The Novels of Beryl Bainbridge Volume 1
Page 46
‘He’s probably dead by now,’ I told her.
At this she fairly trembled with passion. ‘He’s not,’ she ground out. ‘I know he’s not.’
Dollops of mud had dried across her face, lending her skin a ghastly pallor – yet her eyes glittered, as if she was greedy for something.
It was a grisly walk we took, by-stepping dead men and bits of men. There were wounded horses, heads lowered, standing with the blood leaking out of their bellies. I would have used the revolver if I hadn’t felt it would be a feckless waste of ammunition. Once, we heard a groan and running in that direction came across a middle-aged man in the uniform of the Rifle Brigade. He lay on his back, hands clasped together as though in prayer, spectacles still balanced on his nose. There wasn’t a mark on him, save that the glass at his right eye was fractured into a spider’s web. He groaned again and I knelt and lifted his head, and at that precise moment his throat gave forth a death rattle. I withdrew my hand and it was sticky with bloody pulp. I wiped my fingers on his trousers and hurried on.
I left Myrtle in the siege camp below the ravine. I would have skulked there in her shadow if an officer hadn’t come up and, taking me for a soldier, what with my greatcoat and rifle, ordered me to refill my ammunition pouch and proceed towards the Sandbag Battery. I had no notion of where that might be, but the drink had made me compliant. I gathered it was almost midday; I hadn’t eaten since six o’clock the evening before, and that only bread gone mouldy with the damp.
I fell in with a column of the 4th division and duly marched off, watching torpedoes of fire blazing through the misty heavens, a silly smile on my face.
We toiled in an easterly direction towards a spur of rock encircled by a wall some ten foot high, erected from stones and fortified by burst sandbags. It had been fashioned in the hopes of trundling up heavy artillery, but was in fact empty. Quite why it was deemed necessary to defend such a nothing place was never explained. Our ascent along sheep tracks was enlivened by the whistle of shells streaking down from the Russian batteries, and had us bounding and weaving like hares.
Shortly, we were pounced on by Russians looming up in looking-glass reflections of ourselves, eyes dilated with horror, bearskins bristling like brushwood. It was hand to hand encounters and my bayonet proved its worth. After that first sickening thrust into flesh and muscle – I swear the steel conducted a discharge of agony – it became ordinary, commonplace, to pierce a man through the guts. I didn’t look at faces, into fear-filled eyes, only at the width of the cloth protecting the fragile organs from the daggers of death.
I witnessed an extraordinary happening, a confrontation between an officer of the 21st and his equal on the enemy side. They went to it with swords, circling each other, apes on the prowl. At which their men, of both sides, formed a ragged ring about them, cheering and uttering oaths.
I stood at the back, watching the cut and thrust of their dance of death. When they fell, each mortally wounded, the circle broke up and hacked away with a vengeance.
I engaged with a boy with a pimple at the corner of his mouth. He was clumsy with terror, flicking at me with his bayonet as though warding off bees. He shouted something in a foreign tongue, and I said I was sorry but I didn’t understand. I wanted to spare him, but he caught me a slash on my brow which got me cross and I jabbed him in the throat. He fell away, gurgling his reproach.
I didn’t know what cause I was promoting, or why it was imperative to kill, though I reckon Potter could have told me.
The carnage was horrid. Men died posed like the statues in Mr Blundell’s glass-house. I saw a horse crumpled on its chest, its rider with his arm held up as though he breasted a river. I saw two men on their knees, facing one another, propped up by the pat-a-cake thrust of their hands. On the wall, stuck to the steps of a ladder, a grenadier clutched at the steel that pinned him like a butterfly.
Soon an officer charged up on his horse and ordered us to retreat from the Battery to defend the Regimental Colours. In my head I questioned the necessity of coming to the aid of a tattered square of silk, but did as I was bid. I’d turned into a circus animal and would have jumped through hoops if called upon. As we ran down the slope the smoke from the guns whirled about us as though a giant kettle was on the boil.
We had to rush past the poor wretches surrounding the Colours and attack the Russians from behind. Those who were out of ammunition or had left their bayonets in flesh screamed like madmen and hurled stones and debris. Enemy reinforcements stole up and shot us in the back.
