The Best Science Fiction and Fantasy of the Year-II

by Jonathan Strahan

  We were working outside, so I wouldn't inhale varnish fumes, in the shadow of a tower of split logs that Winter sold as firewood. I had to be careful that sawdust didn't get onto the newly varnished crib, or bugs.

  Winter laughed. "Not much money in skate parks."

  "I'd pay."

  "That's my point." Winter shoved his cap back from his forehead. "Ready to break for lunch?"

  Usually Winter made us sandwiches, Swiss cheese and tomato and horseradish sauce. Sometimes Vala would make us lunch, and then I'd lie and say I wasn't hungry or had already eaten, since the sandwiches she made mostly had fish in them—not tuna fish, either—and were on these tiny little pieces of bread that tasted like cardboard.

  But today Winter said we'd go into town and get something from Shelley's Place, the hot dog stand down by the harbor. It was warm out, mid-August; school would start soon. I'd spent the summer hanging out with Cody and some of our friends, until the last few weeks when Cody had gone off to Bible Camp.

  That's when Winter put me to work. Because along with the crib, Winter had started building a house—a real house, not an addition to the schoolbus. I helped him clear away brush, then helped build the forms for the foundation to be poured into. Once the concrete cured, we began framing the structure. Sometimes Vala helped, until Winter yelled at her to stop, anyway. Then she'd go off to tend the little garden she'd planted at the edge of the woods.

  Now I didn't know where Vala was. So I put aside the can of varnish and hopped into Winter's pickup, and we drove into town. Most of the summer people had already left, but there were still a few sailboats in the harbor, including one gigantic yacht, the Ice Queen, a three-masted schooner that belonged to Thomas Tierney. According to Winter she had a crew of ten, not just a captain and mate and deckhands but a cook and housekeeper, all for Tierney; as well as a red-and-white-striped mainsail, not that you'd ever have any trouble telling her apart from any of the other boats around here.

  When he saw the Ice Queen, Winter scowled. But there was no other sign of Tierney, not that I could see. A few summer holdovers stood in line in front of Shelley's little food stand, trying to act like they fit in with the locals, even though the only other people were contractors working on job sites.

  And Lonnie Packard. He was at the very front of the line, paying for a hot dog with onions and sauerkraut wrapped in a paper towel. It was the first time I'd seen Lonnie since I'd heard about him selling his farm to Thomas Tierney, and from the look on Winter's face, it was the first time he'd seen him, too. His mouth was twisted like he wasn't sure if he was going to smile or spit something out, but then Lonnie turned and nodded at him.

  "Winter," he said. He pronounced it "Wintah" in this exaggerated way he had, like he was making fun of his own strong accent. "How's it hanging?"

  Winter poked at the bill of his cap and gave his head a small shake. "Not bad." He looked at Lonnie's hot dog, then flashed me a sideways grin. "Now that looks like lunch. Right, Justin?"

  So that's how I knew Winter wasn't going to stay pissed about Lonnie selling his farm to Thomas Tierney, which was kind of a relief.

  But Lonnie didn't look relieved. He looked uncomfortable, although Lonnie usually looked uncomfortable. He was a big rough-faced guy, not as tall as Winter but definitely plus-sized, with a bushy brown beard and baggy jeans tucked into high rubber fisherman's boots, which kind of surprised me since I knew he'd had to sell his boat. Then I remembered all the money he must have gotten from Thomas Tierney; enough to buy another boat, probably. Enough to buy anything he wanted.

  "Gotta run," said Lonnie. "Got you an assistant there, eh, Winter?"

  "Justin does good work," said Winter, and moved up to the window to place our order. For a moment Lonnie stared at him like he was going to say something else, but Winter was already talking to Shelley.

  Instead Lonnie glanced at me again. It was a funny look, not like he was going to speak to me, more like he was trying to figure something out. Lonnie's not stupid, either. He puts on that heavy accent and acts like he's never been south of Bangor, but my mother said he actually has a law degree and fishes just because he likes it better than being a lawyer, which I think I would, too. I waited to see if he was going to talk to me, but instead he turned and walked quickly to where a brand-new SUV was parked in one of the spots reserved for fishermen, got inside and drove off. I watched him go, then angled up beside Winter to get my food.

