Delphi Collected Works of Hugh Walpole (Illustrated)

by Hugh Walpole

  The Scarecrow seemed to lament the departure of the light. “Here, mind,” he said to the two of them, “you saw me in my glory just now and don’t you forget it. I may be a knight in shining armour after all. It only depends upon the point of view.”

  “So it does,” said Mr. Pidgen, taking his hat off, “you were very fine, I shan’t forget.”

  VI

  They stood there in silence for a time....

  VII

  At last they turned back and walked slowly home, the intimacy of their new friendship growing with their silence. Hugh was happier than he had ever been before. Behind the quiet evening light he saw wonderful prospects, a new life in which he might dream as he pleased, a new friend to whom he might tell these dreams, a new confidence in his own power....

  But it was not to be.

  That very night Mr. Pidgen died, very peacefully, in his sleep, from heart failure. He had had, as he had himself said, a happy life.

  VIII

  Years passed and Hugh Seymour grew up. I do not wish here to say much more about him. It happened that when he was twenty-four his work compelled him to live in that Square in London known as March Square (it will be very carefully described in a minute). Here he lived for five years, and, during that time, he was happy enough to gain the intimacy and confidence of some of the children who played in the Gardens there. They trusted him and told him more than they told many people. He had never forgotten Mr. Pidgen; that walk, that vision of the Scarecrow, stood, as such childish things will, for a landmark in his history. He came to believe that those experiences that he knew, in his own life, to be true, were true also for some others. That’s as it may be. I can only say that Barbara and Angelina, Bim and even Sarah Trefusis were his friends. I daresay his theory is all wrong.

  I can only say that I know that they were his friends; perhaps, after all, the Scarecrow is shining somewhere in golden armour. Perhaps, after all, one need not be so lonely as one often fancies that one is.

  CHAPTER I

  Henry Fitzgeorge Strether

  I

  March Square is not very far from Hyde Park Corner in London Town. Behind the whir and rattle of the traffic it stands, spacious and cool and very old, muffled by the little streets that guard it, happily unconscious, you would suppose, that there were any in all the world so unfortunate as to have less than five thousand a year for their support. Perhaps a hundred years ago March Square might boast of such superior ignorance, but fashions change, to prevent, it may be, our own too easily irritated monotonies, and, for some time now, the Square has been compelled, here, there, in one corner and another, to admit the invader. It is true that the solemn, respectable grey house, No. 3, can boast that it is the town residence of His Grace the Duke of Crole and his beautiful young Duchess, née Miss Jane Tunster of New York City, but it is also true that No. —— is in the possession of Mr. Munty Ross of Potted Shrimp fame, and there are Dr. Cruthen, the Misses Dent, Herbert Hoskins and his wife, whose incomes are certainly nearer to £500 than £5,000. Yes, rents and blue blood have come down in March Square; it is, certainly, not the less interesting for that, but ——

  Some of the houses can boast the days of good Queen Anne for their period. There is one, at the very corner where Somers Street turns off towards the Park, that was built only yesterday, and has about it some air of shame, a furtive embarrassment that it will lose very speedily. There is no house that can claim beauty, and yet the Square, as a whole, has a fine charm, something that age and colour, haphazard adventure, space and quiet have all helped towards.

  There is, perhaps, no square in London that clings so tenaciously to any sign or symbol of old London that motor-cars and the increase of speed have not utterly destroyed. All the oldest London mendicants find their way, at different hours of the week, up and down the Square. There is, I believe, no other square in London where musicians are permitted. On Monday morning there is the blind man with the black patch over one eye; he has an organ (a very old one, with a painted picture of the Battle of Trafalgar on the front of it) and he wears an old black skull-cap. He wheezes out his old tunes (they are older than other tunes that March Square hears, and so, perhaps, March Square loves them). He goes despondently, and the tap of his stick sounds all the way round the Square. A small and dirty boy — his grandson, maybe — pushes the organ for him. On Tuesday there comes the remnants of a German band — remnants because now there are only the cornet, the flute and the trumpet. Sadly wind-blown, drunken and diseased they are, and the Square can remember when there were a number of them, hale and hearty young fellows, but drink and competition have been too strong for them. On Wednesdays there is sometimes a lady who sings ballads in a voice that can only be described as that contradiction in terms “a shrill contralto.” Her notes are very piercing and can be heard from one end of the Square to the other. She sings “Annie Laurie” and “Robin Adair,” and wears a battered hat of black straw. On Thursday there is a handsome Italian with a barrel organ that bears in its belly the very latest and most popular tunes. It is on Thursday that the Square learns the music of the moment; thus from one end of the year to the other does it keep pace with the movement.

