The Book of the New Sun Volume 1 : Shadow and Claw

by Gene Wolfe

  In desperation, I returned to the worm-gnawed door and opened it. The musty odor of the well entered the corridor at once, and I heard the song of the green gongs begin. Outside, the world was plunged in night. Save for the corpse candles of the fungi, the rugged walls were invisible, and only a circle of stars overhead showed where the well dropped into the earth.

  I closed the door; no sooner had it grated shut than I heard the sound of footsteps on the stair up which I myself had come. There was no place to hide, and if I had darted for the second stair I would have had little chance of reaching it before I was seen. Rather than attempt to duck out through the heavy oak door and close it once more, I decided to remain where I was.

  The newcomer was a plump man of fifty or so dressed in livery. Even down the length of the corridor, I saw his face pale at the sight of me. He came hurrying toward me, however, and when he was still twenty or thirty paces off he began to bow, saying, "Can I help you, your honor? I am Odilo, the steward here. You, I can see, are on a mission of some confidence to . . . Father Inire?"

  "Yes," I said. "But first I must require my sword of you." I had hoped that he had seen Terminus Est and would produce her for me, but he looked blank.

  "I was escorted here earlier. At that time I was told that I would have to surrender my sword, but that it would be restored to me before Father Inire required me to use it." The little man was shaking his head. "I assure you, in my position I would have been informed if any of the other servants—"

  "I was told this by a praetorian," I said.

  "Ah, I ought to have known. They've been everywhere, answering to no one. We have an escaped prisoner, your honor, as I suppose you've heard."

  "No."

  "A man called Beuzec. They say he's not dangerous, but he and another fellow were found lurking in an arbor. This Beuzec made a dash for it before they locked him up, and got away. They say they'll take him soon; I don't know. I'll tell you, I've lived in our House Absolute all my life, and it has some strange corners—some very strange corners."

  "Possibly my sword is in one of them. Will you look?"

  He took a half step back, as though I had raised my hand to him. "Oh, I will, Your Honor, I will. I was only trying to make a bit of conversation. It's probably down here. If you'll just follow me . . ." We walked toward the other stair, and I saw that in my hasty search I had overlooked one door, a narrow one beneath the staircase. It was painted white, so that it was almost of the same shade as the stone.

  The steward produced a heavy ring of keys and opened this door. The triangular room inside was much larger than I would have guessed, reaching far back beneath the steps and boasting a sort of loft, accessible by a shaky ladder, toward the rear. Its lamp was of the same type as those I had noticed in the antechamber, but dimmer.

  "Do you see it?" the steward asked. "Wait, there's a candle about here somewhere, I think. That one light's not much use, the shelves throw such heavy shadows."

  I was examining the shelves as he spoke. They were piled with clothing, with here and there a pair of shoes, a pocket fork, a pen case, a pommander ball. "When I was just a lad myself, the kitchen boys used to pick the lock and come in here to rummage about. I put a stop to that—got a good lock—but I'm afraid the best things disappeared long ago."

  "What is this place?"

  "A closet for petitioners, originally. Coats, hats, and boots—you know. Those places always fill up with the things the lucky ones forget to take with them when they go, and then this wing has always been Father Inire's, and I suppose there's always been some that came to see him that never came back out, as well as the ones that come out what never came in." He paused and glanced around. "I had to give the soldiers keys to keep them from kicking down the doors when they were searching for this Beuzec, so I suppose they might have put your sword in here. If they didn't, they probably took it up to their guardroom. This wouldn't be it, I don't imagine?" From a corner he drew out an ancient spadone.

  "Hardly."

  "It seems to be the only sword here, I'm afraid. I can give you directions for getting to the guardroom. Or I can wake up one of the pages to go and ask, if you like." The ladder to the loft was shaky, but I scrambled up it after borrowing the steward's candle. Though it seemed exceedingly improbable that the soldier had put Terminus Est there, I wanted a few moments to think over the courses of action open to me.

