Thinking in Jazz
Page 95
“Like Someone in Love;” Oct. 13, 1958. Coltrane Time, United Artists Jazz UAJ 14001 (originally issued as: Cecil Taylor, Stereo Drive, United Artists UAS 5014).
“Softly, as in a Morning Sunrise,” Nov. 2–3, 1961. “Live” at the Village Vanguard, MCA/Impulse! MCAD-39136.
“Alabama;” Nov. 18, 1963. Live at Birdland, Impulse! AS-50.
DAVIS, MILES
“Baby, Won’t You Make Up Your Mind (take 1);” Oct. 18, 1946. Bopping the Blues, Black Lion BLCD 760102.
“Rifftide;” May 8–11, 1949. The Miles Davis/Tadd Dameron Quintet In Paris Festival International de Jazz, Columbia JC34804.
“My Old Flame” and “Bluing;” Oct. 5, 1951. Dig, Prestige P-24054.
“The Serpent’s Tooth” (take 2), Jan. 30, 1953a. Collectors’ Items, Prestige OJCCD- 071–2.
“For Adults Only,” Feb. 19, 1953b. Dig, Prestige P-24054.
“Bags’ Groove” (takes 1 and 2), Dec. 24,1954. Bags’ Groove, Prestige OJCCD-245–2.
“The Theme” (take 1) and “Trane’s Blues;” May 11, 1956a. Workin’, Prestige VDJ-1521.
“Bye Bye, Blackbird;” June 5, 1956b. Round about Midnight, Columbia CK 40610.
“Blues by Five” and “When the Lights Are Low,” Oct. 26, 1956c. Cookin’, Prestige VDJ-1512.
“You Are My Everything;” Oct. 26, 1956d. Relaxin’, Prestige 7129.
“Motel;” Dec. 4, 1957. Ascenseur pour l’echafaud (Lift to the Scaffold), Fontana 836 305–2.
“Billy Boy,” April 2, 1958a. Milestones. . . ., Columbia CL1193.
“Fran Dance” and “Love for Sale,” May 26, 1958b. 58 Sessions, Columbia/Legacy CK47835.
“Freddie Freeloader,” March 2, 1959. Kind of Blue, Columbia CL 1355.
“I Thought about You,” Feb. 12, 1964. My Funny Valentine, Columbia PC9106.
DOLPHY, ERIC
“Far Cry” and “Ode to Charlie Parker;” Dec. 21, 1960. Far Cry, New Jazz OJCCD- 400–2.
“Bee Vamp,” “Fire Waltz,” “Like Someone in Love,” and “The Prophet,” July 16, 1961a. At the Five Spot, Volumes 1 and 2, Prestige VDJ-1525, VDJ-1504.
“Bee Vamp,” July 16, 1961b. Dash One, Prestige MPP-2517.
DORHAM, KENNY
“I Love You (take 2);” Dec. 15, 1953. Kenny Dorham Quintet, Debut Records OJC-U3.
“Alone Together;” Nov. 13, 1959. Quiet Kenny, Prestige VDJ-1535.
ELDRIDGE, ROY
“Fireworks” and “Wild Man Blues:” March 29, 1951. I Remember Harlem, Inner City Records IC7012.
ELLINGTON, DUKE
“Jack the Bear” and “Harlem Air Shaft,” Feb. 14 and July 22, 1940. At His Very Best, RCA LPM 1715.
EVANS, BILL
“Gone with the Wind,” Aug. 17–18, 1967. Jazz-Club Drums (compilation), Verve 840 033–2.
FITZGERALD, ELLA
“Stompin’ at the Savoy,” April 25, 1958. Ella in Rome: The Birthday Concert, Verve 835454–2.
GILLESPIE, DIZZY
“Blues for Bird,” Jan. 12, 1956. Cross Currents, Verve VE-1–2533.
GILLESPIE, DIZZY, AND ROY ELDRIDGE
“Steeplechase” and “Tour de Force,” Nov. 2,1955. Diz and Roy, Verve VE-2–2524.
GOODMAN, BENNY
“Sing, Sing, Sing,” July 6, 1937a. The Complete Benny Goodman, Volume 4, RCA VVAXM2–5537.
“Sugarfoot Stomp,” Sept. 6, 1937b. This Is Benny Goodman, RCA Victor VPM-6040.
GREEN, BENNY
“Billy Boy,” 1992. Testifyin’!, Blue Note CDP 7981712.
