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Renaissance Woman

Page 37

by Ramie Targoff


  Genazzano

  Geneva

  Genoa

  George, Duke of Clarence

  Germany; mercenaries

  Gheri, Cosimo

  Ghibellines

  Giberti, Gian Matteo

  Giolito, Gabriele

  Giovio, Paolo; Notable Men and Women of Our Time

  Gonzaga, Cardinal Ercole

  Gonzaga, Eleonora

  Gonzaga, Elisabetta

  Gonzaga, Federico I

  Gonzaga, Federico II

  Gonzaga, Francesco II

  Gonzaga, Giulia

  Gonzaga, Luigia

  Gonzaga family

  Gregory XIII, Pope

  grotesques

  Gualteruzzi, Carlo

  Guelphs

  Guicciardini, Francesco

  Guicciardini, Luigi, The Sack of Rome

  Guidiccioni, Giovanni

  Harding, Thomas

  Henry II, King of Navarre

  Henry VII, King of England

  Henry VIII, King of England

  Hernández, Francisca

  Hollanda, Francisco de; On Antique Painting

  holy anorexia

  Holy Roman Empire

  Honorius IV, Pope

  Horace

  horses

  Huguenots

  humanism

  Hungary

  hunting

  Ignatius of Loyola

  Index of Forbidden Books

  Inquisition; archives; file on Vittoria; Roman; Spanish

  Ischia

  Italian Wars

  Italy; courts; publishing; reform movement; Salt War; wars with France; see also specific cities and regions

  Jacques of Vitry

  James the Greater, Saint

  Jerusalem, pilgrimages to

  Jesuits

  jewelry

  Jews

  Joanna of Castille

  John, Gospel of

  John Paul II, Pope

  jousting tournaments

  Julius II, Pope

  Julius III, Pope

  Knights of St. John of Jerusalem

  Landknechts

  Lannoy, Charles de

  Latin

  Laurentian Library, Florence

  League of Cognac

  Leitch, William Leighton, Etching of Castello d’Ischia

  Leonardo da Vinci; The Last Supper; Mona Lisa

  Leo X, Pope

  Lepanto, Battle of

  Lily, George

  Lippi, Filippino

  literacy

  Lombardy

  Longfellow, Henry Wadsworth, Michael Angelo

  Louis XII, King of France

  Lucca

  Lucius III, Pope

  Luke, Gospel of

  Luther, Martin

  Lutheranism

  Machiavelli, Niccolò; The Art of War; The Prince

  Madrid

  Madruzzo, Cardinal Cristoforo

  Maggio, Don Tomasso

  Mantua

  Marcellus II, Pope

  Margaret of Austria

  Margherita

  Marguerite de Navarre; The Mirror of the Sinful Soul; Vittoria and

  Marino; razing of castle

  Marot, Clément

  Martinengo, Fortunato

  Martin V, Pope

  Mary I, Queen of England

  Mary Magdalene

  Matthew, Gospel of

  Maxentius, Emperor

  Maximilian I, Holy Roman Emperor

  medals

  Medici, Alessandro di Lorenzo de’

  Medici, Cosimo il Vecchio de’

  Medici, Cosimo I de’

  Medici, Giovanni di Lorenzo de’, see Leo X, Pope

  Medici, Giuliano di Lorenzo de’

  Medici, Giulio di Giuliano de’, see Clement VII, Pope

  Medici, Ippolito de’

  Medici, Lorenzo de’

  Medici, Lorenzo II de’

  Medici, Ludovico di Giovanni de’

  Medici family

  Melanchthon, Philip

  Michelangelo Buonarroti; Christ on the Cross; drawings for Vittoria; fame of; The Last Judgment; letters to Vittoria; Magdalene drawing; Pauline frescoes; Pietà; poetry by; “The Rape of Ganymede”; religious views; Sistine Chapel; Vittoria and

