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Early Modern Japanese Literature: An Anthology, 1600–1900

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by Shirane, Haruo, ed.




  Early Modern Japanese Literature

  TRANSLATIONS FROM THE ASIAN CLASSICS

  Translations from the Asian Classics

  EDITORIAL BOARD

  Wm. Theodore de Bary, Chairman

  Paul Anderer

  Irene Bloom

  Donald Keene

  George A. Saliba

  Haruo Shirane

  David D. W. Wang

  Burton Watson

  Early Modern Japanese Literature

  AN ANTHOLOGY, 1600–1900

  Edited with Introductions and Commentary by Haruo Shirane

  TRANSLATORS

  James Brandon, Michael Brownstein, Patrick Caddeau, Caryl Ann Callahan, Steven Carter, Anthony Chambers, Cheryl Crowley, Chris Drake, Peter Flueckiger, Charles Fox, C. Andrew Gerstle, Thomas Harper, Robert Huey, Donald Keene, Richard Lane, Lawrence Marceau, Andrew Markus, Herschel Miller, Maryellen Toman Mori, Jamie Newhard, Mark Oshima, Edward Putzar, Peipei Qiu, Satoru Saito, Tomoko Sakomura, G. W. Sargent, Thomas Satchell, Paul Schalow, Haruo Shirane, Jack Stoneman, Makoto Ueda, Burton Watson

  COLUMBIA UNIVERSITY PRESS

  NEW YORK

  Columbia University Press wishes to express its appreciation

  for assistance given by the Japan Foundation toward the cost of publishing this book.

  Columbia University Press wishes to express its appreciation for assistance given by the Pushkin Fund toward the cost of publishing this book.

  Columbia University Press

  Publishers Since 1893

  New York Chichester, West Sussex

  cup.columbia.edu

  Copyright © 2002 Columbia University Press

  All rights reserved

  E-ISBN 978-0-231-50743-1

  Library of Congress Cataloging-in-Publication Data

  Early modern Japanese literature : an anthology, 1600–1900 / [edited with introduction by Haruo Shirane].

  p. cm.—(Translations from the Asian classics)

  Includes bibliographical references and index.

  ISBN 0-231-10990-3 (cloth : alk. paper)

  I. Shirane, Haruo, 1951–II. Series.

  PL782.E1 E23 2002

  895.6’08003—dc21

  2001053725

  A Columbia University Press E-book.

  CUP would be pleased to hear about your reading experience with this e-book at cup-ebook@columbia.edu.

  CONTENTS

  Preface

  Historical Periods, Measurements, and Other Matters

  1. Early Modern Japan

  The Shōgunate and the Domains

  The Social Hierarchy

  The Economy and the Three Cities

  The Licensed Quarters

  The Courtesans and Female Entertainers

  Literacy, Scholarship, and Printing

  Women, Readership, and Literature

  Warrior and Urban Commoner Attitudes

  Popular and Elite Literatures

  Periodization

  2. Kana Booklets and the Emergence of a Print Culture

  Parodies

  The Dog Pillow Book (Inu makura)

  Fake Tales (Nise monogatari)

  Edict Against Christianity

  Humorous Stories

  Today’s Tales of Yesterday (Kinō wa kyō no monogatari)

  Dangerous Things in the World

  The Woman Who Cut Off Her Nose

  Asai Ryōi

  Tales of the Floating World (Ukiyo monogatari)

  Preface

  Regarding Advice Against Wenching

  Hand Puppets (Otogi bōko)

  The Peony Lantern

  Military Stories

  O-An’s Stories (Oan monogatari)

  3. Ihara Saikaku and the Books of the Floating World

  Ihara Saikaku

  Life of a Sensuous Man (Kōshoku ichidai otoko)

  Putting Out the Light, Love Begins

  Afterward “Honored” Is Added to Their Names

  Aids to Lovemaking: Sailing to the Island of Women

  Saikaku’s Tales from Various Provinces (Saikaku shokokubanashi)

  The Umbrella Oracle

  Five Sensuous Women (Kōshoku gonin onna)

  The Calendar Maker’s Wife

  Life of a Sensuous Woman (Kōshoku ichidai onna)

  An Old Woman’s Hermitage

  Mistress of a Domain Lord

  A Monk’s Wife in a Worldly Temple

  A Teacher of Calligraphy and Manners

  A Stylish Woman Who Brought Disaster

  Ink Painting in a Sensual Robe

  Luxurious Dream of a Man

  Streetwalker with a False Voice

  Five Hundred Disciples of the Buddha—I’d Known Them All

  Great Mirror of Male Love (Nanshoku ōkagami)