  On Fridays there is a lean and ragged man wearing large and, to the children of the Square, terrifying spectacles. He is a very gloomy fellow and sings hymn-tunes, “Rock of Ages,” “There is a Happy Land,” and “Jerusalem the Golden.” On Saturdays there is a stout, happy little man with a harp. He has white hair and looks like a retired colonel. He cannot play the harp very much, but he is quite the most popular visitor of the week, and must be very rich indeed does he receive in other squares so handsome a reward for his melody as this one bestows; he is known as “Colonel Harry.” In and out of these regular visitors there are, of course, many others. There is a dark, sinister man with a harmonium and a shivering monkey on a chain; there is an Italian woman, wearing bright wraps round her head, and she has a cage of birds who tell fortunes; there is a horsey, stable-bred, ferret-like man with, two performing dogs, and there is quite an old lady in a black bonnet and shawl who sings duets with her grand-daughter, a young thing of some fifty summers.

  There can be nothing in the world more charming than the way the Square receives its friends. Let it number amongst its guests a Duchess, that is no reason why it should scorn “Colonel Harry” or “Mouldy Jim,” the singer of hymns. Scorn, indeed, cannot be found within its grey walls, soft grey, soft green, soft white and blue — in these colours is the Square’s body clothed, no anger in its mild eyes, nor contempt anywhere at its heart.

  The Square is proud, and is proud with reason, of its garden. It is not a large garden as London gardens go. It has in its centre a fountain. Neptune, with a fine wreath of seaweed about his middle, blowing water through, his conch. There are two statues, the one of a general who fought in the Indian Mutiny and afterwards lived and died in the Square, the other of a mid-Victorian philanthropist whose stout figure and urbane self-satisfaction (as portrayed by the sculptor) bear witness to an easy conscience and an unimaginative mind. There is, round and about the fountain, a lovely green lawn, and there are many overhanging trees and shady corners. An air of peace the garden breathes, and that although children are for ever racing up and down it, shattering the stillness of the air with their cries, rivalling the bells of St. Matthew’s round the corner with their piercing notes.

  But it is the quality of the Square that nothing can take from it its peace, nothing temper its tranquillity. In the heat of the days motor-cars will rattle through, bells will ring, all the bustle of a frantic world invade its security; for a moment it submits, but in the evening hour, when the colours are being washed from the sky, and the moon, apricot-tinted, is rising slowly through the smoke, March Square sinks, with a little sigh, back into her peace again. The modern world has not yet touched her, nor ever shall.

  II

  The Duchess of Crole had three months ago a son, Henry Fitzgeorge, Marquis of Strether. Very fortun
ate that the first-born should be a son, very fortunate also that the first-born should be one of the healthiest, liveliest, merriest babies that it has ever been any one’s good fortune to encounter. All smiles, chuckles and amiability is Henry Fitzgeorge; he is determined that all shall be well.

  His birth was for a little time the sensation of the Square. Every one knew the beautiful Duchess; they had seen her drive, they had seen her walk, they had seen her in the picture-papers, at race-meetings and coming away from fashionable weddings. The word went round day by day as to his health; he was watched when he came out in his perambulator, and there was gossip as to his appearance and behaviour.

  “A jolly little fellow.”

  “Just like his father.”

  “Rather early to say that, isn’t it?”

  “Well, I don’t know, got the same smile. His mother’s rather languid.”

  “Beautiful woman, though.”

  “Oh, lovely!”

