Sixty-Five Short Stories

by Somerset William Maugham

  After a pause Featherstone continued:

  'It's rather strange that I should run across Tim Hardy here after all these years. But that's the way of the F.M.S. People move about and you find yourself in the same place as a man you'd known years before in another part of the country. I first knew Tim when he had an estate near Sibuku. Have you ever been there?'

  'No. Where is it?'

  'Oh, it's up north. Towards Siam. It wouldn't be worth your while to go. It's just like every other place in the F.M.S. But it was rather nice. It had a very jolly little club and there were some quite decent people. There was the schoolmaster and the head of the police, the doctor, the padre, and the government engineer. The usual lot, you know. A few planters. Three or four women. I was A.D.O. It was one of my first jobs. Tim Hardy had an estate about twenty-five miles away. He lived there with his sister. They had a bit of money of their own and he'd bought the place. Rubber was pretty good then and he wasn't doing at all badly. We rather cottoned on to one another. Of course it's a toss-up with planters. Some of them are very good fellows, but they're not exactly . . .' he sought for a word or a phrase that did not sound snobbish. 'Well, they're not the sort of people you'd be likely to meet at home. Tim and Olive were of one's own class, if you understand what I mean.'

  'Olive was the sister?'

  'Yes. They'd had a rather unfortunate past. Their parents had separated when they were quite small, seven or eight, and the mother had taken Olive and the father had kept Tim. Tim went to Clifton, they were West Country people, and only came home for the holidays. His father was a retired naval man who lived at Fowey. But Olive went with her mother to Italy. She was educated in Florence; she spoke Italian perfectly and French too. For all those years Tim and Olive never saw one another once, but they used to write to one another regularly. They'd been very much attached when they were children. As far as I could understand, life when their people were living together had been rather stormy with all sorts of scenes and upsets, you know the sort of thing that happens when two people who are married don't get on together, and that had thrown them on their own resources. They were left a good deal to themselves. Then Mrs Hardy died and Olive came home to England and went back to her father. She was eighteen then and Tim was seventeen. A year later the war broke out. Tim joined up and his father, who was over fifty, got some job at Portsmouth. I take it he had been a hard liver and a heavy drinker. He broke down before the end of the war and died shortly after a lingering illness. They don't seem to have had any relations. They were the last of a rather old family; they had a fine old house in Dorsetshire that had belonged to them for a good many generations, but they had never been able to afford to live in it and it was always let. I remember seeing photographs of it. It was very much a gentleman's house, of grey stone and rather stately, with a coat of arms carved over the front door, and mullioned windows. Their great ambition was to make enough money to be able to live in it. They used to talk about it a lot. They never spoke as though either of them would marry, but always as though it were a settled thing that they would remain together. It was rather funny considering how young they were.'

  'How old were they then?' I asked.

  'Well, I suppose he was twenty-five or twenty-six and she was a year older. They were awfully kind to me when I first went up to Sibuku. They took a fancy to me at once. You see, we had more in common than most of the people there. I think they were glad of my company. They weren't particularly popular.'

  'Why not?' I asked.

  'They were rather reserved and you couldn't help seeing that they liked their own society better than other people's. I don't know if you've noticed it, but that always seems to put people's backs up. They resent it somehow if they have a feeling that you can get along very well without them.'

  'It's tiresome, isn't it?' I said.

  'It was rather a grievance to the other planters that Tim was his own master and had private means. They had to put up with an old Ford to get about in, but Tim had a real car. Tim and Olive were very nice when they came to the club and they played in the tennis tournaments and all that sort of thing, but you had an impression that they were always glad to get away again. They'd dine out with people and make themselves very pleasant, but it was pretty obvious that they'd just as soon have stayed at home. If you had any sense you couldn't blame them. I don't know if you've been much to planters' houses. They're a bit dreary. A lot of gimcrack furniture and silver ornaments and tiger skins. And the food's uneatable. But the Hardys had made their bungalow rather nice. There was nothing very grand in it; it was just easy and homelike and comfortable. Their living-room was like a drawing-room in an English country house. You felt that their things meant something to them and that they had had them a long time. It was a very jolly house to stay at. The bungalow was in the middle of the estate, but it was on the brow of a little hill and you looked right over the rubber trees to the sea in the distance. Olive took a lot of trouble with her garden and it was really topping. I never saw such a show of cannas. I used to go there for weekends. It was only about half an hour's drive to the sea and we'd take our lunch with us and bathe and sail. Tim kept a small boat there. Those days were grand. I never knew one could enjoy oneself so much. It's a beautiful bit of coast and it was really extraordinarily romantic. Then in the evenings we'd play patience and chess or turn on the gramophone. The cooking was damned good too. It was a change from what one generally got. Olive had taught their cook to make all sorts of Italian dishes and we used to have great wallops of macaroni and risotto and gnocchi and things like that. I couldn't help envying them their life, it was so jolly and peaceful, and when they talked of what they'd do when they went back to England for good I used to tell them they'd always regret what they'd left.

