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Death At the President's Lodging

Page 26

by Michael Innes


  “By that time there was a most embarrassing wealth of clues of the possibly or probably planted sort. Against Haveland: the bones. Against Empson: fingerprints and a faked telephone call. Against Pownall (accepting some truth in his story): the bloodstains, the diary pages and – again – fingerprints. Against Titlow alone of the Little Fellows’ group there seemed to be nothing planted. So I tried him out for a bit as sole villain. I toyed with the idea of his trying to incriminate all three of his Little Fellows’ colleagues. Then, taking it another way, I tried to see him concerned to establish his own alibi. I brought in Edwards’ suggestion of the fireworks and my own observations of the candle-grease on the bookcase there. But I didn’t much like it and presently – I suppose for the sake of schematic completeness – I began to explore the possibility of the candle-grease being the sole remaining evidence of a plant against Titlow. I got as far, in fact, as seeing the possibilities of the planted faked shot as an instrument for incriminating him. But there I knew I was on very speculative ground.

  “What I had got was the four Little Fellows’ men involved in some queer chain of events. I began to search for a direction to it. A minute ago I said that, quite early on, Pownall had pointed at Haveland. That was in the common-room on my first night. But more had happened on that occasion. It would not be too much to say that the air had been heavy with insinuation. And an analysis of what had been said or hinted produced this: Pownall had pointed at Haveland, Haveland had pointed at Empson, Empson had pointed at Titlow, and Titlow had pointed at Pownall. Nothing could well be more schematic than that: it gave what was certainly a chain, and it gave a direction in which the chain went. Could I find any start to it all? Was there any correspondence between the way the pointing went and anything known or suspected as to the direction of the planted clues? I could get at only one correspondence: Haveland’s insinuations were against Empson – and I had some reason to regard Haveland both as the likely imitator of Empson’s voice (he had a talent for it) and as the person who had planted Empson’s prints on the revolver (he had been concerned to know if the revolver had been found).

  “So I made another tentative start there. Haveland killed Umpleby and attempted to lay the blame on Empson. That turned out to be correct. But I went on from it to another guess which turned out to be wrong. Titlow had suspected Haveland’s guilt and had arranged the bones as a means of bringing the crime home to him – and he was now very properly worried over the morality of such a procedure and was anxious as to the certainty of his belief. But presently I had to discard that – for Titlow’s insinuations had been directed against not Haveland but Pownall…

  “But what I was not immediately prepared to abandon – having got so far – was Haveland’s guilt. For, paradoxically enough, the notion of somebody’s faking a case against Haveland now removed the chief obstacle to seeing Haveland as really guilty. A case faked against Haveland was really protecting him – because it was unconvincingly faked: Haveland, as Empson knew, was not the man to sign his deed in the way suggested.

  “And Haveland had always been the likely murderer. In searching for a murderer amid any group of people every detective knows the importance of a history of mental unbalance. In real life murderers are not, on the whole, found among the chief constables and Cabinet Ministers: they are found among the less normal portion of humanity. Anyone may behave more or less fantastically in the face of murder, but the commission of murder is – well – specialist’s work. Deighton-Clerk, I believe, had recognized Haveland as the murderer and had instantly blanketed the fact in his own mind in a manner – as Empson would say – full of scientific interest. The first spontaneous remark Deighton-Clerk made to me showed the subconscious run of his thought. Between Umpleby and Haveland there had been detestation…

  “At that point I had pretty well shot my bolt. By following up the chain: Haveland – Empson – Titlow – Pownall – Haveland, I might get things a little clearer in my own mind; might even arrive at a position from which I could begin to extract a little unvarnished truth from people. But of one thing I was almost convinced. I should never see either Haveland or anybody else in the dock. Whatever these four people had been up to they had between them produced a mass of complications which no defending counsel could muff.”

  Appleby rose and set down his rummer. “Titlow’s story I was half counting on, but my anonymous observer in Orchard Ground was the simple bit of luck that enabled me to dictate explanations after all. And Haveland’s choosing the way out he did has been a crowning blessing all round. It cuts down the scandal here; and if it deprives Treasury Counsel of considerable fees it spares a harassed policeman a good many sleepless nights.”