  As I climbed I heard a slight noise from above that I supposed was the scurrying of some rodent; but when I thrust my head and the candle above the level of the loft's floor, I saw the small man who had been with Hethor on the road kneeling in an attitude of intense supplication. That was Beuzec, of course; I had failed to recall the name until I saw him.

  "Anything up there, your honor?"

  "Rags. Rats."

  "Just as I thought," the steward said as I stepped from the last rung. "I should have a look myself sometime, but one isn't anxious to climb a thing like that at my age. Would you like to go to the guardroom yourself, or shall I rouse one of the boys?"

  "I'll go."

  He nodded sagaciously. "That's best, I think. They might not hand it over to a page, or even admit they had it. You're in the Hypogeum Apotropaic now, as I suppose you know. If you don't want to be stopped by the patrols, you had better go indoors, so the best plan would be to go up this stairway we're standing under for three flights, then left. Follow the gallery around for about a thousand paces until you come to the hypethral. With it dark out you might miss it, so keep an eye open for the plants. Turn right in there and go another two hundred paces. There's always a sentry at the door." I thanked him and managed to get ahead of him on the stair by leaving while he was still fumbling with the lock, then stepped into a corridor off the first landing I reached and allowed him to go past me. When he was well out of the way, I went down again to the corridor of the antechamber. It seemed to me that if my sword had indeed been carried off to some guardroom, it was very unlikely that I could recover it save by stealth or violence, and I wished to assure myself that it had not been left in some more accessible place before I attempted either. Then too, it seemed possible that Beuzec had seen it in the course of his creeping and hiding, and I wanted to question him about it. At the same time, I was very much concerned about the prisoners of the antechamber. By that time (as I imagined) they would have discovered the door Jonas and I had left open for them, and would be spreading through this wing of the House Absolute. It could not be long before one was recaptured and a search began for the others.

  When I reached the door of the closet beneath the stair, I pressed my ear to the panel hoping to hear Beuzec moving about. There was no sound. I called him softly by name without eliciting a response, then tried to push the door open with my shoulder. It would not budge, and I was afraid to make noise by running against it. At last I managed to wedge the steel Vodalus had given me between the door and the jamb, and so split out the lock.

  Beuzec was gone. After a short search I discovered a hole in the back of the closet that opened into the hollow center of some wall. From there he must have crept into the closet looking for a place large enough for him to stretch his limbs, and to there he had fled again. It is said that in the House Absolute such recesses are inhabited by a species of white wolf that slunk in from the surrounding forests long ago. Perhaps he fell prey to these creatures; I have not seen him since.

  That night I did not seek to follow him, but pulled the closet door into place and concealed the damage to the lock as well as I could. It was only then that I noticed the symmetry of the corridor: the entrance to the antechamber in the center, the sealed doors to either side of it, the staircases at either end. If this hypogeum had been set aside for Father Inire (as the steward had said and its name indicated) its selection might have been due, at least in part, to this mirror-image quality. If that were so, then there should certainly be a second closet beneath the other stair.

  CHAPTER TWENTY - PICTURES

  The question was
why Odilo the steward had not taken me there; but I did not pause to think on it while I sprinted along the corridor, and when I arrived the answer was plain enough. That door had been broken long before—not just the socket of the lock, but the entire thing smashed so that only two discolored fragments of wood clinging to the hinges showed there had ever been a door there. The lamp within had gone out, leaving the interior to darkness and spiders.

  I had actually turned away from it and taken a step or two before I stopped, under the influence of that consciousness of error that often comes to us before we understand in the least in what the error consists. Jonas and I had been thrust into the antechamber late in the afternoon. That night the young exultants had come with their whips. The next morning Hethor had been taken, and at that time, it seemed, Beuzec had bolted from the praetorians, who had been given keys by the steward so they might search the hypogeum for him. When the same steward, Odilo, had met me a few moments before, and I had told him that Terminus Est had been taken from me by a praetorian, he had assumed I had come during the day, after Beuzec's escape.