HAMPTON, SLIDE
“Newport,” late 1959. Slide!, Strand SLS 1006.
HAWKINS, COLEMAN
“Body and Soul,” Oct. 11, 1939. Body and Soul, RCA LPV 501.
“Picasso,” July/Aug. 1948. The Essential Coleman Hawkins, Verve 2304–537.
HENDERSON, FLETCHER
“Sugarfoot Stomp,” May 29, 1925. Jazz, Volume 7: New York 1922–34 (compilation), Folkways FJ 2807.
“Sugarfoot Stomp,” April 29, 1931. The Complete Fletcher Henderson, RCA AXMZ-5507.
JORDON, MARLON
“Monk’s Point,” Dec. 1988. For You Only, Columbia CK 45200.
KIRK, RAHSAAN ROLAND
“A Quote from Clifford Brown,” Sept. 16–17, 1964. I Talk with the Spirits, Limelight LM 82008.
LATEEF, YUSEF
“8540 12th Street,” Oct. 9, 1957. Jazz and the Sounds of Nature!, Savoy MG 12120.
LITTLE, BOOKER
“Minor Suite” and “Life’s a Little Blue,” April 13, 1960; “Opening Statement,” “The Grand Valse,” and “Who Can I Tum To?,” April 15, 1960. Booker Little, Bainbridge BCD1041.
“Quiet Please,” March 17, 1961a; “Strength and Sanity” and “Moods in Free Time,” April 4, 1961a. Out Front, Candid CD 9027.
“Booker’s Blues;” “Forward Flight,” “If I Should Lose You,” “Matilda,” and “Victory and Sorrow,” Aug./Sept. 1961b. Victory and Sorrow, Bethlehem BCP-6034.
LITTLE, BOOKER, AND DONALD BYRD
“Chasing the Bird,” 1960. The Third World, TCB 1004 (originally Soul of Jazz Percussion, Warwick 5003).
THE MANHATTAN TRANSFER
“Ray’s Rockhouse,” Fall 1985. Vocalese, Atlantic 781266–2.
MINGUS, CHARLES
“What Love,” Oct. 20, 1960. Presents Charles Mingus, Candid CD 9005.
MITCHELL, BLUE
“Sir John,” Aug. 24–25, 1960. Blue’s Moods, Riverside OJC-138.
MOBLEY, HANK
“Git-Go Blues,” Feb. 9, 1958. Peckin’ Time, Blue Note CDP 7815742.
MONTGOMERY, WES
“Four on Six” and “West Coast Blues.” Jan. 26, 28, 1960. Incredible Jazz Guitar, Riverside OJCCD 036–2.
NAVARRO, FATS
“Jahbero” (original and alternate take) and “Lady Bird” (original and alternate take), Sept. 13, 1948. The Fabulous Fats Navarro, Volumes 1 and 2, Blue Note 81531, 81532.
OLIVER, JOE
“Dippermouth Blues,” April 6, 1923a. Louis Armstrong and King Oliver, Milestone M-47017. Also, The Smithsonian Collection of Classic Jazz (compilation), CBS, Inc., CD Edition RD 033 A5 19477.
“Dippermouth Blues,” June 23, 1923b. The Smithsonian Collection of Classic Jazz (compilation), CBS, Inc., LP Edition P6 11891.
PARKER, CHARLIE
“Red Cross” (takes 1 and 2) and “Tiny’s Tempo” (takes 1–3), Sept. 15, 1944. The Complete Savoy Studio Sessions, Savoy S5J 5500.
“Embraceable You” (takes 1 and 2), Oct. 28, 1947. Bird on Dial, Spotlite 104.
“Barbados” (takes 1,3,4), Sept. 18, 1948. The Complete Savoy Studio Sessions, Savoy S5J 5500.
“The Street Beat,” June 30,1950. One Night in Birdland, Columbia 34808.
“She Rote” (original and alternate take), Aug. 8, 1951. Swedish Schnapps, Verve V6-8010.
PARKER, CHARLIE, AND DIZZY GILLESPIE
“Mohawk” (original and alternate take), June 6,1950. Bird and Diz, Verve 831 133–2.
ROACH, MAX
“Stella by Starlight” and “Memo: To Maurice,” June 1958a. Max on the Chicago Scene, EmArcy MG 36132.
“Shirley,” June 6, 1958b. Standard Time, EmArcy 814190–1.