  Appleby clapped Dodd on the shoulder and moved towards the door. Then he turned and smiled at Gott. “We shall meet again, I hope. And meantime I have a parting present for you.”

  “What’s that?”

  “A title for the book you may never be able to write: Seven Suspects.”

  Note on Inspector (later, Sir John) Appleby Series

  John Appleby first appears in Death at the President’s Lodging, by which time he has risen to the rank of Inspector in the police force. A cerebral detective, with ready wit, charm and good manners, he rose from humble origins to being educated at ‘St Anthony’s College’, Oxford, prior to joining the police as an ordinary constable.

  Having decided to take early retirement just after World War II, he nonetheless continued his police career at a later stage and is subsequently appointed an Assistant Commissioner of the Metropolitan Police at Scotland Yard, where his crime solving talents are put to good use, despite the lofty administrative position. Final retirement from the police force (as Commissioner and Sir John Appleby) does not, however, diminish Appleby’s taste for solving crime and he continues to be active, Appleby and the Ospreys marking his final appearance in the late 1980’s.

  In Appleby’s End he meets Judith Raven, whom he marries and who has an involvement in many subsequent cases, as does their son Bobby and other members of his family.

  Appleby Titles in order of first publication

  These titles can be read as a series, or randomly as standalone novels

  1. Death at the President’s Lodging Also as: Seven Suspects 1936

  2. Hamlet! Revenge 1937

  3. Lament for a Maker 1938

  4. Stop Press Also as: The Spider Strikes 1939

  5. The Secret Vanguard 1940

  6. Their Came Both Mist and Snow Also as: A Comedy of Terrors 1940

  7. Appleby on Ararat 1941

  8. The Daffodil Affair 1942

  9. The Weight of the Evidence 1943

  10. Appleby’s End 1945

  11. A Night of Errors 1947

  12. Operation Pax Also as: The Paper Thunderbolt 1951

  13. A Private View Also as: One Man Show and Murder is an Art 1952

  14. Appleby Talking Also as: Dead Man’s Shoes 1954

  15. Appleby Talks Again 1956

  16. Appleby Plays Chicken Also as: Death on a Quiet Day 1957

  17. The Long Farewell 1958

  18. Hare Sitting Up 1959

  19. Silence Observed 1961

  20. A Connoisseur’s Case Also as: The Crabtree Affair 1962

  21. The Bloody Wood 1966

  22. Appleby at Allington Also as: Death by Water 1968

  23. A Family Affair Also as: Picture of Guilt 1969

  24. Death at the Chase 1970

  25. An Awkward Lie 1971

  26. The Open House 1972

  27. Appleby’s Answer 1973

  28. Appleby’s Other Story 1974

  29. The Appleby File 1975

  30. The Gay Phoenix 1976

  31. The Ampersand Papers 1978

  32. Shieks and Adders 1982

  33. Appleby and Honeybath 1983

  34. Carson’s Conspiracy 1984

  35. Appleby and the Ospreys 1986

  Honeybath Titles in order of first publication

  Thes
e titles can be read as a series, or randomly as standalone novels

  1. The Mysterious Commission 1974

  2. Honeybath’s Haven 1977

  3. Lord Mullion’s Secret 1981

  4. Appleby and Honeybath 1983

  Synopses (Both Series & ‘Stand-alone’ Titles)

  Published by House of Stratus

  The Ampersand Papers

  While Appleby is strolling along a Cornish beach, he narrowly escapes being struck by a body falling down a cliff. The body is that of Dr Sutch, an archivist, and he has fallen from the North Tower of Treskinnick Castle, home of Lord Ampersand. Two possible motivations present themselves to Appleby – the Ampersand gold, treasure from an Armada galleon; and the Ampersand papers, valuable family documents that have associations with Wordsworth and Shelley.

