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Beethoven: Anguish and Triumph

Page 128

by Swafford, Jan


  description, [>]–[>]

  dysentery epidemic (1781), [>]–[>]

  electorates history, [>]

  Enlightenment, [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]

  famine (Max Friedrich’s regime), [>]

  fire at Electoral Residence (1777), [>]–[>], [>]

  flood (1784), [>]–[>]

  French occupation/war and, [>], [>], [>], [>]

  French Revolution/Terror and, [>]–[>]

  golden age, [>], [>]

  holidays/celebrations and, [>]

  Illuminati and, [>]–[>], [>]–[>], [>]

  Kapelle breakup, [>]

  Kapelle Mergentheim trip, [>]–[>]

  music/dance importance, [>], [>]–[>], [>]–[>]

  people of (1700s), [>], [>]–[>]

  Rhine importance, [>]–[>]

  University of Bonn, [>]–[>], [>], [>]–[>]

  See also Beethoven, Ludwig van, and Bonn; specific individuals

  Boston Massacre (1770), [>]

  Bouilly, J.-N., [>], [>], [>]

  Braun, Peter Anton, Baron, [>], [>], [>], [>], [>]–[>], [>]–[>]

  Braunhofer, Anton, [>], [>]

  Breitkopf & Härtel publisher, [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]

  See also Allgemeine Musikalische Zeitung (AMZ/General Musical Magazine)

  Brentano, Antonie

  background/description, [>]–[>]

  Beethoven and, [>], [>]–[>], [>], [>], [>], [>]–[>], [>]

  Bettina and, [>]

  “Immortal Beloved” and, [>]–[>], [>]

  Brentano, Bettina

  Achim von Arnim marriage, [>]–[>], [>], [>], [>], [>]

  background/description, [>], [>]–[>]

  Beethoven and, [>]–[>], [>]–[>]

  Beethoven meeting, [>]–[>], [>]–[>]

  conflict with Goethe’s wife, [>]–[>]

  Goethe and, [>], [>], [>]–[>], [>]–[>], [>], [>]

  on Goethe/Beethoven meeting, [>]–[>]

  “Immortal Beloved” and, [>]–[>], [>]

  letters/publications and truth, [>], [>], [>]–[>]

  Brentano, Clemens, [>], [>], [>], [>], [>], [>], [>]

  Brentano family, [>], [>]

  Brentano, Franz, [>], [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]

  Breuning, Christoph von, [>], [>], [>], [>]

  Breuning, Eleonore (Lorchen) von, [>], [>], [>], [>], [>], [>]–[>], [>], [>]

  marriage to Wegeler, [>], [>], [>], [>]

  Breuning, Emanuel Joseph von, Hofrat, [>], [>]

  Breuning family

  Beethoven/Bildung and, [>]–[>], [>]–[>]

  house/visitors, [>]–[>], [>]

  Breuning, Gerhard, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]

  Breuning, Helene von

  background, [>]

  Beethoven and, [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  Breuning, Lorenz (Lenz) von, [>], [>], [>]

  Breuning, Lorenz von, Canon, [>], [>]

  Breuning, Stephan von

  Beethoven and, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]

  death, [>]

  first love, [>]

  first wife’s death/burial place, [>], [>]

  as Karl Beethoven’s guardian, [>], [>], [>], [>]

  quarrel/reconciliation with Beethoven, [>]–[>], [>]–[>]

  Bridgetower, George, [>]–[>], [>], [>]

  Browne, Count/Countess, [>], [>], [>], [>], [>]–[>]

  Brunsvik, Anna von, Countess, and daughters, [>], [>], [>]–[>]

  Brunsvik, Charlotte von, [>], [>]–[>], [>], [>]

  Brunsvik, Franz von, [>], [>], [>]–[>], [>]

  Brunsvik, Josephine von, [>], [>]. See also Deym, Josephine, Countess

  Brunsvik, Therese von, [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>]

  Bureau des arts et d’industrie, [>], [>], [>], [>]

  Burggraf, C. J. M., [>]

  Burke, Edmund, [>]

  Burney, Charles, [>], [>], [>]

  bust/life mask of Beethoven (Klein), [>]–[>], [>]

  Calvinism, [>], [>]

  canon, [>]

  Cantata on the Accession of Emperor Leopold II (Beethoven), [>], [>], [>], [>]

  Cantata on the Death of Emperor Joseph II (Beethoven), [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]

  Castlereagh, Viscount, [>], [>]–[>]

  Catherine the Great, [>], [>]

  Catholicism

  Beethoven and, [>]

  newborn name day rituals, [>], [>]

  See also specific individuals

  cello sonata of op. [>] (Beethoven), [>]–[>]

  Charlemagne, [>]

  Chénier, Marie-Joseph, [>], [>]