  Upon a certain afternoon in March about four o’clock, there was quite a gathering of persons in Henry Fitzgeorge’s nursery. There was his mother, with those two great friends of hers, Lady Emily Blanchard and the Hon. Mrs. Vavasour; there was Her Grace’s mother, Mrs. P. Tunster (an enormously stout lady); there was Miss Helen Crasper, who was staying in the house. These people were gathered at the end of the cot, and they looked down upon Henry Fitzgeorge, and he lay upon his back, gazed at them thoughtfully, and clenched and unclenched his fat hands.

  Opposite his cot were some very wide windows, and three windows were filled with galleons of cloud — fat, bolster, swelling vessels, white, save where, in their curving sails, they had caught a faint radiance from the hidden sun. In fine procession, against the blue, they passed along. Very faint and muffled there came up from the Square the lingering notes of “Robin Adair.” This is a Wednesday afternoon, and it is the lady with the black straw hat who is singing. The nursery has white walls — it is filled with colour; the fire blazes with a yellow-red gleam that rises and falls across the shining floor.

  “I brought him a rattle, Jane, dear,” said Mrs. Tunster, shaking in the air a thing of coral and silver. “He’s got several, of course, but I guess you’ll go a long way before you find anything cuter.”

  “It’s too pretty,” said Lady Emily.

  “Too lovely,” said the Hon. Mrs. Vavasour.

  The Duchess looked down upon her son. “Isn’t he old?” she said. “Thousands of years. You’d think he was laughing at the lot of us.”

  Mrs. Tunster shook her head. “Now don’t you go imagining things, Jane, my dear. I used to be just like that, and your father would say, ‘Now, Alice.’”

  Her Grace raised her head. Her eyes were a little tired. She looked from her son to the clouds, and then back again to her son. She was remembering her own early days, the rich glowing colour of her own American country, the freedom, the space, the honesty.

  “I guess you’re tired, dear,” said her mother. “With the party to-night and all. Why don’t you go and rest a bit?”

  “His eyes are old! He does despise us all.”

  Lady Emily, who believed in personal comfort and as little thinking as possible, put her arm through her friend’s.

  “Come along and give us some tea. He’s a dear. Good-bye, you little darling. He is a pet. There, did you see him smiling? You darling. Tea I must have, Jane, dear — at once.”

  “You go on. I’m coming. Ring for it. Tell Hunter. I’ll be with you in two minutes, mother.”

  Mrs. Tunster left her rattle in the nurse’s hands. Then, with the two others, departed. Outside the nursery door she said in an American whisper:— “Jane isn’t quite right yet. Went about a bit too soon. She’s headstrong. She always has been. Doesn’t do for her to think too much.”

  Her Grace was alone now with her son and heir and the nurse. She bent over the cot and smiled upon Henry Fitzgeorge; he smiled back at her, and even gave an absent-minded crow; but his gaze almost instantly swung back again to the window, through which, deeply and with solemn absorption, he watched the clouds.

  She gave him her hand, and he closed his fingers about one of hers; but even that grasp was abstracted, as though he were not thinking of her at all, but was simply behaving like a gentleman.

  “I don’t believe he’s realised me a bit, nurse,” she said, turning away from the cot.

  “Well, Your Grace, they always take time. It’s early days.”

  “But what’s he thinking of all the time?”

  “Oh, just nothing, Your Grace.”

  “I don’t believe it’s nothing. He’s trying to settle things. This — what it’s all about — what he’s got to do about it.”

  “It may be so, Your Grace. All babies are like that at first.”

  “His eyes are so old, so grave.”

  “He’s a jolly little fellow, Your Grace.”

  “He’s very little trouble, isn’t he?”

  “Less trouble than any baby I’ve ever had to do with. Got His Grace’s happy temperament, if I may say so.”

  “Yes,” the mother laughed. She crossed over to the window and looked down. “That poor woman singing down there. How awful! He’ll be going down to Crole very shortly, Roberts. Splendid air for him there. But the Square’s cheerful. He likes the garden, doesn’t he?”

  “Oh, yes, Your Grace; all the children and the fountain. But he’s a happy baby. I should say he’d like anything.”

  For a moment longer she looked down into the Square. The discordant voice was giving “Annie Laurie” to the world.

