Robert Ludlum - Aquatain Progression.txt
Page 19
minutes, the first he abandoned when he realised he
was absorbing nothing, seeing only black letters
forming an unending string of vaguely recog~uzable
words relating to a figure in the outer reaches of his
mind. He could not focus on that man; there were
too many interferences, real and imagined. Nor had
he been able to read on the two-hour flight from
Paris, having opted for economy class, hoping to melt
in with the greater number of people in the larger
section of the aircraft. The concept at least was valid;
the seats were so narrow and the plane so fully
occupied that elbows and forearms were virtually
immobile. The conditions prohibited his taking out
the report, both for reasons of space and for fear of
the proximity to straying eyes.
Heinrich Leifhelm moved his-mistress and their
son to the town of Eichstatt, fifty odd miles north of
Munich, visiting them now and then, and providing
an adequate but not overly comfortable standard of
living. The doctor was apparently torn between
maintaining a successful practice with no social
blemishes_in Munich and a disinclination to aban
117
118 ROBERT LUDLUM
don the stigmatised and child. According to close
acquaintances of Erich Stoessel-Leifhelm, these
early years had a profound effect on him. Although
he was too young to grasp the full impact of World
War I, he was later haunted by the memory of the
small households subsistence level falling as the
elder Leifhelm's ability to contribute lessened with
the burden of wartime taxes. Too, his father's visits
served to heighten the fact that he could not be ac-
knowledged as a son and was not entitled to the
privileges accorded two half brothers and a half
sister, strangers he was never to know and whose
home he could not enter. Through the absence of
proper lineage, certified by hypocritical documents
and more hypocritical church blessings, he felt he
was denied what was rightfully his, and so there was
instilled in him a furious sense of resentment,
competitiveness, and a deep-seated anger at existing
social conditions. By his own admission, his first
conscious longings were to get as much as he could
for himself both materially and in the form of
recognition through the strength of his own
abilities, and, by doing so, strike out at the status
quo which had tried to emasculate him. By his
mid-teens, Stoessel-Leifhelm was consumed with
anger.
Converse stopped reading, suddenly aware of
the woman across the half-deserted cafe; she was
seated alone at a table, looking at him. Their eyes
met and she turned away, placing her arm on the
low white railing that enclosed the restaurant
studying the thinning, late-night crowds in the
terminal, as if waiting for someone. Startled, Joel
tried-to analyze the look she had given him. Was it
recogrution? Did she know him? Know his face? Or
was it appraisal? A well-dressed whore cruising the
airport in search of a mark, seeking out a lonely
businessman far away from home? She turned her
head slowly and looked at him again, now obviously
upset that his eyes were still on her. Then abruptly,
in two swiftly defined motions, she glanced at her
watch, tugged at her wide-brimmed hat, and opened
her purse. She took out a Krone note, placed it on
the table, got up, and walked rapidly toward the en-
trance of the cafe. Beyond the open gate she
walked faster her strides longer, heading for the
arch that led to the bag
THE AQUITAINE PROGRESSION 119
gage-claim area. Converse watched her in the dull
white neon light of the terminal, shaking his head,
annoyed at his alarm. With his attache case and
leather-bound report, the woman had probably
thought he was some kind of airport official. Who
was the mark, then?
He was seeing too many shadows, he thought, as
he followed the graceful figure nearing the arch. Too
many shadows that held no surprises, no alarms.
There had been a man on the plane from Paris
sitting several rows in front of him. Twice the man
had gotten up and gone to the toilet, and each time
he came back to his seat he had looked hard at
Joel studied him, actually. Those looks had been
enough to prime his adrenaline. Had he been spotted
at the De Gaulle Airport? Was the man an employee
of Jacques-Louis Bertholdier? . . . As a man in an
alley had been Don't think about that! He had
flicked off an oval of dried blood on his shirt as he
had given himself the command.
"I can always tell a good ale Yank! Never missl"
That had been the antiquated salutation in
Copenhagen as both Americans waited for their
luggage.
"Well, I missed once. Some son of a bitch on a
plane in Geneva. Sat right next to me. A real guinea
in a three-piece suit, that's what he west He spoke
English to the stewardess so I figured he was one of
those rich Cuban spicks from Florida, you know what
I mean?"
An emissary in salesman's clothes. One of the
diplomats.
Geneva. It had started in Geneva.
