A Song for Tomorrow

by Alice Peterson

  Advance praise for A Song for Tomorrow

  ‘A life affirming tale of indomitable spirit and determination’

  Rowan Coleman, author of The Memory Book

  ‘Powerful yet achingly poignant. A melody of emotions that hits all the right notes’ Dani Atkins, author of Our Song

  ‘I was blown away by this extraordinary book – delightful, insightful and bittersweet’

  Penny Parkes, author of Out of Practice

  ‘A Song for Tomorrow is an extraordinary story that goes straight to the heart. Alice Peterson celebrates her namesake with great understanding and skill, acknowledging the frailties and strengths, the ambitions and the talent of an amazing young woman’

  Janet Ellis, author of The Butcher’s Hook

  ‘An inspiring, uplifting novel about an extraordinary young woman who refuses to let anything stand in the way of her love and her dream’

  Julie Cohen, author of R&J Book Club pick Dear Thing

  ‘A wonderful book about the beautiful Alice Martineau that both inspired me and made me cry uncontrollably when I finished it’

  Sunday Times

  ‘What a beautiful, passionate story. I couldn’t physically put the book down . . . I had to keep on reading’

  Alice Beer, journalist, broadcaster & author

  ‘Touching and vivid . . . A book that will live on in the hearts of many’ Casilda Grigg, journalist

  ‘The book and story behind it is very moving’

  Woman & Home

  ‘What a wonderful, powerful story of love and courage’

  My Weekly

  ‘A Song for Tomorrow brought Alice’s soul to life. This book had me in tears, my favourite book of the year’

  Lizzy Ward Thomas, from the band Ward Thomas

  ‘What a book, what an emotional rollercoaster ride’

  Paul Burger, Founder and Partner of SohoArtists, previously of Sony UK

  ‘An emotional uplifting page-turner, inspired by the true story of the singer, Alice Martineau, that celebrates making every moment in life count, and never giving up’

  Jo Charrington, Capitol Records

  ‘I saw Alice perform at the 606 club in 2002; her story and music strike an influential chord. Alice is an inspiration to us all’

  Robbie Williams

  ‘Profoundly moving and inspiring. A book that celebrates the life of Alice Martineau, a formidable young woman with a special talent for songwriting and a unique voice that captured hearts, including mine. What a warrior. What a girl’

  Jo Whiley, radio DJ

  To the Martineau family

  Prologue

  Mary’s Diary

  August 1972

  I was fooled into believing giving birth second time round is easier. They say you know what to expect. Well, I could never have expected nor imagined these past few months.

  My second child was born two weeks early in a London nursing home run by nuns but with ordinary nurses who were midwives too. It was where my first son, Jake, was born two years ago. I was bleeding badly, so badly that the obstetrician said we had to get the baby out quickly. I could sense fear all around me, from the midwife to my husband, Nicholas. The obstetrician said our baby’s heart was in difficulty. What did he mean, in difficulty? I was given an epidural for the last part and wondered why I’d turned it down for Jake. All the pain stopped. Suddenly I felt more at peace but I only had to look at Nicholas’s face to know things were still far from right. ‘Is everything OK?’ I asked Sister Eve, longing for her to put my mind at rest. ‘We are doing everything we possibly can, Mary, try to relax,’ she said. I knew then something was terribly wrong.

  When my baby was born I didn’t even know if it was a girl or a boy as it was whisked away from me to a table on the other side of the room. I could see a huddle of people around it. I was so relieved when I heard it cry, Sister Eve telling Nicholas and me, ‘You’ve had a baby girl.’

  But they still wouldn’t bring her over to me.

  The anaesthetist mentioned he had seen a movement in her tummy and wondered if there might be a blockage. He said she needed to go to another hospital to be examined by a specialist. All I could think was, let me hold her before she goes, I want to see what my little girl looks like, but I could only watch her being taken away. ‘What if we don’t see her again?’ I asked Nicholas. He didn’t know what to say or how to comfort me.