  Shelley gave me a quick smile and went back to talking to Winter. "See you're putting a house up by your place," she said, and handed him a paper towel with two hot dogs on it, a container of fried clams for Winter, and two bottles of Moxie. Winter nodded but didn't say anything, just passed her some money.

  "Regular housing boom going on down there," Shelley added, then looked past us to the next customer. "Can I help you?"

  We drove back to Winter's place and ate, sitting outside on a couple of lawn chairs and listening to woodpeckers in the pine grove. The air smelled nice, like sawdust and varnish and fried clams. When I was almost done, Vala stepped out of the schoolbus and walked over to me.

  "Ertu búinn?" she said teasingly. "Are you finished? And you didn't save any for me?"

  I looked uncertainly at Winter, still chewing.

  "Mmm-mm," he said, flapping his hand at me. "None for her! Nothing unhealthy!"

  "Hmph." Vala tossed her head, black ponytails flying. "Like I'd eat that—it's nothing but grease."

  She watched disapprovingly as the last fried clam disappeared into Winter's mouth, then looked at me. "Come here, Justin. I want to show you something."

  "Hey!" Winter called in mock alarm as Vala beckoned me towards the edge of the woods. "He's on the clock!"

  "Now he's off," retorted Vala, and stuck her tongue out. "Come on."

  Vala was strange. Sometimes she acted like my mother, grumpy about me forgetting to take my shoes off when I went into the schoolbus, or if me and Cody made too much noise. Other times, like now, she acted more like a girl my own age, teasing and unpredictable.

  The way she looked changed, too. I don't mean her clothes—she pretty much wore the same thing all the time—but the way that sometimes she would look old, like my mom does, and other times she'd look the same age as me and my friends. Which creeped me out, especially if it was one of those times when she was acting young, too.

  Fortunately, right now she was acting young but looking older, like someone who would be married to Winter. For one thing, she was wearing his clothes, a pair of jeans way too big for her and cuffed up so much you couldn't even see her shoes, and that baggy sweatshirt, despite it being so hot.

  "I said come," she repeated, and whacked me on the shoulder.

  I stood hastily and followed her, wondering if everyone in Iceland was like this, or if it was just Vala.

  Under the trees everything was green and gold and warm; not hot like out in the full sun, but not cool, either. It made me sweat, and my sweat and the dim light made the mosquitoes come out, lots of them, though they never seemed to bother Vala, and after a few minutes I ignored them and (mostly) forgot about them. The ground was soft and smelled like worms, a good smell that made me think of fishing, and now and then we'd go by a kind of tree that smelled so good I'd stop for a second, a tree that Winter calls Balm of Gilead, because its buds smell like incense.

  Winter owned a lot of land, more than a hundred acres. Some of it he cut for firewood or lumber, but not this part. This part he left wild, because it joined up with Lonnie's land—Thomas Tierney's land, now—and because it was old-growth forest. People think that all the woods in Maine are wild and old, but most of it isn't much older than what you'd find someplace like New Jersey—the trees were cut hundreds or maybe a thousand years ago by the Passamaquoddy or other Indians, and when those trees grew back they were cut by Vikings, and when those trees grew back they were cut by the English and the French and everyone else, all the way up till now.

  So there's actually not a lot of tru
e virgin forest, even if the trees look ancient, like what you see in a movie when they want you to think it's someplace totally wild, when it's really, like, trees that are maybe forty or fifty years old. Baby trees.

  But these trees weren't like that. These were old trees—wolf trees, some of them, the kind of trees that Winter usually cuts down. A wolf tree is a big crooked tree with a huge canopy that hogs all the light and soil and crowds out the other trees. Wolf trees are junk trees, because they're crooked and spread out so much they're not much good for lumber, and they overwhelm other, smaller trees and keep them from growing up tall and straight so they can be harvested.

  When I was little I'd go with Winter into the woods to watch him work, and I was always afraid of the wolf trees. Not because there was anything scary about them—they looked like ordinary trees, only big.

  But I thought wolves lived in them. When I said that to Winter once, he laughed.