Impossible to say how long it lasted; time stood brutally still. There was a moment, staring down that avenue of slaughter, when I swear I saw Potter sauntering towards me. Behind him, a ball from a heavy pounder bounced in pursuit like a stone skimming water. I opened my mouth to shout a warning, and just as it leapt to tear him apart he swerved aside as though pushed; it hurtled on and took off the head of a man in front. I reckoned an angel kept watch over Potter.
I was still alive when it ended. The Russians retreated up the hillside, leaving their dead and wounded where they’d fallen. The cessation affected the living in different ways; some lay down and slept, others walked about in a trance, plucking at their faces. For myself, I shook all over and could barely stand. It was the silence that was unnerving.
I found George two hours later, plying his trade at the Quarry end of the valley, Myrtle at his side. He was bent over a man with a hole in his chest. I tapped his wrist and he glanced up and didn’t know me, but then, so altered had we grown I only knew him by his blood-spattered apron. He took in the gash on my forehead and said dismissively, It’s only a scratch. Move on.’ Then I spoke his name and he sprang upright; for the first and last time he took me in his arms.
I helped dig trenches to bury the dead. The ones who had perished lying flat were dragged away by the heels. Those that sat upright we lifted under the arms, if arms remained. We found six men, comrades and foes, linked together, bayonets quivering in a daisy chain of steel.
George was fetched to see to an officer who had lost both feet, his stumps stuck in a barrel of gunpowder to staunch the bleeding. I was sent to find a stretcher and we laid him on it, barrel and all, and set off towards the hospital table, George leading. Myrtle followed, as she had always done.
We had got no more than twenty yards when Myrtle called out George’s name. She said later that she’d hurt her foot on a stone. He stopped and wheeled round, still holding the stretcher. Behind him, a wounded Russian, propped against sandbags, lifted up his musket and fired. George let go of the stretcher and the barrel rolled away trailing grey powder. He was looking at me, eyes wide with surprise. ‘You’re a good boy,’ I thought he said; then he fell down.
Potter was in the hospital tent when we arrived at the camp. He said he’d turned back earlier that morning owing to the fog settling on his chest. The photographer had returned and was preparing the plates. I was to hurry because the light was going.
I said, ‘George is dead.’
‘You’ve a cut on your forehead,’ he replied, and tearing some pages from the book on his knee, stuffed them into the stove.
Myrtle was outside, dry-eyed, cradling George in her arms. She was crooning to him.
I walked back to the van and found the photographer nearby with his camera set up and five men slouched before him.
‘What we want,’ he said, ‘is a posed group of survivors to show the folks back home.’ Squinting down the lens he called out, ‘The balance isn’t right. I need another soldier. Fetch one.’
I walked back to George. Myrtle had gone and he was lying in the mud. I humped him over my shoulder and carried him to the camera. The men were now standing and I propped him between them. He slumped forward and the soldier to his right supported him round the waist.
‘Smile, boys, smile,’ urged the photographer.
Behind, on the brow of the hill I saw Myrtle, arms stretched wide, circling round and round, like a bird above a robbed nest.
Dame Beryl Bainbridge is regarded as one of the greatest and most prolific British novelists of her generation. Consistently praised by critics, she was shortlisted for the Man Booker Prize five times, won the James Tait Black Memorial Prize and the W. H. Smith Literary Award, and twice won the Whitbread Award for Novel of the Year.
Bainbridge was born in Liverpool in 1932 to Richard Bainbridge and Winifred, née Baines. Her father acquired a respectable income as a salesman but went bankrupt as a result of the 1929 stock market crash. Later in life, she reflected on her turbulent childhood through her writing as a cathartic release. She often said she wrote to make sense of her own youth.
Despite financial pressures, the Bainbridges sent their children to fee-paying schools. Beryl attended the Merchant Taylors’ girls’ school, and had lessons in German, elocution, music, and tap-dancing. At the age of fourteen, she was expelled, cited as a “corrupting moral influence” after her mother found a dirty limerick among her school things. She then attended the Cone-Ripman School at Tring, Hertfordshire, but left at age sixteen, never earning any formal educational degrees.