  “Good-bye, darling.” She stepped forward, shook the silver and coral rattle. “See what grannie’s given you!” She left it lying near his hand, and, with a little sigh, was gone.

  III

  Now, as the sun was setting, the clouds had broken into little pink bubbles, lying idly here and there upon the sky. Higher, near the top of the window, they were large pink cushions, three fat ones, lying sedately against the blue. During three months now Henry Fitzgeorge Strether had been confronted with the new scene, the new urgency on his part to respond to it. At first he had refused absolutely to make any response; behind him, around him, above him, below him, were still the old conditions; but they were the old conditions viewed, for some reason unknown to him, at a distance, and at a distance that was ever increasing. With every day something here in this new and preposterous world struck his attention, and with every fresh lure was he drawn more certainly from his old consciousness. At first he had simply rebelled; then, very slowly, his curiosity had begun to stir. It had stirred at first through food and touch; very pleasant this, very pleasant that.

  Milk, sleep, light things that he could hold very tightly with his hands. Now, upon this March afternoon, he watched the pink clouds with a more intent gaze than he had given to them before. Their colour and shape bore some reference to the life that he had left. They were “like” a little to those other things. There, too, shadowed against the wall, was his Friend, his Friend, now the last link with everything that he knew.

  At first, during the first week, he had demanded again and again to be taken back, and always he had been told to wait, to wait and see what was going to happen. So long as his Friend was there, he knew that he was not completely abandoned, and that this was only a temporary business, with its strange limiting circumstances, the way that one was tied and bound, the embarrassment of finding that all one’s old means of communication were here useless. How desperate, indeed, would it have been had his Friend not been there, reassuring pervading him, surrounding him, always subduing those sudden inexplicable alarms.

  He would demand: “When are we going to leave all this?”

  “Wait. I know it seems absurd to you, but it’s commanded you.”

  “Well, but — this is ridiculous. Where are all my old powers I Where are all the others?”

  “You will understand everything one day. I’m afraid you’re very uncomfortable. You will be less so as time passes. Ind
eed, very soon you will be very happy.”

  “Well, I’m doing my best to be cheerful. But you won’t leave me?”

  “Not so long as you want me.”

  “You’ll stay until we go back again!”

  “You’ll never go back again.”

  “Never?”

  “No.”

  Across the light the nurse advanced. She took him in her arms for a moment, turned his pillows, then layed him down again. As he settled down into comfort he saw his Friend, huge, a great shadow, mingling with the coloured lights of the flaming sky. All the world was lit, the white room glowed. A pleasant smell was in his nostrils.

  “Where are all the others? They would like to share this pleasant moment, and I would warn them about the unpleasant ones.”

  “They are coming, some of them. I am with them as I am with you.” Swinging across the Square were the evening bells of St. Matthew’s.

  Henry Fitzgeorge smiled, then chuckled, then dozed into a pleasant sleep.

  IV

  Asleep, awake, it had been for the most part the same to him. He swung easily, lazily upon the clouds; warmth and light surrounded him; a part of him, his toes, perhaps, would be suddenly cold, then he would cry, or he would strike his head against the side of his cot and it would hurt, and so then he would cry again. But these tears would not be tears of grief, but simply declarations of astonishment and wonder.

  He did not, of course, realise that as, very slowly, very gradually he began to understand the terms and conditions of his new life, so with the same gradation, his Friend was expressed in those terms. Slowly that great shadow filled the room, took on human shape, until at last it would be only thus that he would appear. But Henry would not realise the change, soon he would not know that it had ever been otherwise. Dimly, out of chaos, the world was being made for him. There a square of colour, here something round and hard that was cool to touch, now a gleaming rod that ran high into the air, now a shape very soft and warm against which it was pleasant to lean. The clouds, the sweep of dim colour, the vast horizons of that other world yielded, day by day, to little concrete things — a patch of carpet, the leg of a chair, the shadow of the fire, clouds beyond the window, buttons on some one’s clothes, the rails of his cot. Then there were voices, the touch of hands, some one’s soft hair, some one who sang little songs to him.