  Though Bearing an Umbrella

  Tales of Samurai Duty (Bukegiri monogatari)

  In Death They Share the Same Wave Pillow

  Japan’s Eternal Storehouse (Nippon eitaigura)

  In the Past, on Credit, Now Cash Down

  The Foremost Lodger in the Land

  A Feather in Daikoku’s Cap

  All the Goodness Gone from Tea

  Worldly Mental Calculations (Seken munezan’yō)

  In Our Impermanent World, Even Doorposts Are Borrowed

  His Dream Form Is Gold Coins

  Holy Man Heitarō

  Ejima Kiseki and the Hachimonjiya

  Characters of Old Men in the Floating World (Ukiyo oyaji katagi)

  A Money-Loving, Loan-Sharking Old Man

  4. Early Haikai Poetry and Poetics

  Matsunaga Teitoku and the Teimon School

  Kitamura Kigin

  The Mountain Well (Yama no i)

  Fireflies

  Nishiyama Sōin and Danrin Haikai

  Okanishi Ichū

  Haikai Primer (Haikai mōgyū)

  5. The Poetry and Prose of Matsuo Bashō

  Bashō and the Art of Haikai

  Hokku

  Composing Haiku

  Combining

  Intermediaries

  Single-Object Poetry

  Greetings

  Overtones

  The Art of Linked Verse

  Reverberation Link

  Status Link

  Withering Gusts (Kogarashi)

  Plum Blossom Scent (Ume ga ka)

  The Poetics of Haiku

  Awakening to the High, Returning to the Low

  Following the Creative

  Object and Self as One

  Unchanging and Ever-Changing

  Haibun

  The Hut of the Phantom Dwelling (Genjūan no ki)

  Narrow Road to the Deep North (Oku no hosomichi)

  6. Chikamatsu Monzaemon and the Puppet Theater

  Early Jōruri and Kabuki

  Chikamatsu Monzaemon

  The Love Suicides at Sonezaki (Sonezaki shinjū)

  The Drum of the Waves of Horikawa (Horikawa nami no tsutsumi)

  The Battles of Coxinga (Kokusenya kassen)

  The Heike and the Island of Women (Heike nyogo no shima)

  The Love Suicides at Amijima (Shinjū ten no Amijima)

  Hozumi Ikan

  Souvenirs of Naniwa (Naniwa miyage)

  7. Confucian Studies and Literary Perspectives

  Song Confucianism

  Nakae Tōju

  Dialogue with the Elder (Okina mondō)

  On the Virtue of Filial Piety

  Confucian Views of Literature

  Yamazaki Ansai

  Japanese Lesser Learning (Yamato shōgaku)

  Ando Tameakira

  Seven Essays on
Murasaki Shikibu (Shika shichiron)

  The Intentions of the Author

  Chinese Studies and Literary Perspectives

  Itō Jinsai

  The Meaning of Words in the Analects and the Mencius (Gomō jigi)

  Postscript to The Collected Works of Bo Juyi (Hakushimonjū)

  Questions from Children (Dōjimon)

  Itō Tōgai

  Essentials for Reading the Book of Songs (Dokushi yōryō)

  Ogyū Sorai

  Master Sorai’s Teachings (Sorai sensei tōmonsho)

  On the Study of Poetry and Prose

  8. Confucianism in Action: An Autobiography of a Bakufu Official

  The Kyōhō Era (1716–1736)

  Arai Hakuseki

  Record of Breaking and Burning Brushwood (Oritaku shiba no ki)

  Early Education

  Confucian Precedent and Justice for a Woman

  9. Chinese Poetry and the Literatus Ideal

  Hattori Nankaku

  “Traveling Down the Sumida River at Night” (Yoru Bokusui o kudaru)

  Jottings of Master Nankaku Under the Lamplight (Nankaku sensei tōka no sho)

  “Responding to the Lord of Goose Lake” (Gako-kō ni kotau)

  Gion Nankai

  “The Fisherman” (Gyofu)

  Encountering the Origins of Poetry (Shigaku hōgen)

  On Elegance and Vulgarity

  10. The Golden Age of Puppet Theater

  Takeda Izumo, Namiki Sōsuke, and Miyoshi Shōraku

  Chūshingura: The Storehouse of Loyal Retainers (Kanadehon Chūshingura)

