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Paradiso (The Divine Comedy series Book 3)

Page 120

by Dante

Toyn.1902.1

  Toynbee, Paget, Dante Studies and Researches (Port Washington, N.Y.: Kennikat Press, 1971 [1902]).

  Toyn.1905.1

  Toynbee, Paget, “Of the Legend of St. John the Evangelist (Par. XXV.100–2; 112–24),” in his Dante Studies (Oxford: Clarendon, 1921 [1905]), pp. 92–95.

  Trov.1995.1

  Trovato, Mario, “Paradiso XI,” in Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,” ed. Tibor Wlassics (Lectura Dantis [virginiana], 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 156–71.

  Tulo.2000.1

  Tulone, Giampiero, “Gli ‘invidiosi veri’ nella Commedia e nelle fonti dantesche,” Lettere Italiane 52 (2000): 345–78.

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  Turelli, Federico, “ ‘Dopo il dosso / ti stea un lume’ (Par. II 97–105): Beatrice, un progetto fisico sperimentale,” Letteratura italiana antica 5 (2004): 321–24.

  Uitt.2005.1

  Uitti, Karl D., “The Codex Calixtinus and the European St. James the Major: Some Contextual Issues,” in “De sens rassis”: Essays in Honor of Rupert T. Pickens, ed. Keith Busby et al. (Amsterdam: Rodopi, 2005), pp. 645–66.

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  Ulivi, Ferruccio, “San Francesco e Dante,” Letture classensi 11 (1982): 9–24.

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  Valerio, Sebastiano, “Lingua, retorica e poetica nel canto XXVI del Paradiso,” L’Alighieri 22 (2003): 83–104.

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  Vallone, Aldo, “ ‘Baldanza’-‘baldezza’ dai Siciliani a Dante,” in Atti del Convegno di studi su Dante e la Magna Curia (Palermo: Luxograph, 1967), pp. 315–32.

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  Veglia, Marco, “Per un’ardita umiltà: L’averroismo di Dante tra Guido Cavalcanti, Sigieri di Brabante e San Francesco d’Assisi,” Schede Umanistiche 1 (2000): 67–106.

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  ROBERT HOLLANDER

  AND JEAN HOLLANDER

  PARADISO

  * * *

  ROBERT HOLLANDER, her husband, taught Dante’s Divine Comedy to Princeton students for forty-two years, and is the author of a dozen books and more than seventy articles on Dante, Boccaccio, and other Italian authors. He is Professor in European Literature Emeritus at Princeton and the founding director of both the Dartmouth Dante Project and the Princeton Dante Project. He has received many awards, including the gold medal of the city of Florence and the gold florin of the Dante Society of America, in recognition of his work on Dante.

  JEAN HOLLANDER has taught literature and writing at Brooklyn College, Columbia University, Princeton University, and the College of New Jersey, where she was director of the Writers’ Conference for twenty-three years. She recently published her third book of poems.

  ACCLAIM FOR THE HOLLANDER TRANSLATIONS

  OF INFERNO AND PURGATORIO

  * * *

  “The Hollanders’ [translation] is probably the most finely accomplished and may well prove the most enduring.”

  —R. W. B. Lewis, Los Angeles Times

  “This is the translation for our time and probably beyond.”

  —National Review

  “The virtues of prose raised to a quiet, sometimes stunning elegance.… Reading Dante with Hollander could become addictive.”

  —The Providence Journal

  “There has seldom been such a useful [version] …. The Hollanders … act as latter-day Virgils, guiding us through the Italian text that is printed on the facing page.”

  —The Economist

  “[The Hollander Inferno] makes the poem accessible to the lay reader and appealing to the specialist: the translation is both faithful to the original and highly readable; the introduction and notes are dense without being overly scholarly.… A highly worthy new Inferno that is the mature fruit of years of scholarly, pedagogical, and creative work.”

  —Choice

  “A distinguished act of poetry and scholarship in one and the same breath, the Hollander Dante, among the strong translations of the poet, deserves to take its own honored place.”

  —Robert Fagles, translator of The Illiad and The Odyssey

  “The new Inferno … is both majestic and magisterial and the product of a lifelong devotion to Dante’s poetry and to the staggering body of Dante scholarship.… The Hollanders’ adaptation is not only an intelligent reader’s Dante, but it is meant to enlighten and move and ultimately to give us a Dante so versatile that he could at once soar to the hereafter and remain unflinchingly earthbound.”

  —André Aciman, author of Out of Egypt

  “A brisk, vivid, readable—and scrupulously subtle—translation, coupled with excellent notes and commentary. Every lover of Dante in English should have this volume.”

  —Alicia Ostriker

  “This new version of the Inferno wonderfully captures the concision, directness, and pungency of Dante’s style.… A grand achievement.”

  —Richard Lansing, Professor of Comparative Literature, Brandeis University

  “English-speaking lovers of Dante are doubly in the Hollanders’ debt:
first for this splendidly lucid and eminently readable version of Dante’s Hell, and second, for the provocative, elegantly written commentary.”

  —John Ahern, Antolini Professor of Italian Literature, Vassar College

  “This new Hollander translation deserves to sweep the field.… [The Hollanders] have produced an English text of remarkable poetic sensitivity while never traducing the original Italian or pretending to supplant Dante’s poem with one of their own.”

  —John Fleming, Professor of English and Comparative Literature, Princeton University

  “The Hollanders have rendered both the supple lyricism and the rich imagery of the Purgatorio with an admirably informed expertise.… A model for all translators.”

  —Literary Review

  ALSO TRANSLATED BY

  JEAN HOLLANDER AND ROBERT HOLLANDER

  Inferno

  Purgatorio

  ALSO BY JEAN HOLLANDER

  Crushed into Honey: Poems

  Hugo von Hoffmansthal, The Woman Without a Shadow (translator)

  I Am My Own Woman: The Outlaw Life of Charlotte Von Mahlsdorf, Berlin’s Most Distinguished Transvestite (translator)

  Moondog: Poems

  Organs and Blood: Poems

  ALSO BY ROBERT HOLLANDER

  Allegory in Dante’s Commedia

  Walking on Dante: Poems

  Boccaccio’s Two Venuses

  Studies in Dante

  Il Virgilio dantesco: Tragedia nella “Commedia”

  André Malraux, The Temptation of the West (translator)

  Giovanni Boccaccio, Amorosa Visione (translated with Timothy Hampton and Margherita Frankel)

  Boccaccio’s Last Fiction: Il Corbaccio

  Dante and Paul’s “five words with understanding”

  Dante’s Epistle to Cangrande

  Boccaccio’s Dante and the Shaping Force of Satire

  Dante: A Life in Works

 

 

 


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