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The Challenges of Orpheus

Page 43

by Heather Dubrow


  artifact, poem as, 134, 147, 151–55

  artisanal, lyric as, 17, 30–31, 38, 152, 168–69

  Ascham, Roger: Scholemaster, 42;

  Toxophilus, 47

  Ashbery, John, 19

  Atwood, Margaret, 35, 249n54

  audiences: 56–57, 63–64

  Bakhtin on, 70–71

  classifying, 61–64

  concealment of, 68–69

  discourse analysts on, 71–72

  for dramatic soliloquy, 85

  Eliot on, 66

  Frye on, 67–69

  future, 62

  and identificatory voicing, 94–102

  in Jonson’s “Celebration,” 72–74

  for love poetry, 85–88

  Mill on, 64–68

  psalm singing and, 77–79

  in Spenser’s Shepheardes Calender, 58–61

  Augustine, Saint: commentary on psalms, 119–20

  Confessions, 199

  Austern, Linda Phyllis, 32, 50, 246n14, 247n17, 248n40, 250n85

  Austin, J. L., 222, 279n93

  authority, authorial, 134–35, 166, 169–70, 177–86

  “authorizers,” 223–26

  Autobiography of Thomas Whythorne, 208

  Bahti, Timothy, 7, 198, 245n33, 262n13, 274n22

  Bakhtin, M. M., 70, 195, 255n42

  Bale, John, 121

  Barker, Arthur, 267n96, 270n52

  Barnes, Barnabe, Parthenophil and Parthenophe, 133

  Barnfield, Robert, Cynthia, 178

  Bartels, Emily C., 279n97

  Barthes, Roland, 279n102

  Basso, Ellen B., 71, 255n48

  Bate, Jonathan, 22–23, 110, 246n11, 262n9

  Bates, Catherine, 208, 276n56

  Baudelaire, Charles, “Correspondances,” 244n26

  Baxandall, Michael, 60, 253n16

  Baxter, Richard, 80

  Bell, Ilona, 45, 73, 89, 95, 97, 208, 250n77, 253n11, 259n98, 260n118, 276n56

  Benn, Gottfried, 66

  Bernstein, Charles, 9, 245n37

  Bialostosky, Don H., 70–71, 255n41

  Bible, 78, 119. See also psalms; psalm singing

  Blank, Paula, 36, 249n60

  Blau, Herbert, 133, 151, 266n72

  Bloch, Maurice, 220, 278n89

  Block, Alexandra, 264n47

  blocking, lyric and, 22–24, 202, 213, 231–32

  Bloom, Gina, 35

  Boethius, Consolation of Philosophy, 170

  Boland, Eavan, “Fever,” 2

  Bonasone, Jiulio, 25

  Booth, Mark W., 96, 220, 244n27, 260n122, 278n88, 279n92

  both/and structures, 186–87, 240–41

  Bowden, William, 216, 278n73

  Bowra, C. M., 246n14

  Boyd, Michael, 219

  Brakhage, Stan, 1

  breath, 35

  Brennan, Michael G., 272n78

  Brennecke, Ernest, 279n98

  Brett, Guy, 264n51

  brevity of lyric. See size of lyric

  Brooks, Peter, 201, 275n36

  Brown, Marshall, 5, 98, 236, 244n25, 261n129, 262n8, 281n15

  Bruzzi, Zara, 269n15

  Burrow, Colin, 103, 180

  Bush, Douglas, 230

  Butler, Judith, 150

  Caedmon, 80

  Calvin, John, 75

  Cameron, Sharon, 5, 204, 244n22, 245n48, 263n27, 276n47

  Campbell, Lily B., 256n61

  Campion, Thomas, Lord Hay’s Masque, 25, 117

  Carey, John, 90, 108, 259n103, 262n6

  Carlson, Thomas B., 72, 255n52

  carmina, 40

  carpe diem tradition, 189–90

  carpe florem tradition, 37–38

  Carroll, William C., 219, 278n84

