by Hugh Walpole
When he had finished, on his shoulder he seemed to feel once more a hand gently resting.
At last she raised her head, and clutching his hand as though she would never let it go, spoke: —
“Olva, Olva, I don’t understand. I don’t think I believe in any God. And, dear, see — it is all so natural. Thinking about what you had done, thinking of it all alone, preyed on your nerves. Because Rupert suspected you made it worse. You imagined things — everything. That is all — Olva, really that is all.”
“Margaret, don’t make it harder for both of us. I must go. There is no question. I don’t suppose that any one can see any one else’s spiritual experiences — one must be alone in that. Margaret dear, if I stayed with you now — if we married — the Pursuit would begin again. God would hold me at last — and then one day you would find that I had gone away — I would have been driven — there would be terror for both of us then.”
She slipped on to her knees and caught his hands.
“This is all unreal — utterly unreal. But our love for each other, that is the only thing that can matter for either of us. You have lived in your thoughts these weeks, imagined things, but think of what you do if you leave me. You are all I have — you have become my world — I can’t live, I can’t live, Olva, without you.”
“I must go. I must find what God is.”
“But listen, dear. You come to me to confess something. You find that what you have done matters nothing to me. You say that you love me more than ever, and, in the same moment, that you are going to leave me. Is it fair to me? You give no reason. You do not know where you are going or what you intend to do. You can give no definite explanation.”
“There is no explanation except that by what I did in Sannet Wood that afternoon I put myself out of touch with human society until I had done something for human society. God has been telling me for many days that I owe a debt. I have tried to avoid paying that debt. I tried to escape Him because I knew that he demanded that I must pay my debt before I could come to you. I see this as clearly as I saw yesterday the high white clouds above the football field. God now is as real to me as you are. It is as though for the rest of my life I must live in a house with two persons. We cannot all live together until certain conditions are granted. I go to make those conditions possible. Because I have broken the law I am an outlaw. I am impelled to win my way back to citizenship again. God will show me.”
“But this is air — all nerves. God is nothing. God does not exist.”
“God does exist. I must work out His order and then I will come back to you.”
She began to be frightened. She caught his coat in her hands, and desperately pleaded. Then she saw his white set face, and the way that his hands gripped the chair, and it was as though she had suddenly found herself alone in the room.
“Olva, don’t leave me, don’t leave me, Olva. I can’t live without you. I don’t care what you’ve done. I’ll bear everything with you. I’ll come away with you. I’ll do anything if only you will let me be with you.”
“No, I must go alone.”
“But it can’t matter — it can’t matter. I’m so unimportant. You shall do what you feel is your duty — only let me be there.”
“No, I must go alone.”
She began to cry, bitter, miserable, sobbing, sitting on the floor, away from him. Her crying was the only sound in the room.
He bent and touched her— “Margaret dear — you make it so hard.”
At last, in that strange beautiful way that she had, control seemed suddenly to come to her; she stood up and looked as though she had, in that brief moment, lived a thousand years of sorrow.
“You will come back?”
“I swear that I will come back to you.”
“I — I — will — wait for you.”
There, in the dim, unreal room, as they had stood once before, now, standing, they were wrapt together. They were very young to feel such depths of tragedy, to touch such heights of beauty. They were a long time there together.
“Margaret darling, you know that I will come back.”
“I know that you will come back.”
“Olva!”
“Margaret!”
He left her.
Then, standing with outstretched arms, alone there, she who had but now denied the Pursuer, cried to the dark room —
“God, God — send him back to me!”
Some one promised her.
CHAPTER XVII
FIRST CHAPTER
The sun was rising, hard and red, over Sannet Wood and the white frozen flats, when Olva Dune set out. . . .
FORTITUDE
CONTENTS
BOOK I — SCAW HOUSE
CHAPTER I
CHAPTER II
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
BOOK II — THE BOOKSHOP
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
BOOK III — THE ROUNDABOUT
CHAPTER I
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
BOOK IV — SCAW HOUSE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
BOOK I — SCAW HOUSE
CHAPTER I
INTRODUCTION TO COURAGE
I
“’Tisn’t life that matters! ’Tis the courage you bring to it” ... this from old Frosted Moses in the warm corner by the door. There might have been an answer, but Dicky Tasset, the Town Idiot, filled in the pause with the tale that he was telling Mother Figgis. “And I ran — a mile or more with the stars dotted all over the ground for yer pickin’, as yer might say....”