  The following morning Sister Eve told us they’d had to move our baby to yet another hospital, this time to do an emergency operation to remove the blockage in her stomach. She asked Nicholas and me if we knew what we wanted to call her. ‘Alice,’ we both said together, fearing she was asking this in case she had to be baptised in a hurry.

  The night of her operation was the worst night of my life. Nicholas slept with me in my bed. The nuns said this was unprecedented! We didn’t get any sleep. Alice made it through the night before our beloved GP came to visit us the next morning to let us know how the operation had gone. He sat on my bed and slowly spoke the words I had never heard of before: ‘Alice has cystic fibrosis.’

  I was so relieved that she was still alive that I didn’t understand the seriousness of it all until he told us exactly what this meant. I could see pain and compassion in his eyes. How do you tell a mother and father that the life expectancy of their child with cystic fibrosis (CF) is ten years?

  Sister Eve encouraged me to visit Alice but I couldn’t. I made Nicholas go alone. He didn’t make me feel guilty, but I regret it deeply now. I wish I’d been stronger for him, and for Alice. At the end of the week finally Nicholas drove me to the hospital. There she was, in an incubator, with nothing on and tubes everywhere but she was the most beautiful little girl I had ever seen.

  My heart burst with love.

  But still I wasn’t allowed to hold her.

  I cried.

  From that moment on I visited Alice every day. Occasionally Jake would come with me too. Bravely he’d clutch my hand and ask when his baby sister could come home. Nicholas and I had an appointment with another doctor who went into much more detail about CF, telling us that the first clear signal had been the blockage detected by the anaesthetist. He explained that CF was an incurable genetic condition that primarily affects the lungs and pancreas. Each of us has a one in twenty-five chance that we carry the CF gene. The danger, however, is when two carriers like Nicholas and me have a baby – then there is a one in four chance of our child having CF. Of course we hadn’t known we were both carriers. Jake was a healthy boy. He was the lucky one. He had escaped the odds.

  The doctor told us how the lungs and digestive system become clogged with mucus so treatment includes regular antibiotics and physiotherapy. He said we would have to do chest physio on Alice every day, which involved hitting her to remove the mucus so that she could breathe more freely. When I was finally allowed to hold her I was afraid she would break. It was alarming to think I had to hit her; that I had to do chest therapy on such a frail baby.

  The first time I brought Alice home from the hospital she still couldn’t digest any food or liquids, everything rushed through her. I remember one day thinking I was going mad, changing her nappy seventeen times. I didn’t think I was ever going to cope and wanted her to go back to the security of the hospital, where they could get her better.

  Except they couldn’t . . .

  Nothing could make this go away.

  Only a miracle.

  1

  Tom

  December 1998

  Tom is on his way to the pub, running late as usual, when he sees her through the window of the art gallery. She is wearing a red dress and has the most arresting almond-shaped blue eyes. He watches as she tucks a strand of blonde hair behind one ear.
He has never believed in love at first sight, laughing at how naïve it is to imagine someone is ‘the one’ after just one glance. After his recent string of average dates Tom is convinced it only happens in films, not real life. When she smiles back at him there is a hint of mischief behind her eyes. Already he is imagining what it might feel like to kiss her. But then she turns away.

  His mobile rings. ‘Tom!’ a frustrated George says. ‘Where are you?’

  ‘I’m coming. Be with you soon.’ He hangs up and reluctantly walks away.

  Did she feel anything too in that split second or was it all in his imagination? He stops. Looks at his watch, hesitates. In a film his character would surely head back to the gallery and search for this woman. He wouldn’t stroll down to the pub to see George, his old school friend, and talk about sport, cars and roadworks in between rounds of beer. He walks back to the gallery. She looks like a model. She’s out of your league, a voice says inside his head. What are you going to do? Introduce yourself and then what? How do you know she’s even single? I bet you she isn’t . . . you’ll look like a fool. And George will be cross that you’re late yet again . . .