  Cartier building (Paris), 55

  Casciato, Maristalla, 243n3

  catechresis, 44

  Cathcart, Charles, 271n65

  Cavanagh, Sheila T., 277n69

  Celan, Paul, 5, 106

  Chambers, A. B., 92, 259n105, 264n41, 275n33

  chant, 6, 96, 217, 220

  Chapman, George, Memorable Masque, 210

  characters, marginalized, 215–16, 218–27

  charm, 217, 220

  Chartier, Roger, 159, 166, 187, 268n7, 269n14

  Chaucer, Geoffrey: “Book of the Duchess,” 203

  Troilus and Criseyde, 235–36

  Cheney, Patrick, 32, 248n38

  childhood and childishness, 35, 49–50

  Christ, Carol, 281n16

  Cicero, De Oratore, 83

  Clark, Herbert H., 72, 255n52

  Clayton, Jay, 198, 274n20, 275n43

  Clemens, Wolfgang, 217, 258n92, 278n78

  closure, 47, 53, 101, 104, 135, 153–55, 172, 175, 180, 184–85, 195, 220–23, 226; and

  anticlosure, 104, 193, 230;

  contestatory, 221, 223

  Coiro, Ann Baynes, 270n51

  Colie, Rosalie L., 144, 267n93

  collaboration among authors and

  publishers/printers, 181–82

  Collins, Billy, 122

  commodification of lyric, 1–2, 19, 45

  commodity, text as, 159, 187

  communality, 66–69

  communal singing, 76–77. See also psalm singing

  compositio loci, 120

  conclusion of poem, as product, 153–55

  conditions of production, 99, 238

  and malleability of lyric, 162–65

  and prose romances, 211, 215

  and size/structure of lyric, 157–61

  and sonnet cycles, 179–86. See also coterie circulation; print culture; scribal culture

  contamination, fear of, 34–35

  “contestatory closure,” 221, 223

  Cope, Anthony, 20

  coterie circulation, 59, 61, 83, 95, 181, 183–84, 238

  couplet, 104, 153–55, 167, 170, 172–75

  courtship, 45, 208

  Cousins, A. D., 264n44

  Coverdale, Miles, Goostly Psalmes, 76

  Craig, Alexander, Amorose Songes …, 179

  Crane, Mary Thomas, 30, 116, 152, 164, 175, 197, 248n33, 249n62, 263n33, 268n111, 269n22, 274n21

  Crashaw, Richard, “Hymn in the Holy

  Nativity,” 137, 148, 152

  critic: and creative writer, 241; and voicing, 101–2

  crown form, 177, 185–86

  Culler, Jonathan, 5–6, 114, 122, 189, 216, 244n19, 260n113, 262n13, 263n29, 264n49, 273n1, 278n74

  Daniel, Samuel: Cleopatra, 182

  “Complaint of Rosamond,” 181–82

  Delia, 8, 127, 174;

  sonnets, 181–82

  Dante, Vita nuova, 101, 119, 127, 207

  David (biblical figure), 20–21, 77–78, 80

  Davis, Lloyd, 224, 279n101

  Davis, Walter R., 257n81

  death, 35, 116, 139–41

  of Orpheus, 20, 22–23, 28–29, 164

  de Certeau, Michel, 265n52

  declamatory songs, 84

  deconstruction, 115

  de Man, Paul, 5, 115, 244n26, 260n113, 263n25

  demonstratio, 117

  Devereux, Robert, Earl of Essex, 163

  de Zegher, Catherine, 264n51

  dialogics, 70–74

  dialogue: lyric and the dialogic, 4, 11, 18, 59, 63, 70–71, 83, 97, 167, 231, 233

  in meditation, 80

  and monologue, 62–63

  in pastoral, 92–93. See also immediacy, and distance; lyric, interplay with narrative