  '"We've been very happy here," said Olive.

  'She had a way of looking at Tim, with a slow, sidelong glance from under her long eyelashes, that was rather engaging.

  'In their own house they were quite different from what they were when they went out. They were so easy and cordial. Everybody admitted that and I'm bound to say that people enjoyed going there. They often asked people over. They had the gift of making you feel at home. It was a very happy house, if you know what I mean. Of course no one could help seeing how attached they were to one another. And whatever people said about their being stand-offish and self-centred, they were bound to be rather touched by the affection they had for one another. People said they couldn't have been more united if they had been married, and when you saw how some couples got on you couldn't help thinking they made most marriages look rather like a wash-out. They seemed to think the same things at the same time. They had little private jokes that made them laugh like children. They were so charming with one another, so gay and happy, that really to stay with them was, well, a spiritual refreshment. I don't know what else you could call it. When you left them, after a couple of days at the bungalow, you felt you'd absorbed some of their peace and their sober gaiety. It was as though your soul had been sluiced with cool clear water. You felt strangely purified.'

  It was singular to hear Featherstone talking in this exalted strain. He looked so spruce in his smart white coat, technically known as a bum-freezer, his moustache was so trim, his thick curly hair so carefully brushed, that his high-flown language made me a trifle uncomfortable. But I realized that he was trying to express in his clumsy way a very sincerely felt emotion.

  'What was Olive Hardy like?' I asked.

  'I'll show you. I've got quite a lot of snapshots.'

  He got up from his chair and going to a shelf brought me a large album. It was the usual thing, indifferent photographs of people in groups and unflattering likenesses of single figures. They were in bathing dress or in shorts or tennis things, generally with their faces screwed up because the sun blinded them, or puckered by the distortion of laughter. I recognized Hardy, not much changed after ten years, with his wisp of hair hanging across his forehead. I remembered him better now that
I saw the snapshots. In them he looked nice and fresh and young. He had an alertness of expression that was attractive and that I certainly had not noticed when I saw him. In his eyes was a sort of eagerness for life that danced and sparkled through the fading print. I glanced at the photographs of his sister. Her bathing dress showed that she had a good figure, well-developed, but slender; and her legs were long and slim.

  'They look rather alike,' I said.

  'Yes, although she was a year older they might have been twins, they were so much alike. They both had the same oval face and that pale skin without any colour in the cheeks, and they both had those soft brown eyes, very liquid and appealing, so that you felt whatever they did you could never be angry with them. And they both had a sort of careless elegance that made them look charming whatever they wore and however untidy they were. He's lost that now, I suppose, but he certainly had it when I first knew him. They always rather reminded me of the brother and sister in Twelfth Night. You know whom I mean.'

  'Viola and Sebastian.'

  'They never seemed to belong quite to the present. There was something Elizabethan about them. I don't think it was only because I was very young then that I couldn't help feeling they were strangely romantic somehow. I could see them living in Illyria.'

  I gave one of the snapshots another glance.

  'The girl looks as though she had a good deal more character than her brother,' I remarked.

  'She had. I don't know if you'd have called Olive beautiful, but she was awfully attractive. There was something poetic in her, a sort of lyrical quality, as it were, that coloured her movements, her acts, and everything about her. It seemed to exalt her above common cares. There was something so candid in her expression, so courageous and independent in her bearing, that-oh, I don't know, it made mere beauty just fall flat and dull.'

  'You speak as if you'd been in love with her,' I interrupted.

  'Of course I was. I should have thought you'd guessed that at once. I was frightfully in love with her.'

  'Was it love at first sight?' I smiled.

  'Yes, I think it was, but I didn't know it for a month or so. When it suddenly struck me that what I felt for her-I don't know how to explain it, it was a sort of shattering turmoil that affected every bit of me-that that was love, I knew I'd felt it all along. It was not only her looks, though they were awfully alluring, the smoothness of her pale skin and the way her hair fell over her forehead and the grave sweetness of her brown eyes, it was more than that; you had a sensation of well-being when you were with her, as though you could relax and be quite natural and needn't pretend to be anything you weren't. You felt she was incapable of meanness. It was impossible to think of her as envious of other people or catty. She seemed to have a natural generosity of soul. One could be silent with her for an hour at a time and yet feel that one had had a good time.'

  'A rare gift,' I said.

  'She was a wonderful companion. If you made a suggestion to do something she was always glad to fall in with it. She was the least exacting girl I ever knew. You could throw her over at the last minute and however disappointed she was it made no difference. Next time you saw her she was just as cordial and serene as ever.'

  'Why didn't you marry her?'

