The Time Traveller's Almanac

by Ann VanderMeer

  There was silence again while the mob wavered. Then there were mutterings around us. Above these rang out the clear voice of the girl whose hand Harry still held – unnecessarily, it seemed to me.

  “Do you not feel the sea wind? It has come at last. To the tower! And the first man there will see by moonlight the full white sails of the prince’s ships.”

  For several hours I scoured the streets of the town, seeking in vain my cousin and his companion; the sudden movement of the crowd toward the Roman tower had separated us. On every side I saw evidences of the terrible chastisement that had brought this stout-hearted people to the verge of despair. A man with hungry eyes chased a lean rat along the bank of the canal. A young mother, with two dead babes in her arms, sat in a doorway to which they bore the bodies of her husband and father, just killed at the walls. In the middle of a deserted street I passed unburied corpses in a pile twice as high as my head. The pestilence had been there – kinder than the Spaniard, because it held out no treacherous promises while it dealt its blows.

  Toward morning the wind increased to a gale. There was no sleep in Leyden, no more talk of surrender, no longer any thought or care about defense. These words were on the lips of everybody I met: “Daylight will bring the fleet!”

  Did daylight bring the fleet? History says so, but I was not a witness. I know only that before dawn the gale culminated in a violent thunderstorm, and that at the same time a muffled explosion, heavier than the thunder, shook the town. I was in the crowd that watched from the Roman Mound for the first signs of the approaching relief. The concussion shook hope out of every face. “Their mine has reached the wall!” But where? I pressed forward until I found the burgomaster, who was standing among the rest. “Quick!” I whispered. “It is beyond the Cow Gate, and this side of the Tower of Burgundy.” He gave me a searching glance, and then strode away, without making any attempt to quiet the general panic. I followed close at his heels.

  It was a tight run of nearly half a mile to the rampart in question. When we reached the Cow Gate this is what we saw:

  A great gap, where the wall had been, opening to the swampy fields beyond: in the moat, outside and below, a confusion of upturned faces, belonging to men who struggled like demons to achieve the breach, and who now gained a few feet and now were forced back; on the shattered rampart a handful of soldiers and burghers forming a living wall where masonry had failed; perhaps a double handful of women and girls, serving stones to the defenders and boiling water in buckets, besides pitch and oil and unslaked lime, and some of them quoiting tarred and burning hoops over the necks of the Spaniards in the moat; my cousin Harry leading and directing the men; the burgomaster’s daughter Gertruyd encouraging and inspiring the women.

  But what attracted my attention more than anything else was the frantic activity of a little figure in black, who, with a huge ladle, was showering molten lead on the heads of the assailing party. As he turned to the bonfire and kettle which supplied him with ammunition, his features came into the full light. I gave a cry of surprise: the ladler of molten lead was Professor Van Stopp.

  The burgomaster Van der Werf turned at my sudden exclamation. “Who is that?” I said. “The man at the kettle?”

  “That,” replied Van der Werf, “is the brother of my wife, the clockmaker Jan Lipperdam.”

  The affair at the breach was over almost before we had had time to grasp the situation. The Spaniards, who had overthrown the wall of brick and stone, found the living wall impregnable. They could not even maintain their position in the moat; they were driven off into the darkness. Now I felt a sharp pain in my left arm. Some stray missile must have hit me while we watched the fight.

  “Who has done this thing?” demanded the burgomaster. “Who is it that has kept watch on today while the rest of us were straining fools’ eyes toward tomorrow?”

  Gertruyd Van der Werf came forward proudly, leading my cousin. “My father,” said the girl, “he has saved my life.”

  “That is much to me,” said the burgomaster, “but it is not all. He has saved Leyden and he has saved Holland.”

  I was becoming dizzy. The faces around me seemed unreal. Why were we here with these people? Why did the thunder and lightning forever continue? Why did the clockmaker, Jan Lipperdam, turn always toward me the face of Professor Van Stopp? “Harry!” I said, “come back to our rooms.”

