Delphi Collected Works of Hugh Walpole (Illustrated)

by Hugh Walpole

  “But, boy,” says Stephen, bending down so that the end of his beard tickles Peter’s neck, “what are yer doing here so late? Your father...?”

  “I’m going back to be beaten, of course.”

  “If yer go now perhaps yer won’t be beaten so bad?”

  “Oh, Steve! ... I’m staying ... like this ... always.”

  But Peter knew, in spite of the way that the big brown hand pressed his white one in sympathy, that Stephen was worried and that he was thinking of something. He knew, although he could not see, that Stephen’s eyes were staring right across the room and that they were looking, in the way that they had, past walls and windows and streets — somewhere for something....

  Peter knew a little about Stephen’s trouble. He did not understand it altogether, but he had seen the change in Stephen, and he knew that he was often very sad, and that moods came upon him when he could do nothing but think and watch and wait — and then his face grew very grey and his eyes very hard, and his hands were clenched. Peter knew that Stephen had an enemy, and that one day he would meet him.

  Some of the men and girls were dancing now in the middle of the room. The floor and the walls shook a little with the noise that the heavy boots of the fishermen made and the smoky lamp swung from side to side. The heat was great and some one opened the window and the snow came swirling, in little waves and eddies, in and out, blown by the breeze — dark and heavy outside against the clouded sky, white and delicate and swiftly vanishing in the room. Dicky the Fool came across the floor and talked to Stephen in his smiling, rambling way. People pitied Dicky and shook their heads when his name was mentioned, but Peter never could understand this because the Fool seemed always to be happy and cheerful, and he saw so many things that other people never saw at all. It was only when he was drunk that he was unhappy, and he was pleased with such very little things, and he told such wonderful stories.

  Stephen was always kind to the Fool, and the Fool worshipped him, but to-night Peter saw that he was paying no heed to the Fool’s talk. The Fool had a story about three stars that he had seen rolling down the Grey Hill, and behold, when they got to the bottom— “little bright nickety things, like new saxpennies — it was suddenly so dark that Dicky had to light his lantern and grope his way home with that, and all the frogs began croaking down in the marsh ‘something terrible’ — now what was the meaning of that?”

  But Stephen was paying no attention. His eyes were set on the open window and the drifting snow. Men came in stamping their great boots on the floor and rubbing their hands together — the fiddle was playing more madly than ever — and at every moment some couple would stop under the mistletoe and the girl would scream and laugh, and the man’s kiss could be heard all over the room; through the open window came the sound of church bells.

  Stephen bent down and whispered in the boy’s ear: “Yer’d best be going now, Peter, lad. ’Tis half-past nine and, chance, if yer go back now yer lickin’ ‘ull not be so bad.”

  But Peter whispered back: “Not yet, Stephen — a little while longer.”

  Peter was tremendously excited. He could never remember being quite so excited before. It was all very thrilling, of course, with the dancing and the music and the lights, but there was more than that in it. Stephen was so unlike himself, but then possibly Christmas made him sad, because he would be thinking of last Christmas and the happy time that he had had because his girl had been with him — but there was more than that in it. Then, suddenly, a curious thing happened to Peter. He was not asleep, he was not even drowsy — he was sitting with his eyes wide open, staring at the window. He saw the window with its dark frame, and he saw the snow .. and then, in an instant, the room, the people, the music, the tramping of feet, the roar of voices, these things were all swept away, and instead there was absolute stillness, only the noise that a little wind makes when it rustles through the blades of grass, and above him rose the Grey Hill with its funny sugar-loaf top and against it heavy black clouds were driving — outlined sharply against the sky was the straight stone pillar that stood in the summit of the Grey Hill and was called by the people the Giant’s Finger. He could hear some sheep crying in the distance and the tinkling of their bells. Then suddenly the picture was swept away, and the room and the people and the dancing were before him and around him once more. He was not surprised by this — it had happened to him before at the most curious times, he had seen, in the same way, the Grey Hill and the Giant’s Finger and he had felt the cold wind about his neck, and always something had happened.

  “Stephen,” he whispered, “Stephen—”

  But Stephen’s hand was crushing his hand like an iron glove, and Stephen’s eyes were staring, like the eyes of a wild animal, at the door. A man, a short, square man with a muffler round his throat, and a little mouth and little ears, had come in and was standing by the door, looking round the room.

  Stephen whispered gently in Peter’s ear: “Run home, Peter boy,” and he kissed him very softly on the cheek — then he put him down on the floor.

  Stephen rose from his chair and stood for an instant staring at the door. Then he walked across the room, brushing the people aside, and tapped the little man with the muffler on the shoulder:

  “Samuel Burstead,” he said, “good evenin’ to yer.”

