The Big Book of Modern Fantasy

by The Big Book of Modern Fantasy (retail) (epub)

  “But I’ve let him out,” Moomintroll cried. “Didn’t he come to you?”

  “Nope,” Snufkin said, lighting his pipe. “Dragons, they do as they like. They’re pretty flighty you know, and if they see a fat fly somewhere they forget everything else. That’s dragons. They’re really nothing much.”

  Moomintroll was silent for quite a while. Then he sat down in the grass and said:

  “Perhaps you’re right. Perhaps it was just as well that it went away. Well, yes. I rather think so, Snufkin. That new float of yours. I suppose it looked good in the water. The red one.”

  “Not bad,” Snufkin said. “I’ll make you one. Were you planning to fish tomorrow?”

  “Of course,” Moomintroll said. “Naturally.”

  J. G. Ballard (1930–2009) was born to English parents in Shanghai. As a child, he was interned in a Japanese civilian POW camp during World War II, an experience that informed his semiautobiographical novel Empire of the Sun (1984). Before the war, Shanghai had been, for Ballard, a place of modern technology and even luxury; moving to a war-battered England in 1945 proved to be an experience that profoundly influenced the imagery and tone of Ballard’s later work. He first gained notice as a writer of short stories published in New Worlds magazine, beginning with “Escapement” in 1956. Ballard became one of the most prominent figures of New Wave science fiction in the 1960s, particularly with such stories as “The Terminal Beach,” “You and Me and the Continuum,” and “The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race.” His earliest novels depicted various sorts of environmental devastation, and with the controversial Crash (1973) and High-Rise (1975) he became a cult figure with an influence well beyond the science fiction genre. Ballard was a devotee of surrealism, writing in 2007 that “Salvador Dalí was the last of the great cultural outlaws, and probably the last genius to visit our cheap and gaudy planet. Look around you with an unbiased eye and, alas, you will see no painter of genius, and no novelist, poet, philosopher or composer who takes his or her place in that top tier without asking our permission. I think Dalí was the greatest painter of the 20th century.” The influence of surrealism is especially strong in “The Drowned Giant,” which first appeared in Ballard’s collection The Terminal Beach in 1964. It is like a story found in a surrealist painting, a story both within a surrealist world and inspired by surrealist imagery. Ballard never explains the central mystery of the giant, nor does he build the plot around a quest for a solution and answers. Instead, he gives us something stranger, something both unsettling and moving, something that lives beyond rationality.

  THE DROWNED GIANT

  J. G. Ballard

  ON THE MORNING AFTER the storm the body of a drowned giant was washed ashore on the beach five miles to the northwest of the city. The first news of its arrival was brought by a nearby farmer and subsequently confirmed by the local newspaper reporters and the police. Despite this the majority of people, myself among them, remained sceptical, but the return of more and more eye-witnesses attesting to the vast size of the giant was finally too much for our curiosity. The library where my colleagues and I were carrying out our research was almost deserted when we set off for the coast shortly after two o’clock, and throughout the day people continued to leave their offices and shops as accounts of the giant circulated around the city.

  By the time we reached the dunes above the beach a substantial crowd had gathered, and we could see the body lying in the shallow water two hundred yards away. At first the estimates of its size seemed greatly exaggerated. It was then at low tide, and almost all the giant’s body was exposed, but he appeared to be a little larger than a basking shark. He lay on his back with his arms at his sides, in an attitude of repose, as if asleep on the mirror of wet sand, the reflection of his blanched skin fading as the water receded. In the clear sunlight his body glistened like the white plumage of a sea-bird.

  Puzzled by this spectacle, and dissatisfied with the matter-of-fact explanations of the crowd, my friends and I stepped down from the dunes on to the shingle. Everyone seemed reluctant to approach the giant, but half an hour later two fishermen in wading boots walked out across the sand. As their diminutive figures neared the recumbent body a sudden hubbub of conversation broke out among the spectators. The two men were completely dwarfed by the giant. Although his heels were partly submerged in the sand, the feet rose to at least twice the fishermen’s height, and we immediately realized that this drowned leviathan had the mass and dimensions of the largest sperm whale.