  DiGangi, Mario, 22, 246n10

  direction of address, 83–94, 103–5, 211

  discourse analysis, 71–74

  disnarrated, 190, 205

  distance, 108–9, 112, 136

  and immediacy, 139, 150–55

  in Marvell’s “Bermudas,” 142–45

  and mediating devices, 131–32

  methodological problems, 109–17

  in Milton’s Nativity Ode, 145–50

  in Wroth’s Pamphilia, 141–42

  Dob
ranski, Stephen B., 181, 271n66

  Donne, John: “Apparition,” 206

  “Break of day,” 123–24

  “Calme,” 48

  “Canonization, The,” 172

  Devotions upon Emergent Occasions, 79–80

  “Flea,” 5

  “Funerall,” 99, 201

  “Goodfriday, 1613. Riding Westward,” 120, 200

  “Hymne to God my God, in my Sicknessse,” 129, 210

  “Indifferent, The,” 106–9

  La Corona, 88

  letters to Henry Goodyer, 34, 80, 91

  “Litanie,” 90–92

  “Nocturnall upon S. Lucies Day,” 201

  poem for Somerset-Howard nuptials, 128

  “Sunne Rising, The,” 172, 200

  “Triple Foole,” 36, 151

  “Twicknam Garden,” 201

  “Womans Constancy,” 172

  Dowland, Robert, Musicall Banquet, 163

  drama: and collaboration, 181

  and direction of address, 84–85

  and song, 215–27. See also Shakespeare, William

  dramatic monologue, 9–10, 66, 94, 208, 236–37

  Drayton, Michael, 16, 42–43, 166, 174–75;

  Barrons Wars, The, 165, 167

  Idea, 87

  dream visions, 203

  Dresser, Christopher, 9–10

  Duccio, 119

  Dudock, W. R., 1

  Duffin, Ross W., 278n85, 279n99

  Duncan-Jones, Katharine, 180

  Dunn, Leslie C., 215, 219, 222, 247n18, 277n72, 278n76, 278n81, 279n95

  du Plessis, Rachel Blau, 38, 249n64, 250n81

  “early modern period,” use of term, 7

  Easthope, Anthony, 274n15

  eclogues, in Sidney’s Arcadia, 213–14

  effeminization of men, 12, 26, 43, 45–47, 49–50, 134, 214

  Eisenstein, Elizabeth L., 158, 268n5

  Eliot, George, Adam Bede, 275n43

  Eliot, T. S., 66

  Elliott, Robert C., 245n31

  emasculation, in Herrick’s “Vision,” 51–53

  embeddedness of lyric, 95, 127–28

  emblem, 39, 119

  Empson, William, 239, 281n19

  enargia, 112–13

  energia, 112–13

  Englands Helicon, 37, 176, 181

  “English Renaissance,” use of term, 7

  Enterline, Lynn, 233, 246n10, 280n9

  epitaphs, 139–41

  Erlebnis, 4–5, 113–14

  Etty, William, “Scene from Milton’s Comus,” 229–30

  Eurydice, 20, 22

  Evans, J. Martin, 145, 267n97

  event, lyric as, 133

  experimental poetry, 237–38. See also

  Language Poets

  farewell poems, 83, 87, 190

  female reader, and voicing, 97

  feminine, the, and the term “air,” 35

  feminine agency, 95

  Ferry, Anne, 5, 72–73, 123, 134, 244n21, 257n71, 261n135, 263n28

  festaiuolo (master of revels), 60, 138–39

  Fienberg, Nona Paula, 219, 278n82

  Fisch, Harold, 243n13, 264n40

  Fitzgerald, William, 8, 33, 245n35, 249n45, 252n6, 255n54

  Fletcher, Giles, the Elder, Licia, 126, 129

  flowers, lyric poems as, 37–38

  Fool, in Shakespearean drama, 219–20

  Forman, Simon, 162

  fort-da, 98, 176

  “fourth wall,” 65

  Fowler, Alastair, 6, 245n31

  Foxe, John, 121

  frames and framing, 118–19, 131–34, 145. See also embeddedness of lyric

  Freud, Sigmund, 221–22, 234

  Frieden, Ken, 258n92

  Friedman, John Block, 246n5

  Friedman, Susan Stanford, 196, 198, 274n16, 274n23, 274n24

  Fry, Paul H., 11, 150, 246n2, 267n104, 270n41

  Frye, Northrop, 1, 6, 21, 27–28, 66–69, 199, 243n1, 244n29, 247n20, 254n29, 255n38, 275n30