Too many shadows. No surprises, no alarms. The
woman went through the arch and Joel pulled his
eyes away, forcing his attention back to the report on
Erich Leifhelm. Then a slight, sudden movement
caught the corner of his eye; he looked back at the
woman. A man had stepped out of an unseen recess;
his hand had touched her elbow. They exchanged
words briefly, swiftly, and parted as abruptly as they
had met, the man continuing into the terminal as the
woman disappeared. Did the man glance over in his
direction? Converse watched closely; had that man
looked at him? It was impossible to tell; his head was
turning in all directions, looking at or for something.
Then, as if he had found it, the man hurried toward
a bank of airline counters. He approached the Japan
Air Lines desk, and taking out his wallet, he began
speaking to an Oriental clerk.
No surprises, no alarms. A harried traveler had
asked di
120 ROBERT LUDLUM
rections; the interferences were more imagined
than real. Yet even here his lawyer's mentality
intervened. Interferences were real whether based
in reality or not. Oh, Christ! Leave it alonel
Concentratel
At the age of seventeen, Erich
Stoessel-Leifhelm had completed his studies at the
Eichstatt II Gymnasium, excelling both
academically and on the playing field, where he was
known as an aggressive competitor. It was a time of
universal financial chaos, the American stock
market crash of '29 further aggravating the
desperate economy of the Weimar Republic, and
/> few but the most well-connected students went on
to universities. In a move he later described to
friends as one of youthful fury, Stoessel-Leifhelm
traveled to Munich to confront his father and de-
mand assistance. What he found was a shock, but
it turned out to be a profound opportunity,
strangely arrived at. The doctor's staid, placid life
was in shambles. His marriage, from the beginning
unpleasant and humiliating, had caused him to
drink heavily with increasing frequency until the
inevitable errors of judgment occurred. He was
censured by the medical community (with a high
proportion of Jews therein), charged with
incompetence and barred from the Karlstor
Hospital. His practice was in ruins, his wife had
ordered him out of the house, an order expedited
by an old but still powerful father-in-law, also a
doctor and member of the hospital's board of direc-
tors. When Stoessel-Leifhelm found his father, he
was living in a cheap apartment house in the poorer
section of the city picking up pfennigs by dispensing
prescriptions (drugs) and deutsche marks by per-
forming abortions.
In what apparently (again according to friends
from the time) was a watershed of pent-up
emotions, the elder LeifLelm embraced his
illegitimate son and told him the story of his
tortured life with a disagreeable wife and tyrannical
in-laws. It was the classic syndrome of an ambitious
man of minimal talents and maximum connections.
But withal, the doctor claimed he had never
abandoned his beloved mistress and their son. And
during this prolonged and
THE AQUITAINE PROGRESSION 121
undoubtedly drunken confession, he revealed a
fact Stoessel-Leifhelm had never known. His
father's wife was Jewish. It was all the teenager
had to hear.
The disfranchised boy became the father to the
ruined man.
There was an announcement in Danish over the
airport's loudspeakers and Joel looked at his watch.
It came again, now in German. He listened intently
for the words, he could barely distinguish them, but
they were there. "HamburgKoln-Bonn." It was the
first boarding call for the last flight of the night to
the capital of West Germany by way of Hamburg.
The flying time was less than two hours, the layover
in Hamburg justified for those executives who
wanted to be at their desks by the start of the
business day. Converse had checked his suitcase
through to Bonn, making a mental note as he did so
to replace the heavy black leather bag with a
carry-on. He was no expert in such matters, but
common sense told him that the delays required by
waiting for one's luggage in the open for anyone to
see was no way to travel swiftly or to avoid eyes
that might be searching for him. He put Erich Leif-
helm's dossier in his attache case, closed it and spun
the brass combination disks. He then got up from
the table, walked out of the cafe and across the
terminal toward the Lufthansa gate.
Sweat matted his hairline; the tattoo inside his
chest accelerated until it sounded like a hammering
fugue for kettledrums. He knew the man sitting next
to him, but from where or from what period in his
life he had no idea. The craggy, lined face, the deep
ridges that creased the suntanned flesh the intense
blue-grey eyes beneath the thick, wild brows and
brown hair streaked with white he knew him, but
no name came, no clue to the man's identity.