  Featherstone's cheroot had gone out. He threw the stub away and deliberately lit another. He did not answer for a while. It may seem strange to persons who live in a highly civilized state that he should confide these intimate things to a stranger; it did not seem strange to me. I was used to it. People who live so desperately alone, in the remote places of the earth, find it a relief to tell someone whom in all probability they will never meet again the story that has burdened perhaps for years their waking thoughts and their dreams at night. And I have an inkling that the fact of your being a writer attracts their confidence. They feel that what they tell you will excite your interest in an impersonal way that makes it easier for them to discharge their souls. Besides, as we all know from our own experience, it is never unpleasant to talk about oneself.

  'Why didn't you marry her?' I had asked him.

  'I wanted to badly enough,' Featherstone answered at length. 'But I hesitated to ask her. Although she was always so nice to me and so easy to get on with, and we were such good friends, I always felt that there was something a little mysterious in her. Although she was so simple, so frank and natural, you never quite got over the feeling of an inner kernel of aloofness, as if deep in her heart she guarded, not a secret, but a sort of privacy of the soul that not a living person would ever be allowed to know. I don't know if I make myself clear.'

  'I think so.'

  'I put it down to her upbringing. They never talked of their mother, but somehow I got the impression that she was one of those neurotic, emotional women who wreck their own happiness and are a pest to everyone connected with them. I had a suspicion that she'd led rather a hectic life in Florence and it struck me that Olive owed her beautiful serenity to a disciplined effort of her own will, and that her aloofness was a sort of citadel she'd built to protect herself from the knowledge of all sorts of shameful things. But of course that aloofness was awfully captivating. It was strangely exciting to think that if she loved you, and you were married to her, you would at last pierce right into the hidden heart of that mystery; and you felt that if you could share that with her it would be as it were a consummation of all you'd ever desired in your life. Heaven wouldn't be in it. You know, I felt about it just like Bluebeard's wife about the forbidden chamber in the castle. Every room was open to me, but I should never rest till I had gone into that last one that was locked against me.'

  My eye was caught by a chik-chak, a little brown house lizard with a large head, high up on the wall. It is a friendly little beast and it is good to see it in a house. It watched a fly. It was quite still. On a sudden it made a dart and then as the fly flew away fell back with a sort of jerk into a strange immobility.

  'And there was another thing that made me hesitate. I couldn't bear the thought that if I proposed to her and she refused me she wouldn't let me come to the bungalow in the same old way. I should have hated that, I enjoyed going there so awfully. It made me so happy to be with her. But you know, sometimes one can't help oneself. I did ask her at last, but it was almost by accident. One evening, after dinner, when we were sitting on the veranda by ourselves, I took her hand. She withdrew it at once.

  '"Why did you do that?" I asked her.

  '"I don't very much like being touched," she said. She turned her head a little and smiled. "Are you hurt? You mustn't mind, it's just a funny feeling I have. I can't help it."

  '"I wonder if it's ever occurred to you that I'm frightfully fond of you," I said.

  'I expect I was terribly awkward about it, but I'd never proposed to anyone before.' Featherstone gave a little sound that was not quite a chuckle and not quite a sigh. 'For the matter of that, I've never proposed to anyone since. She didn't say anything for a minute. Then she said:

  '"I'm very glad, but I don't think I want you to be anything more than that."

  '"Why not?" I asked.

  '"I could never leave Tim."

  '"But supposing he marries?"

  '"He never will."

  'I'd gone so far then that I thought I'd better go on. But my throat was so dry that I could hardly speak. I was shaking with nervousness.

  '"I'm frightfully in love with you, Olive. I want to marry you more than anything in the world."

  'She put her hand very gently on my arm. It was like a flower falling to the ground.

  '"No, dear, I can't," she said.

  'I was silent. It was difficult for me to say what I wanted to. I'm naturally rather shy. She was a girl. I couldn't very well tell her that it wasn't quite the same thing living with a husband and living with a brother. She was normal and healthy; she must want to have babies; it wasn't reasonable to starve her natural instincts. It was such a waste of her youth. But it was she who spoke first.

  '"Don't let's talk
about this any more," she said. "D'you mind? It did strike me once or twice that perhaps you cared for me. Tim noticed it. I was sorry because I was afraid it would break up our friendship. I don't want it to do that, Mark. We do get on so well together, the three of us, and we have such jolly times. I don't know what we should do without you now."

  '"I thought of that too," I said.

  '"D'you think it need?" she asked me.

  '"My dear, I don't want it to," I said. "You must know how much I love coming here. I've never been so happy anywhere before!"

  '"You're not angry with me?"

  '"Why should I be? It's not your fault. It only means that you're not in love with me. If you were you wouldn't care a hang about Tim."

  '"You are rather sweet," she said.

  'She put her arm around my neck and kissed me lightly on the cheek. I had a notion that in her mind it settled our relation. She adopted me as a second brother.