A little boy, Peter Westcott, heard what old Frosted Moses had said, and turned it over in his mind. He was twelve years old, was short and thick-necked, and just now looked very small because he was perched on so high a chair. It was one of the four ancient chairs that Sam Figgis always kept in the great kitchen behind the taproom. He kept them there partly because they were so very old and partly because they fell in so pleasantly with the ancient colour and strength of the black smoky rafters. The four ancient chairs were carved up the legs with faces and arms and strange crawling animals and their backs were twisted into the oddest shapes and were uncomfortable to lean against, but Peter Westcott sat up very straight with his little legs dangling in front of him and his grey eyes all over the room at once. He could not see all of the room because there were depths that the darkness seized and filled, and the great fiery place, with its black-stained settle, was full of mysterious shadows. A huge fire was burning and leaping in the fastnesses of that stone cavity, and it was by the light of this alone that the room was illumined — and this had the effect as Peter noticed, of making certain people, like Mother Figgis and Jane Clewer, quite monstrous, and fantastic with their skirts and hair and their shadows on the wall. Before Frosted Moses had said that sentence about Courage, Peter had been taking the room in. Because he had been there very often before he knew every flagstone in the floor and every rafter in the roof and all the sporting pictures on the walls, and the long shining row of mugs and coloured plates by the fire-place and the cured hams hanging from the ceiling ... but to-night was Christmas Eve and a very especial occasion, and he was sure to be beaten when he got home, and so must make the very most of his time. He watched the door
also for Stephen Brant, who was late, but might arrive at any moment. Had it not been for Stephen Brant Peter knew that he would not have been allowed there at all. The Order of the Kitchen was jealously guarded and Sam Figgis, the Inn-keeper, would have considered so small a child a nuisance, but Stephen was the most popular man in the county, and he had promised that Peter would be quiet — and he was quiet, even at that age; no one could be so quiet as Peter when he chose. And then they liked the boy after a time. He was never in the way, and he was wonderfully wise for his years: he was a strong kid, too, and had muscles....
So Peter crept there when he could, although it very often meant a beating afterwards, but the Kitchen was worth a good many beatings, and he would have gone through Hell — and did indeed go through his own special Hell on many occasions — to be in Stephen’s company. They were all nice to him even when Stephen wasn’t there, but there were other reasons, besides the people, that drew Peter to the place.
It was partly perhaps because The Bending Mule was built right out into the sea, being surrounded on three sides by water. This was all twenty years ago, and I believe that now the Inn has been turned into an Arts Club, and there are tea-parties and weekly fashion papers where there had once been those bloody fights and Mother Figgis sitting like some witch over the fire; but it is no matter. Treliss is changed, of course, and so is the world, and there are politeness and sentiment where once there were oaths and ferocity, and there is much soap instead of grimy hands and unwashen faces ... and the fishing is sadly on the decline, but there are good drapers’ shops in the town.
For Peter the charm of the place was that “he was out at sea.” One could hear quite distinctly the lap of the waves against the walls and on stormy nights the water screamed and fought and raged outside and rolled in thundering echoes along the shore. To-night everything was still, and the snow was falling heavily, solemnly over the town.
The snow, and the black sea, and the lights that rose tier on tier like crowds at a circus, could be seen through the uncurtained windows.
The snow and quiet of the world “out-along” made the lights and warmth of the room the more comforting and exciting, and Sam Figgis had hung holly about the walls and dangled a huge bunch of mistletoe from the middle beam and poor Jane Clewer was always walking under it accidentally and waiting a little, but nobody kissed her. These things Peter noticed; he also noticed that Dicky the Idiot was allowed to be present as a very great favour because it was Christmas Eve and snowing so hard, that the room was more crowded than he had ever seen it, and that Mother Figgis, with her round face and her gnarled and knotted hands, was at her very merriest and in the best of tempers. All these things Peter had noticed before Frosted Moses (so called because of his long white beard and wonderful age) made his remark about Courage, but as soon as that remark was made Peter’s thoughts were on to it as the hounds are on to a fox.
“’Tisn’t life that matters, but the Courage yer bring to it....”
That, of course, at once explained everything. It explained his own father and his home, it explained poor Mrs. Prothero and her two sons who were drowned, it explained Stephen’s cousin who was never free from the most painful rheumatics, and it explained Stephen himself who was never afraid of any one or anything. Peter stared at Frosted Moses, whose white beard was shining in the fire-place and his boots were like large black boats; but the old man was drawing at his pipe, and had made his remark apparently in connection with nothing at all. Peter was also disappointed to see that the room at large had paid no attention to the declaration.
Courage. That was what they were all there for, and soon, later in the evening, he would take his beating like a man, and would not cry out as he had done the last time. And then, at the thought of the beating, he shivered a little on his tall chair and his two short legs in their black stockings beat against the wooden bars, and wished that he might have stayed in some dark corner of The Bending Mule during the rest of the night and not go home until the morning — or, indeed, a very much better and happier thing, never go home again at all. He would get a worse beating for staying out so late, but it was something of a comfort to reflect that he would have been beaten in any case; old Simon Parlow, who taught him mathematics and Latin, with a little geography and history during six days of the week, had given him that morning a letter to his father directed in the old man’s most beautiful handwriting to the effect that Master Westcott had made no progress at all in his sums during the last fortnight, had indeed made no attempt at progress, and had given William Daffoll, the rector’s son, a bleeding nose last Wednesday when he ought to have been adding, dividing, and subtracting. Old Parlow had shown him the letter so that Peter knew that there was no escape, unless indeed Peter destroyed the paper, and that only meant that punishment was deferred.