Joel kept waiting for some sign of recognition
directed at him. None came, and involuntarily he
found himself looking at the man out of the comer
of his eye. The man did not respond; instead his
attention was on a bound sheaf of typewritten pages,
the type larger than the print nominally associated
with legal briefs or even summonses. Perhaps,
thought Converse, the man was half blind, wearing
contact lenses to conceal his infirmity. But was there
something else? Not an infirmity, but a connection
being concealed. Had he seen this man in Paris as
he had seen another wearing a light-brown
122 ROBERT LUDIUM
topcoat in a hotel basement corridor? Had this man
beside him also been at L'Etalon Blanc? Had he
been part of a stationary group of ex-soldiers in the
warriors' playroom . . . in a corner perhaps, and
inconspicuous because of the numbers? Or at
Bertholdier's table, his back to Joel, presumably
unseen by the American he was now following? Was
he following him at this moment? wondered
Converse, gripping his attache case. He turned his
head barely inches and studied his seatmate.
Suddenly the man looked up from the bound
typewritten pages and over at Joel. His eyes were
noncommittal, expressing neither curiosity nor
irritation.
"Sorry," said Converse awkwardly.
"Sure, it's okay . . . why not?" was the strange,
laconic reply, the accent American, the dialect
distinctly TexasWestern. The man returned to his
pages.
"Do we know each other?" asked Joel, unable to
back off from the question.
Again the man looked up. "Don't think so," he
said tersely, once more going back to his report, or
whatever it was.
Converse looked out the window, at the black
sky beyond, flashes of red light illuminating the
silver metal of the wing. Absently he tried to
calculate the digital degree heading of the aircraft
but his pilot's mind would not function. He did
know the man, and the oddly phrased "Why not?"
served only to disturb him further. Was it a signal,
a warning? As his words to Jacques-Louis
Bertholdier had been a signal, a warning that the
general had better contact him, recognise him.
The voice of a Lufthansa stewardess interrupted
his thoughts. "Herr Dowling, it is a pleasure, indeed,
to have you on board."
"Thank you, darlin'," said the man, his lined face
creasing into a gentle grin. "You find me a little
bourbon over ice and I'll return the compliment.''
"Certainly, sir. I'm sure you've been told so
often you must be tired of hearing it, but your
television show is enormously popular in Germany."
"Thanks again, honey, but it's not my show.
There are a lot of pretty little fillies runnin' around
that screen."
An actor. A goddamned actor! thought Joel. No
alarms, no surprises. Just intrusions, far more
imagined than real.
"You're too modest, Herr Dowling. They're all so
alike,
THE AQUITAINE PROGRESSION 123
so disagreeable. But you are so kind, so manly . . . so
understanding. '
"Understandin'? Tell you somethin'. I saw an
episode in Cologne last week while on this picture
/> and I didn't understand a word I was sayin'."
The stewardess laughed. "Bourbon over ice, is
that correct, sir?'
"That's correct, darlin'."
The woman started down the first-class aisle
toward the galley as Converse continued to look at
the actor. Haltingly he spoke. "I am sorry. I should
have recognised you, of course."
Dowling turned his suntanned head, his eyes
roaming Joel's face, then dropping to the
hand-tooled leather attache case. He looked up with
an amused smile. "I could probably embarrass you if
I asked you where you knew me from. You don't
look like a Santa Fe groupie."
"A Santa Fe . . . ? Oh, sure, that's the name of
the show." And it was, reflected Converse. One of
those phenomena on television that by the sheer
force of extraordinary ratings and network profits
had been featured on the covers of Time and
Newsweek. He had never seen it
"And, naturally," continued the actor, "you follow
the tribal rites and wrongs the dramatic
vicissitudes of the imperious Ratchet family, owners
of the biggest spread north of Santa Fe as well as the
historic Chimaya Flats, which they stole from the
impoverished Indians."
"The who? What?"
Dowling's leathery face again laminated itself into
a grin. "Only Pa Ratchet, the Indians' friend, doesn't
know about the last part, although he's being blamed
by his red brothers. You see, Pa's no-good sons
heard there was oil shale beneath the Chimayas and
did their thing. Incidentally, I trust you catch the
verbal associations in the name Ratchet, you can take
your choice. There's just plain 'rats,' or Ratchet as in
'wretched,' or Ratchet as in the tool screwing
everything in front of it by merely pressing forward."
There was something different about the actor