  But though he grasped my hand warmly his other hand still held that of the girl, and he did not move. Then nausea overcame me. My head swam, and the breach and its defenders faded from sight.

  *

  Three days later I sat with one arm bandaged in my accustomed seat in Van Stopp’s lecture room. The place beside me was vacant.

  “We hear much,” said the Hegelian professor, reading from a notebook in his usual dry, hurried tone, “of the influence of the sixteenth century upon the nineteenth. No philosopher, as far as I am aware, has studied the influence of the nineteenth century upon the sixteenth. If cause produces effect, does effect never induce cause? Does the law of heredity, unlike all other laws of this universe of mind and matter, operate in one direction only? Does the descendant owe everything to the ancestor, and the ancestor nothing to the descendant? Does destiny, which may seize upon our existence, and for its own purposes bear us far into the future, never carry us back into the past?”

  I went back to my rooms in the Breede Straat, where my only companion was the silent clock.

  YESTERDAY WAS MONDAY

  Theodore Sturgeon

  Theodore Sturgeon was an American writer and critic. He is credited with writing over two hundred stories. He was inducted into the Science Fiction Hall of Fame in 2000 with awards such as the Hugo and the Nebula to his name. His popularity was highest in the 1950s when he had many fans, although many readers today are happy to re-discover his stories. Although he wrote several well-received novels, Sturgeon was best known for his short stories and novellas. This story was first published in Unknown in 1941.

  Harry Wright rolled over and said something spelled “Bzzzzhha-a-aw!” He chewed a bit on a mouthful of dry air and spat it out, opened one eye to see if it really would open, opened the other and closed the first, closed the second, swung his feet onto the floor, opened them again and stretched. This was a daily occurrence, and the only thing that made it remarkable at all was that he did it on a Wednesday morning, and —

  Yesterday was Monday.

  Oh, he knew it was Wednesday all right. It was partly that, even though he knew yesterday was Monday, there was a gap between Monday and now; and that must have been Tuesday. When you fall asleep and lie there all night without dreaming, you know, when you wake up, that time has passed. You’ve done nothing that you can remember; you’ve had no particular thoughts, no way to gauge time, and yet you know that some hours have passed. So it was with Harry Wright. Tuesday had gone wherever your eight hours went last night.

  But he hadn’t slept through Tuesday. Oh no. He never slept, as a matter of fact, more than six hours at a stretch, and there was no particular reason for him doing so now. Monday was the day before yesterday; he had turned in and slept his usual stretch, he had awakened, and it was Wednesday.

  It felt like Wednesday. There was a Wednesdayish feel to the air.

  Harry put on his socks and stood up. He wasn’t fooled. He knew what day it was. “What happened to yesterday?” he muttered. “Oh – yesterday was Monday.” That sufficed until he got his pajamas off. “Monday,” he mused, reaching for his underwear, “was quite a while back, seems as though.” If he had been the worrying type, he would have started then and there. But he wasn’t. He was an easygoing sort, the kind of man that gets himself into a rut and stays there until he is pushed out. That was why he was an automobile mechanic at twenty-three dollars a week; that’s why he had been one for eight years now, and would be from now on, if he could only find Tuesday and get back to work.

  Guided by his reflexes, as usual, and with no mental effort at all, which was als
o usual, he finished washing, dressing, and making his bed. His alarm clock, which never alarmed because he was of such regular habits, said, as usual, six twenty-two when he paused on the way out, and gave his room the once-over. And there was a certain something about the place that made even this phlegmatic character stop and think.

  It wasn’t finished.

  The bed was there, and the picture of Joe Louis. There were the two chairs sharing their usual seven legs, the split table, the pipe-organ bedstead, the beige wallpaper with the two swans over and over and over, the tiny corner sink, the tilted bureau. But none of them were finished. Not that there were any holes in anything. What paint there had been in the first place was still there. But there was an odor of old cut lumber, a subtle, insistent air of building, about the room and everything in it. It was indefinable, inescapable, and Harry Wright stood there caught up in it, wondering. He glanced suspiciously around but saw nothing he could really be suspicious of. He shook his head, locked the door and went out into the hall.

