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Shadow Woman jw-3

Page 40

by Thomas Perry


  34

  Jane found Earl Bliss’s address in the early afternoon. She drove past it slowly, looking for signs of danger, then continued up the road to study the next few houses. Out here on the northern rim of the San Fernando Valley, the stretches of pavement could hardly be called neighborhoods, because the houses were set at the ends of long winding gravel driveways on weedy parcels that seemed to her to be five acres or more. Some of the places consisted of old, rundown frame houses surrounded by the bodies of half-assembled cars, while others were like Earl Bliss’s, little fenced-in compounds with sprawling suburban houses in the middle. Two miles down the road she turned around and came past the house in the opposite direction. The house remained as she had first seen it: no curtains had moved, no cars had suddenly appeared in the driveway.

  She had no evidence of how many people had been engaged in the hunt for Pete Hatcher. Committing murder for money was not a business that lent itself to large teams. But she did know that at least one person was not accounted for: the one who had trapped Hatcher in Denver had been a woman.

  Jane did not return until after midnight. She turned off the lights of her rented car, pulled far enough up the drive to keep a passing cop from getting curious, and walked toward the house. The chain-link fence was topped with barbed wire, but there were no insulators for electricity, so she pried off ten feet of it with the tire iron from her rented car, climbed it, and dropped to the lawn.

  There was a kennel in the back yard with a pen and a long exercise run, but she knew that the dogs were far past barking, so she skirted close to it and studied the house. It was a five- or six-bedroom one-story ranch structure coated with white stucco. She walked around it, looking for motion sensors, automatic lights, indications of the sort of alarm system it had. There were no security company’s signs anywhere on the property, no stickers on any of the windows. Most of the windows were dark, but she could see two with dim lights glowing behind them. She cautiously approached the first and peered inside. Through the curtain, she could just see a lamp on a desk. She moved to the other side of the window and looked at the place where the cord led to the electrical outlet. She could see the little plastic box and the circular dial. The light was on a timer.

  She walked to the other lighted window and saw another lamp on a timer. She considered. The timers meant that nobody was home. There were no signs of an alarm system. It made sense that a professional killer would not want to have his house wired with devices whose sole purpose was to summon the police. And most of the time, the dogs would have warned him long before any intruder came close enough to enter the building where he slept.

  She decided to take the chance. Earl and the second man were dead, but there was a strong likelihood that they had left some notes, some information about Pete Hatcher that could give a new set of killers a start. And there was still the woman who had trapped Pete in Denver. The woman might not be the sort who would come after Pete alone, but unless Jane found out who she was, there would be no way to predict anything about her.

  Jane walked to the kitchen door, swung her tire iron to shatter the upper pane of glass, reached inside, unlocked the door, and entered. There was no noise, and there was no electrical contact in the frame that could have set off a silent alarm when the door opened.

  She felt for the light switch and turned it on. The kitchen was modern and very expensive—a professional-size Wolf stove, Sub-Zero refrigerator, vast surfaces of green marble, the dull gleam of stainless steel—but when she looked in the drawers and cupboards there were few containers or implements to indicate that much cooking went on here.

  She walked into the living room. There was electronic equipment, all small modular boxes piled up into towers and banks along one wall. Some of it she recognized—television monitors, VCRs, speakers, compact disc players, cable TV descrambler, tape recorders of various kinds—but among them were other boxes and monitors that seemed to belong to computers. To her it appeared that the man who lived here simply bought things. It occurred to her that each item in this house probably represented some person’s life. People had been changed into leather couches and marble counters and electronic gadgets.

  She moved up the hallway and found Earl’s bedroom. Her nostrils picked up the faint scent she remembered smelling when his body had fallen on her, a mixture of sweat and gun oil and some kind of hair tonic. She waited for the wave of nausea it induced to pass, then began her search by the telephone, but she found no paper in the room for writing down numbers or messages.

  She opened the sliding door beside her and found a custom-built closet with drawers and racks and hanging clothes. It was the hat rack that caught her eye first. There were a dozen baseball caps with the logos of teams and manufacturers of trucks and farm machinery, but others that said FBI, POLICE, or SWAT TEAM. In a bottom drawer she found two black ski masks with eye and mouth holes and a wide selection of gloves. He didn’t wear those in southern California to keep warm.

  She stepped to the rack of hanging clothes and confirmed the impression that had been building in her mind. There were clothes of all kinds—conservative suits and moth-eaten wool hunting shirts, a tuxedo beside an army field jacket that was in a plastic bag because it was covered with dirt. Earl had uniforms. There were the midnight-blue shirt and pants of the Los Angeles Police Department beside the hot-weather version with short sleeves, a khaki Highway Patrol uniform, a blue windbreaker with the word POLICE in bold reflective letters like the ones plainclothes cops slipped on for raids. There were work clothes for the Department of Water and Power, Southern California Gas, Pacific Bell. Earl had been able to impersonate virtually anyone.

  She left the bedroom and went up the hall to see what Earl had kept in the other rooms. She reached the door on the end, turned on the light, and drew in a breath.