  Three fishing smacks had arrived on the scene and with keels raised remained a quarter of a mile off-shore, the crews watching from the bows. Their discretion deterred the spectators on the shore from wading out across the sand. Impatiently everyone stepped down from the dunes and waited on the shingle slopes, eager for a closer view. Around the margins of the figure the sand had been washed away, forming a hollow, as if the giant had fallen out of the sky. The two fishermen were standing between the immense plinths of the feet, waving to us like tourists among the columns of some water-lapped temple on the Nile. For a moment I feared that the giant was merely asleep and might suddenly stir and clap his heels together, but his glazed eyes stared skywards, unaware of the minuscule replicas of himself between his feet.

  The fishermen then began a circuit of the corpse, strolling past the long white flanks of the legs. After a pause to examine the fingers of the supine hand, they disappeared from sight between the arm and chest, then re-emerged to survey the head, shielding their eyes as they gazed up at its Graecian profile. The shallow forehead, straight high-bridged nose and curling lips reminded me of a Roman copy of Praxiteles, and the elegantly formed cartouches of the nostrils emphasized the resemblance to monumental sculpture.

  Abruptly there was a shout from the crowd, and a hundred arms pointed towards the sea. With a start I saw that one of the fishermen had climbed on to the giant’s chest and was now strolling about and signalling to the shore. There was a roar of surprise and triumph from the crowd, lost in a rushing avalanche of shingle as everyone surged forward across the sand.

  As we approached the recumbent figure, which was lying in a pool of water the size of a field, our excited chatter fell away again, subdued by the huge physical dimensions of this moribund colossus. He was stretched out at a slight angle to the shore, his legs carried nearer the beach, and this foreshortening had disguised his true length. Despite the two fishermen standing on his abdomen, the crowd formed itself into a wide circle, groups of three or four people tentatively advancing towards the hands and feet.

  My companions and I walked around the seaward side of the giant, whose hips and thorax towered above us like the hull of a stranded ship. His pearl-coloured skin, distended by immersion in salt water, masked the contours of the enormous muscles and tendons. We passed below the left knee, which was flexed slightly, threads of damp seaweed clinging to its sides. Draped loosely across the midriff, and preserving a tenuous propriety, was a shawl of heavy open-weaved material, bleached to a pale yellow by the water. A strong odour of brine came from the garment as it steamed in the sun, mingled with the sweet but potent scent of the giant’s skin.

  We stopped by his shoulder and gazed up at the motionless profile. The lips were parted slightly, the open eye cloudy and occluded, as if injected with some blue milky liquid, but the delicate arches of the nostrils and eyebrows invested the face with an ornate charm that belied the brutish power of the chest and shoulders.

  The ear was suspended in mid-air over our heads like a sculptured doorway. As I raised my hand to touch the pendulous lobe someone appeared over the edge of the forehead and shouted down at me. Startled by this apparition, I stepped back, and then saw that a group of youths had climbed up on to the face and were jostling each other in and out of the orbits.

  People were now clambering all over the giant, whose reclining arms provided a double stairway. From th
e palms they walked along the forearms to the elbow and then crawled over the distended belly of the biceps to the flat promenade of the pectoral muscles which covered the upper half of the smooth hairless chest. From here they climbed up on to the face, hand over hand along the lips and nose, or forayed down the abdomen to meet others who had straddled the ankles and were patrolling the twin columns of the thighs.