  "I thought that too, when I was your age." He was oiling his chain saw, getting ready to limb a wolf tree, a red oak. Red oaks smell terrible when you cut them, the raw wood stinks—they smell like dog crap. "Want to know the real reason they call them that?"

  I nodded, breathing through my mouth.

  "It's because a thousand years ago, in England and around there, they'd hang outlaws from a tree like this. Wolf's-head trees, they called them, because the outlaws were like wolves, preying on weaker people."

  Where the wolf trees grew here, they had shaded out most other trees. Now and then I saw an old apple tree overgrown with wild grape vines, remnants of Lonnie's family farm. Because even though this was old-growth forest, birds and animals don't know that. They eat fruit from the farm then poop out the seeds—that's how you get apple trees and stuff like that in the middle of the woods.

  I was getting hot and tired of walking. Vala hadn't said anything since we started, hadn't even looked back at me, and I wondered if she'd forgotten I was even there. My mother said pregnancy makes women spacy, more than usual even. I was trying to think of an excuse to turn back, when she stopped.

  "Here," she said.

  We'd reached a hollow on the hillside above the farm. I could just make out the farmhouse and barn and outbuildings, some apple trees and the overgrown field that led down to the ocean. There was no real beach there, just lots of big granite rocks, also a long metal dock that I didn't remember having seen before.

  It was still a pretty spot, tucked into the woods. A few yards from the farmhouse, more trees marched down to a cliff above the rocky beach. Small trees, all twisted from the wind: except for three huge white pines, each a hundred feet tall.

  Winter called these the King's Pines, and they were gigantic.

  "These trees are ancient," he'd told me, pointing up at one. "See anything up there?"

  I squinted. I knew bald eagles nested near the ocean, but I didn't see anything that looked like a nest. I shook my head.

  Winter put his hand on my shoulder and twisted me till I was staring almost straight up. "There, on the trunk—see where the bark's been notched?"

  I saw it then, three marks of an axe in the shape of an arrow.

  "That's the King's Mark," said Winter. "Probably dating back to about 1690. That means these were the King's Trees, to be used for masts in the King's naval fleet. See how high up that mark is? That's how old these trees are. Over three hundred years ago, this was a big tree. And it was probably at least three hundred years old then."

  Now, with Vala, I could see the King's Pines jutting out above the other trees, like the masts of a schooner rising from a green sea. I figured that's what Vala was going to show me, and so I got ready to be polite and act like I already didn't know about them.

  Instead she touched my arm and pointed just a few feet away, towards a clearing where trees had grown around part of the pasture.

  "Whoa," I whispered.

  In the middle of the clearing was a bush. A big bush, a quince, its long, thin branches covered with green leaves and small red flowers—brilliant red, the color of Valentines, and so bright after the dim woods that I had to blink.

  And then, after blinking, I thought something had gone wrong with my eyes; because the bush seemed to be moving. Not moving in the wind—there wasn't any wind—but moving like it was breaking apart then coming back together again, the leaves lifting away from the branches and flickering into the air, going from dark-green to shining green like metallic paint, and here and there a flash of red like a flower had spun off, too.

  But what was even more bizarre was that the bush made a noise. It was buzzing, not like bees but like a chainsaw or weed whacker, a high-pitched sound that got louder then softer then louder again. I rubbed my eyes and squinted into the overgrown field, thinking maybe Thomas Tierney had hired someone to clean up and that's what I was hearing.

  There was no one there, just tall grass and apple trees and rocks, and beyond that the cliff and open sea.

  "Do you see what they are?"

  Vala's voice was so close to my ear that I jumped; then felt my skin prickle with goosebumps at her breath, cold as though a freezer door had opened. I shook my head and she touched my sleeve, her hand cold through the cloth, and led me into the clearing, until the bush rose above us like a red cloud.

  "See?" she murmured.

  The bush was full of hummingbirds—hundreds of them, darting in and out as though the bush were a city, and the spaces between the leaves streets and alleys. Some hovered above the flowers to feed, though most flew almost too fast to see. Some sat on the branches, perfectly still, and that was the weirdest thing of all, like seeing a raindrop hanging in the air.