  Appleby and Honeybath

  Every English mansion has a locked room, and Grinton Hall is no exception – the library has hidden doors and passages…and a corpse. But when the corpse goes missing, Sir John Appleby and Charles Honeybath have an even more perplexing case on their hands – just how did it disappear when the doors and windows were securely locked? A bevy of helpful houseguests offer endless assistance, but the two detectives suspect that they are concealing vital information. Could the treasures on the library shelves be so valuable that someone would murder for them?

  Appleby and the Ospreys

  Clusters, a great country house, is troubled by bats, as Lord and Lady Osprey complain to their guests, who include first rate detective, Sir John Appleby. In the matter of bats, Appleby is indifferent, but he is soon faced with a real challenge – the murder of Lord Osprey, stabbed with an ornate dagger in the library.

  Appleby at Allington

  Sir John Appleby dines one evening at Allington Park, the Georgian home of his acquaintance Owain Allington, who is new to the area. His curiosity is aroused when Allington mentions his nephew and heir to the estate, Martin Allington, whose name Appleby recognises. The evening comes to an end but just as Appleby is leaving, they find a dead man – electrocuted in the son et lumière box which had been installed in the grounds.

  The Appleby File

  There are fifteen stories in this compelling collection, including: Poltergeist – when Appleby’s wife tells him that her aunt is experiencing trouble with a Poltergeist, he is amused but dismissive, until he discovers that several priceless artefacts have been smashed as a result; A Question of Confidence – when Bobby Appleby’s friend, Brian Button, is caught up in a scandalous murder in Oxford, Bobby’s famous detective father is their first port of call; The Ascham – an abandoned car on a narrow lane intrigues Appleby and his wife, but even more intriguing is the medieval castle they stumble upon.

  Appleby on Ararat

  Inspector Appleby is stranded on a very strange island, with a rather odd bunch of people – too many men, too few women (and one of them too attractive) cause a deal of trouble. But that is nothing compared to later developments, including the body afloat in the water, and the attack by local inhabitants.

  Appleby Plays Chicken

  David was hiking across Dartmoor, pleased to have escaped the oppressively juvenile and sometimes perilous behaviour of his fellow undergraduates. As far as he could tell, he was the only human being for miles – but it turns out that he was the only living human being for miles. At least, that is what he presumed when he found a dead man on top of the tor.

  Appleby Talking

  Arbuthnot is paying for a rash decision – he recently married a beautiful but slightly amoral girl whose crazy antics caught his rather cynical professional interest. His wife has taken a lover, Rupert Slade, and Arbuthnot wants nothing more than to see him dead – but the last thing he expected was that he’d walk into his living room and find just that!

  Inspector Appleby shares the details of this and many other fascinating crimes in this un-missable collection.

  Appleby Talks Again

  Ralph Dangerfield, an Edwardian playwright who belonged to the smartest young set of his day, kept a scandalous diary recording the intimate details of his own life and those of his friends. After his death, it was believed that his mother had burnt the incriminating evidence, but fifty years later, a famous collector of literary curiosities claims to have the diary in his possession and threatens to blackmail fashionable London with belated secrets about people now in respectable old age. Sir John Appleby reveals how he uncovered this unscrupulous crime and talks about his key role in seventeen more intriguing cases.

  Appleby’s Answer

  Author of detective novels, Priscilla Pringle, is pleased to find that she is sharing a railway compartment with a gentleman who happens to be reading one of her books – Murder in the Cathedral. He is military officer, Captain Bulkington, who recognises Miss Pringle and offers her £500 to collaborate on a detective novel. To everyone’s surprise, Miss Pringle is rather taken with Captain Bulkington – is she out of her depth?

  Appleby’s End

  Appleby’s End was the name of the station where Detective Inspector John Appleby got off the train from Scotland Yard. But that was not the only coincidence. Everything that happened from then on related back to stories by Ranulph Raven, Victorian novelist – animals were replaced by marble effigies, someone received a tombstone telling him when he would die, and a servant was found buried up to his neck in snow, dead. Why did Ranulph Raven’s mysterious descendants make such a point of inviting Appleby to spend the night at their house?