“Old Folks,” Nov. 25,1959. Award-Winning Drummer; Bainbridge BCD1042.
ROCHÉ, BETTY
“Take the A Train,” June 30,1952. Hi-Fi Ellington Uptown, Columbia CCL 830.
ROLLINS, SONNY
“Pent-Up House,” March 22, 1956a. Sonny Rollins plus 4, Prestige VDJ-1524.
“St. Thomas” and “Strode Rode,” June 22, 1956b. Saxophone Colossus, Prestige OJCCD 291–2.
“It Could Happen to You,” June 11–12, 1957. The Sound of Sonny, Riverside RLP 241. “Body and Soul,” July 10, 1958. Brass/Trio, Verve UMV 255.
SCOFIELD, JOHN
“You Bet,” Dec. 1991. Grace under Pressure, Blue Note CDP 7981672.
SMITH, BESSIE
“St. Louis Blues,” Jan. 14, 1925. The Smithsonian Collection of Classic Jazz (compilation), CBS, I
nc., CD Edition RD 033 A5 19477.
“Lost Your Head Blues,” May 4, 1926. The Smithsonian Collection of Classic Jazz (compilation), CBS, Inc., CD Edition RD 033 A5 19477.
STROZIER, FRANK
“Runnin’,” “Waltz of the Demons;” and “W. K. Blues,” Feb. 2, 1960. Fantastic Frank Strozier; Vee Jay LP 3005.
SUN RA
“Lullaby for Realville,” July 12, 1956. Sun Song, Delmark DD-411 (originally issued on Transition TRLP 10).
TRISTANO, LENNIE
“Intuition” and “Digression,” May 16, 1949. Crosscurrents, Capital M11060.
VAUGHAN, SARAH
“Shulie-A-Bop,” April 2, 1954a. Swingin’ Easy, EmArcy MG 36109.
“September Song,” Dec. 18, 1954b. Sarah Vaughan, EmArcy MG 36004
WASHINGTON, DINAH
“I’ve Got You under My Skin,” Aug. 14, 1954. Dinah Jams, EmArcy MG 36000.
WINTER, PAUL
“Wolf Eyes” and “Trilogy,” 1978. Common Ground, A&M Sp-4698.
2. Listing by Artist and Album Titles
COLEMAN, ORNETTE
Free Jazz, Dec. 21, 1960, Atlantic SD 1364.
COLTRANE, JOHN
A Love Supreme, Dec. 9, 1964, Impulse! A-77.
Ascension, June 28, 1965, Impulse! A-95.
Expression, Feb. 15 and March 7, 1967, Impulse! AS-9120.
DAVIS, MILES
Birth of the Cool, Jan. 21 and April 22, 1949, and March 9, 1950, Capital T762.
E.S.P., Jan. 20–22, 1965, Columbia CS 9150.
DODDS, BABY
Talking and Drum Solos, Jan. 10, 1946, Folkways FJ2290.
FLANAGAN, TOMMY
Overseas, Aug. 15, 1957, Prestige 7134.
GURU
Jazzmatazz, vol. 1, 1993, Chrysalis 0946 3 2199829.
KONITZ, LEE
Motion, Aug. 29,1961, Verve MGV 8399.
ROACH, MAX
Jazz in 3/4 Time, March 18–21, 1957, EmArcy MG 36108.
We Insist! Max Roach and Oscar Brown Jr.’s Freedom Now Suite, Aug. 31 and Sept. 6, 1960, Candid CJM 8002.
Drums Unlimited, Oct. 14 and 20, 1965, and April 25, 1966, Atlantic 1467.
VIDEOGRAPHY
BISHOP, WALTER, JR.
A VHS Master Class Featuring Walter Bishop Jr. Walter Bishop Jr. and Bret Primack. Video Production Center. Video, 58 mins. 1987. Available from Jazzvideo International.
BLAKEY, ART
Art Blakey: The Jazz Messenger. Dick Fontaine and Pat Hartley. Grapevine Pictures, Central Independent Television and Channel Four (UK). Film, 78 mins. 1987. Available as video from Rhapsody Films, Inc., #8016, 1988.
CARTER, BETTY
But Then, She's Betty Carter. Michelle Parkerson. Eye of the Storm Productions. Film, 53 mins. 1980. Available as video from Women Make Movies.
COLTRANE, JOHN
The Coltrane Legacy. Burrill Crohn. Jazz Images, Inc. Video, 61 mins. 1985. Available from Video Artists International, Inc., #69035.