  Cherubini, Luigi

  background/music, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Beethoven and, [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Lodoïska, [>], [>], [>]

  Choral Fantasy (Beethoven), [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  Christus am Ölberge (Beethoven), [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Classical period (music)

  description, [>]

  Enlightenment and, [>]

  fugue form, [>]

  musical form and, [>], [>]

  Classical style (music)

  creation of, [>]

  description, [>], [>]

  clavichord vs. harpsichord, [>]

  “clavier,” [>]

  Clemens August, Archbishop Elector of Cologne

  ancestors/family of, [>]–[>]

  Beethoven (grandfather) and, [>]

  Bonn makeover and, [>], [>]–[>]

  Bonn residents employment and, [>]–[>]

  childhood/education, [>]–[>]

  death, [>]

  debt, [>], [>]

  description/character, [>]

  music/art and, [>], [>]

  positions before Elector, [>]

  residences and, [>], [>]

  Clement, Franz, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Clementi, Muzio

  Beethoven and, [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]

  music/background, [>], [>], [>], [>], [>], [>]–[>], [>], [>]

  coda, [>], [>], [>], [>], [>]

  Coleridge, Samuel Taylor, [>]

  Collin, Heinrich von, [>], [>], [>], [>], [>], [>]–[>], [>]–[>]. See also Coriolan (Beethoven’s music for Collin’s play)

  Cologne

  archbishop (1257) and, [>]

  Bonn and, [>]

  as “free city,” [>]

  Concerto No. [>] in C Minor (Beethoven), [>]–[>]

  concerto-sonata, [>]–[>]

  Concerts for Enthusiasts, [>]–[>]

  Congress of Vienna

  Beethoven and, [>]–[>], [>]–[>], [>]–[>], [>], [>]

  description, [>]–[>], [>]

  Final Act/consequences, [>]–[>], [>], [>]–[>]

  spies/censorship following, [>]–[>], [>]

  contra dance, [>], [>]–[>]

  Coriolan (Beethoven’s music for Collin’s play), [>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>]

  crab canon, [>]

  Cramer, Carl Friedrich, [>], [>]

  Cramer, Johann Baptist, [>]–[>]

  criticism/reviews of Beethoven’s work

  Beethoven reading reviews/responding, [>], [>]–[>], [>]

  examples, [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>]

  “fantastic” sonatas, [>]

  late-eighteenth-century taste and, [>]–[>]

  provocation and, [>]

  review of first published compositions, [>]

  See also Allgemeine Musikalische
Zeitung (AMZ/General Musical Magazine); duels (musical); specific individuals; specific works

  Czerny, Carl

  background/music, [>], [>], [>], [>]

  Beethoven/Beethoven’s music and, [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]

  father of, [>]–[>], [>]

  de Staël, Madame, [>], [>], [>]

  deafness. See Beethoven, Ludwig van, and health/hearing problems

  death of Beethoven

  AMZ on Beethoven, [>]–[>]

  auction of effects, [>]–[>]

  autopsy/death mask, [>]

  body exhumed/reburials, [>]

  burial, [>]

  friends/family at deathbed, [>], [>], [>]–[>], [>], [>]–[>]

  funeral, [>], [>]–[>]

  funeral oration, [>], [>]–[>]

  last days, [>], [>]–[>]

  lying-in, [>]

  materials found after death, [>]

  memorial services, [>]

  monument, [>]

  offer to gravedigger, [>]

  pallbearers/torchbearers, [>]

  Declaration of Independence (Jefferson), [>]

  Degenhart, Johann Martin, [>], [>]

  deism, [>]–[>]

  Dembscher, Ignaz, [>]

  Description of a Girl (Beethoven), [>]

  Deym, Joseph, Count, [>], [>]–[>]

  Deym, Josephine, Countess

  Beethoven and, [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Beethoven’s songs for, [>], [>], [>], [>]

  Count Deym and, [>], [>]–[>]

  death, [>]

  “Immortal Beloved” and, [>], [>], [>], [>]

  marriage to Stackelberg, [>]–[>], [>], [>]

  sisters Charlotte/Therese and, [>]

  See also Brunsvik, Josephine

  Diabelli, Anton/publisher, [>], [>], [>], [>], [>], [>], [>]

  Diabelli Variations (Beethoven), [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>]

  diary (Tagebuch) of Beethoven

  entries in, [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>]

  giving up on love/family, [>]–[>]

  Diderot, Denis, [>]–[>]

  Dietrichstein, Moritz, Count, [>]–[>], [>]

  “dominant” defined, [>]

  Dragonetti, Domenico, [>]–[>], [>], [>]

  Dressler Variations (Beethoven), [>], [>], [>], [>]

  duels (musical), [>]–[>], [>]–[>], [>]–[>]