  Milan

  Minturno

  Modena

  Moncada, Hugo of

  Montaigne, Michel de

  Montefeltro, Agnese de

  Montefeltro, Federico da

  Montefeltro, Guidobaldo

  Montefeltro, Oddantonio da

  Montefeltro, Sveva da

  Montefeltro family

  Montmorency, Anne de

  Morone, Giovanni

  Morone, Girolamo

  Muscettola, Giovanni

  music

  Musso, Cornelio

  Naples; society

  Napoleon Bonaparte

  Negri, Francesco

  Nemi

  Neoplatonism

  Nero, Emperor

  Nettuno

  Ninety-Five Theses

  nunneries, see convents

  Ochino, Bernardino

  Order of the Garter

  Orsini family

  Orvieto

  Ovid

  Padua

  paganism

  Pagano, Sergio

  Palazzo Colonna

  Palazzo de’ Cesarini

  Palazzo Farnese

  Palazzo Madama

  Palazzo Pitti

  Palazzo Schifanoia

  Palestrina

  Paliano

  Paludanus, Peter

  Pannartz, Arnold

  papacy; nepotism; see also Catholicism; specific popes; Vatican

  Papal States

  Paris

  Parma

  Parr, Katherine

  Pascal; Pensées

  Paul, Saint; Epistles of

  Pauline Chapel

  Paul III, Pope; Salt War and

  Paul IV, Pope

  Pavia; Battle of

  Perugia

  Pescara

  Peter, Saint

  Petrarch; Canzoniere; influence on Vittoria

  Philip II, King of Spain

  Piacenza

  Piccolomini, Alfonso

  Piccolomini, Cardinal Giovanni

  Piccolomini, Costanza d’Avalos

  Piero della Francesca

  pilgrimages; to Holy Land

  piracy

  Pirogallo, Filippo

  Pisa

  Pius V, Pope

  Plato; Symposium

  Platonism

  Plautus; The Menaechmi

  Plethon, George Gemistos

  Plotinus

  Plutarch, Life of Marcus Brutus

  poetry by Vittoria Colonna; commentary on; farewell to; manuscript copies; Michelangelo and; multiple editions; Petrarchan model; political sonnets; publication of; Rime; sonnets to Ferrante; spiritual sonnets

  Poland

  Pole, Margaret

  Pole, Reginald; De unitate; Vittoria and

  Pontormo, Jacopo; Magdalene painting for Vittoria

  Poor Clares

  predestination

  Priuli, Alvise

  Protestantism; Reformation; Vittoria and

  Psalms

  Ptolemy

  publishing; binding; compositors; copyright; distribution of books; female poets; manuscript copies; multiple editions; pirated editions; printing press; selling of books; of Vittoria’s poetry

  Pucci, Antonio

  Quinternus file

  Quirinal Hill

  Rabelais, François

  Ranieri, Concetta

  Raphael; Fire in the Borgo; portrait of Elisabetta Gonzaga; portrait of Guidobaldo da Montefeltro; portrait of Pope Leo X

  Ratzinger, Joseph, see Benedict XVI, Pope

  Ravenna, Battle of

  reform, religious

  Reformation

  Reform Commission

  Regnaut, Anthoine

  relics

  Renée
of France

  Reumont, Alfred von

  Richard III, King of England

  Rocca di Papa

  Rome; bookshops; Inquisition; Jewish ghetto; relationship of Vittoria and Michelangelo in; Sack of

  Rovere, Francesco della, see Sixtus IV, Pope

  Rullo, Donato

  Sack of Rome

  Sadoleto, Iacopo

  Saint Bartholomew’s Day massacre

  Saint Maximin

  Saint Peter’s, Rome

  Salmerón, Alfonso

  Salt War

  San Benedetto monastery

  San Domenico Maggiore

  Sangallo the Younger, Antonio da

  San Silvestro al Quirinale, Rome

  San Silvestro in Capite

  Santa Caterina di Siena

  Santa Caterina in Viterbo

  Sant’Anna in Rome

  Santiago de Compostela

  Sappho

  Savonarola, Giralomo

  Scholastica, Saint

  Sebastiano del Piombo

  Sforza, Battista

  Sforza, Bona

  Sforza, Costanzo

  Sforza, Francesco II

  Sforza, Gian Galeazzo Maria

  Sforza, Giovanni

  Sforza, Ludovico

  Sforza family

  Shakespeare, William; The Comedy of Errors; Henry IV; King Lear; Macbeth; Much Ado About Nothing; Richard III