  Act 6, Kanpei’s Suicide

  Namiki Sōsuke

  Chronicle of the Battle of Ichinotani (Ichinotani futaba gunki)

  Act 3, Kumagai’s Battle Camp

  Suga Sensuke

  Gappō at the Crossroads (Sesshū Gappō ga tsuji)

  Act 2, Climactic Scene

  11. Dangibon and the Birth of Edo Popular Literature

  Jōkanbō Kōa

  Modern-Style Lousy Sermons (Imayō heta dangi)

  The Spirit of Kudō Suketsune Criticizes the Theater

  Hiraga Gennai

  Rootless Weeds (Nenashigusa)

  In Hell

  Ryōgoku Bridge

  The Lover Reveals His True Form

  The Modern Life of Shidōken (Fūryū Shidōken den)

  Asanoshin Meets the Sage

  Land of the Giants

  Land of the Chest Holes

  Island of Women

  “A Theory of Farting” (Hōhi-ron)

  12. Comic and Satiric Poetry

  Senryū

  Karai Senryū

  Kyōka

  Yomono Akara

  Akera Kankō

  Hezutsu Tōsaku

  Yadoya no Meshimori

  Ki no Sadamaru

  Kyōshi

  Dōmyaku Sensei, Master Artery

  13. Literati Meditations

  Yosa Buson

  Hokku

  Buson’s Poetics

  Preface to Shoha’s Haiku Collection (Shundei kushū)

  Japanese-Chinese Poetry

  “Mourning the Old Sage Hokuju” (Hokuju rōsen o itamu)

  “Spring Breeze on the Kema Embankment” (Shunpū batei kyoku)

  Haibun

  New Flower Gathering (Shinhanatsumi)

  The Badger

  Takebe Ayatari

  Tales from This Time and That (Oriorigusa)

  Walking the Neighborhoods of Negishi in Search of a Woman

  14. Early Yomihon: History, Romance, and the Supernatural

  Ueda Akinari

  Tales of Moonlight and Rain (Ugetsu monogatari)

  The Chrysanthemum Vow

  The Reed-Choked House

  A Serpent’s Lust

  15. Eighteenth-Century Waka and Nativist Study

  Debate on the Eight Points of Japanese Poetry

  Kada no Arimaro

  Eight Points of Japanese Poetry (Kokka hachiron)

  On Poetry as Amusement

  Tayasu Munetake

  My Views on the Eight Points of Japanese Poetry (Kokka hachiron yogen)

  Kamo no Mabuchi

  Another Reply to Tayasu Munetake (Futatabi kingo no kimi ni kotaematsuru no sho)

  Kamo no Mabuchi

  Thoughts on Poetry (Ka’i kō)

  Motoori Norinaga

  “A Small Boat Punting Through the Reeds” (Ashiwake obune)

  My Personal View of Poetry (Isonokami no sasamegoto)

  The Essence of The Tale of Genji (Shibun yōryō)

  The Tale of Genji, a Small Jeweled Comb (Genji monogatari tama no ogushi)

  The Intentions of the Monogatari

  The Spirit of the Gods (Naobi no mitama)

  First Steps in the Mountains (Uiyamabumi)

  16. Sharebon: Books of Wit and Fashion

  The Playboy Dialect (Yūshi hōgen)

  Preface

  Live for Pleasure Alone!

  Santō Kyōden

  Forty-Eight Techniques for Success with Courtesans (Keiseikai shijū hatte)

  The Tender-Loving Technique

  The True-Feeling Technique

  17. Kibyōshi: Satiric and Didactic Picture Books

  Koikawa Harumachi

  Mr Glitter ‘n’ Gold’s Dream of Splendor (Kinkin sensei eiga no yume)

  Santō Kyōden

  Grilled and Basted Edo-Born Playboy (Edo umare uwaki no kabayaki)

  Fast-Dyeing Mind Study (Shingaku hayasomegusa)

  18. Kokkeibon: Comic Fiction for Commoners

  Jippensha Ikku

  Travels on the Eastern Seaboard (Tōkaidōchū hizakurige)

  Journey’s Start

  Changed into a Fox

  The False Ikku

  Shikitei Sanba

  Floating-World Bathhouse (Ukiyoburo)

  The Larger Meaning

  Women’s Bath

  19. Ninjōbon: Sentimental Fiction

  Tamenaga Shunsui

  Spring-Color Plum Calendar (Shunshoku umegoyomi)

