Animal Kingdom

by Stephen Sewell

  ANIMAL KINGDOM

  ANIMAL

  KINGDOM

  A CRIME STORY

  A NOVEL BY

  STEPHEN SEWELL

  BASED ON THE CRITICALLY ACCLAIMED FILM WRITTEN

  AND DIRECTED BY DAVID MICHÔD

  VICTORY BOOKS

  An imprint of Melbourne University Publishing Limited

  187 Grattan Street, Carlton, Victoria 3053, Australia

  mup-info@unimelb.edu.au

  www.mup.com.au

  First published 2010

  Text © Stephen Sewell and Animal Kingdom Holdings Pty Ltd, 2010

  Design and typography © Melbourne University Publishing Limited, 2010

  This book is copyright. Apart from any use permitted under the Copyright Act 1968 and subsequent amendments, no part may be reproduced, stored in a retrieval system or transmitted by any means or process whatsoever without the prior written permission of the publishers.

  Typeset by Megan Ellis

  Printed by Griffin Press, South Australia

  National Library of Australia Cataloguing-in-Publication entry

  Sewell, Stephen, 1953–

  Animal kingdom / written by Stephen Sewell.

  9780522858082 (pbk.)

  Organised crime—Victoria—Melbourne—Fiction.

  Police—Victoria—Melbourne—Fiction.

  A823.4

  CONTENTS

  FOREWORD

  ONE

  TWO

  THREE

  FOUR

  FIVE

  SIX

  SEVEN

  EIGHT

  NINE

  TEN

  ELEVEN

  TWELVE

  THIRTEEN

  FOURTEEN

  FIFTEEN

  SIXTEEN

  SEVENTEEN

  EIGHTEEN

  NINETEEN

  ACKNOWLEDGEMENTS

  FOREWORD

  I can’t begin to tell you how strange this is. Not that I’m writing a foreword to this book, but that this book exists at all. When I discovered that Melbourne University Publishing was interested in producing a novelised version of Animal Kingdom, my first thought was no, my second was why? and my third, a little while later, was why not? Maybe it’d be fun to see what form it took, to read the film through someone else’s eyes, and especially through the eyes of the very talented Stephen Sewell, who wrote the screenplay for one of my favourite Australian films, The Boys.

  What became quickly apparent, however, was how gargantuan the task was that Stephen had been set. Maybe it only seems gargantuan to me, but what Stephen was asked to do was take the culmination of what had been for me ten years of reading and thinking and writing, and countless hours of conversations with the film’s cast and crew, and turn it into a book—that most quiet, contemplative and solitary art form.

  Good films are good because of their detail. That detail may not always be explicitly apparent, but it’s there. It’s in every frame, every line of dialogue, every performance choice, every costume and prop, every sound and music decision. It’s the grand mash of this detail that makes a film feel rich and substantial. And while in a finished film this detail sits as a texture, as an emotional or even physical presence, in a book the detail must, by necessity, sit front and centre. And so my impulse was to drive Stephen a little bit crazy at the level of detail. But it became apparent to me early on that, for the sake of my sanity (and Stephen’s, I’m sure), I would have to step back and let Stephen do his thing, and let the book version of Animal Kingdom be its own beast.

  I guess I just feel grateful that anyone thought doing this—any of this—worthwhile.

  Cheers

  David Michôd

  ONE

  He was nothing. An absence, a blur. A seventeen-year-old blank called J staring into the nothing of a TV game show blah-blah-blahing at him from the other side of the room while his mother sat slumped next to him on the saggy Furniture Warehouse sofa, not saying a word.

  None of it made sense. Him, this place, this world—this flat, arid world of plastic and laminate that stretched for endless miles in every direction, dull and featureless. And overhanging it all like a mist, like a brown, smudgy fog, the sound cackling from the TV sets all tuned to the one lurid image of overweight contestants scrambling for money while the audience shouted its excitement that, for once in their mean, fucked-up lives, these poor dumb bastards felt like they were actually getting somewhere.