  Siena

  Sigismund I of Poland

  Sixtus IV, Pope

  Sixtus V, Pope

  Socrates

  sola fide

  sonnet form; Petrarchan model; Shakespearean

  Soranzo, Vettor

  Soubise, Madame de

  Spain; alumbrados; Inquisition; Sack of Rome and

  spirituali movement

  sprezzatura

  Stampa, Gaspara

  Subiaco

  Suetonius

  Suleiman the Magnificent

  Sweynheym, Konrad

  Switzerland

  Tarabotti, Arcangela; Monastic Hell; Paternal Tyranny

  Tasso, Bernardo

  Terracina, Laura

  Titian; Magdalene paintings; The Pentinent Magdalene; portrait of Federico II Gonzaga; portrait of Isabella d’Este

  Toledo, Don García de

  Tolomei, Claudio

  Tolomei, Lattanzio

  Torquato; Gerusalemme liberata

  Trajan

  Trajan’s column

  Tunisia

  Turks

  Urbino; court

  Valdés, Juan de; The Christian Alphabet; Dialogue on Christian Doctrine

  Valgrisi, Vincenzo

  Varchi, Benedetto

  Vasari, Giorgio; Lives of the Artists

  Vatican; Library; Palace; Pauline Chapel; Secret Archive

  Vatican II

  Vecellio, Cesare

  Velletri

  Veneto, Bartolomeo, portrait of Lucrezia Borgia

  Venice; salt trade

  vernacular language

  Viani, Alessandro

  Villamarino, Isabella

  Viotti, Antonio

  Virgin Mary

  Visconti, Gian Galeazzo

  Viterbo; Vittoria in

  War of the Roses

  Wolsey, Sir Thomas

  women, in alumbrados movement; convent life; courtesans; dowries of; on horseback; literacy; mourning; poets; widowhood

  Yeats, William Butler, “The People”

  Zápolya, Barbara

  Zoppino, il (Nicolò di Aristotile)

  Zwingli, Ulrich

  ILLUSTRATION CREDITS

  Illustrations in the Text

  © The British Library Board, 09/05/2017, General Reference Collection DRT Digital Store 11426.aa.18

  Reproduction courtesy of Archivio Colonna, Biblioteca del Monastero di Santa Scolastica, Subiaco

  Image courtesy of Libreria Imagaenaria, Ischia

  Image courtesy of Lisa Kaborycha. © 2011. Reprinted by permission of Pearson Education, Inc., New York, NY

  Image and reproduction courtesy of KHM-Museumsverband, Vienna

  Photo © Städel Museum–U. Edelmann–ARTOTHEK

  Image and reproduction courtesy of KHM-Museumsverband, Vienna

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Image and reproduction courtesy of Bridgeman Images

  © RMN-Grand Palais / Art Resource, NY

  *IC5 C7191R 1538, Houghton Library, Harvard University

  © Madrid, Museo Nacional del Prado

  Image and reproduction courtesy of the Isabella Stewart Gardner Museum, Boston

  © Trustees of the British Museum

  Photo © Associazione Metamorfosi, Rome

  2017 © Biblioteca Apostolica Vaticana

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  © Accademia di Belle Arti Tadini, Lovere, Archivio Fotografico

  Image and reproduction courtesy of the Galleria Colonna, Rome

  Color Plates

  Image and reproduction courtesy of KHM-Museumsverband, Vienna

  Digital image courtesy of the Getty’s Open Content Program

  Photo courtesy of John Palcewski

  © RMN-Grand Palais / Art Resource, NY

  2017 © Photo Archive–Fondazione Musei Civici di Venezia

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Image and reproduction courtesy of the Museu Nacional d’Art de Catalunya, Barcelona

  Digital image courtesy of the Getty’s Open Content Program

  Photo: Scala / Art Resource, NY

  Courtesy National Gallery of Art, Washington, D.C.