  In point of fact, I had not; and therefore, the praetorian who had been carrying Terminus Est could not have put her in the locked closet beneath the second stair.

  I went back to the closet with the broken door again. By the scant light that filtered in from the corridor, it was apparent that it had once been lined with shelves like its twin; its interior was bare now, the shelving having been stripped away to serve some new use, leaving the shelf brackets to thrust fruitlessly from the walls. I could see no other object of any kind, but I could also see that no guardsman who had to stand inspection would willingly have set foot among its dust and cobwebs. Without bothering to thrust my own head inside, I reached around the jamb of the broken door, and—with an indescribable mingling of triumph and familiarity—felt my hand close upon the beloved hilt. I was a whole man again. Or rather, more than a man: a journeyman of the guild. There in the corridor I verified that my letter remained in the pocket of the sheath, then drew the shining blade, wiped it, oiled it, and wiped it again, testing its edges with finger and thumb as I walked along. Now let the hunter in the dark appear.

  My next objective was to rejoin Dorcas, but I knew nothing of the location of Dr. Talos's company except that they were to perform at a thiasus held in a garden—no doubt one of many gardens. If I went outside now, by night, it would perhaps be as difficult for the praetorians to see me in my fuligin as for me to see them. But I was unlikely to find any aid; and when the eastern horizon dropped below the sun, I would no doubt be apprehended as promptly as Jonas and I had been when we rode onto the grounds. If I stayed within the House Absolute itself, my experience with the steward indicated I might well pass unchallenged, and I might even come across someone who would give me information; indeed, I hit upon the plan of telling anyone I met that I had been summoned to the celebration myself (I supposed it was not unlikely that an excruciation would be a part of the festivities) and that I had left the sleeping quarters assigned to me and lost my way. In that fashion, I might discover where Dorcas and the rest were staying.

  Thinking upon this plan I mounted the stair, and at the second landing turned off down a corridor I had not seen previously. It was far longer and more sumptuously furnished than the one before the antechamber. Dark pictures in gold frames hung on the walls, and urns and busts and objects for which I knew no names stood on pedestals between them. The doors opening off the corridor were a hundred or more paces apart, indicating huge rooms beyond; but all were locked, and when I tried their handles I found that they were of a form and metal unknown to me, not shaped to be grasped by human fingers. When I had walked down this corridor for what seemed at least half a league, I saw someone ahead of me sitting (as I first thought) upon a high stool. As I drew nearer, I found that what I had taken to be a stool was a stepladder, and that the old man perched on it was cleaning one of the pictures. "Excuse me," I said.

  He turned and peered down at me in puzzlement. "Know your voice, don't I?" Then I knew his, and his face as well. It was Rudesind the curator, the old man I had met so long before, when Master Gurloes had first sent me to fetch books for the Chatelaine Thecla.

  "While ago you come looking for Ultan. Didn't you find him?"

  "Yes, I found him," I said. "But it wasn't a short time ago." He seemed to grow angry at that. "I didn't mean today! But it wasn't long. Why, I recollect the landscape I was working on, so it couldn't have been that long."

  "So do I," I told him. "Brown desert reflected in the gold visor of a man in armor." He nodded, and his anger seemed to melt away. Gripping the sides of the ladder, he began to descend, his sponge still in his hand. "Exactly. Exactly the one. Want me to show it to you? It came out very nice."

  "We're not in the same place, Master Rudesind. That was in the Citadel. This is the House Absolute."

  The old man ignored that. "Come out nice . . . It's down here a ways, somewhere. Those old artists—you couldn't beat 'em for drawing, though their colors has gone off now. And let me tell you, I know art. I've seen armigers, and exultants too, that come and look at them and say this and that, but they don't know a thing. Who's looked at every little bit of these pictures up close?" He thumped his own bosom with the sponge, then bent close to me, whispering though there was no one but ourselves in the long corridor. "Now I'll tell you a secret they don't none of them know—one of these is me!" To be polite, I said I would like to see it.