  But J wasn’t. J was just stuck, pinned to the sofa, sitting there in his school pants and short-sleeved shirt with one pink rubber glove on his hand from when he’d been doing the washing-up, just before he’d realised what the dead silence underneath the electronic babble in the other room really meant.

  ‘Did you call an ambulance?’ the fat ambo guy who suddenly burst in through the screen door asked, as J sat, sunk in the cushion, watching the telly.

  ‘Yeah,’ he said, standing uncertainly.

  ‘What’s she taken?’

  ‘Heroin,’ J heard himself answer matter-of-factly, as if it didn’t even concern him, as if it was just another school-day conversation about tuckshop money or something, while the fat guy’s offsider started working on his mother.

  But J already knew she was dead. Not because he’d checked her out—he hadn’t. Sometimes in the past he had checked her out, tried to do CPR—a hard thing for a ten year old to do on an adult—but this time he just knew, knew somehow, like there was a hole in the room sucking out every thing alive. She was dead, lost—but then, she’d been lost for years, for most of J’s life. Not that she didn’t love him; she did, he knew she did. She’d just had this itch that needed to be scratched, and she’d scratched it once too often.

  Now there she was with the ambo guys doing their ambo guy routine over her, flicking their needles and sticking Narcan into her and being all focused and urgent and serious, when anyone could see she was past it, that her few moments of life and breath on this earth were gone.

  She was dead. His mother was dead. Her wheel of fortune had come to a stop.

  ‘Grandma, it’s J,’ he said into the phone a few hours later, after they’d taken the body away. The silence at the other end made him prompt, ‘Josh.’ But before she could really get going with all the gushy J, how are you? What have you been up to? guff, he got in fast, saying, ‘Yeah, good. Um, Mum’s gone and OD’d, and she’s died and so …’

  There was a soft gasp at the other end, not of shock, more like the recognition of some long-understood fate. Grandma Smurf was like that; she had second sight, she said: somehow she always knew what was going to happen, even before it did, and was always ready for it.

  ‘Yeah, I’m okay,’ J answered her sympathetic enquiry. ‘Sorry, I probably should’ve said it slower and not just gone and blurted it out and that. I don’t really know what I’m supposed to do now and …’

  He was searching for the words. Of course, none of the words he was saying made any sense: they were all just tumbling around in his head and coming out of his mouth, but he was sure that sooner or later he’d feel something real.

  ‘They took her away,’ he continued. ‘An ambulance came.’

  ‘Ambulance …?’ the other end echoed, as if she was thinking about something else, her mind already plumbing some other depth.

  ‘Yeah,’ he said. ‘They turned up and took a statement and that, but I told them I was eighteen, and now I don’t really know what to do.’ He suddenly felt very alone, hanging on to the phone and wondering if the other end was really listening, as he continued, ‘They didn’t say anything about, you know, like am I supposed to organise the funeral and that? I don’t really know what I’m supposed to do now, with the paperwork and arrangements and that. I just remember wh
en Grandpa Donny died you were all over it, you know what I mean?’

  She did, and she came, struggling and puffing all the way up the two flights of stairs of the block of cheap flats they lived in, arriving like a warm, cuddly saviour, a mother hen gathering a lost chick under her wing to bring it to safety, and it felt good.

  ‘Come here, sweetie,’ she said, like a proper mother would, instead of lying dead on a slab in the morgue the way his real mother was because her own needs were more important than anyone else’s.

  But that’s the way it was with the Codys, all of them, more or less. J saw that. It was all about them, never about anyone else, and the only thing that held them together was that everyone else hated them—and they knew that—or were frightened of them—and they knew that, too. A long time later, J realised that even his mother had been frightened of them: that’s why she’d kept him away from them, frightened of what they did and frightened of what they could do.