  Image and reproduction courtesy Museo e Real Bosco di Capodimonte - Ministero dei Beni e delle Attività Culturali e del Turismo, Naples

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Courtesy National Museums Liverpool, Walker Art Gallery

  Copyright © Galerie Hans, Hamburg

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Foto © Musei Vaticani

  Image and reproduction courtesy of the Gabinetto Fotografico delle Gallerie degli Uffizi, Florence

  Photo © The State Hermitage Museum / photo by Vladimir Terebenin

  Image and reproduction courtesy of the Galleria Colonna, Rome

  ALSO BY RAMIE TARGOFF

  Common Prayer: The Language of Public Devotion in Early Modern England

  John Donne, Body and Soul

  Posthumous Love: Eros and the Afterlife in Renaissance England

  A Note About the Author

  Ramie Targoff is a professor of English, the cochair of the Italian studies program, and the Jehuda Reinharz Director of the Mandel Center for the Humanities at Brandeis University. She is the author of Common Prayer: The Language of Public Devotion in Early Modern England; John Donne, Body and Soul; and Posthumous Love: Eros and the Afterlife in Renaissance England. She lives with her husband and son in Cambridge, Massachusetts. You can sign up for email updates here.

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  CONTENTS

  TITLE PAGE

  COPYRIGHT NOTICE


  DEDICATION

  INTRODUCTION: IN SEARCH OF VITTORIA COLONNA

    1.  THE VIEW FROM THE CLIFF

    2.  DONNING WIDOW’S WEEDS

    3.  LONGING FOR THE NUNNERY

    4.  BECOMING A POET

    5.  THE SACK OF ROME

    6.  LIFE AT COURT

    7.  AMONG PREACHERS AND PILGRIMS

    8.  HIDDEN HERETICS

    9.  THE POWER OF PRINT

  10.  MICHELANGELO IN LOVE

  11.  SALT WAR

  12.  LATE LOVE

  13.  LAST RITES

  CONCLUSION: IN THE ARCHIVE OF THE INQUISITION

  COLOR PLATES

  NOTES AND BIBLIOGRAPHY

  ACKNOWLEDGMENTS

  INDEX

  ILLUSTRATION CREDITS

  ALSO BY RAMIE TARGOFF

  A NOTE ABOUT THE AUTHOR

  COPYRIGHT

  Farrar, Straus and Giroux

  175 Varick Street, New York 10014

  Copyright © 2018 by Ramie Targoff

  All rights reserved

  First edition, 2018

  E-book ISBN: 978-0-374-71384-3

  Our e-books may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by e-mail at MacmillanSpecialMarkets@macmillan.com.

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  * A2.1: “Mai venia peregrin da cui novella / non cercassi saper, cosa per cosa, / per far la mente mia gioiosa e bella, / quando, ad un punto, il scoglio dove posa / il corpo mio, che già lo spirto è teco, / vidi coprir di nebbia tenebrosa, / e l’aria tutta mi pareva un speco / di caligine nera”; “piangeano le sirene e li delfini, / i pesci ancor.”

  * A2.1: “Se vittoria volevi io t’era a presso, / ma tu, lasciando me, lasciasti lei”; “Seguir si deve il sposo dentro e fora, / e s’egli pate affanno ella patisca, / e lieto lieta, e se vi more mora”; “Tu vivi lieto, e non hai doglia alcuna, / ché, pensando di fama il novo acquisto, / non curi farmi del tuo amor digiuna.”

  * A1.30: “Sterili i corpi fur, l’alme feconde; / il suo valor qui col mio nome unito / mi fan pur madre di sua chiara prole, / la qual vive immortal.”

  * Canzoniere 364: “Tennemi Amor anni ventuno ardendo, / lieto nel foco, et nel duol: pien di speme; / poi che madonna e ’l mio cor seco inseme / saliro al ciel, dieci altri anni piangendo.”

  † Canzoniere 328: “Rimanetevi in pace, o cari amici. / Qui mai più no, ma rivedremne altrove.”

  * “Voi ch’ascoltate in rime sparse il suono / di quei sospiri ond’io nudriva ’l core / in sul mio primo giovenile errore.”

  * A1.1: “Scrivo sol per sfogar l’interna doglia / ch’al cor mandar le luci al mondo sole, / e non per giunger lume al mio bel Sole, / al chiaro spirto e a l’onorata spoglia. / Giusta cagion a lamentar m’invoglia; / ch’io scemi la sua gloria assai mi dole; / per altra tromba e più sagge parole / convien ch’a morte il gran nome si toglia. / La pura fe’, l’ardor, l’intensa pena / mi scusi appo ciascun; ché ’l grave pianto / è tal che tempo né ragion l’affrena. / Amaro lacrimar, non dolce canto, / foschi sospiri e non voce serena, / di stil no ma di duol mi danno vanto.”

 

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