  III

  All the room seemed to cease moving and talking at the moment when Stephen Brant said that. They stood where they were like the people in the Sleeping Beauty, and Peter climbed up on to his chair again to see what was going to happen. He pulled up his stockings, and then sat forward in his chair with his eyes gazing at Stephen and his hands very tightly clenched. When, afterwards, he grew up and thought at all about his childhood, this scene always remained, over and beyond all the others. He wondered sometimes why it was that he remembered it all so clearly, that he had it so dramatically and forcibly before him, when many more recent happenings were clouded and dull, but when he was older he knew that it was because it stood for so much of his life, it was because that Christmas Eve in those dim days was really the beginning of everything, and in the later interpretation of it so much might be understood.

  But, to a boy of that age, the things that stood out were not, of necessity, the right things and any unreality that it might have had was due perhaps to his fastening on the incidental, fantastic things that a small child notices, always more vividly than a grown person. In the very first instant of Stephen’s speaking to the man with the muffler it was Dicky the Fool’s open mouth and staring eyes that showed Peter how important it was. The Fool had risen from his chair and was standing leaning forward, his back black against the blazing fire, his silly mouth agape and great terror in his eyes. Being odd in his mind, he felt perhaps something in the air that the others did not feel, and Peter seemed to catch fright from his staring eyes.

  The man at the door had turned round when Stephen Brant spoke to him, and had pushed his way out of the crowd of men and stood alone fingering his neck.

  “I’m here, Stephen Brant, if yer want me.”

  Sam Figgis came forward then and said something to Stephen, and then shrugged his shoulders and went back to his wife. He seemed to feel that no one could interfere between the two men — it was too late for interference. Then things happened very quickly. Peter saw that they had all — men and women — crowded back against the benches and the wall and were watching, very silently and with great excitement. He found it very difficult to see, but he bent his head and peered through the legs of a big fisherman in front of him. He was shaking all over his body. Stephen had never before appeared so terrible to him; he had seen him when he was very angry and when he was cross and ill-tempered, but now he was very ominous in his quiet way, and his eyes seemed to have changed colour. The small boy could only see the middle of the floor and pieces of legs and skirts and trousers, but he knew by the feeling in the room that Stephen and the little man were going to fight. Then he moved his head round and saw between two shoulde
rs, and he saw that the two men were stripping to the waist. The centre of the room was cleared, and Sam Figgis came forward to speak to Stephen again, and this time there was more noise, and the people began to shout out loud and the men grew more and more excited. There had often been fights in that room before, and Peter had witnessed one or two, but there had never been this solemnity and ceremony — every one was very grave. It did not occur to Peter that it was odd that it should be allowed; no one thought of policemen twenty years ago in Treliss and Sam Figgis was more of a monarch in The Bending Mule than Queen Victoria. And now two of the famous old chairs were placed at opposite corners, and quite silently two men, with serious faces, as though this were the most important hour of their life, stood behind them. Stephen and the other man, stripped to their short woollen drawers, came into the middle of the room. Stephen had hair all over his chest, and his arms and his neck were tremendous; and Peter as he looked at him thought that he must be the strongest man in the world. His enemy was smooth and shiny, but he seemed very strong, and you could see the muscles of his arms and legs move under his skin. Some one had marked a circle with chalk, and all the men and women, quite silent now, made a dark line along the wall. The lamp in the middle of the room was still swinging a little, and they had forgotten to close the window, so that the snow, which was falling more lightly now, came in little clouds with breaths of wind, into the room — and the bells were yet pealing and could be heard very plainly against the silence.

  Then Sam Figgis, who was standing with his legs wide apart, said something that Peter could not catch, and a little sigh of excitement went up all round the room. Peter, who was clutching his chair with both hands, and choking, very painfully, in his throat, knew, although he had no reason for his knowledge, that the little man with the shining chest meant to kill Stephen if he could.

  The two men moved round the circle very slowly with their fists clenched and their eyes watching every movement — then, suddenly, they closed. At once Peter saw that the little man was very clever, cleverer than Stephen. He moved with amazing quickness. Stephen’s blows came like sledge-hammers, and sometimes they fell with a dull heavy sound on the other man’s face and on his chest, but more often they missed altogether. The man seemed to be everywhere at once, and although the blows that he gave Stephen seemed to have little effect yet he got past the other’s defence again and again.

  Then, again, the figures in front of Peter closed in and he saw nothing. He stood on his chair — no one noticed him now — but he could not see. His face was very white, and his stockings had fallen down over his boots, but with every movement he was growing more afraid. He caught an instant’s vision of Stephen’s face, and he saw that it was white and that he was breathing hard. The room seemed to be ominously silent, and then men would break out into strange threatening sounds, and Peter could see one woman — a young girl — with a red shawl about her shoulders, her back against the wall, staring with a white face.

  He could not see — he could not see....