  Book 1

  Book 2

  20. Gōkan: Extended Picture Books

  Ryūtei Tanehiko

  A Country Genji by a Commoner Murasaki (Nise Murasaki inaka Genji)

  Book 4 (concluding part)

  Book 5

  21. Ghosts and Nineteenth-Century Kabuki

  Tsuruya Nanboku

  Ghost Stories at Yotsuya (Yotsuya kaidan)

  Act 2, Tamiya Iemon’s House

  Act 3, Deadman’s Ditch

  22. Late Yomihon: History and the Supernatural Revisited

  Kyokutei Bakin

  The Eight Dog Chronicles (Nansō Satomi hakkenden)

  Fusehime at Toyama Cave

  Fusehime’s Decision

  Shino in Ōtsuka Village

  Hamaji and Shino

  23. Nativizing Poetry and Prose in Chinese

  Yamamoto Hokuzan

  Thoughts on Composing Poetry (Sakushi shikō)

  On Spirit and Freshness

  The Conclusion

  Kan Chazan

  Kanshi

  Rai Sanyō

  The Unofficial History of Japan (Nihon gaishi)

  Kusunoki

  Uesugi Kenshin and Takeda Shingen

  Kanshi

  Ryōkan

  Kanshi

  24. The Miscellany

  Matsudaira Sadanobu

  Blossoms and the Moon (Kagetsu sōshi)

  On Blossoms

  Leaving It to Heaven

  Study

  On Skies Clearing and Rain Falling

  Rain

  Comments Made by Bystanders

  On the Ainu

  Fox Stupidity

  Bugs in a Hawk

  25. Early-Nineteenth-Century Haiku

  Kobayashi Issa

  Journal of My Father’s Last Days (Chichi no shūen nikki)

  Fourth Month, Twenty-third Day

  Fourth Month, Twenty-ninth Day

  Fifth Month, Second Day


  Fifth Month, Sixth Day

  Fifth Month, Thirteenth Day

  Fifth Month, Twentieth Day

  Hokku

  My Spring (Ora ga haru)

  Orphan

  Giving the Breast

  A World of Dew

  Come What May

  26. Waka in the Late Edo Period

  Ozawa Roan

  Waka

  The Ancient Middle Road Through Furu (Furu no nakamichi)

  Dust and Dirt

  Reed Sprouts

  Responses to Questions

  Ryōkan

  Waka

  Kagawa Kageki

  Waka

  Objections to New Learning (Niimanabi iken)

  Tachibana Akemi

  Waka

  Ōkuma Kotomichi

  Waka

  Words to Myself (Hitorigochi)

  27. Rakugo

  Sanyūtei Enchō

  Peony Lantern Ghost Story (Kaidan botan dōrō)

  Volume 5, part 12

  English-Language Bibliography

  Index

  PREFACE

  This anthology, one of two planned volumes of Japanese literature from the ancient period through the nineteenth century, brings to the reader carefully chosen examples of literature from the Edo period (1600–1867). Except for such late-seventeenth-century writers as Saikaku, Bashō, and Chikamatsu, the three centuries of early modern Japanese literature have often been neglected by Western readers, and most of the texts here have been translated for the first time. It is my hope that this volume will stimulate interest in one of the most exciting periods in world literature.

  This book pays particular attention to gesaku (playful writing), the popular literature of the late eighteenth and early nineteenth centuries, which includes dangibon, kyōka, senryū, kibyūshi, sharebon, yomihon, kokkeibon, gōkan, and ninjōbon. Also integral to early modern culture were the poetry and prose written in Chinese or classical Japanese by those in the literati (bunjin), Chinese studies (kangaku), and nativist studies (kokugaku) movements that came to the fore in the eighteenth century and are well represented here. The anthology’s focus on these “high” genres, especially poetics and literary treatises, reveals their close connection to the popular literature and culture.

  Nine selections from jōruri (puppet theater) and kabuki by major playwrights are an important part of this book as well. Today in Japan, jōruri and kabuki plays are rarely viewed in their entirety. Instead, favorite scenes or acts are performed, often as a medley. This book takes the same approach, thereby allowing the reader to sample a wide variety of plays. The jōruri and kabuki selections also were chosen to demonstrate their close connection to the fiction of this period.

  Early modern Japanese fiction was accompanied by pictures that existed in a dialogic relationship to the printed text. In this anthology, I have tried to create the same relationship and provide commentary on the images. The drama selections likewise include both photographs from modern performances and Edo-period ukiyo-e and print illustrations.

 

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