  Duport, Jean-Louis/Jean Pierre, [>], [>]–[>]

  Egmont music (Beethoven), [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]

  Eichoff, Joseph, [>]

  Eighth Symphony (Beethoven)

  performances/publications, [>]

  writing/description, [>], [>], [>], [>], [>]–[>], [>]

  Elector title, [>]

  Electoral Sonatas (Beethoven)

  composition style and, [>]–[>]

  D Major Sonata, [>]

  F Minor Sonata, [>]–[>]

  Max Friedrich and, [>], [>]

  review, [>]

  Electorate of Cologne

  end of, [>]

  fire at Electoral Residence (1777), [>]–[>], [>]

  history, [>]

  music and, [>]

  See also specific individuals

  Emilie M.’s letter from Beethoven, [>]–[>]

  Emperor Concerto/Fifth Piano Concerto (Beethoven), [>], [>], [>], [>], [>]–[>]

  Empfindsamkeit aesthetic/cult, [>]

  englische described, [>]–[>]

  Enlightenment

  1780s and, [>]–[>], [>]–[>]

  Beethoven and, [>]–[>], [>], [>], [>], [>]

  Bonn and, [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]

  church/state separation, [>]

  deism, [>]–[>]

  description/views, [>]–[>]

  education and, [>]

  Electorate of Cologne government style changes, [>]

  geographical differences, [>]–[>]

  German literature/philosophy and, [>]–[>]

  Germany and, [>]–[>], [>]–[>], [>]–[>]

  happiness/joy and, [>], [>]–[>], [>]

  Leipzig and, [>]–[>]

  reason/science and, [>], [>], [>], [>], [>], [>], [>], [>]

  religion and, [>]–[>], [>]

  See also specific events; specific individuals

  Erdödy, Anna Marie, Countess, [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>]

  Eroica Symphony (Beethoven)

  Beethoven as hero, [>]

  Beethoven conducting, [>]

  Beethoven planning/motives, [>]–[>]

  englische/Prometheus theme and, [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>]

  hero/Napoleon and, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]

  musical form and, [>]–[>]

  Napoleon becoming emperor and, [>]–[>], [>]

  New Path and, [>], [>], [>], [>]–[>]

  Oberdöbling house and, [>], [>]

  performances, [>]

  premiere, [>], [>]–[>]

  private readings, [>]–[>], [>]

  publishing of, [>]

  reception, [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>]

  writing/description, [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Ertmann, Dorothea von, Baroness, [>], [>], [>], [>]

  Esterházy, Nikolaus, Prince, [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]

  “Farewell, The”/Das Lebewohl (Beethoven), [>], [>], [>], [>]–[>]

  Fidelio (Beethoven)

  Beethoven/Braun quarrel and consequences, [>]–[>]

  censors and, [>]–[>]

  description, [>], [>]–[>], [>], [>]

  French army occupation and, [>]–[>], [>]

  premiere of reworked version/performances, [>]–[>]

  premiere performance, [>]–[>]

  revisions/revival, [>], [>], [>]–[>], [>], [>]–[>], [>], [>]

  reworking, [>]–[>], [>]

  story, [>]–[>]

  title change from Leonore, [>]

  writing/rehearsals, [>], [>], [>]–[>], [>], [>], [>], [>]

  Fifth Piano Concerto/Emperor Concerto (Beethoven), [>], [>], [>], [>], [>]–[>]

  Fifth Symphony (Beethoven)

  dedication, [>]

  description, [>], [>]–[>], [>]–[>], [>], [>], [>], [>]

  writing, [>], [>]

  First Symphony (Beethoven), [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

  Fischenich, Bartholomäus Ludwig, [>], [>], [>]

  Fischer, Cäcilie

  Beethoven family and, [>], [>], [>]–[>], [>], [>]

  Johann Beethoven and, [>]

  Ludwig and, [>], [>]–[>]

  Maria Beethoven and, [>]–[>], [>]

  Pfeifer and, [>]

  Rovantini and, [>], [>], [>]–[>]

  Fischer, Gottfried

  as baker, [>]–[>]

  on Beethoven family, [>]–[>], [>], [>], [>]

  Fischer house/surroundings

  Beethoven brothers play and, [>], [>]–[>]

  description, [>], [>]

  flood (1784) and, [>]–[>]

  Rhine and, [>], [>]

  telescopes and, [>]

  Fischer, Johann, [>]

  Fischer, Theodor

  as baker, [>]

  Beethoven family and, [>], [>], [>], [>], [>]

  children, [>]

  Forbes, Elliot, [>]

  Förster, Emanuel Aloys, [>], [>], [>], [>]

  Fourth Piano Concerto (Beethoven), [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]

  Fourth Symphony (Beethoven), [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]–[>]

  F
rance

  Revolution and Terror, [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

 

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