  Fumerton, Patricia, 258n84

  furor, 17, 30–31

  future tense, use of, 204–7

  games, 133. See also fort-da

  Gardner, Helen, 90–91

  Gascoigne, George, 45, 117–18, 131, 166, 168–69;

  Certayne Notes of Instruction, 167, 173;

  Devises of Sundrie Gentlemen, 177, 202;

  Hundreth Sundrie Flowres, 37, 102, 126–28, 165, 202, 208

  “Lullabie,” 49, 129

  gathering, 164–67

  gender and gendering, 18, 25–26, 35, 38, 47–53, 95, 97, 134, 168, 197; fears concerning, 45–46. See also effeminization; masculinity; women

  Genette, Gérard, 112, 132, 179, 253n17, 262n15, 271n58

  genre, 117, 195, 214

  Gentili, Bruno, 249n67, 250n68

  Gerrig, Richard, 71

  ghinnwa (Bedouin song), 7

  Gilman, Ernest, 253n14

  Goekjian, Gregory F., 267n98, 267n99

  Goffman, Erving, 71, 133, 255n49, 266n74

  Good Lyric and Evil Lyric, 21, 23, 32–33, 46–47, 76

  Gower, John, Confessio Amantis, 24

  Graham, Dan, 56

  Graham, Jorie, 19

  Greece, archaic, 40

  Greenblatt, Stephen, 246n15

  Greene, Roland, 16, 41, 44, 48, 59, 136, 152, 209, 220, 244n20, 246n1, 251n86, 253n11, 256n58, 257n73, 261n126, 263n22, 273n3, 278n87

  Grossman, Allen, 116, 135, 255n40, 263n31

  grouping of poems, 37–38, 157, 176–86

  Guibbory, Achsah, 191, 257n79, 261n133, 273n6

  Guillory, John, 230

  guilt, 27, 29, 32, 74, 101–2, 123, 131, 230–31

  Guthrie Theater, Minneapolis, 55, 81–82

  Guyer, Sara, 71, 255n47

  Hall, Joseph, 120

  Halliday, Mark, 116, 255n40, 263n31

  Halpern, Richard, 149, 267n96

  Hamburger, Käte, 263n20

  Hamlin, Hannibal, 256n57

  Hammons, Pamela S., 63, 254n25

  handshake metaphor, 5, 106

  Hanson, Elizabeth, 272n75

  Harman, Barbara Leah, 273n11

  harmony, celestial, 36, 169–71

  Hart, Jonathan, 67, 255n39

  Harwood, Gwen, “Fido’s Paw is Bleeding,” 2

  Hatoum, Mona, 124

  Häublein, Ernst, 135, 166, 170, 266n78

  headnotes, 124–26, 131, 137. See also Watson, Thomas

  Heaney, Seamus, Electric Light, 128

  Hedley, Jane, 191, 262n10, 273n5

  heightening, 200–202, 207–8, 212–13

  Henderson, Diana E., 216–19, 271n65, 278n73

  Herbert, George, 88–89, 118

  “Aaron,” 89

  “Church-floore, The,” 89

  “Collar, The,” 90, 94, 165, 189, 191–93, 199

  “Dialogue,” 88

  “Easter,” 31; “Obedience,” 81

  Priest to the Temple, 89

  Herman, David, 205, 276n48

  Hernadi, Paul, 243n16

  Herodotus, 47

  Herrick, Robert: “Argument of his Book,” 33

  “Fresh Cheese and Cream,” 88

  Hesperides, 41, 177–78

  “Lyrick for Legacies,” 41

  “Ode of the Birth of our Saviour,” 36, 148–49

  “Ode to Sir Clipsebie Crew,” 2

  “To his Verses,” 93–94

  “To Musick, A Song,” 25

  “To Robin Red-brest,” 100

  “To the King,” 28

  “Vision,” 12, 51–53, 203

  Hirsch, Edward, 19

  Hirsch, James, 217, 258n92, 278n78

  historicizing of lyric, 210

  Hollander, John, 31–32, 36, 50, 130, 134, 175–76, 248n36, 248n40, 256n60, 264n39, 265n65, 270n47