  And what they did was crime. Not big crime, not the kind of crime bankers get up to, but big enough crime. Big enough for you to read about it in the papers or hear about it on the evening news. Big enough for pensioners to be banging on about it to daytime shock jocks, calling for longer sentences and throw away the keys and tougher laws to deal with these hooligans. That sort of crime. Crap crime, buzzing like static over every decaying urban shithole in the world; dumb crime that you can get away with for a while, till someone gets sick of you and you’ve suddenly got a face full of shotgun pellets and are found dead in a ditch with the dogs licking your blood. Stupid crime. That’s what they did, and that’s the sort of criminals they were.

  And that was J’s new family.

  Well, where else was he going to go? Baz wasn’t family— well, he was—in fact, he was the smartest one of the family. But he wasn’t related—he wasn’t blood, and blood was important: blood was the most important thing. If you were blood, you were protected, you were looked after, you were loved. But Baz was loved, too, because he was kind. Not kind in any girly way, not feel your bum kind; he was just nice to be around, a good bloke, and a pretty damned handy armed robber to have on your side when you were planning to pull off some job.

  And, a few days after his mother’s death, when J stumbled into the Codys’ kitchen after a restless night’s sleep, that’s exactly what Baz and Darren looked like they were doing.

  ‘Morning, Uncle Darren,’ J said quietly, as Baz tidied the money.

  ‘Seriously, you got to stop calling me Uncle,’ Darren answered with a nervous smirk. ‘It’s giving me the creeps.’

  J felt weird about it, too. Darren was only a couple of years older than J was himself, and, even though they hadn’t seen each other for a long time, they’d played together as kids, so to call him Uncle was, like, weird. But the truth was, he was his uncle—his mother’s brother—just like Craig was, another of Smurf ’s sons. Not that you’d guess it, as he charged at that moment through the kitchen into the backyard dragging the pissing, shitting Doberman with one hand while holding a buzzing chainsaw in the other.

  ‘What are you doing?’ Smurf asked in that lazy kind of singsong voice she used to show her disapproval of her sons’ minor foibles.

  ‘What do you think I’m doing?’ Craig shot back, an angry little boy in a 25-year-old’s body.

  What he looked like he was doing was going to chop the dog in half, or at least castrate it, for some real or imagined crime, but what he looked like he was doing and what he was doing were always two completely different things with Craig, because he was one seriously deranged dude, covered in pirate boat and Lady Luck tatts and with ants in his head from spending too many nights on the goey. Or something. J didn’t know what. All he knew was that wherever Craig went, it was like watching a cyclone go through the place.

  Still, this was going to be his home, and, apart from the fact that the Codys were all on someone’s watch list, it was a pretty ordinary suburban existence, and this was a pretty ordinary suburban kitchen. With the proceeds of a recent armed robbery sitting flush on the table. An armed robbery involving the shooting of a security guard, resulting in his permanent paralysis. But every occupation has its hazards, and nobody seemed too concerned as they settled down to do the business.

  ‘Nine … four,’ Baz said, dividing the money, not because he was the only one who could count, but because he was the only one everyone could trust.

  J didn’t say anything, because it wasn’t his place to say. He knew enough to know when to keep his trap shut, and he was no cleanskin himself. Sure, he was a schoolkid, but he’d fiddled about with cars, and you couldn’t really be part of a family like this—even if he hadn’t seen most of them for years—without some of it rubbing off.

  They had their own don’t ask, don’t tell code of honour and, for what it was worth, it worked pretty well, keeping a semblance of normality on the maddest shit you could imagine.

  So J sat there playing dumb while the business was done, and his grandmother offered him cereal and breakfast juice and asked if he was going to school.

  Baz had almost instantly liked J. That wasn’t unusual, because J was a pretty likeable kid and Baz liked most people. Unlike Darren and Craig, his partners in crime, there was nothing mean about Baz. If he had to hit you, he would, but it wouldn’t be because he enjoyed it; it was just a means of getting what he wanted. Violence for him was a way of achieving his goals, not something he took pleasure in, and that gave him a certain respect, even here. You knew he wasn’t a psycho who was going to thump you till you were a pulpy mess just because it made him feel good after a bad day, but you didn’t know that about the other two. And you definitely didn’t know it about Pope—Smurf ’s other son.