  We continued our circuit through the crowd, and stopped to examine the outstretched right hand. A small pool of water lay in the palm, like the residue of another world, now being kicked away by the people ascending the arm. I tried to read the palm-lines that grooved the skin, searching for some clue to the giant’s character, but the distension of the tissues had almost obliterated them, carrying away all trace of the giant’s identity and his last tragic predicament. The huge muscles and wrist-bones of the hand seemed to deny any sensitivity to their owner, but the delicate flexion of the fingers and the well-tended nails, each cut symmetrically to within six inches of the quick, argued a certain refinement of temperament, illustrated in the Graecian features of the face, on which the townsfolk were now sitting like flies.

  One youth was even standing, arms wavering at his sides, on the very tip of the nose, shouting down at his companions, but the face of the giant still retained its massive composure.

  Returning to the shore, we sat down on the shingle, and watched the continuous stream of people arriving from the city. Some six or seven fishing boats had collected off-shore, and their crews waded in through the shallow water for a closer look at this enormous storm-catch. Later a party of police appeared and made a half-hearted attempt to cordon off the beach, but after walking up to the recumbent figure any such thoughts left their minds, and they went off together with bemused backward glances.

  An hour later there were a thousand people present on the beach, at least two hundred of them standing or sitting on the giant, crowded along his arms and legs or circulating in a ceaseless melee across his chest and stomach. A large gang of youths occupied the head, toppling each other off the cheeks and sliding down the smooth planes of the jaw. Two or three straddled the nose, and another crawled into one of the nostrils, from which he emitted barking noises like a dog.

  That afternoon the police returned, and cleared a way through the crowd for a party of scientific experts—authorities on gross anatomy and marine biology—from the university. The gang of youths and most of the people on the giant climbed down, leaving behind a few hardy spirits perched on the tips of the toes and on the forehead. The experts strode around the giant, heads nodding in vigorous consultation, preceded by the policemen who pushed back the press of spectators. When they reached the outstretched hand the senior officer offered to assist them up on to the palm, but the experts hastily demurred.

  After they returned to the shore, the crowd once more climbed on to the giant, and was in full possession when we left at five o’clock, covering the arms and legs like a dense flock of gulls sitting on the corpse of a large fish.

  * * *

  —

  I next visited the beach three days later. My friends at the library had returned to their work, and delegated to me the task of keeping the giant under observation and preparing a report. Perhaps they sensed my particular interest in the case, and it was certainly true that I was eager to return to the beach. There was nothing necrophilic about this, for to all intents the giant was still alive for me, indeed more alive than many of the people watching him. What I found so fascinating was partly his immense scale, the huge volumes of space occupied by his arms and legs, which seemed to confirm the identity of my own miniature limbs, but above all the mere categorical fact of his existence. Whatever else in our lives might be open to doubt, the giant, dead or alive, existed in an absolute sense, providing a glimpse into a world of similar absolutes of which we spectators on the beach were such imperfect and puny copies.

  When I arrived at the beach the crowd was considerably smaller, and some two or three hundred people sat on the shingle, picnicking and watching the groups of visitors who walked out across the sand. The successive tides had carried the giant nearer the shore, swinging his head and shoulders towards the beach, so that he seemed doubly to gain in size, his huge body dwarfing the fishing boats beached beside his feet. The uneven contours of the beach had pushed his spine into a slight arch, expanding his chest and tilting back the head, forcing him into a more expressly heroic posture. The combined effects of sea-water and the tumefaction of the tissues had given the face a sleeker and less youthful look. Although the vast proportions of the features made it impossible to assess the age and character of the giant, on my previous visit his classically modelled mouth and nose suggested that he had been a young man of discreet and modest temper. Now, however, he appeared to be at least in early middle age. The puffy cheeks, thicker nose and temples and narrowing eyes gave him a look of well-fed maturity that even now hinted at a growing corruption to come.

  This accelerated post-mortem development of the giant’s character, as if the latent elements of his personality had gained sufficient momentum during his life to discharge themselves in a brief final resume, continued to fascinate me. It marked the beginning of the giant’s surrender to that all-demanding system of time in which the rest of humanity finds itself, and of which, like the million twisted ripples of a fragmented whirlpool, our finite lives are the concluding products. I took up my position on the shingle directly opposite the giant’s head, from where I could see the new arrivals and the children clambering over the legs and arms.