COMPILATIONS
Jazz Is Our Religion. John Jeremy. Silverscreen Productions, Ltd. Film, 50 mins. 1972. Available as video from Rhapsody Films, Inc., #8033, 1986.
The Sound of Jazz. Robert Herridge. CBS Studio 58. “The Seven Lively Arts” televison program, 58 mins. Dec. 8, 1957. Available as video from Vintage Jazz Classics, Ltd., #2001–4, 1990.
Trumpet Kings. Burrill Crohn. Jazz Images, Inc. Video, 72 mins. 1985. Available from Video Artists International, Inc., #69036.
DAVIS, MILES
Miles Ahead: The Music of Miles Davis. Mark Obenhaus and Yvonne Smith. WNET/ Thirteen and Obenhaus Films, Inc., in association with Channel 4 Television, London. “Great Performances” public television program #1303, 60 mins., Oct. 17, 1986. Available as video from BMG Music, 1993 (forthcoming).
EVANS, BILL
The Universal Mind of Bill Evans. Helen Keane. Charter Oak Telepictures, Inc. Film, 45 mins. 1966. Available as video from Rhapsody Films, Inc., #9015, 1991.
GILLESPIE, DIZZY
Wolf Trap Salutes Dizzy Gillespie: An All-Star Tribute to the Jazz Master. John T. Potthast. Maryland Public Television in association with WNET/New York and Wolf Trap Foundation for the Performing Arts. “Great Performances” public television program #1419, 90 mins., Feb. 26, 1988.
HARRIS, BARRY
Passing It On (featuring Barry Harris). David Chan and Kenneth Freundlich. Weatherbird Film Productions. Film, 23 mins. 1984. Available as video from Rhapsody Films, Inc., #8018, 1986.
JACQUET, ILLINOIS
Texas Tenor: The Illinois Jacquet Story. Ronit Avneri and Arthur Elgort. Arthur Elgort Productions, Ltd. Film, 81 mins. 1991. Available as video from Rhapsody Films, Inc., #9021, 1993.
JONES, ELVIN
Different Drummer Elvin Jones. Edward Gray. Edward Gray Films, Inc. Film, 30 mins. 1979. Available as video from Rhapsody Films, Inc., #9014,1991.
KIRK, RAHSAAN ROLAND
Sound?? Dick Fontaine and Mike Hodges. ABC Television (UK). Film, 27 mins. 1967. Available as video from Rhapsody Films, Inc., #8056, 1988.
KONITZ, LEE
Konitz (Lee Konitz): Portrait of an Artist as Saxophonist. Robert Daudelin. Les Films du Crepuscule International (Canada). Film, 83 mins. 1988. Available as video from Rhapsody Films, Inc., #8041, 1990.
LAWRENCE, BABY
Jazz Hoofer: Baby Lawrence. Bill Hancock, H-D Productions. Film, 28 mins. 1981. Available as video from Rhapsody Films, Inc., #8030, 1986.
MINGUS, CHARLES
Mingus (Charles Mingus)-1968. Thomas Reichman. William B. O’Boyle Productions. Film, 58 mins. 1968. Available as video from Rhapsody Films, Inc., #8046, 1987.
MONK, THELONIOUS
Thelonious Monk, Straight No Chaser. Charlotte Zwerin and Bruce Ricker; Clint Eastwood. Warner Bros., Inc. Film, 90 mins. 1988. Produced as video by Warner Home Video, Inc., #11896, 1990. Available from Rhapsody Films, Inc.
PARKER, CHARLIE
Celebrating Bird: The Triumph of Charlie Parker. Toby Byron. Toby Byron! Multiprises. Video, 59 mins. 1987. Available from Kultur International Films, Ltd., #1293.
TOLES-BEY, JOHN, AND EDWARD WILKERSON JR.
Honky Tonk Bud. Scott Laster. Urban Legend Films. Film, 12 mins. 1985. Available as video from Rhapsody Films, Inc. (in compilation, Jazz Shorts, #8034), 1986.
VAUGHAN, SARAH
Evening at Pops (featuring Sarah Vaughan and Wynton Marsalis). Bill Cosel. WGBH and Boston Symphony Orchestra, Inc. “Evening at Pops” public television program #6002, 60 mins. July 9, 1984.