She went on to work as an assistant stage manager at the Playhouse Theatre in Liverpool, which would become the basis for one of her Booker-nominated novels, An Awfully Big Adventure, a disturbing story about a teenage girl working on a production of Peter Pan. She successfully worked as an actress both before and after her time at the playhouse. As a child, she acted in BBC Radio’s Children’s Hour, and before the birth of her first child, she appeared on the soap opera Coronation Street on Granada Television.
While at the playhouse, Bainbridge met Austin Davies, an artist and set painter. They married in 1954 and had two children together, Aaron and Jojo. They divorced in 1959, and she then moved to London. There, she began a relationship with the writer Alan Sharp, with whom she had a daughter, Rudi. Sharp left Bainbridge at the time of Rudi’s birth.
In 1957, she submitted her novel, Harriet Said, then titled The Summer of the Tsar, to several publishers. They all rejected the manuscript, citing its controversial content—the story of two cruel and murderous teenage girls. She then published two other novels, A Weekend with Claude and Another Part of the Wood. Her real success, however, came when she befriended Anna Haycraft, an editor, writer, and the wife of Colin Haycraft, owner of the Gerald Duckworth publishing house. This friendship marked a major turning point in her writing career. Anna loved Harriet Said, and Gerald Duckworth published it in 1972 to critical acclaim, establishing Bainbridge as a fresh voice on the British literary scene.
After the success of Harriet Said, the Haycrafts put Bainbridge on retainer and found her a clerical job within the company. During her time working for the Haycrafts, Bainbridge wrote several novels, all positively received by critics, some of which were adapted into films—An Awfully Big Adventure, Sweet William, and The Dressmaker.
Bainbridge’s earlier novels were often influenced by her past. The characters from The Dressmaker were based on her aunts, and A Quiet Life drew from her relationship as teenager with a German prisoner of war. Her 1974 novel, The Bottle Factory Outing, was inspired by her real experience working part-time in a bottle-labeling factory.
In 1978, Bainbridge felt she had exhausted her own life as a source of material and turned to history for inspiration, beginning a new era in her career. She discovered a diary entry of Adolf Hitler’s sister-in-law and based her first historical novel, Young Adolf, on Hitler’s supposed vacation to Great Britain. She wrote other books in this genre—Watson’s Apology, Every Man for Himself, The Birthday Boys, Master Georgie, and According to Queeney. At the time of her death, she was writing The Girl in the Polka Dot Dress, about a young woman visiting the United States during Bobby Kennedy’s assassination, which was published posthumously.
In addition to her work as a novelist, Bainbridge was also a journalist, frequently contributing to the Evening Standard, and she was the regular theater critic at the Oldie.
Over the course of her career, Bainbridge became a literary celebrity, and was named a Dame of the British Empire in 2000. She remained in the same home on Albert Street in Camden until her death in 2010.
Beryl Bainbridge with her mother, Winifred, in Formby, Liverpool, circa 1938.
Bainbridge with her husband at the time, Austin Davies, on their wedding day in Liverpool, England, 1954.
Bainbridge with her friend Washington Harold in California, 1962.
Bainbridge at her home in Albert Street with Davies and their two daughters, Jojo and Rudi, in 1969.
Bainbridge in the back garden of her home in Camden Town in the 1980s.
Bainbridge speaking at a literary event in the early 1980s.
Bainbridge in a bath chair while spending time with her daughter and grandchildren outside her home in NW1, circa 1988.
Bainbridge in her home in NW1, smoking next to a mannequin of Neville Chamberlain, circa 1992.
Bainbridge in her home at NW1, circa 1992.
Bainbridge with Queen Elizabeth II at Buckingham Palace, where she was damed, in 2001.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
These are works of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
An Awfully Big Adventure Copyright © 1989, 1990 by Beryl Bainbridge
The Birthday Boys Copyright © 1991 by Beryl Bainbridge
Master Georgie Copyright © 1998 by Beryl Bainbridge
Cover design by Drew Padrutt
ISBN: 978-1-5040-5240-5
This edition published in 2018 by Open Road Integrated Media, Inc.
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BERYL BAINBRIDGE
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