  But they didn't stay still; just perched long enough that I could get a look at one, its green green wings and the spot of red on its throat, so deep a red it was like someone had crushed its tiny body by holding it too hard. I thought maybe I could hold it too, or touch it, anyway.

  So I tried. I stood with my palm open and held my breath and didn't move. Hummingbirds whizzed around like I was part of the quince, but they didn't land on me.

  I glanced at Vala. She was doing the same thing I was, this amazed smile on her face, holding both arms out in front of her so she reminded me of Winter when he was dowsing. The hummingbirds buzzed around her, too, but didn't stop. Maybe if one of us had been wearing red. Hummingbirds like red.

  Vala wasn't wearing red, just Winter's grubby old gray sweatshirt and jeans. But she looked strange standing there, eerie even, and for a second I had this weird feeling that I wasn't seeing Vala at all, that she had disappeared and I was standing next to a big gray rock.

  The feeling was so strong that it creeped me out. I opened my mouth, I was going to suggest that we head back to Winter's house, when a hummingbird flickered right in front of Vala's face. Right in front of Vala's eye.

  "Hey!" I yelled; and at the same instant Vala shouted, a deep grunting noise that had a word in it, but not an English word. Her hand flashed in front of her face, there was a greenish blur and the bird was gone.

  "Are you okay?" I said. I thought the hummingbird's sharp beak had stabbed her eye. "Did it—?"

  Vala brought her hands to her face and gasped, blinking quickly. "I'm sorry! It frightened me—so close, I was surprised—"

  Her hands dropped. She gazed at the ground by her feet. "Oh no."

  Near the toe of one rubber shoe, the hummingbird lay motionless, like a tiny bright green leaf.

  "Oh, I am sorry, Justin!" cried Vala. "I only wanted you to see the tree with all the birds. But it scared me—"

  I crouched to look at the dead hummingbird. Vala gazed back into the woods.

  "We should go," she said. She sounded unhappy, even nervous. "Winter will think we got lost and get mad at me for taking you away. You need to work," she added, and gave me a tight smile. "Come on."

  She walked away. I stayed where I was. After a moment I picked up a stick and tentatively prodded at the dead bird. It didn't move.

  It was on its
back and it looked sadder that way. I wanted to turn it over. I poked it again, harder.

  It still didn't budge.

  Cody doesn't mind touching dead things. I do. But the hummingbird was so small, only as long as my finger. And it was beautiful, with its black beak and the red spot at its throat and those tiny feathers, more like scales. So I picked it up.

  "Holy crap," I whispered.

  It was heavy. Not heavy like maybe a bigger bird would have been, a sparrow or chickadee, but heavy, like a rock. Not even a rock—it reminded me of one of those weights you see hanging from an old clock, those metal things shaped like pine cones or acorns, but when you touch them they feel heavy as a bowling ball, only much smaller.

  The hummingbird was like that—so little I could cradle it in my cupped palm, and already cold. I guessed that rigor mortis had set in, the way it does when you hang a deer. Very gently I touched the bird's wing. I even tried to wiggle it, but the wing didn't move.

  So I dropped the bird into my cupped palm and turned it onto its stomach. Its tiny legs were folded up like a fly's, its eyes dull. Its body didn't feel soft, like feathers. It felt hard, solid as granite; and cold.

  But it looked exactly like a live hummingbird, emerald green where the sun hit it, beak slightly curved; a band of white under the red throat. I ran my finger along its beak, then swore.

  "What the frig?"

  A bright red bead welled up where the dead bird's beak had punctured my skin, sharp as a nail.

  I sucked my finger, quickly looked to make sure Vala hadn't seen me. I could just make her out in the distance, moving through the trees. I felt in my pocket till I found a wadded-up Kleenex, wrapped the hummingbird in it and very carefully put it into my pocket. Then I hurried after Vala.

  We walked back in silence. Only when the skeletal frame of the new house showed brightly through the trees did Vala turn to me.

  "You saw the bird?" she asked.

  I looked at her uneasily. I was afraid to lie, but even more afraid of what she might do if she knew what was in my pocket.