  Tom enters the crowded gallery, immediately feeling out of place in his jeans and old leather boots. certain this is an invite-only exhibition, cheekily he accepts a glass of champagne from one of the waitresses; anything to give him courage. He pushes through the throng: she isn’t anywhere to be seen so he heads upstairs, praying she hasn’t left already. His heart stops when he sees her standing next to two men, one much younger than the other, tall and slim with light brown hair and black-rimmed glasses. She has a boyfriend. of course she does. They seem very much together, affectionate and familiar with one another. She’s talking to both men, laughing as she touches her nose. She has an aura about her that is entrancing. He follows their gaze, looking at the painting. At once he can see she is the woman in the picture. She’s wearing a black wide-brimmed sunhat and a dark dress that shows off her slim graceful arms. He longs for the two men to walk away and as if they have heard his prayer they sweep past Tom and back down the stairs, clearly talking business. She doesn’t notice him approaching. She seems lost in thought. He must not lose his nerve now.

  ‘I’m Tom.’ He holds out his hand.

  ‘Alice,’ she says, returning his smile.

  She is elfin-like in looks with a cute button nose. He believes she’s about his age, twenty-six. She is stunningly beautiful. She has a face that is impossible to forget.

  As he stands close to her, Tom is certain that his world is about to change irrevocably, so why is that voice inside his head telling him to walk away, this will lead to trouble.

  He ignores the warning, instead asking her what she does. ‘Music,’ she says, taking him by surprise. ‘I write music. I love singing.’

  As they continue to talk, Tom feels as if their paths were meant to cross. Everything that he has been through has led him to this moment.

  To meeting Alice.

  Perhaps love at first sight does happen after all.

  2

  Alice

  December 1998, ten hours earlier

  Breathless, I approach the main desk. ‘Sorry, the lift isn’t working,’ the receptionist says to the model in front of me. ‘Casting’s on the fifth floor, love.’

  I stare at the spiralling metal staircase before discreetly slipping past the reception area and heading into the ladies’ bathroom.

  Inside the cubicle I unzip my heavy shoulder bag, desperate to find my inhaler. Of course I can find everything but: portfolio, makeup bag, cartons of high calorie milkshakes, a pair of heels . . . where is it?

  Find it, Alice.

  I feel as if something is buried deep inside my chest. It’s solid, like a brick. It’s so heavy I can think of little else. All I can do is cough . . . and cough . . . and find my inhaler . . . At last, I take a puff, trying to imagine soothing warm water thinning out the mucus stuck in my lungs, the mess inside of me. I take another puff.

  Breathe.

  Need to breathe.

  I have lived with CF for twenty-six years. When I wake up, all I can feel are my lungs. My chest. Before I can leave the house I have to swallow a handful of pills and inhale substances from machines to help me breathe. My cough never leaves me. It’s by my side night and day. I place my inhaler back in my bag before finding my bandage.

  I know no different, I wouldn’t know what it is like to be healthy, but am I mad for trying to continue being a model?

  ‘London isn’t like New York, everything in a grid,’ Naomi, the New Faces Director at A Star Models, had said to me eighteen months ago during my first interview. ‘Castings are often miles away from tube stations and you have to trek cross-country to get there. Modelling is physically demanding. You need to be as fit as an athlete and if you turn up late you can forget it.’

  When I was at university (I lasted three weeks before being admitted into hospital for lung surgery) I used to give myself so much time to get to lectures, arriving long before anyone else, that the other students must have either thought I was a serious swot or had a crush on our English tutor.

  I wrap the bandage around my right foot and ankle.

  ‘Is there anything else we should know about, anything that could get in the way?’ I can still see the confusion on Naomi’s face as to why I was taking so much time to answer.