  It was a woman’s bedroom. Earl had not lived in the house alone. It was inconceivable that a man like Earl would have one woman who lived in a house with his collection of police uniforms but asked no questions and a second who went out with him to kill people. This was almost certainly the woman who had ambushed Pete Hatcher in Denver. Jane opened the nearest closet. The clothes on the hangers were like everything else in the house: they bore very expensive labels without being especially appealing or tasteful choices, and all of them seemed too recent. There was such a profusion of new clothes that Jane wondered how anybody could spend so much time shopping. She tried to focus her mind on the immediate need to use her time efficiently. If the woman lived here, then there was a strong possibility that she could show up without warning. She had been in Denver, but Jane had seen no sign of a woman in Montana.

  Jane spent ten minutes searching for framed photographs, albums, anything that might tell her what the woman looked like, but she found nothing. She looked more closely at the clothes in the hope that they would help her form an image of the woman’s size and shape, but it was a pointless exercise. It seemed to Jane that every woman she had seen in California was a size eight, between five feet six and five feet eight.

  She kept searching. The woman was vain and a bit self-indulgent. The room beside this one was a dressing room with a huge lighted mirror. The cosmetics, creams, perfumes, and oils in tiny jars and bottles were all brands so expensive that most women would not have recognized them.

  She went into the bathroom connected with the bedroom and found it to be the same. There was a glass shower with marble walls that would have held five people and complicated fixtures for spraying water at different intensities and different angles. There was a sunken bathtub with Jacuzzi jets, a steam machine for facials, and here, too, the same profusion of unguents and lotions and oils, enough to last several lifetimes.

  The door on the far side of the bathroom opened into the exercise room. There was a stationary bike, a treadmill, a Nautilus machine, weights, padded benches, step-stairs, pulley contraptions. The whole inner wall was one immense mirror with a ballet barre. Jane tried to understand this woman. Th
e size of her clothes indicated that she took care of herself, but the equipment in this room was not of the quality or variety that most people put in their homes. It was all the industrial-grade gear that gyms bought. She lifted the bar of the exercise machine. If the setting was for the woman, then she was a specimen, Jane thought. Maybe Earl had used the equipment too. Through the French door on the outer wall, Jane could see a thin strip of moonlight on water—a pool, too, right at the woman’s doorstep. But it wasn’t the pretty kind, or the sort where people had fun swimming together. It was a single-lane lap pool. It reminded Jane of the dogs’ exercise run by the kennel.

  Jane moved back into the woman’s bedroom. The whole house made her uncomfortable, vaguely afraid. She was fascinated and repelled by the mundane details, the fixtures of the man and woman’s daily life here. She could not get herself to set aside the thought that each extravagance looked like a single spree, as though one day they must have come home from killing someone and used the money to buy a room full of exercise equipment. Another day they would come home and hire a contractor to remodel the woman’s bedroom. She wondered if they thought about the people afterward: this room was cutting John Smith’s throat, and this one was shooting Bob and Betty Johnson through their heads in their sleep.

  She looked around her at the place where the woman slept. The woman dressed as other women did, and liked the amenities that other women liked, but there was too much of everything, and it all seemed a little bit off. It seemed to Jane that it was like the room of a man impersonating a woman: transvestites never seemed to wear an oversized sweatshirt and blue jeans. She remembered the weights in the exercise room: maybe she had stumbled on the truth. She took a pair of slacks out of the closet and measured the ratio of the hips to the waist. No, the clothes would not have fit on a body that had not been born female.

  But everything in the house was wrong. The kitchen was not a place where anything was cooked. It was a hoard of appliances and glossy surfaces. The living room looked as though no one ever sat in it. The furniture was all too well matched to have been bought any way but at once, and it was spatially arranged to be neither attractive nor comfortable, just placed so that there would be room for a lot of it. She looked at the bed. It was king-sized, too big for one person, but she could not imagine the people who had lived here doing anything so human and comprehensible as sleeping on it together.

  Jane opened the second closet and found the boxes of wigs. The woman had good ones, all genuine human hair. There were short ones, falls to take on and off, curly ones and straight ones. Jane took a quick inventory. The woman had light brown, dark brown, red, black, auburn, even gray. The only kind missing was blond.

  Jane pushed aside some clothes and saw the door of a gun cabinet. It was built like a safe, with a five-digit combination lock. There was no hope of looking inside, but Jane decided that she had seen enough of Earl’s arsenal already: what she wanted would be on paper. But the gun cabinet struck her as part of the impersonation. The room was so aggressively, insistently feminine, so exclusively the domain of a woman, that it was a perfect place for a cache of weapons.

  She still had rooms to account for. She closed the closet and left the bedroom, then walked down the hall into an office. It had two desks, two telephones, two computers. There were no photographs here, either.