Yes, it meant a beating, and Peter had hung about the town and the shore all the afternoon and evening because he was afraid. This fact of his fear puzzled him and he had often considered the matter. He was not, in any other way, a coward, and he had done, on many occasions, things that other friends of his own age had hung back from, but the thought of his father made him quite sick with fear somewhere in the middle of his stomach. He considered the matter very carefully and he decided at last (and he was very young for so terrible a discovery) that it was because his father liked beating him that he was afraid. He knew that his father liked it because he had watched his mouth and had heard the noise that came through his lips. And this, again, was rather strange because his father did not look as though he would like it; he had a cold face like a stone and was always in black clothes, but he did not, as a rule, show that he was pleased or angry or sorry — he never showed things.
Now these words of Frosted Moses explained everything. It was because his father knew that it was Courage that mattered that he liked to beat Peter ... it was good for Peter to learn Courage.
“’Tisn’t life that matters” ... it isn’t a beating that matters....
Frosted Moses was a great deal wiser than old Simon Parlow, who, in spite of his knowing so much about sums, knew nothing whatever about life. He knew nothing whatever about Courage either and shook like a leaf when his sister, Miss Jessel Parlow, was angry with him, as she very often had reason to be. Peter despised the old man with his long yellow tooth that hung over his lower lip, and his dirty grey hair that strayed from under his greasy black velvet cap (like wisps of hay). Peter never cared anything for the words or the deeds of old Parlow.... But Frosted Moses! ... he had lived for ever, and people said that he could never die. Peter had heard that he had been in the Ark with Noah, and he had often wished to ask him questions about that interesting period, about Ham, Shem and Japheth, and about the animals. Of course, therefore, he knew everything about Life, and this remark of his about Courage was worth considering. Peter watched him very solemnly and noticed how his white beard shone in the fire-light, how there was a red handkerchief falling out of one enormous pocket, and how there was a big silver ring on one brown and bony finger ... and then the crowd of sailors at the door parted, and Stephen Brant came in.
II
Stephen Brant, the most wonderful person in the world! Always, through life, Peter must have his most wonderful person, and sometimes those Heroes knew of it and lived up to his worshipping and sometimes they knew of it and could not live up to it, but most frequently they never knew because Peter did not let them see. This Hero worship is at the back of a great deal that happened to Peter, of a great deal of his sorrow, and of all of his joy, and he would not have been Peter without it; very often these Heroes, poor things, came tumbling from their pedestals, often they came, in very shame, down of their own accord, and perhaps of them all Stephen only was worthy of his elevation, and he never knew that he was elevated.
He knew now, of course, that Peter loved him; but Peter was a little boy, and was taken by persons who were strong and liked a laugh and were kind in little ways. Stephen knew that when Peter grew older he m
ust love other and wiser people. He was a very large man, six foot three and broad, with a brown beard, and grey eyes like Peter’s. He had been a fisherman, but now he was a farmer, because it paid better — he had an old mother, one enemy, and very many friends; he had loved a girl, and she had been engaged to him for two years, but another man had taken her away and married her — and that is why he had an enemy. He greeted his friends and kissed poor Jane Clewer under the mistletoe, and then kissed old Mother Figgis, who pushed him away with a laugh and “Coom up there — where are yer at?” — and Peter watched him until his turn also should come. His legs were beating the wooden bars again with excitement, but he would not say anything. He saw Stephen as something very much larger and more stupendous than any one else in the room. There were men there bigger of body perhaps, and men who were richer — Stephen had only four cows on his farm and he never did much with his hay — but there was no one who could change a room simply by entering it as Stephen could.
At last the moment came — Stephen turned round— “Why, boy!”
Peter was glad that the rest of the room was busied once more with its talking, laughing, and drinking, and some old man (sitting on a table and his nose coming through the tobacco-smoke like a rat through a hole in the wall) had struck up a tune on a fiddle. Peter was glad, because no one watched them together. He liked to meet Stephen in private. He buried his small hand in the brown depths of Stephen’s large one, and then as Stephen looked uncertainly round the room, he whispered: “Steve — my chair, and me sitting on you — please.”
It was a piece of impertinence to call him “Steve,” of course, and when other people were there it was “Mr. Brant,” but in their own privacy it was their own affair. Peter slipped down from his chair, and Stephen sat down on it, and then Peter was lifted up and leant his head back somewhere against the middle button of Stephen’s waistcoat, just where his heart was noisiest, and he could feel the hard outline of Stephen’s enormous silver watch that his family had had, so Stephen said, for a hundred years. Now was the blissful time, the perfect moment. The rest of the world was busied with life — the window showed the dull and then suddenly shining flakes of snow, the lights and the limitless sea — the room showed the sanded floor, the crowd of fishermen drinking, their feet moving already to the tune of the fiddle, the fisher girls with their coloured shawls, the great, swinging smoky lamp, the huge fire, Dicky the fool, Mother Figgis, fat Sam the host, old Frosted Moses ... the gay romantic world — and these two in their corner, and Peter so happy that no beatings in the world could terrify.