  If I had told Naomi that I had CF I wonder if she would have given me the job? When she commented on my slim figure I could have gone on to tell her that I’d had an operation to remove part of my intestine; in fact probably three quarters of my gut has gone. I’m slim because I can’t digest my food properly plus the constant coughing and the effort it takes to breathe, every second of my life burns thousands of calories. It’s not because I smoke and munch celery sticks.

  I secure a safety pin through the bandage. That will have to do.

  ‘I never want to hear you can’t do a job because of your boyfriend, a tickly cough or going to Granny’s funeral, OK, Alice?’

  With renewed energy I heave my bag back on to my shoulder and head out of the bathroom.

  ‘If I take you on, everything else comes second to your career. So if you have any doubts, tell me now.’

  The glamour side of the job had certainly appealed, Naomi promising the chance to travel and meet new people. The idea of five-star hotels in hot countries sent my doubts packing. I’d picked up the pen and signed on the dotted line. Since when did I let anything stop me, especially my CF?

  I return to the main desk, pointing to my bandaged foot. ‘I might be slow,’ I say to the receptionist, gesturing to my bandage. ‘Skiing accident.’ Skiing? I smile inside. I can’t even get into a pair of ski boots without a lot of swear words.

  ‘Oh, you poor thing, love. Take your time. I’ll let them know you’re here.’

  Slowly I tackle the stairs. I still need to cough. There is never an end. It’s like running a marathon with no finishing line. I hear my chest rattling and vibrating, the mucus moving inside of me like thick treacle.

  A model pushes past me. She turns. Stares as I continue to cough.

  She must think I’m a chain smoker.

  I enter a large open-plan room and join a line of people queuing up to see two women sitting behind a desk. One of the organisers approaches me with a clipboard. She ticks my name off on her list before handing me a piece of paper with a big black number on it. Number 13.

  Don’t read anything into that.

  This casting is for a major clothes company. I am five foot seven, which isn’t tall enough for the fashion side, but thankfully that’s good news since there is much more work in high-end commercial. I watch as one of the models hands over her portfolio to the two women, who proceed to flick through her photographs. Next she’s being whisked behind a screen to change before she emerges in a black cocktail dress to have her picture taken. I’m wearing straight-cut jeans with a spaghetti-strap top. I need this job. The effort to get here has t
o be worth it.

  ‘Thirteen,’ calls one of the women behind the desk.

  As I limp towards them, she asks me, ‘What have you done?’

  ‘I fell off my bike. Sprained my ankle.’

  ‘I’m so sorry,’ the other woman says, as if they take it in turns to talk.

  ‘Oh, don’t worry.’ I smile reassuringly as I hand them my portfolio. ‘It’s almost healed.’

  ‘I’m sorry,’ she repeats in a different tone, ‘but you’re not the right look for us.’

  ‘Fourteen,’ the first one calls, looking over my shoulder as if I’m old news already.

  It’s bitterly cold, pouring with rain, I don’t have an umbrella and the bus stop is a good thirty-minute walk from here. I take out my mobile.

  But it’s Mum’s art lesson. I promised her I could manage.

  Jake?

  He’ll be rushing around organising everything for his exhibition tonight.

  Cat? Cat is my best friend. She’s a sales trader.

  I picture her in the office, spreadsheets with thousands of numbers of closing prices of stock littering her desk. She’ll be talking to people on the telephone about buying shares and options. She can hardly tell her clients or her boss that she has to nip out for a minute . . .

  Slowly I walk away from the building, trying to work out the best spot to find a cab, since this place is so deserted. My feet feel as if they are stuck in cement, the wet and cold my enemy, I can’t come down with yet another infection. . .

  I stop when I see something moving, something that makes me want to burst into tears. It’s old, navy and plays classical music.

  The driver looks surprisingly like my mother.

  ‘How long have you been waiting?’ I take off my heels and sink into the passenger seat, the relief overwhelming.

  ‘Not long.’

  ‘I thought you had your art class?’

  ‘It was cancelled.’

  She knows I don’t believe her.

  ‘I can always sign up to do the course again and repeat this morning’s lesson.’