  Among the morning’s visitors were a number of men in leather jackets and cloth caps, who peered up critically at the giant with a professional eye, pacing out his dimensions and making rough calculations in the sand with spars of driftwood. I assumed them to be from the public works department and other municipal bodies, no doubt wondering how to dispose of this gargantuan piece of jetsam.

  Several rather more smartly attired individuals, circus proprietors and the like, also appeared on the scene, and strolled slowly around the giant, hands in the pockets of their long overcoats, saying nothing to one another. Evidently its bulk was too great even for their matchless enterprise. After they had gone the children continued to run up and down the arms and legs, and the youths wrestled with each other over the supine face, the damp sand from their feet covering the white skin.

  * * *

  —

  The following day I deliberately postponed my visit until the late afternoon, and when I arrived there were fewer than fifty or sixty people sitting on the shingle. The giant had been carried still closer to the shore, and was now little more than seventy-five yards away, his feet crushing the palisade of a rotting breakwater. The slope of the firmer sand tilted his body towards the sea, and the bruised face was averted in an almost conscious gesture. I sat down on a large metal winch which had been shackled to a concrete caisson above the shingle, and looked down at the recumbent figure.

  His blanched skin had now lost its pearly translucence and was spattered with dirty sand which replaced that washed away by the night tide. Clumps of seaweed filled the intervals between the fingers and a collection of litter and cuttle-bones lay in the crevices below the hips and knees. But despite this, and the continuous thickening of his features, the giant still retained his magnificent Homeric stature. The enormous breadth of the shoulders, and the huge columns of the arms and legs, still carried the figure into another dimension, and the giant seemed a more authentic image of one of the drowned Argonauts or heroes of the Odyssey than the conventional human-sized portrait previously in my mind.

  I stepped down on to the sand, and walked between the pools of water towards the giant. Two small boys were sitting in the well of the ear, and at the far end a solitary youth stood perched high on one of the toes, surveying me as I approached. As I had hoped when delaying my visit, no one else paid any attention to me, and the people on the shore remain
ed huddled beneath their coats.

  The giant’s supine right hand was covered with broken shells and sand, in which a score of footprints were visible. The rounded bulk of the hip towered above me, cutting off all sight of the sea. The sweetly acrid odour I had noticed before was now more pungent, and through the opaque skin I could see the serpentine coils of congealed blood-vessels. However repellent it seemed, this ceaseless metamorphosis, a visible life in death, alone permitted me to set foot on the corpse.

  Using the jutting thumb as a stair-rail, I climbed up on to the palm and began my ascent. The skin was harder than I expected, barely yielding to my weight. Quickly I walked up the sloping forearm and the bulging balloon of the biceps. The face of the drowned giant loomed to my right, the cavernous nostrils and huge flanks of the cheeks like the cone of some freakish volcano.

  Safely rounding the shoulder, I stepped out on to the broad promenade of the chest, across which the bony ridges of the ribcage lay like huge rafters. The white skin was dappled by the darkening bruises of countless footprints, in which the patterns of individual heel-marks were clearly visible. Someone had built a small sandcastle on the centre of the sternum, and I climbed on to this partly demolished structure to give myself a better view of the face.

  The two children had now scaled the ear and were pulling themselves into the right orbit, whose blue globe, completely occluded by some milk-coloured fluid, gazed sightlessly past their miniature forms. Seen obliquely from below, the face was devoid of all grace and repose, the drawn mouth and raised chin propped up by its gigantic slings of muscles resembling the torn prow of a colossal wreck. For the first time I became aware of the extremity of this last physical agony of the giant, no less painful for his unawareness of the collapsing musculature and tissues. The absolute isolation of the ruined figure, cast like an abandoned ship upon the empty shore, almost out of sound of the waves, transformed his face into a mask of exhaustion and helplessness.