Sarah Vaughan: The Divine One. Toby Byron and Richard Saylor. Toby Byron/ Multiprises in association with Taurus Film, Munich, Video Arts, Japan, and Thirteen/WNET. “American Masters” public television program #604, 60 mins. July 29, 1991. Available as video from BMG Music, 1993 (forthcoming).
ZARDIS, CHESTER
Zardis: The Spirit of New Orleans. Preston McClanahan. PM Films, Inc. Video, 88 mins. 1989. Available from Rhapsody Films, Inc., #9026, 1993.
BIBLIOGRAPHY
Abrahams, Roger D. 1970a. Deep Down in the Jungle. New York: Aldine.
———. 1970b. “Toward a Black Rhetoric: Being a Survey of Afro-American Communication Styles and Role-Relationships.” Texas Working Papers in Sociolinguistics no. 15. Austin: University of Texas.
Adderley, “Cannonball” Julian. 1960. “Paying Dues: The Education of a Combo Leader.” Jazz Review 3, no. 5 (May): 12–15.
Aebersold, Jamey. 1980. One Dozen Standards, vol. 23. New Albany, IN: Jamey Aebersold.
———. 1984. Jam Session, vol. 34. Booklet and recording. New Albany, IN: Jamey Aebersold.
Aebersold, Jamey, and Ken Slone. 1978. Charlie Parker Omnibook (Transposed for B-flat Instruments). New York: Music People, div. of Music Books.
Agu, Daniel C. C. 1984. “The Vocal-music Composer in a Nigerian Traditional Society and His Compositional Techniques.” Pacific Review of Ethnomusicology 1:13–28.
Alperson, Philip. 1984. “On Musical Improvisation:” Journal of Aesthetics and Art Criticism
43:17–29.
Anon. 1919. “A Negro Explains ‘Jazz.’ ” Literary Digest, April 26:28–29.
Apel, Willi. 1969. Harvard Dictionary of Music. 2d ed., rev. and enl. Cambridge: Belknap Press of Harvard University Press.
Arban, Joseph Jean Baptiste Laurent. 1982 (1894). Arban’s Complete Conservatory Method for Trumpet. Ed. Edwin Franko Goldman and Walter M. Smith. New York: Carl Fisher.
Austin, William W. 1966. Music in the Twentieth Century from Debussy through Stravinsky. New York: W. W. Norton.
Averill, Gage. 1989. “Haitian Dance Bands, 1915–1970: Class, Race, and Authority.” Latin American Review 10, no. 2 (Fall/Winter): 203–35.
Bailey, Derek. 1980. Musical Improvisation: Its Nature and Practice in Music. Ashbourne, Eng., and Englewood Cliffs, NJ: Prentice-Hall.
Baily, John. 1985. “Music Structure and Human Movement:” In Musical Structure and Cognition, Ed. Peter Howell, Ian Cross, and Robert West. London: Academic.
Baker, David. 1968. Turnbacks: Techniques of Improvisation. Vol. 3 of Music Workshop Publications. Chicago: Maher.
———. 1969. Jazz Improvisation. Chicago: Maher.
———. 1982. The Jazz Style of Clifford Brown. Hialeah, FL: Studio P/R.
Balliett, Whitney. 1971. Ecstasy at the Onion: Thirty-One Pieces on Jazz. Indianapolis: Bobbs-Merrill.
———. 1977. Improvising. New York: Oxford University Press.
———.1982. “Jazz: Ten Levels.” New Yorker, August 16:76–83.
Baraka, Amiri [LeRoi Jones]. 1963. Blues People: Negro Music in White America. New York: William Morrow.
———. 1970. Black Music. New York: William Morrow.
Barron, William, Jr. 1975. “Improvisation and Related Concepts in Aesthetic Education.” Ph.D. dissertation, University of Massachusetts.
Beach, Doug. 1991. “Clark Terry and the St. Louis Trumpet Sound:” Instrumentalist (April): 9–12, 80.
Bechet, Sidney. 1978. Treat It Gentle: An Autobiography. New York: Da Capo. Orig. pub. New York: Twayne, 1960.
Becker, Howard S. 1951. “The Professional Dance Band Musician and His Audience.” American Journal of Sociology 57 (September): 136–44.
———.1953. “Some Contingencies of the Professional Dance Musician’s Career.” Human Organization 12, no. 2 (Spring): 22–26.
———. 1963. Outsiders: Studies in the Sociology of Deviance. New York: Free Press.