  Appleby’s Other Story

  During a walk to Elvedon House, palatial home of the Tythertons, Sir John Appleby and Chief Constable Colonel Pride are stunned to find a police van and two cars parked outside. Wealthy Maurice Tytherton has been found shot dead, and Appleby is faced with a number of suspects – Alice Tytherton, flirtatious, younger wife of the deceased; Egon Raffaello, disreputable art dealer; and the prodigal son, Mark Tytherton, who has just returned from Argentina. Could the death be linked to the robbery of some paintings several years ago?

  An Awkward Lie

  Sir John Appleby’s son, Bobby, assumes his father’s detective role in this baffling crime. When Bobby finds a dead man, in a bunker on a golf course, he notices something rather strange – the first finger of the man’s right hand is missing. A young girl approaches the scene and offers to watch the body while Bobby goes for help, but when he returns with the police in tow, the body and the girl are missing.

  The Bloody Wood

  An assorted party of guests have gathered at Charne, home of Charles Martineau and his ailing wife, Grace, including Sir John Appleby and his wife, Judith. Appleby’s suspicions are soon aroused with the odd behaviour of Charles, and the curious last request of Grace – who desires that upon her death, Charles marries her favourite niece, Martine. When Charles and Grace die on the same day, foul play is suspected.

  Carson’s Conspiracy

  Businessman Carl Carson decides to make a dash for South America to escape the economic slump, leaving his home and his barmy wife. But he has a problem – if his company were seen to be drawing in its horns, it wouldn’t last a week. His solution is his wife’s favourite delusion – an imaginary son, named Robin. Carson plans to stage a fictitious kidnapping – after all, what could be more natural than a father liquidating his assets to pay the ransom demand? Unfortunately, Carson has a rather astute neighbour – Sir John Appleby, ex-Commissioner of the Metropolitan Police.

  A Change of Heir

  George Gadberry, ‘resting actor’, packs his bags and heads for obscurity when the Tax Inspector beckons. Then he receives a mysterious invitation and a proposition that could lead to enormous riches. Wealthy imbiber, Nicholas Comberford, wants George to impersonate him in order to secure a place in the will of fabulously affluent Great-Aunt Prudence, who lives in a Cistercian monastery and won’t allow a single drop of liquor in the place. Gadberry’s luck seems to have changed – but at what cost?

  Christmas at Candleshoe

&
nbsp; When an American multi-millionaire is keen to buy an Elizabethan manor, she comes up against fierce opposition from a young boy, Jay, and his band of bowmen, who are prepared to defend the manor and its nonagerian owner against all comers. It seems likely that that behind a monumental, seventeenth-century carving, by the hand of Gerard Christmas, lies a hoard of treasure.

  A Connoisseur’s Case

  When John Appleby’s wife, Judith, sets eyes on Scroop House, she insists that they introduce themselves to the owners – a suggestion that makes her sometimes reserved husband turn very pale. When Judith hears the village gossip about the grand house, she is even more intrigued; but when a former employee is found dead in the lock of the disused canal, and the immense wealth of Scroop’s contents is revealed, Appleby has a gripping investigation on his hands.

  The Daffodil Affair

  Inspector Appleby’s aunt is most distressed when her horse, Daffodil – a somewhat half-witted animal with exceptional numerical skills – goes missing from her stable I Harrogate. Meanwhile, Hudspith is hot on the trail of Lucy Rideout, an enigmatic young girl has been whisked away to an unknown isle by a mysterious gentleman. And when a house in Bloomsbury, supposedly haunted, also goes missing, the baffled policemen search for a connection. As Appleby and Hudspith trace Daffodil and Lucy, the fragments begin to come together and an extravagant project is uncovered, leading them to South American jungle.

  Death at the Chase

  When master sleuth, Appleby, leaps over a stile during a country stroll, he is apprehended by an irate Martyn Ashmore, owner of the land on which Appleby has unwittingly trespassed. But when the misunderstanding is cleared up, eccentric, aged Ashmore reveals that he is in fear for his life – once every year, someone attempts to murder him. Is it the French Resistance, or a younger Ashmore on the make? When Martyn dies, Appleby sets out to find who exactly is responsible.

 

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