  On the steps a little fellow, just over three feet tall, was gently stroking the third step from the top with a razor-sharp chisel, shaping up a new scar in the dirty wood. He looked up as Harry approached, and stood up quickly.

  “Hi,” said Harry, taking in the man’s leather coat, his peaked cap, his wizened, bright-eyed little face. “Whatcha doing?”

  “Touch-up,” piped the little man. “The actor in the third floor front has a nail in his right heel. He came in late Tuesday night and cut the wood here. I have to get it ready for Wednesday.”

  “This is Wednesday,” Harry pointed out.

  “Of course. Always has been. Always will be.”

  Harry let that pass, started on down the stairs. He had achieved his amazing bovinity by making a practice of ignoring things he could not understand. But one thing bothered him— “Did you say that feller in the third floor front was an actor?”

  “Yes. They’re all actors, you know.”

  “You’re nuts, friend,” said Harry bluntly. “That guy works on the docks.”

  “Oh yes – that’s his part. That’s what he acts.”

  “No kiddin’. An’ what does he do when he isn’t acting?”

  “But he— Well, that’s all he does do! That’s all any of the actors do!”

  “Gee— I thought he looked like a reg’lar guy, too,” said Harry. “An actor? ’Magine!”

  “Excuse me,” said the little man, “but I’ve got to get back to work. We mustn’t let anything get by us, you know. They’ll be through Tuesday before long, and everything must be ready for them.”

  Harry thought: this guy’s crazy nuts. He smiled uncertainly and went down to the landing below. When he looked back the man was cutting skillfully into the stair, making a neat little nail scratch. Harry shook his head. This was a screwy morning. He’d be glad to get back to the shop. There was a ’39 sedan down there with a busted rear spring. Once he got his mind on that he could forget this nonsense. That’s all that matters to a man in a rut. Work, eat, sleep, pay day. Why even try to think anything else out?

  The street was a riot of activity, but then it always was. But not quite this way. There were automobiles and trucks and buses around, aplenty, but none of them were moving. And none of them were quite complete. This was Harry’s own field; if there was anything he didn’t know about motor vehicles, it wasn’t very important. And through that medium he began to get the general idea of what was going on.

  Swarms of little men who might have been twins of the one he had spoken to were crowding around the cars, the sidewalks, the stores and buildings. All were working like mad with every tool imaginable. Some were touching up the finish of the cars with fine wire brushes, laying on networks of microscopic cracks and scratches. Some, with ball peens and mallets, were denting fenders skillfully, bending bumpers in an artful crash pattern, spider-webbing safety-glass windshields. Others were aging top dressing with high-pressure, needlepoint sandblasters. Still others were pumping dust into upholstery, sandpapering the dashboard finish around light switches, throttles, chokes, to give a finger-worn appearance. Harry stood aside as a half dozen of the workers scampered down the street bearing a fender which they riveted to a 1930 coupe. It was freshly bloodstained.

  Once awakened to this highly unusual activity, Harry stopped, slightly open-mouthed, to watch what else was going on. He saw the same process being industriously accomplished with the houses and stores. Dirt was being laid on plate-glass windows over a coat of clear sizing. Woodwork was being cleverly scored and the paint peeled to make it look correctly weather-beaten, and dozens of leather-clad laborers were on their hands and knees, poking dust and dirt into the cracks between the paving blocks. A line of them went down the sidewalk, busily chewing gum and spitting it out; they were followed by another crew who carefully placed the wads according to diagrams they carried, and stamped them flat.

  Harry set his teeth and muscled his rocking brain into something like its normal position. “I ain’t never seen a day like this or crazy people like this,” he said, “but I ain’t gonna let it be any of my affair. I got my job to go to.” And trying vainly to ignore the hundreds of little, hard-working figures, he went grimly on down the street.