  homoeroticism, in Orpheus myth, 22–23

  Hooker, Richard, 121

  Hopkins, Brooke, 111, 262n14

  Hughes, Langston, “Little Lyric (Of Great Importance),” 2

  Hughes
, Ted, Birthday Letters, 235

  Hutcheon, Linda, 241, 281n24

  Huth, Kimberly, 253n14

  hybridity, 109, 194

  Hyman, Wendy, 249n63

  Hymen, 22

  hymn, 32; in Marvell’s “Bermudas,” 142–43. See also psalms

  identificatory voiceability, 94–102, 236

  and Shakespeare’s Sonnet 35, 103–5

  immediacy: and distance, 139, 150–55

  in Donne’s “The Indifferent,” 106–9

  in Marvell’s “Bermudas,” 142–45

  methodological problems, 109–17

  in Milton’s Nativity Ode, 145–50

  in Wroth’s Pamphilia, 141–42

  immortalization, promise of, 38

  infant mortality, 35

  inscription, 38, 58; as ending, 100–101

  and permanence, 139–41, 165

  as product, 153–55

  interaction, lyric of, 89

  interplay: of narrative and lyric, 189–94, 196–215

  of songs and plays, 215–27

  interruption, of solitary speech, 82

  introductory poem, as mediating device, 126

  irony, 28, 97–98

  Jackson, Virginia, 65, 252n6, 254n31, 254n32

  Johns, Adrian, 158, 268n6

  Johnson, Barbara, 28, 247n22

  Johnson, Paula, 248n36, 266n80

  Johnson, W. R., 4, 66, 115, 243n14, 255n35, 263n26

  Jonson, Ben, 118, 131; “Celebration of Charis in Ten Lyrick Peeces,” 41, 61, 72–74, 86, 101, 203

  Forest, 178

  Irish Masque, 210

  “To the Immortall Memorie, and Friendship …,” 28, 171–72

  Jorgens, Elise Bickford, 248n36

  judgment, and distance, 131–32

  Kalas, Rayna, 118, 133, 264n38, 264n42

  Kalstone, David, 179, 214, 271n55, 277n67

  Kaske, Carol, 256n58

  Kastan, David, 161, 269n13

  Kaufman, Robert, 188, 196, 201, 254n33, 273n82, 274n15, 275n37

  Keats, John, “This living hand, now warm and capable,” 110–11

  “keepsakes,” 157

  Keniston, Anne, 252n6

  Kensinger, Kenneth, 79, 257n72

  keying, 133, 138

  Klause, John, 267n95

  Kuipers, Joel, 117, 263n34

  Langbaum, Robert, 281n16

  Language Poets, 5, 115

  Lanyer, Aemelia, “Description of Cooke-ham,” 93

  Lawes, Henry, Ariadne, 84

  Lefebvre, Henri, 265n52

  Lerer, Seth, 157, 268n1

  letter, lyric as, 62

  Lever, J. W., 245n38

  Lewalski, Barbara K., 120, 256n58, 264n45

  Lewin, Jennifer, 276n53

  Lewis, C. Day, 5, 244n24

  Liber Lilliati, 162–63

  Lindheim, Nancy, 230, 280n7

  Lindley, David, 11, 31, 244n28, 245n42, 248n35, 250n74

  Lipking, Lawrence, 111, 262n12

  Lodge, Thomas: Phillis, 173; Rosalynde, 211

  Loewenstein, Joseph, 159, 256n56, 268n10

  Long, John H., 277n72, 278n81

  Love, Harold, 158, 183, 185, 260n123, 268n3, 272n71

  Lovelace, Richard, 199

 

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