  Darren was okay: the sort of guy you might meet in a nightclub and do a few lines with but basically harmless. Craig was wild, if that was the way you liked your fun. And the only one who looked like she had a leash on him was Smurf.

  J was glad someone did but didn’t really get what it was between her and her boys. It had always felt a bit weird to him, even when they were little kids. And now, to watch her call Craig over after he’d done whatever he’d done to the dog, and to see him slink up to her like a guilty ten year old; to see her kiss him the way she did, full on the lips, lingering … Well, that was really weird. In fact, it was so weird that J would force himself to forget it every time he saw it, and so he’d get a surprise every time it happened. Which was way too often.

  Still, this was his family and these were his people. It was probably like every other family; he didn’t know. Everyone’s got their secrets and everyone’s got things they regard as pretty ordinary that anybody else would say were totally insane if they knew about them, but that’s just life. You’d be amazed by what goes on in most people’s houses when the front door is shut and the Codys were no different. The boys were just that—boys in men’s bodies—but the real men, men like you think men should be—there weren’t too many of them around the place. Baz, maybe—no, Baz, definitely. He was a man, and J was glad to feel the warmth of his smile and the gentle teasing of his ways, even if he had just put someone in a wheelchair for nine thousand dollars.

  Baz was okay. Baz was the kind of man you’d be glad to have as your father, and, if there was something J needed right now, that was it: someone to look out for him. So for the moment he was happy to be where he was, and this was the kind of family he was happy to call his own.

  TWO

  Baz didn’t need a family; he had his own family.

  Catherine, his wife, and their little girl, Evie. And a nice house—well, nice enough. Better than Baz had been brought up in, anyhow. Yeah, Baz had it sweet. He was his own man, his own boss, not needing to kowtow to anyone. And he had a future, he knew he did. It wasn’t going to be like this forever. Not that there was anything wrong with this, but he just knew it wasn’t going to last. And, to tell the truth, after a while the hassle got to you, that low-level annoyance of knowing someone was watching y
ou, waiting for you to slip up.

  That was the way Baz felt as he swung into his street and noticed the silver Ford parked opposite his house with a couple of plainclothes stiffs sitting pretty inside. Just sitting there to give him the shits.

  ‘He’s not here, mate,’ Baz said, offering the driver a fistful of flowers he had yanked out of the front garden. ‘You guys are wasting your time.’

  The copper just stared at him, an amused look playing in his eyes. ‘Who’s not here?’ he asked, teasing him, tugging playfully on his line, fishing for him.

  ‘You know who I mean,’ Baz said.

  ‘I don’t know what you’re talking about,’ the other man answered, with something hard and edgy entering his voice.

  He did know what Baz was talking about. It was Pope, J’s other uncle. The one hiding out in a motel room somewhere because the heat was on and the Armed Robbery Squad really wanted to take him down and, if the truth be known, take them all down, and had decided to do something serious about it.

  They didn’t scare Baz, but it wasn’t a good look to have a couple of coppers—plainclothes or not, you could pick ’em a mile away—sitting in their car opposite your house. Because, after all, this was the suburbs. Baz and Catherine weren’t just playing house; they were ordinary, everyday suburbanites. They had grown up in the burbs and that’s where they felt comfortable, arguing about where to put the roses and wondering if it was paper or garden refuse recycling this week. When you looked out from the front room, all you saw were gum trees and Holdens. So to have a couple of coppers there day and night, well, it did what Baz supposed it was intended to do. It got on his nerves.

  And when he arrived home that afternoon, it was just one more irritant in an already disappointing day that had started with slim pickings from the security van job they’d pulled off. Thinking about it, he felt—more than ever— that the happy days of carefree crime they had all enjoyed were coming to an end.