  When he got to the garage he found no one there but more swarms of stereotyped little people climbing over the place, dulling the paint work, cracking the cement flooring, doing their hurried, efficient little tasks of aging. He noticed, only because he was so familiar with the garage, that they were actually making the marks that had been there as long as he had known the place. “Hell with it,” he gritted, anxious to submerge himself into his own world of wrenches and grease guns. “I got my job; this is none o’ my affair.”

  He looked about him, wondering if he should clean these interlopers out of the garage. Naw – not his affair. He was hired to repair cars, not to police the joint. Long as they kept away from him – and, of course, animal caution told him that he was far, far outnumbered. The absence of the boss and the other mechanics was no surprise to Harry; he always opened the place.

  He climbed out of his street clothes and into coveralls, picked up a tool case and walked over to the sedan, which he had left up on the hydraulic rack yester— that is, Monday night. And that is when Harry Wright lost his temper. After all, the car was his job, and he didn’t like having anyone else mess with a job he had started. So when he saw his job – his ’39 sedan – resting steadily on its wheels over the rack, which was down under the floor, and when he saw that the rear spring was repaired, he began to burn. He dived under the car and ran deft fingers over the rear wheel suspensions. In spite of his anger at this unprecedented occurrence, he had to admit to himself that the job had been done well. “Might have done it myself,” he muttered.

  A soft clank and a gentle movement caught his attention. With a roar he reached out and grabbed the leg of one of the ubiquitous little men, wriggled out from under the car, caught his culprit by his leather collar, and dangled him at arm’s length.

  “What are you doing to my job?” Harry bellowed.

  The little man tucked his chin into the front of his shirt to give his windpipe a chance, and said, “Why, I was just finishing up that spring job.”

  “Oh. So you were just finishing up on that spring job,” Harry whispered, choked with rage. Then, at the top of his voice, “Who told you to touch that car?”

  “Who told me? What do you— Well, it just had to be done, that’s all. You’ll have to let me go. I must tighten up those two bolts and lay some dust on the whole thing.”

  “You must what! You get within six feet o’ that car and I’ll twist your head offn your neck with a Stillson!”

  “But— It has to be done!”

  “You won’t do it! Why, I oughta—”

  “Please let me go! If I don’t leave that car the way it was Tuesday night—”

  “When was Tuesday night?”

  “The last act, of course. Let me go, or I’ll ca
ll the district supervisor!”

  “Call the devil himself. I’m going to spread you on the sidewalk outside; and heaven help you if I catch you near here again!”

  The little man’s jaw set, his eyes narrowed, and he whipped his feet upward. They crashed into Wright’s jaw; Harry dropped him and staggered back. The little man began squealing, “Supervisor! Supervisor! Emergency!”

  Harry growled and started after him; but suddenly, in the air between him and the midget workman, a long white hand appeared. The empty air was swept back, showing an aperture from the garage to blank, blind nothingness. Out of it stepped a tall man in a single loose-fitting garment literally studded with pockets. The opening closed behind the man.

  Harry cowered before him. Never in his life had he seen such noble, powerful features, such strength of purpose, such broad shoulders, such a deep chest. The man stood with the backs of his hands on his hips, staring at Harry as if he were something somebody forgot to sweep up.

  “That’s him,” said the little man shrilly. “He is trying to stop me from doing the work!”

  “Who are you?” asked the beautiful man, down his nose.

  “I’m the m-mechanic on this j-j— Who wants to know?”

  “Iridel, supervisor of the district of Futura, wants to know.”

  “Where in hell did you come from?”

  “I did not come from hell. I came from Thursday.”

  Harry held his head. “What is all this?” he wailed. “Why is today Wednesday? Who are all these crazy little guys? What happened to Tuesday?”

  Iridel made a slight motion with his finger, and the little man scurried back under the car. Harry was frenzied to hear the wrench busily tightening bolts. He half started to dive under after the little fellow, but Iridel said, “Stop!” and when Iridel said, “Stop!” Harry stopped.

  “This,” said Iridel calmly, “is an amazing occurrence.” He regarded Harry with unemotional curiosity. “An actor on stage before the sets are finished. Extraordinary.”