  "I'm looking for it, and when I find it I'll tell you where. They don't know, but that's why I clean them all the time. Why, I could have retired. But I'm still here, and I work longer than any, except maybe Ultan. He can't see the watchglass." The old man gave a long, cracked laugh.

  "I wonder if you could help me. There are performers here who have been summoned for the thiasus. Do you know where they're quartered?"

  "I've heard tell of it," he said doubtfully. "The Green Room is what they call it."

  "Can you take me there?"

  He shook his head. "There's no pictures there, so I've never been, though there's a picture of it. Come and walk a ways with me. I'll find the picture and point it out to you." He pulled the edge of my cloak, and I followed him.

  "I'd rather you took me to someone who could guide me there."

  "I can do that too. Old Ultan has a map somewhere in his Library. That boy of his will get it for you."

  "This isn't the Citadel," I reminded him again. "How did you come to be here, anyway? Did they bring you here to clean these?"

  "That's right. That's right." He leaned on my arm. "There's a logical explanation for everything, and don't you forget it. That must have been the way. Father Inire wanted me to clean his, so here I am." He paused, considering. "Wait a bit, I've got it wrong. I had talent as a boy, that's what I'm supposed to say. My parents, you know, always encouraged me, and I'd draw for hours. I recollect one time I spent all one sunny day sketching in chalk on the back of our house."

  A narrower corridor had opened to our left, and he pulled me down it. Though it was less well-lit (nearly dark, in fact) and so cramped that one could not stand at anything like the proper distance from them, it was lined with pictures much larger than those in the main corridor, pictures that stretched from floor to ceiling, and that were far wider than my outstretched arms. From what I could see of them, they appeared very bad—mere daubs. I asked Rudesind who it was who had told him he must tell me about his childhood.

  "Why, Father Inire," he said, cocking his head up to look at me. "Who do you suppose?" He dropped his voice. "Senile. That's what they say. Been vizier to I don't know how many autarchs since Ymar. Now you be quiet and let me talk. I'll find old Ultan for you."

  "An artist—a real one—came by where we lived. My mother, being so proud of me, showed him some of the things I'd done. It was Fechin, Fechin himself, and the portrait he made of me hangs here to this day, looking out at you with my brown eyes. I'm at a table with some brushes and a tangerine
on it. I'd been promised them when I was through sitting."

  I said, "I don't think I have time to look at it right now."

  "So I became an artist myself. Pretty soon, I took to cleaning and restoring the works of the great ones. Twice I've cleaned my own picture. It's strange, I tell you, for me to wash my own little face like that. I keep wishing somebody would wash mine now, make the dirt of the years come off with his sponge. But that's not what I'm taking you to see—it's the Green Room you're after, ain't it?"

  "Yes," I said eagerly.

  "Well, we've a picture of it right here. Have a look. Then when you see it, you'll know it." He indicated one of the wide, coarse paintings. It was not of a room at all, but seemed to show a garden, a pleasance bordered by high hedges, with a lily pond and some willows swept by the wind. A man in the fantastic costume of a Ilanero played a guitar there, as it appeared for no ear but his own. Behind him, angry clouds raced across a sullen sky.

  "After this you can go to the library and see Ultan's map," the old man said. The painting was of that irritating kind which dissolves into mere blobs of color unless it can be seen as a whole. I took a step backward to get a better perspective of it, then another.

  With the third step, I realized I should have made contact with the wall behind me, and that I had not. I was standing instead inside the picture that had occupied the opposite wall: a dark room of ancient leather chairs and ebony tables. I turned to look at it, and when I turned back, the corridor where I had stood with Rudesind had vanished, and a wall covered with old and faded paper stood in its place. I had drawn Terminus Est without consciously willing to do so, but there was no enemy to strike. Just as I was on the point of trying the room's single door, it opened and a figure in a yellow robe entered. Short, white hair was brushed back from his rounded brow, and his face might almost have served a plump woman of forty; about his neck, a phallus-shaped vial I remembered hung on a slender chain.