  He murmured once very politely — he thought he said it aloud but it was really under his breath: “Please, please — would you mind — if you stood aside — just a little....” but the man in front of him was absorbed and heard nothing. Then he knew that there was a pause, he caught a glimpse of the brick floor and he saw that Stephen was sitting back in his chair — his face was white, and blood was trickling out from the corner of his mouth on to his beard. Then Peter remembered old Frosted Moses’ words: “The courage you bring to it....” and he sat back in his chair again and, with hands clenched, waited. He would be brave, braver than he had ever been before, and perhaps in some strange way his bravery would help Stephen. He determined with all the power that he had to be brave. They had begun again, he heard the sound of the blows, the movement of the men’s feet on the rough brick of the floor; people cried out, the man in front of him pressed forward and he had a sudden view. Stephen was on one knee and his head was down and the other man was standing over him. It was all over — Stephen was beaten — Stephen would be killed, and in another minute Peter would have pushed past the people and run into the middle of the room, but Sam Figgis had again come forward, and the two men were in their chairs again. There followed another terrible time when Peter could see nothing. He waited — he could hear them moving again, the noise of their breathing and of their feet, the men in the crowd were pressing nearer, but there was no word spoken.

  He must see — at all costs he must see. And he climbed down from his chair, and crept unnoticed towards the front. Nobody saw him or realised him.... Stephen was bending back, he seemed to be slowly sinking down. The other man, from whose face blood was now streaming, was pressing on to him. Peter knew that it was all over and that there was no hope; there was a dreadful cold, hard pain in his throat, and he could scarcely see. Courage! he must have it for Stephen. With every bit of his soul and his mind and his body he was brave. He stood taut — his little legs stiff beneath him and flung defiance at the world. He and Stephen were fighting that shiny man together — both of them — now. Courage! Stephen’s head lifted a little, and then slowly Peter saw him pulling his body together — he grew rigid, he raised his head, and, as a tree falls, his fist crashed into his enemy’s face. The man dropped without a word and lay motionless. It was over. Stephen gravely watched for a moment the senseless body and then sat back in his chair, his head bowed on his chest.

  The fight had not, perhaps, been like that — there must have been many other things that happened, but that was always how Peter remembered it. And now there was confusion — a great deal of noise and people talking very loudly, but Stephen said nothing at all. He did not look at the body again, but when he had recovered a little, still without a word to any one and with his eyes grave and without expression, he moved to the corner where his clothes lay.

  “‘E’s not dead.”

  “No — give ’im room there, he’s moving,” and from the back of the crowd the Fool’s silly face, peering over...

  Peter crept unnoticed to the door. The clocks were striking ten, and some one in the street was singing. He pulled up his stockings and fastened his garters, then he slipped out into the snow and saw that the sky was full of stars and that the storm had passed.

  CHAPTER II

  HOW THE WESTCOTT FAMILY SAT UP FOR PETER

  I

  The boy always reckoned that, walking one’s quickest, it took half an hour from the door of The Bending Mule to Scaw House, where his father lived. If a person ran all the way twenty minutes would perhaps cover it, but, most of the time, the road went up hill and that made running difficult; he had certainly no intention of running to-night, there were too many things to think about. That meant, then, that he would arrive home about half-past ten, and there would be his aunt and his grandfather and his father sitting up waiting for him.

  The world was very silent, and the snow lay on the round cobbles of the steep street with a bright shining whiteness against the black houses and the dark night sky. Treliss’ principal street was deserted; all down the hill red lights showed in the windows and voices could be heard, singing and laughing, because on Christmas Eve there would be parties and merrymakings. Peter looked a tiny and rather desolate figure against the snow as he climbed the hill. There was a long way to go. There would be Green Street at the top, past the post office, then down again into the Square where the Tower was, then through winding turnings up the hill past the gates and dark trees of The Man at Arms, then past the old wall of the town and along the wide high road that runs above the sea until at last one struck the common, and, hidden in a black clump of trees (so black on a night like this), the grim grey stones of Scaw House.

  Peter was not afraid of being alone, although when snow had fallen everything seemed strange and monstrous, the trees were like animals, and the paths of all the world were swept away. But he was not afraid of ghosts; he was too accustomed to their perpetual company; old Frosted Moses and Dicky, and e
ven men like Stephen, had seen ghosts so often, and Peter himself could tell odd stories about the Grey Hill — no, ghosts held no terror. But, very slowly, the shadow of all that he must very soon go through was creeping about him. When he first came out of The Bending Mule he still was as though he were in a dream. Everything that had happened there that evening had been so strange, so amazing, that it belonged to the world of dreams — it was of the very stuff of them, and that vision of Stephen, naked, bleeding, so huge and so terrible, was not to be easily forgotten.

  But, as he climbed the steep street, Peter knew that however great a dream that might be, there was to be no dreaming at all about his meeting with his father, and old Frosted Moses’ philosophy would be very sadly needed. As he climbed the hill the reaction from the excitement of his late adventure suddenly made him very miserable indeed, so that he had an immediate impulse to cry, but he stood still in the middle of the street and made fists with his hands and called himself “a damned gawky idiot,” words that he had admired in the mouth of Sam Figgis some days before. “Gawky” was certainly the last thing that he was, but it was a nice queer word, and it helped him a great deal.