, Ruprecht. Bonn als Haupt- und Residenzstadt Kurkölns. Puhlheim, Ger.: Rheinland-Verlag, 2000.

  Plantinga, Leon. Beethoven’s Concertos: History, Style, Performance. New York: Norton, 1999.

  Ratner, Leonard G. The Beethoven String Quartets: Compositional Strategies and Rhetoric. Stanford, Calif.: Stanford Bookstore, 2001.

  Raynor, Henry. A Social History of Music / Music and Society. 2 vols. in 1. New York: Taplinger, 1978.

  Reid, Paul. The Beethoven Song Companion. Manchester: Manchester University Press, 2007.

  Robinson, Paul A., ed. Ludwig van Beethoven: Fidelio. Translated by Annie Wood. Cambridge: Cambridge University Press, 1996.

  Rolland, Romain. Beethoven the Creator: The Great Creative Epochs, from the Eroica to the Appassionata. Translated by Ernest Newman. New York: Dover, 1964.

  Rosen, Charles. Beethoven’s Piano Sonatas: A Short Companion. New Haven: Yale University Press, 2002.

  ———. The Classical Style: Haydn, Mozart, Beethoven. Expanded ed. New York: Norton, 1997.

  Sachs, Harvey. The Ninth: Beethoven and the World in 1824. New York: Random House, 2010.


  Scherer, F. M. Quarter Notes and Bank Notes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries. Princeton: Princeton University Press, 2004.

  Scherman, Thomas, and Louis L. Biancolli., eds. The Beethoven Companion. Garden City, N.Y: Doubleday, 1972. In the notes, called “Scherman and Biancolli.”

  Schiedermair, Ludwig. Der junge Beethoven. Leipzig: Verlag Quelle & Meyer, 1925.

  Schiller, Friedrich. On the Aesthetic Education of Man, in a Series of Letters. Edited and translated by Elizabeth M. Wilkinson and L. A. Willoughby. Oxford: Clarendon, 1982.

  Schindler, Anton. Beethoven as I Knew Him: A Biography. Edited by Donald W. Mac­Ardle. Translated by Constance S. Jolly. Chapel Hill: University of North Carolina Press, 1966.

  Schloßmacher, Norbert. “Die Redoute in Bad Godesberg—Schauplatz einer denkwürdigen Begegnung zwischen Joseph Haydn und Ludwig van Beethoven im sommer 1792.” In Bodsch, Joseph Haydn und Bonn.

  Schmidt, James, ed. What Is Enlightenment?: Eighteenth-Century Answers and Twentieth-Century Questions. Berkeley: University of California Press, 1996.

  Schwartz, Boris. “Beethoven and the French Violin School.” Musical Quarterly 44, no. 4 (October 1958).

  Senner, Wayne M., ed. and trans. The Critical Reception of Beethoven’s Compositions by his German Contemporaries. 2 vols. Lincoln: University of Nebraska Press, 1999.

  Simpson, Robert. “The Chamber Music for Strings.” In Arnold and Fortune, Beethoven Reader.

  Sipe, Thomas. Beethoven: Eroica Symphony. New York: Cambridge University Press, 1998.

  Sisman, Elaine, ed. Haydn and His World. Princeton: Princeton University Press, 1997.

  ———. “‘The Spirit of Mozart from Haydn’s Hands’: Beethoven’s Musical Inheritance.” In Stanley, Cambridge Companion.

  Skowroneck, Tilman. Beethoven the Pianist. Cambridge: Cambridge University Press, 2010.

  ———. “Beethoven’s Erard Piano: Its Influence on His Compositions and on Viennese Fortepiano Building.” Early Music 30, no. 4 (November 2002): 523–38.

  ———. “Keyboard Instruments of the Young Beethoven.” In Burnham and Steinberg, Beethoven and His World.

  Solomon, Maynard. Beethoven. 2nd ed. New York: Schirmer, 1998.

  ———. Beethoven Essays. Cambridge, Mass.: Harvard University Press, 1988.

 

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