  The filing cabinets were full of records of payments—some made by Earl Bliss, some made by Northridge Detectives—but no records of receipts, no notations relating to income, no lists of clients. Whatever useful information existed, it was probably in the computers. She searched the desk drawers. At first she found only office supplies, but the deep one on the right side of the second desk was full of electronic gear. There was a box of tiny short-range audio transmitters for hiding inside household objects, more powerful ones with prongs for plugging into wall sockets, even one that had been disguised as a night-light for a child’s room. There were receivers and long-range microphones. She closed the drawer.

  The place had once been a bedroom, so there was a closet here, too. She opened it, and the sight made her shiver. There was a handyman’s pegboard. On it hung handcuffs like the police used, thumbcuffs with jagged inner edges that could do terrible damage if a prisoner struggled, a two-foot coil of piano wire with handles on both ends, a couple of long spikes like skewers. She lifted a small box from the shelf and took off the top. There were hypodermic needles and bottles. She read the labels and she could see they had been stolen from a hospital: anectine for stopping the heart, insulin for inducing shock, heroin for an overdose the L.A. coroner would find familiar and explicable. She put the box back and found the little press.

  She looked at it without understanding until she opened the box beside it. Inside was a stack of blank gold plastic cards, all bearing the symbols of Visa and MasterCard. The machine was a die for pressing names and numbers into fake credit cards. Her breath caught in her throat. Maybe some of the blanks had the woman’s picture on them. She shuffled through them eagerly, but found no picture. Her eyes passed across the little press. There was still type clamped in the die. She read it backward: Susan Preston Haynes. Of course it was a false name, or the woman wouldn’t have needed to make the credit card at home. Knowing a false name was not going to get Jane any closer to the woman.

  She looked around her at the room. The malevolence of the house was strongest here. The perverse eagerness to hurt, to render human beings into money made her sick. She glanced at the computers. Without codes and passwords, they were locked as tightly as the gun cabinet.

  Jane sat at the nearest desk and tried to defeat the sick, nervous feeling in her stomach. Her mind had been calmly, logically working its way toward the conclusion that she had to wait as long as it took for this woman to come in the door, and then kill her. It was simple, practical, rational, and utterly wrong. She had just shot two men. But there was an immense difference between shooting back at a killer and crouching in this horrible place with the lights out, waiting for the door to open so she could bring a knife across a person’s throat. She was not going to do it.

  She looked around her, and her eyes rested on a small sheet of paper that said Federal Express. It was a receipt, the carbon copy of the mailing label on an overnight package. The date on it was two weeks ago. She picked it up and looked at it closely. The address box said, “Susan Haynes, Meadowgreen Suites, Orchard Park, New York 14127.” Orchard Park was seven or eight miles from Buffalo, no more than fifteen from Amherst.

  Jane found herself standing. She had to stop herself from dashing outside and running for the car. She looked around her at the walls that enclosed her. This house seemed as much of a threat as though it were alive. The computers were probably full of information about Hatcher and about Jane, but there were undoubtedly backup disks hidden somewhere else in the building. The building was full of hiding places, locks, and secrets that she could never hope to break. There were probably photographs of Hatcher, and maybe of her too. There might even be electronic equipment that was running right now, taking videotapes of Jane’s visit.

  She stepped to the kitchen, where she remembered seeing books of matches with the names of restaurants on them. Then she went outside, sliced off five feet of the garden hose attached to the house, went into the garage and syphoned gasoline out of the tank of the Mercedes into a bucket.

  Jane poured the gasoline liberally around the office and on the computers, in the two bedrooms, in the closets. She filled the bucket again, then poured gasoline along the inner walls of the living room, the exercise room, the bathrooms. She poured another bucketful along the baseboards and carpets at the outer walls of each room.

  She dribbled a trail of gasoline down the hallway, across the living room rug, and through the kitchen to the back door. She poured gasoline on the kennel and along the walls of the garage. Finally, she poured a stream of gasoline from the kitchen steps to the garage, to the kennel.

  Jane climbed back over the chain-link fence, lit
a match, and tossed it on the back lawn. The vapor ignited with a poof! and a flash before the match could land, and bright yellow and blue flames raced in three directions. Jane hurried to her car. She saw the bright flare-up when the fire reached the kitchen floor, the flames licking up the kitchen walls.

  As she started her car and backed out of the driveway, she saw the quick, purifying flames lighting up one window after another. When she reached the first turn in the road, she glanced in the rearview mirror and saw flames billowing out of the front windows, illuminating the clouds of black smoke that rose into the night sky.

  35

  Jane stepped into the airline terminal, stopped near the door, and scanned the monitors for the schedule of departures. There seemed to be no flight for hours that stopped in Buffalo, so she chose a nonstop flight to New York City that was leaving in ten minutes. She bought a ticket under the name Julie Sternheim and ran for the gate.

  As soon as the plane was in the air and the seatbelt sign above her head went out, she used the Marie Spellagio credit card to activate the telephone built into the seat in front of her and dialed the number of the house in Amherst. She heard the phone ring ten times, and she let it ring five more before she gave up. She glanced at her watch. It was already four A.M. here, so it would be seven in Buffalo. By now, Carey had probably scrubbed and entered the operating room.

 

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