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Suicide Club

Page 28

by Rachel Heng


  Sometimes Lea drove, sometimes Anja. The car was a good one, obedient and regular, with a purring engine that sometimes had to be coaxed but for the most part was reliable. It even had a sun roof, a small square of plastic that was permanently open because the cover had broken. The patch of sunlight traveled from the back to the front of the car as the day went by, and as they drove farther and farther north. The plesiosaur that Kaito had given Lea sat on the dashboard, looking out toward the water.

  When Anja was driving, Lea liked to push the passenger seat all the way down and back so she could kick her legs out and look up at the sky. There were times when it was dynamic and full of drama, usually the nights and mornings, when the sun did its work of waking the world and putting it back to sleep. But during the day, when they were driving, the opening framed a small patch of blue not unlike the skylight in her old office. Here, as then, she watched as the serene white clouds drifted past.

  It came in a rush, suddenly one day, the strange, buoyant feeling. Lea had been lying down, watching the sky speed by. She forgot where she was until she sat up again, and all around them was rolling green and crashing ocean and lighted sky.

  Kaito would have loved it, she thought, looking around at the reckless shifting beauty all around them. Suddenly she felt that he was there with her.

  Lea wound down the window, and the wind rushed in, devouring the silence in the car, sending their hair flying across their faces. When Anja started laughing, Lea did too.

  ABOUT THE AUTHOR

  RACHEL HENG’s fiction has received a Pushcart Prize Special Mention, Prairie Schooner’s Jane Geske Award, and has been featured by the Huffington Post, Grazia, and the Independent. She has been the recipient of grants and fellowships from the Fine Arts Work Center, the National Arts Council of Singapore, and the Michener Center for Writers. Rachel graduated from Columbia University with a BA in comparative literature and society. She now lives in Austin, Texas, where she is an MFA candidate at the Michener Center for Writers and assistant editor for the O. Henry Prize Stories. You can sign up for email updates here.

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  CONTENTS

  Title Page

  Copyright Notice

  Dedication

  Acknowledgments

  Epigraph

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  About the Author

  Copyright

  SUICIDE CLUB. Copyright © 2018 by Qingpei Rachel Heng. All rights reserved. For information, address Henry Holt and Co., 175 Fifth Avenue, New York, N.Y. 10010.

  www.henryholt.com

  Cover by Karen Horton

  The Library of Congress has cataloged the print edition as follows:

  Names: Heng, Rachel, author.

  Title: Suicide club: a novel / Rachel Heng.

  Description: First edition. | New York: Henry Holt and Company, [2018]

  Identifiers: LCCN 2017051333 | ISBN 9781250185341 (hardcover: alk. paper)

  Subjects: LCSH: Immortality—Fiction. | Suicide—Fiction. | Future, The—Fiction. | GSAFD: Dystopian fiction.

  Classification: LCC PS3608.E548 S85 2018 | DDC 813/.6—dc23

  LC record available at https://lccn.loc.gov/2017051333

  e-ISBN 9781250185358

  First US Edition: July 2018

  Our e-books may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at (800) 221-7945, extension 5442, or by e-mail at MacmillanSpecialMarkets@macmillan.com.

  This is a work of fiction. All of the characters, organizations, and events portrayed in this novel either are products of the author’s imagination or are used fictitiously.

 

 

 


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